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Color name
RGB 132 159 96

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 159 96 it is the complementary color RGB 123 96 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 159 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 159 96 shade: RGB 137 159 91, RGB 154 177 110, RGB 171 195 129, RGB 188 213 148 and RGB 205 231 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 159 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 159 96 shade: RGB 132 159 96, RGB 115 141 77, RGB 98 123 58, RGB 81 105 39 and RGB 64 87 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 159 96 shade: RGB 132 159 95, RGB 149 159 95, RGB 159 152 95, RGB 159 135 95 and RGB 159 117 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 159 96 shade: RGB 132 159 95, RGB 114 159 95, RGB 97 159 95, RGB 95 159 110 and RGB 95 159 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 159 96 shade matches the following richer shades: RGB 132 159 95, RGB 135 180 74, RGB 137 200 54, RGB 140 221 33 and RGB 143 241 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 159 96 shade: RGB 132 159 95, RGB 129 138 116, RGB 126 118 136, RGB 123 97 157 and RGB 120 76 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 159 96 shade: RGB 159 151 95, RGB 149 159 95, RGB 132 159 95, RGB 115 159 95 and RGB 98 159 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 159 96 shade: RGB 89 107 64, RGB 110 133 80, RGB 132 159 95, RGB 151 174 121 and RGB 171 190 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 159 96 shade: RGB 132 159 96, RGB 95 159 134 and RGB 159 95 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 159 96 shade: RGB 132 159 96, RGB 95 132 159 and RGB 159 95 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 159 96 shade: RGB 132 159 96, RGB 95 159 134, RGB 122 95 159 and RGB 159 95 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 159 96 shade: RGB 132 159 96, RGB 95 159 154, RGB 122 95 159 and RGB 159 95 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 40 / 38

HEX #849F60

RGB 132 159 96

HSL 85.71, 0.25%, 0.5%

LAB 62.12, -20.6, 29.83

 

Complementary color

CMYK 23 / 40 / 0 / 38

HEX #7B609F

RGB 123 96 159

HSL 265.71, 0.25%, 0.5%

LAB 45.74, 24.2, -30.2

 

CMYK 14 / 0 / 43 / 38

HEX #899F5B

RGB 137 159 91

HSL 79.41, 0.27%, 0.49%

LAB 62.4, -19.27, 32.9

 

CMYK 13 / 0 / 38 / 31

HEX #9AB16E

RGB 154 177 110

HSL 80.6, 0.3%, 0.56%

LAB 69.07, -19.34, 31.7

 

CMYK 12 / 0 / 34 / 24

HEX #ABC381

RGB 171 195 129

HSL 81.82, 0.35%, 0.64%

LAB 75.62, -19.38, 30.55

 

CMYK 12 / 0 / 31 / 16

HEX #BCD594

RGB 188 213 148

HSL 83.08, 0.44%, 0.71%

LAB 82.06, -19.39, 29.45

 

CMYK 11 / 0 / 28 / 9

HEX #CDE7A7

RGB 205 231 167

HSL 84.38, 0.57%, 0.78%

LAB 88.41, -19.4, 28.4

 

CMYK 17 / 0 / 40 / 38

HEX #849F60

RGB 132 159 96

HSL 85.71, 0.25%, 0.5%

LAB 62.12, -20.6, 29.83

 

CMYK 18 / 0 / 45 / 45

HEX #738D4D

RGB 115 141 77

HSL 84.38, 0.29%, 0.43%

LAB 55.31, -20.58, 31.06

 

CMYK 20 / 0 / 53 / 52

HEX #627B3A

RGB 98 123 58

HSL 83.08, 0.36%, 0.35%

LAB 48.35, -20.51, 32.3

 

CMYK 23 / 0 / 63 / 59

HEX #516927

RGB 81 105 39

HSL 81.82, 0.46%, 0.28%

LAB 41.21, -20.32, 33.45

 

CMYK 26 / 0 / 77 / 66

HEX #405714

RGB 64 87 20

HSL 80.6, 0.63%, 0.21%

LAB 33.89, -19.93, 34.15

 

CMYK 17 / 0 / 40 / 38

HEX #849F5F

RGB 132 159 95

HSL 85.31, 0.25%, 0.5%

LAB 62.11, -20.73, 30.34

 

