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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 120 70 it is the complementary color RGB 123 135 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 120 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 120 70 shade: RGB 137 120 65, RGB 154 138 84, RGB 171 156 103, RGB 188 174 122 and RGB 205 192 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 120 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 120 70 shade: RGB 132 120 70, RGB 115 102 51, RGB 98 84 32, RGB 81 66 13 and RGB 64 48 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 120 70 shade: RGB 133 121 70, RGB 133 104 70, RGB 133 87 70 and RGB 133 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 120 70 shade: RGB 133 121 70, RGB 128 133 70, RGB 111 133 70, RGB 94 133 70 and RGB 77 133 70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 120 70 shade matches the following richer shades: RGB 133 121 70, RGB 150 131 53, RGB 166 141 37, RGB 183 151 20 and RGB 199 161 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 120 70 shade: RGB 133 121 70, RGB 117 111 86, RGB 100 101 103, RGB 84 91 119 and RGB 67 80 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 120 70 shade: RGB 133 87 70, RGB 133 104 70, RGB 133 120 70, RGB 129 133 70 and RGB 112 133 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 120 70 shade: RGB 79 72 41, RGB 106 96 56, RGB 133 121 70, RGB 160 145 84 and RGB 177 164 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 120 70 shade: RGB 132 120 70, RGB 70 133 70 and RGB 95 70 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 120 70 shade: RGB 132 120 70, RGB 70 133 120 and RGB 120 70 133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 120 70 shade: RGB 132 120 70, RGB 70 133 70, RGB 70 83 133 and RGB 133 70 133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 120 70 shade: RGB 132 120 70, RGB 70 133 89, RGB 70 83 133 and RGB 133 70 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 47 / 48

HEX #847846

RGB 132 120 70

HSL 48.39, 0.31%, 0.4%

LAB 50.43, -2.77, 29.04

 

Complementary color

CMYK 34 / 27 / 0 / 27

HEX #7B87B9

RGB 123 135 185

HSL 228.39, 0.31%, 0.6%

LAB 57.12, 7.7, -27.6

 

CMYK 0 / 12 / 53 / 46

HEX #897841

RGB 137 120 65

HSL 45.83, 0.36%, 0.4%

LAB 50.84, -1.05, 32.37

 

CMYK 0 / 10 / 45 / 40

HEX #9A8A54

RGB 154 138 84

HSL 46.29, 0.29%, 0.47%

LAB 57.74, -1.74, 31.03

 

CMYK 0 / 9 / 40 / 33

HEX #AB9C67

RGB 171 156 103

HSL 46.76, 0.29%, 0.54%

LAB 64.49, -2.3, 29.75

 

CMYK 0 / 7 / 35 / 26

HEX #BCAE7A

RGB 188 174 122

HSL 47.27, 0.33%, 0.61%

LAB 71.12, -2.76, 28.54

 

CMYK 0 / 6 / 31 / 20

HEX #CDC08D

RGB 205 192 141

HSL 47.81, 0.39%, 0.68%

LAB 77.64, -3.15, 27.41

 

CMYK 0 / 9 / 47 / 48

HEX #847846

RGB 132 120 70

HSL 48.39, 0.31%, 0.4%

LAB 50.43, -2.77, 29.04

 

CMYK 0 / 11 / 56 / 55

HEX #736633

RGB 115 102 51

HSL 47.81, 0.39%, 0.33%

LAB 43.34, -2.06, 30.4

 

CMYK 0 / 14 / 67 / 62

HEX #625420

RGB 98 84 32

HSL 47.27, 0.51%, 0.25%

LAB 36.06, -1.1, 31.69

 

CMYK 0 / 19 / 84 / 68

HEX #51420D

RGB 81 66 13

HSL 46.76, 0.72%, 0.18%

LAB 28.58, 0.24, 32.46

 

CMYK 0 / 25 / 100 / 75

HEX #403000

RGB 64 48 0

HSL 45, 1%, 0.13%

LAB 20.84, 2.16, 29.48

 

CMYK 0 / 9 / 47 / 48

HEX #857946

RGB 133 121 70

HSL 48.57, 0.31%, 0.4%

LAB 50.81, -2.89, 29.53

 

