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Color name
RGB 132 12 111

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 12 111 it is the complementary color RGB 123 243 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 12 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 12 111 shade: RGB 137 12 106, RGB 154 30 125, RGB 171 48 144, RGB 188 66 163 and RGB 205 84 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 12 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 12 111 shade: RGB 132 12 111, RGB 115 0 92, RGB 98 0 73, RGB 81 0 54 and RGB 64 0 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 12 111 shade: RGB 130 12 109, RGB 130 12 77, RGB 130 12 45, RGB 130 12 14 and RGB 130 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 12 111 shade: RGB 130 12 109, RGB 119 12 130, RGB 87 12 130, RGB 55 12 130 and RGB 23 12 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 12 111 shade matches the following richer shades: RGB 130 12 109 and RGB 142 0 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 12 111 shade: RGB 130 12 109, RGB 119 23 102, RGB 107 35 94, RGB 96 46 87 and RGB 84 58 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 12 111 shade: RGB 87 12 130, RGB 118 12 130, RGB 130 12 110, RGB 130 12 79 and RGB 130 12 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 12 111 shade: RGB 55 5 46, RGB 92 8 78, RGB 130 12 109, RGB 168 15 141 and RGB 206 19 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 12 111 shade: RGB 132 12 111, RGB 130 55 12 and RGB 12 130 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 12 111 shade: RGB 132 12 111, RGB 110 130 12 and RGB 12 110 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 12 111 shade: RGB 132 12 111, RGB 130 55 12, RGB 12 130 31 and RGB 12 87 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 12 111 shade: RGB 132 12 111, RGB 130 91 12, RGB 12 130 31 and RGB 12 51 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 16 / 48

HEX #840C6F

RGB 132 12 111

HSL 310.5, 0.83%, 0.28%

LAB 30.2, 55.26, -25

 

Complementary color

CMYK 49 / 0 / 41 / 5

HEX #7BF390

RGB 123 243 144

HSL 130.5, 0.83%, 0.72%

LAB 87.16, -54.21, 37.57

 

CMYK 0 / 91 / 23 / 46

HEX #890C6A

RGB 137 12 106

HSL 314.88, 0.84%, 0.29%

LAB 30.93, 55.66, -20.57

 

CMYK 0 / 81 / 19 / 40

HEX #9A1E7D

RGB 154 30 125

HSL 314.03, 0.67%, 0.36%

LAB 36.52, 58.04, -23.66

 

CMYK 0 / 72 / 16 / 33

HEX #AB3090

RGB 171 48 144

HSL 313.17, 0.56%, 0.43%

LAB 42.44, 59.17, -25.89

 

CMYK 0 / 65 / 13 / 26

HEX #BC42A3

RGB 188 66 163

HSL 312.3, 0.48%, 0.5%

LAB 48.55, 59.52, -27.55

 

CMYK 0 / 59 / 11 / 20

HEX #CD54B6

RGB 205 84 182

HSL 311.4, 0.55%, 0.57%

LAB 54.76, 59.4, -28.83

 

CMYK 0 / 91 / 16 / 48

HEX #840C6F

RGB 132 12 111

HSL 310.5, 0.83%, 0.28%

LAB 30.2, 55.26, -25

 

CMYK 0 / 100 / 20 / 55

HEX #73005C

RGB 115 0 92

HSL 312, 1%, 0.23%

LAB 25.01, 51.16, -21.02

 

CMYK 0 / 100 / 26 / 62

HEX #620049

RGB 98 0 73

HSL 315.31, 1%, 0.19%

LAB 20.35, 45.01, -15.76

 

CMYK 0 / 100 / 33 / 68

HEX #510036

RGB 81 0 54

HSL 320, 1%, 0.16%

LAB 15.57, 38.7, -10.15

 

CMYK 0 / 100 / 45 / 75

HEX #400023

RGB 64 0 35

HSL 327.19, 1%, 0.13%

LAB 10.64, 32.22, -4.02

 