CMYK 6 / 0 / 40 / 38

HEX #959F5F

RGB 149 159 95

HSL 69.38, 0.25%, 0.5%

LAB 63.35, -13.93, 32.19

 

CMYK 0 / 4 / 40 / 38

HEX #9F985F

RGB 159 152 95

HSL 53.44, 0.25%, 0.5%

LAB 62.21, -6.06, 30.9

 

CMYK 0 / 15 / 40 / 38

HEX #9F875F

RGB 159 135 95

HSL 37.5, 0.25%, 0.5%

LAB 57.58, 3.31, 24.89

 

CMYK 0 / 26 / 40 / 38

HEX #9F755F

RGB 159 117 95

HSL 20.63, 0.25%, 0.5%

LAB 52.86, 13.51, 18.59

 

CMYK 17 / 0 / 40 / 38

HEX #849F5F

RGB 132 159 95

HSL 85.31, 0.25%, 0.5%

LAB 62.11, -20.73, 30.34

 

CMYK 28 / 0 / 40 / 38

HEX #729F5F

RGB 114 159 95

HSL 102.19, 0.25%, 0.5%

LAB 60.96, -27.52, 28.63

 

CMYK 39 / 0 / 40 / 38

HEX #619F5F

RGB 97 159 95

HSL 118.13, 0.25%, 0.5%

LAB 60.04, -33.39, 27.25

 

CMYK 40 / 0 / 31 / 38

HEX #5F9F6E

RGB 95 159 110

HSL 134.06, 0.25%, 0.5%

LAB 60.21, -31.43, 19.29

 

CMYK 40 / 0 / 20 / 38

HEX #5F9F7F

RGB 95 159 127

HSL 150, 0.25%, 0.5%

LAB 60.57, -28.02, 10.33

 

CMYK 17 / 0 / 40 / 38

HEX #849F5F

RGB 132 159 95

HSL 85.31, 0.25%, 0.5%

LAB 62.11, -20.73, 30.34

 

CMYK 25 / 0 / 59 / 29

HEX #87B44A

RGB 135 180 74

HSL 85.47, 0.42%, 0.5%

LAB 68.23, -32.17, 48.24

 

CMYK 32 / 0 / 73 / 22

HEX #89C836

RGB 137 200 54

HSL 85.89, 0.57%, 0.5%

LAB 74.12, -41.94, 62.59

 

CMYK 37 / 0 / 85 / 13

HEX #8CDD21

RGB 140 221 33

HSL 85.85, 0.74%, 0.5%

LAB 80.4, -50.62, 74.29

 

CMYK 41 / 0 / 95 / 5

HEX #8FF10D

RGB 143 241 13

HSL 85.79, 0.9%, 0.5%

LAB 86.39, -57.95, 82.28

 

CMYK 17 / 0 / 40 / 38

HEX #849F5F

RGB 132 159 95

HSL 85.31, 0.25%, 0.5%

LAB 62.11, -20.73, 30.34

 

CMYK 7 / 0 / 16 / 46

HEX #818A74

RGB 129 138 116

HSL 84.55, 0.09%, 0.5%

LAB 56.19, -7.5, 10.68

 

CMYK 7 / 13 / 0 / 47

HEX #7E7688

RGB 126 118 136

HSL 266.67, 0.07%, 0.5%

LAB 50.89, 6.73, -8.7

 

CMYK 22 / 38 / 0 / 38

HEX #7B619D

RGB 123 97 157

HSL 266, 0.24%, 0.5%

LAB 45.9, 23.11, -28.77

 

CMYK 33 / 57 / 0 / 30

HEX #784CB2

RGB 120 76 178

HSL 265.88, 0.4%, 0.5%

LAB 41.81, 39.89, -47.68

 

CMYK 0 / 5 / 40 / 38

HEX #9F975F

RGB 159 151 95

HSL 52.5, 0.25%, 0.5%

LAB 61.94, -5.52, 30.55

 

CMYK 6 / 0 / 40 / 38

HEX #959F5F

RGB 149 159 95

HSL 69.38, 0.25%, 0.5%

LAB 63.35, -13.93, 32.19

 

CMYK 17 / 0 / 40 / 38

HEX #849F5F

RGB 132 159 95

HSL 85.31, 0.25%, 0.5%

LAB 62.11, -20.73, 30.34

 