CMYK 0 / 22 / 47 / 48

HEX #856846

RGB 133 104 70

HSL 32.38, 0.31%, 0.4%

LAB 46.08, 6.91, 23.54

 

CMYK 0 / 35 / 47 / 48

HEX #855746

RGB 133 87 70

HSL 16.19, 0.31%, 0.4%

LAB 41.6, 16.94, 17.66

 

CMYK 0 / 47 / 47 / 48

HEX #854646

RGB 133 70 70

HSL 0, 0.31%, 0.4%

LAB 37.5, 26.81, 12.1

 

CMYK 0 / 9 / 47 / 48

HEX #857946

RGB 133 121 70

HSL 48.57, 0.31%, 0.4%

LAB 50.81, -2.89, 29.53

 

CMYK 4 / 0 / 47 / 48

HEX #808546

RGB 128 133 70

HSL 64.76, 0.31%, 0.4%

LAB 53.82, -11.74, 33.15

 

CMYK 17 / 0 / 47 / 48

HEX #6F8546

RGB 111 133 70

HSL 80.95, 0.31%, 0.4%

LAB 52.51, -18.93, 31.24

 

CMYK 29 / 0 / 47 / 48

HEX #5E8546

RGB 94 133 70

HSL 97.14, 0.31%, 0.4%

LAB 51.38, -25.68, 29.59

 

CMYK 42 / 0 / 47 / 48

HEX #4D8546

RGB 77 133 70

HSL 113.33, 0.31%, 0.4%

LAB 50.45, -31.78, 28.22

 

CMYK 0 / 9 / 47 / 48

HEX #857946

RGB 133 121 70

HSL 48.57, 0.31%, 0.4%

LAB 50.81, -2.89, 29.53

 

CMYK 0 / 13 / 65 / 41

HEX #968335

RGB 150 131 53

HSL 48.25, 0.48%, 0.4%

LAB 55.05, -2.35, 43.62

 

CMYK 0 / 15 / 78 / 35

HEX #A68D25

RGB 166 141 37

HSL 48.37, 0.64%, 0.4%

LAB 59.24, -1.48, 55.04

 

CMYK 0 / 17 / 89 / 28

HEX #B79714

RGB 183 151 20

HSL 48.22, 0.8%, 0.4%

LAB 63.55, 0.25, 64.28

 

CMYK 0 / 19 / 98 / 22

HEX #C7A104

RGB 199 161 4

HSL 48.31, 0.96%, 0.4%

LAB 67.75, 1.82, 70.63

 

CMYK 0 / 9 / 47 / 48

HEX #857946

RGB 133 121 70

HSL 48.57, 0.31%, 0.4%

LAB 50.81, -2.89, 29.53

 

CMYK 0 / 5 / 26 / 54

HEX #756F56

RGB 117 111 86

HSL 48.39, 0.15%, 0.4%

LAB 46.74, -2.05, 14.79

 

CMYK 3 / 2 / 0 / 60

HEX #646567

RGB 100 101 103

HSL 220, 0.01%, 0.4%

LAB 42.76, 0.04, -1.27

 

CMYK 29 / 24 / 0 / 53

HEX #545B77

RGB 84 91 119

HSL 228, 0.17%, 0.4%

LAB 39.07, 4.26, -16.72

 

CMYK 51 / 41 / 0 / 47

HEX #435088

RGB 67 80 136

HSL 228.7, 0.34%, 0.4%

LAB 35.42, 11.45, -32.94

 

CMYK 0 / 35 / 47 / 48

HEX #855746

RGB 133 87 70

HSL 16.19, 0.31%, 0.4%

LAB 41.6, 16.94, 17.66

 

CMYK 0 / 22 / 47 / 48

HEX #856846

RGB 133 104 70

HSL 32.38, 0.31%, 0.4%

LAB 46.08, 6.91, 23.54

 

CMYK 0 / 10 / 47 / 48

HEX #857846

RGB 133 120 70

HSL 47.62, 0.31%, 0.4%

LAB 50.52, -2.33, 29.18

 