CMYK 0 / 91 / 16 / 49

HEX #820C6D

RGB 130 12 109

HSL 310.68, 0.83%, 0.28%

LAB 29.7, 54.55, -24.53

 

CMYK 0 / 91 / 41 / 49

HEX #820C4D

RGB 130 12 77

HSL 326.95, 0.83%, 0.28%

LAB 28.23, 50.59, -5.82

 

CMYK 0 / 91 / 65 / 49

HEX #820C2D

RGB 130 12 45

HSL 343.22, 0.83%, 0.28%

LAB 27.29, 47.94, 14.44

 

CMYK 0 / 91 / 89 / 49

HEX #820C0E

RGB 130 12 14

HSL 358.98, 0.83%, 0.28%

LAB 26.85, 46.66, 33.53

 

CMYK 0 / 91 / 91 / 49

HEX #820C0C

RGB 130 12 12

HSL 0, 0.83%, 0.28%

LAB 26.84, 46.62, 34.48

 

CMYK 0 / 91 / 16 / 49

HEX #820C6D

RGB 130 12 109

HSL 310.68, 0.83%, 0.28%

LAB 29.7, 54.55, -24.53

 

CMYK 8 / 91 / 0 / 49

HEX #770C82

RGB 119 12 130

HSL 294.41, 0.83%, 0.28%

LAB 28.89, 55.7, -39.27

 

CMYK 33 / 91 / 0 / 49

HEX #570C82

RGB 87 12 130

HSL 278.14, 0.83%, 0.28%

LAB 23.34, 50.38, -48.54

 

CMYK 58 / 91 / 0 / 49

HEX #370C82

RGB 55 12 130

HSL 261.86, 0.83%, 0.28%

LAB 18.74, 46.37, -56.26

 

CMYK 82 / 91 / 0 / 49

HEX #170C82

RGB 23 12 130

HSL 245.59, 0.83%, 0.28%

LAB 15.78, 44.08, -61.26

 

CMYK 0 / 91 / 16 / 49

HEX #820C6D

RGB 130 12 109

HSL 310.68, 0.83%, 0.28%

LAB 29.7, 54.55, -24.53

 

CMYK 0 / 100 / 18 / 44

HEX #8E0075

RGB 142 0 117

HSL 310.56, 1%, 0.28%

LAB 31.89, 59.93, -26.03

 

CMYK 0 / 91 / 16 / 49

HEX #820C6D

RGB 130 12 109

HSL 310.68, 0.83%, 0.28%

LAB 29.7, 54.55, -24.53

 

CMYK 0 / 81 / 14 / 53

HEX #771766

RGB 119 23 102

HSL 310.63, 0.68%, 0.28%

LAB 28.1, 48.4, -22.67

 

CMYK 0 / 67 / 12 / 58

HEX #6B235E

RGB 107 35 94

HSL 310.83, 0.51%, 0.28%

LAB 27.12, 39.35, -19.15

 

CMYK 0 / 52 / 9 / 62

HEX #602E57

RGB 96 46 87

HSL 310.8, 0.35%, 0.28%

LAB 27.1, 28.89, -14.74

 

CMYK 0 / 31 / 6 / 67

HEX #543A4F

RGB 84 58 79

HSL 311.54, 0.18%, 0.28%

LAB 28.05, 15.45, -8.19

 

CMYK 33 / 91 / 0 / 49

HEX #570C82

RGB 87 12 130

HSL 278.14, 0.83%, 0.28%

LAB 23.34, 50.38, -48.54

 

CMYK 9 / 91 / 0 / 49

HEX #760C82

RGB 118 12 130

HSL 293.9, 0.83%, 0.28%

LAB 28.71, 55.52, -39.58

 

CMYK 0 / 91 / 15 / 49

HEX #820C6E

RGB 130 12 110

HSL 310.17, 0.83%, 0.28%

LAB 29.75, 54.69, -25.09

 

CMYK 0 / 91 / 39 / 49

HEX #820C4F

RGB 130 12 79

HSL 325.93, 0.83%, 0.28%

LAB 28.31, 50.8, -7.04

 

