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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 109 103 it is the complementary color RGB 123 146 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 109 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 109 103 shade: RGB 137 109 98, RGB 154 127 117, RGB 171 145 136, RGB 188 163 155 and RGB 205 181 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 109 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 109 103 shade: RGB 132 109 103, RGB 115 91 84, RGB 98 73 65, RGB 81 55 46 and RGB 64 37 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 109 103 shade: RGB 131 109 103 and RGB 131 103 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 109 103 shade: RGB 131 109 103, RGB 131 116 103, RGB 131 124 103, RGB 130 131 103 and RGB 123 131 103

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 109 103 shade matches the following richer shades: RGB 131 109 103, RGB 150 97 84, RGB 169 86 65, RGB 188 75 46 and RGB 207 64 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 109 103 shade: RGB 131 109 103, RGB 112 120 122, RGB 93 131 141, RGB 74 142 160 and RGB 55 153 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 109 103 shade: RGB 131 103 112, RGB 131 103 105, RGB 131 108 103, RGB 131 116 103 and RGB 131 123 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 109 103 shade: RGB 85 70 66, RGB 108 89 85, RGB 131 109 103, RGB 151 129 123 and RGB 170 151 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 109 103 shade: RGB 132 109 103, RGB 120 131 103 and RGB 103 108 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 109 103 shade: RGB 132 109 103, RGB 103 131 108 and RGB 108 103 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 109 103 shade: RGB 132 109 103, RGB 120 131 103, RGB 103 125 131 and RGB 114 103 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 109 103 shade: RGB 132 109 103, RGB 111 131 103, RGB 103 125 131 and RGB 122 103 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 22 / 48

HEX #846D67

RGB 132 109 103

HSL 12.41, 0.12%, 0.46%

LAB 48.04, 8.07, 6.75

 

Complementary color

CMYK 19 / 4 / 0 / 40

HEX #7B9298

RGB 123 146 152

HSL 192.41, 0.12%, 0.54%

LAB 59.01, -6.78, -5.9

 

CMYK 0 / 20 / 28 / 46

HEX #896D62

RGB 137 109 98

HSL 16.92, 0.17%, 0.46%

LAB 48.43, 9.35, 10.35

 

CMYK 0 / 18 / 24 / 40

HEX #9A7F75

RGB 154 127 117

HSL 16.22, 0.15%, 0.53%

LAB 55.41, 8.77, 9.32

 

CMYK 0 / 15 / 20 / 33

HEX #AB9188

RGB 171 145 136

HSL 15.43, 0.17%, 0.6%

LAB 62.24, 8.27, 8.38

 

CMYK 0 / 13 / 18 / 26

HEX #BCA39B

RGB 188 163 155

HSL 14.55, 0.2%, 0.67%

LAB 68.93, 7.83, 7.51

 

CMYK 0 / 12 / 15 / 20

HEX #CDB5AE

RGB 205 181 174

HSL 13.55, 0.24%, 0.74%

LAB 75.5, 7.44, 6.7

 

CMYK 0 / 17 / 22 / 48

HEX #846D67

RGB 132 109 103

HSL 12.41, 0.12%, 0.46%

LAB 48.04, 8.07, 6.75

 

CMYK 0 / 21 / 27 / 55

HEX #735B54

RGB 115 91 84

HSL 13.55, 0.16%, 0.39%

LAB 40.84, 8.65, 7.76

 

CMYK 0 / 26 / 34 / 62

HEX #624941

RGB 98 73 65

HSL 14.55, 0.2%, 0.32%

LAB 33.44, 9.37, 8.91

 

CMYK 0 / 32 / 43 / 68

HEX #51372E

RGB 81 55 46

HSL 15.43, 0.28%, 0.25%

LAB 25.8, 10.28, 10.28

 

CMYK 0 / 42 / 58 / 75

HEX #40251B

RGB 64 37 27

HSL 16.22, 0.41%, 0.18%

LAB 17.88, 11.5, 12

 