CMYK 3 / 0 / 47 / 48

HEX #818546

RGB 129 133 70

HSL 63.81, 0.31%, 0.4%

LAB 53.9, -11.3, 33.27

 

CMYK 16 / 0 / 47 / 48

HEX #708546

RGB 112 133 70

HSL 80, 0.31%, 0.4%

LAB 52.58, -18.51, 31.34

 

CMYK 0 / 9 / 48 / 69

HEX #4F4829

RGB 79 72 41

HSL 48.95, 0.32%, 0.24%

LAB 30.54, -2.15, 19.62

 

CMYK 0 / 9 / 47 / 58

HEX #6A6038

RGB 106 96 56

HSL 48, 0.31%, 0.32%

LAB 40.76, -2.18, 24.24

 

CMYK 0 / 9 / 47 / 48

HEX #857946

RGB 133 121 70

HSL 48.57, 0.31%, 0.4%

LAB 50.81, -2.89, 29.53

 

CMYK 0 / 9 / 48 / 37

HEX #A09154

RGB 160 145 84

HSL 48.16, 0.31%, 0.48%

LAB 60.22, -3.02, 34.26

 

CMYK 0 / 7 / 39 / 31

HEX #B1A46C

RGB 177 164 108

HSL 48.7, 0.31%, 0.56%

LAB 67.26, -3.56, 30.77

 

CMYK 0 / 9 / 47 / 48

HEX #847846

RGB 132 120 70

HSL 48.39, 0.31%, 0.4%

LAB 50.43, -2.77, 29.04

 

CMYK 47 / 0 / 47 / 48

HEX #468546

RGB 70 133 70

HSL 120, 0.31%, 0.4%

LAB 50.12, -34.04, 27.74

 

CMYK 29 / 47 / 0 / 48

HEX #5F4685

RGB 95 70 133

HSL 263.81, 0.31%, 0.4%

LAB 35.02, 24.82, -31.57

 

CMYK 0 / 9 / 47 / 48

HEX #847846

RGB 132 120 70

HSL 48.39, 0.31%, 0.4%

LAB 50.43, -2.77, 29.04

 

CMYK 47 / 0 / 10 / 48

HEX #468578

RGB 70 133 120

HSL 167.62, 0.31%, 0.4%

LAB 51.19, -23.66, 0.72

 

CMYK 10 / 47 / 0 / 48

HEX #784685

RGB 120 70 133

HSL 287.62, 0.31%, 0.4%

LAB 37.96, 32.52, -26.74

 

CMYK 0 / 9 / 47 / 48

HEX #847846

RGB 132 120 70

HSL 48.39, 0.31%, 0.4%

LAB 50.43, -2.77, 29.04

 

CMYK 47 / 0 / 47 / 48

HEX #468546

RGB 70 133 70

HSL 120, 0.31%, 0.4%

LAB 50.12, -34.04, 27.74

 

CMYK 47 / 38 / 0 / 48

HEX #465385

RGB 70 83 133

HSL 227.62, 0.31%, 0.4%

LAB 36.33, 9.31, -29.64

 

CMYK 0 / 47 / 0 / 48

HEX #854685

RGB 133 70 133

HSL 300, 0.31%, 0.4%

LAB 39.68, 36.62, -23.93

 

CMYK 0 / 9 / 47 / 48

HEX #847846

RGB 132 120 70

HSL 48.39, 0.31%, 0.4%

LAB 50.43, -2.77, 29.04

 

CMYK 47 / 0 / 33 / 48

HEX #468559

RGB 70 133 89

HSL 138.1, 0.31%, 0.4%

LAB 50.45, -30.7, 17.6

 

CMYK 47 / 38 / 0 / 48

HEX #465385

RGB 70 83 133

HSL 227.62, 0.31%, 0.4%

LAB 36.33, 9.31, -29.64

 

CMYK 0 / 47 / 14 / 48

HEX #854672

RGB 133 70 114

HSL 318.1, 0.31%, 0.4%

LAB 38.87, 33.11, -13.47

 

Description

Color code: RGB 132 120 70 | qconv.com Color code: RGB 132 120 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 120 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 120 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 47 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 47% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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