CMYK 0 / 91 / 64 / 49

HEX #820C2F

RGB 130 12 47

HSL 342.2, 0.83%, 0.28%

LAB 27.34, 48.07, 13.15

 

CMYK 0 / 91 / 16 / 78

HEX #37052E

RGB 55 5 46

HSL 310.8, 0.83%, 0.12%

LAB 9.94, 29.01, -13.52

 

CMYK 0 / 91 / 15 / 64

HEX #5C084E

RGB 92 8 78

HSL 310, 0.84%, 0.2%

LAB 20.04, 42.36, -19.76

 

CMYK 0 / 91 / 16 / 49

HEX #820C6D

RGB 130 12 109

HSL 310.68, 0.83%, 0.28%

LAB 29.7, 54.55, -24.53

 

CMYK 0 / 91 / 16 / 34

HEX #A80F8D

RGB 168 15 141

HSL 310.59, 0.84%, 0.36%

LAB 38.88, 66.33, -29.66

 

CMYK 0 / 91 / 16 / 19

HEX #CE13AD

RGB 206 19 173

HSL 310.59, 0.83%, 0.44%

LAB 47.76, 77.41, -34.48

 

CMYK 0 / 91 / 16 / 48

HEX #840C6F

RGB 132 12 111

HSL 310.5, 0.83%, 0.28%

LAB 30.2, 55.26, -25

 

CMYK 0 / 58 / 91 / 49

HEX #82370C

RGB 130 55 12

HSL 21.86, 0.83%, 0.28%

LAB 32.93, 30.06, 39.42

 

CMYK 91 / 0 / 21 / 49

HEX #0C8267

RGB 12 130 103

HSL 166.27, 0.83%, 0.28%

LAB 48.29, -36.57, 6.28

 

CMYK 0 / 91 / 16 / 48

HEX #840C6F

RGB 132 12 111

HSL 310.5, 0.83%, 0.28%

LAB 30.2, 55.26, -25

 

CMYK 15 / 0 / 91 / 49

HEX #6E820C

RGB 110 130 12

HSL 70.17, 0.83%, 0.28%

LAB 51.04, -21.95, 53.17

 

CMYK 91 / 15 / 0 / 49

HEX #0C6E82

RGB 12 110 130

HSL 190.17, 0.83%, 0.28%

LAB 42.52, -18.14, -18.35

 

CMYK 0 / 91 / 16 / 48

HEX #840C6F

RGB 132 12 111

HSL 310.5, 0.83%, 0.28%

LAB 30.2, 55.26, -25

 

CMYK 0 / 58 / 91 / 49

HEX #82370C

RGB 130 55 12

HSL 21.86, 0.83%, 0.28%

LAB 32.93, 30.06, 39.42

 

CMYK 91 / 0 / 76 / 49

HEX #0C821F

RGB 12 130 31

HSL 129.66, 0.83%, 0.28%

LAB 47.16, -49.69, 42.58

 

CMYK 91 / 33 / 0 / 49

HEX #0C5782

RGB 12 87 130

HSL 201.86, 0.83%, 0.28%

LAB 35.02, -4.59, -30.04

 

CMYK 0 / 91 / 16 / 48

HEX #840C6F

RGB 132 12 111

HSL 310.5, 0.83%, 0.28%

LAB 30.2, 55.26, -25

 

CMYK 0 / 30 / 91 / 49

HEX #825B0C

RGB 130 91 12

HSL 40.17, 0.83%, 0.28%

LAB 41.62, 9.35, 46.33

 

CMYK 91 / 0 / 76 / 49

HEX #0C821F

RGB 12 130 31

HSL 129.66, 0.83%, 0.28%

LAB 47.16, -49.69, 42.58

 

CMYK 91 / 61 / 0 / 49

HEX #0C3382

RGB 12 51 130

HSL 220.17, 0.83%, 0.28%

LAB 23.86, 19.98, -47.95

 

Description

Color code: RGB 132 12 111 | qconv.com Color code: RGB 132 12 111 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 12 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 12 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 16 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 16% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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