CMYK 0 / 17 / 21 / 49

HEX #836D67

RGB 131 109 103

HSL 12.86, 0.12%, 0.46%

LAB 47.93, 7.66, 6.59

 

CMYK 0 / 21 / 21 / 49

HEX #836767

RGB 131 103 103

HSL 0, 0.12%, 0.46%

LAB 46.32, 11.2, 4.27

 

CMYK 0 / 17 / 21 / 49

HEX #836D67

RGB 131 109 103

HSL 12.86, 0.12%, 0.46%

LAB 47.93, 7.66, 6.59

 

CMYK 0 / 11 / 21 / 49

HEX #837467

RGB 131 116 103

HSL 27.86, 0.12%, 0.46%

LAB 49.85, 3.57, 9.31

 

CMYK 0 / 5 / 21 / 49

HEX #837C67

RGB 131 124 103

HSL 45, 0.12%, 0.46%

LAB 52.08, -1.03, 12.44

 

CMYK 1 / 0 / 21 / 49

HEX #828367

RGB 130 131 103

HSL 62.14, 0.12%, 0.46%

LAB 53.98, -5.39, 15.06

 

CMYK 6 / 0 / 21 / 49

HEX #7B8367

RGB 123 131 103

HSL 77.14, 0.12%, 0.46%

LAB 53.41, -8.2, 14.18

 

CMYK 0 / 17 / 21 / 49

HEX #836D67

RGB 131 109 103

HSL 12.86, 0.12%, 0.46%

LAB 47.93, 7.66, 6.59

 

CMYK 0 / 35 / 44 / 41

HEX #966154

RGB 150 97 84

HSL 11.82, 0.28%, 0.46%

LAB 46.54, 19.94, 16.29

 

CMYK 0 / 49 / 62 / 34

HEX #A95641

RGB 169 86 65

HSL 12.12, 0.44%, 0.46%

LAB 46.27, 32.13, 27.63

 

CMYK 0 / 60 / 76 / 26

HEX #BC4B2E

RGB 188 75 46

HSL 12.25, 0.61%, 0.46%

LAB 46.87, 43.93, 39.73

 

CMYK 0 / 69 / 87 / 19

HEX #CF401B

RGB 207 64 27

HSL 12.33, 0.77%, 0.46%

LAB 48.27, 54.71, 51.39

 

CMYK 0 / 17 / 21 / 49

HEX #836D67

RGB 131 109 103

HSL 12.86, 0.12%, 0.46%

LAB 47.93, 7.66, 6.59

 

CMYK 8 / 2 / 0 / 52

HEX #70787A

RGB 112 120 122

HSL 192, 0.04%, 0.46%

LAB 49.84, -2.56, -2.13

 

CMYK 34 / 7 / 0 / 45

HEX #5D838D

RGB 93 131 141

HSL 192.5, 0.21%, 0.46%

LAB 52.38, -10.62, -9.64

 

CMYK 54 / 11 / 0 / 37

HEX #4A8EA0

RGB 74 142 160

HSL 192.56, 0.37%, 0.46%

LAB 55.42, -16.31, -16.14

 

CMYK 69 / 15 / 0 / 30

HEX #3799B3

RGB 55 153 179

HSL 192.58, 0.53%, 0.46%

LAB 58.83, -19.8, -21.82

 

CMYK 0 / 21 / 15 / 49

HEX #836770

RGB 131 103 112

HSL 340.71, 0.12%, 0.46%

LAB 46.57, 12.75, -0.76

 

CMYK 0 / 21 / 20 / 49

HEX #836769

RGB 131 103 105

HSL 355.71, 0.12%, 0.46%

LAB 46.37, 11.53, 3.15

 

CMYK 0 / 18 / 21 / 49

HEX #836C67

RGB 131 108 103

HSL 10.71, 0.12%, 0.46%

LAB 47.66, 8.25, 6.2

 

CMYK 0 / 11 / 21 / 49

HEX #837467

RGB 131 116 103

HSL 27.86, 0.12%, 0.46%

LAB 49.85, 3.57, 9.31

 