CMYK 28 / 0 / 40 / 38

HEX #739F5F

RGB 115 159 95

HSL 101.25, 0.25%, 0.5%

LAB 61.02, -27.16, 28.72

 

CMYK 38 / 0 / 40 / 38

HEX #629F5F

RGB 98 159 95

HSL 117.19, 0.25%, 0.5%

LAB 60.09, -33.06, 27.33

 

CMYK 17 / 0 / 40 / 58

HEX #596B40

RGB 89 107 64

HSL 85.12, 0.25%, 0.34%

LAB 42.78, -14.95, 21.92

 

CMYK 17 / 0 / 40 / 48

HEX #6E8550

RGB 110 133 80

HSL 86.04, 0.25%, 0.42%

LAB 52.59, -18.03, 25.9

 

CMYK 17 / 0 / 40 / 38

HEX #849F5F

RGB 132 159 95

HSL 85.31, 0.25%, 0.5%

LAB 62.11, -20.73, 30.34

 

CMYK 13 / 0 / 30 / 32

HEX #97AE79

RGB 151 174 121

HSL 86.04, 0.25%, 0.58%

LAB 68.19, -17.43, 24.65

 

CMYK 10 / 0 / 23 / 25

HEX #ABBE93

RGB 171 190 147

HSL 86.51, 0.25%, 0.66%

LAB 74.57, -14.2, 19.59

 

CMYK 17 / 0 / 40 / 38

HEX #849F60

RGB 132 159 96

HSL 85.71, 0.25%, 0.5%

LAB 62.12, -20.6, 29.83

 

CMYK 40 / 0 / 16 / 38

HEX #5F9F86

RGB 95 159 134

HSL 156.56, 0.25%, 0.5%

LAB 60.74, -26.49, 6.64

 

CMYK 0 / 40 / 1 / 38

HEX #9F5F9E

RGB 159 95 158

HSL 300.94, 0.25%, 0.5%

LAB 49.53, 36.04, -23.42

 

CMYK 17 / 0 / 40 / 38

HEX #849F60

RGB 132 159 96

HSL 85.71, 0.25%, 0.5%

LAB 62.12, -20.6, 29.83

 

CMYK 40 / 17 / 0 / 38

HEX #5F849F

RGB 95 132 159

HSL 205.31, 0.25%, 0.5%

LAB 53.43, -5.73, -18.5

 

CMYK 0 / 40 / 17 / 38

HEX #9F5F84

RGB 159 95 132

HSL 325.31, 0.25%, 0.5%

LAB 48.54, 31.38, -9.48

 

CMYK 17 / 0 / 40 / 38

HEX #849F60

RGB 132 159 96

HSL 85.71, 0.25%, 0.5%

LAB 62.12, -20.6, 29.83

 

CMYK 40 / 0 / 16 / 38

HEX #5F9F86

RGB 95 159 134

HSL 156.56, 0.25%, 0.5%

LAB 60.74, -26.49, 6.64

 

CMYK 23 / 40 / 0 / 38

HEX #7A5F9F

RGB 122 95 159

HSL 265.31, 0.25%, 0.5%

LAB 45.39, 24.49, -30.75

 

CMYK 0 / 40 / 25 / 38

HEX #9F5F78

RGB 159 95 120

HSL 336.56, 0.25%, 0.5%

LAB 48.15, 29.47, -2.87

 

CMYK 17 / 0 / 40 / 38

HEX #849F60

RGB 132 159 96

HSL 85.71, 0.25%, 0.5%

LAB 62.12, -20.6, 29.83

 

CMYK 40 / 0 / 3 / 38

HEX #5F9F9A

RGB 95 159 154

HSL 175.31, 0.25%, 0.5%

LAB 61.27, -21.73, -3.86

 

CMYK 23 / 40 / 0 / 38

HEX #7A5F9F

RGB 122 95 159

HSL 265.31, 0.25%, 0.5%

LAB 45.39, 24.49, -30.75

 

CMYK 0 / 40 / 37 / 38

HEX #9F5F64

RGB 159 95 100

HSL 355.31, 0.25%, 0.5%

LAB 47.59, 26.67, 8.35

 

Description

Color code: RGB 132 159 96 | qconv.com Color code: RGB 132 159 96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 159 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 159 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 40 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 40% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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