CMYK 0 / 6 / 21 / 49

HEX #837B67

RGB 131 123 103

HSL 42.86, 0.12%, 0.46%

LAB 51.8, -0.46, 12.05

 

CMYK 0 / 18 / 22 / 67

HEX #554642

RGB 85 70 66

HSL 12.63, 0.13%, 0.3%

LAB 31.13, 5.65, 4.79

 

CMYK 0 / 18 / 21 / 58

HEX #6C5955

RGB 108 89 85

HSL 10.43, 0.12%, 0.38%

LAB 39.56, 7.07, 5.22

 

CMYK 0 / 17 / 21 / 49

HEX #836D67

RGB 131 109 103

HSL 12.86, 0.12%, 0.46%

LAB 47.93, 7.66, 6.59

 

CMYK 0 / 15 / 19 / 41

HEX #97817B

RGB 151 129 123

HSL 12.86, 0.12%, 0.54%

LAB 55.8, 7.39, 6.36

 

CMYK 0 / 11 / 14 / 33

HEX #AA9792

RGB 170 151 146

HSL 12.5, 0.12%, 0.62%

LAB 63.96, 6.16, 5.19

 

CMYK 0 / 17 / 22 / 48

HEX #846D67

RGB 132 109 103

HSL 12.41, 0.12%, 0.46%

LAB 48.04, 8.07, 6.75

 

CMYK 8 / 0 / 21 / 49

HEX #788367

RGB 120 131 103

HSL 83.57, 0.12%, 0.46%

LAB 53.17, -9.39, 13.81

 

CMYK 21 / 18 / 0 / 49

HEX #676C83

RGB 103 108 131

HSL 229.29, 0.12%, 0.46%

LAB 45.97, 3.4, -13.33

 

CMYK 0 / 17 / 22 / 48

HEX #846D67

RGB 132 109 103

HSL 12.41, 0.12%, 0.46%

LAB 48.04, 8.07, 6.75

 

CMYK 21 / 0 / 18 / 49

HEX #67836C

RGB 103 131 108

HSL 130.71, 0.12%, 0.46%

LAB 52.06, -14.91, 9.19

 

CMYK 18 / 21 / 0 / 49

HEX #6C6783

RGB 108 103 131

HSL 250.71, 0.12%, 0.46%

LAB 44.98, 8.14, -14.8

 

CMYK 0 / 17 / 22 / 48

HEX #846D67

RGB 132 109 103

HSL 12.41, 0.12%, 0.46%

LAB 48.04, 8.07, 6.75

 

CMYK 8 / 0 / 21 / 49

HEX #788367

RGB 120 131 103

HSL 83.57, 0.12%, 0.46%

LAB 53.17, -9.39, 13.81

 

CMYK 21 / 5 / 0 / 49

HEX #677D83

RGB 103 125 131

HSL 192.86, 0.12%, 0.46%

LAB 50.91, -6.55, -5.92

 

CMYK 13 / 21 / 0 / 49

HEX #726783

RGB 114 103 131

HSL 263.57, 0.12%, 0.46%

LAB 45.52, 10.25, -13.92

 

CMYK 0 / 17 / 22 / 48

HEX #846D67

RGB 132 109 103

HSL 12.41, 0.12%, 0.46%

LAB 48.04, 8.07, 6.75

 

CMYK 15 / 0 / 21 / 49

HEX #6F8367

RGB 111 131 103

HSL 102.86, 0.12%, 0.46%

LAB 52.5, -12.88, 12.77

 

CMYK 21 / 5 / 0 / 49

HEX #677D83

RGB 103 125 131

HSL 192.86, 0.12%, 0.46%

LAB 50.91, -6.55, -5.92

 

CMYK 7 / 21 / 0 / 49

HEX #7A6783

RGB 122 103 131

HSL 280.71, 0.12%, 0.46%

LAB 46.28, 13.11, -12.7

 

Description

Color code: RGB 132 109 103 | qconv.com Color code: RGB 132 109 103 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 109 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 109 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 22 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 22% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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