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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 104 126 it is the complementary color RGB 123 151 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 104 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132 104 126 shade: RGB 137 104 121, RGB 154 122 140, RGB 171 140 159, RGB 188 158 178 and RGB 205 176 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 104 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132 104 126 shade: RGB 132 104 126, RGB 115 86 107, RGB 98 68 88, RGB 81 50 69 and RGB 64 32 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132 104 126 shade: RGB 131 103 125, RGB 131 103 117, RGB 131 103 110 and RGB 131 103 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132 104 126 shade: RGB 131 103 125, RGB 129 103 131, RGB 122 103 131, RGB 114 103 131 and RGB 107 103 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132 104 126 shade matches the following richer shades: RGB 131 103 125, RGB 150 84 136, RGB 169 65 147, RGB 188 46 157 and RGB 207 27 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132 104 126 shade: RGB 131 103 125, RGB 112 122 114, RGB 93 141 103, RGB 74 160 92 and RGB 55 179 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132 104 126 shade: RGB 121 103 131, RGB 129 103 131, RGB 131 103 125, RGB 131 103 118 and RGB 131 103 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132 104 126 shade: RGB 85 66 81, RGB 108 85 103, RGB 131 103 125, RGB 151 123 145 and RGB 170 146 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132 104 126 shade: RGB 132 104 126, RGB 131 114 103 and RGB 103 131 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132 104 126 shade: RGB 132 104 126, RGB 125 131 103 and RGB 103 125 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132 104 126 shade: RGB 132 104 126, RGB 131 114 103, RGB 103 131 108 and RGB 103 120 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132 104 126 shade: RGB 132 104 126, RGB 131 122 103, RGB 103 131 108 and RGB 103 111 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 5 / 48

HEX #84687E

RGB 132 104 126

HSL 312.86, 0.12%, 0.46%

LAB 47.38, 15.16, -7.95

 

Complementary color

CMYK 19 / 0 / 15 / 41

HEX #7B9781

RGB 123 151 129

HSL 132.86, 0.12%, 0.54%

LAB 59.82, -14.36, 8.37

 

CMYK 0 / 24 / 12 / 46

HEX #896879

RGB 137 104 121

HSL 329.09, 0.14%, 0.47%

LAB 47.75, 16.11, -4.35

 

CMYK 0 / 21 / 9 / 40

HEX #9A7A8C

RGB 154 122 140

HSL 326.25, 0.14%, 0.54%

LAB 54.74, 15.51, -5.01

 

CMYK 0 / 18 / 7 / 33

HEX #AB8C9F

RGB 171 140 159

HSL 323.23, 0.16%, 0.61%

LAB 61.58, 14.98, -5.63

 

CMYK 0 / 16 / 5 / 26

HEX #BC9EB2

RGB 188 158 178

HSL 320, 0.18%, 0.68%

LAB 68.28, 14.5, -6.22

 

CMYK 0 / 14 / 4 / 20

HEX #CDB0C5

RGB 205 176 197

HSL 316.55, 0.22%, 0.75%

LAB 74.86, 14.06, -6.78

 

CMYK 0 / 21 / 5 / 48

HEX #84687E

RGB 132 104 126

HSL 312.86, 0.12%, 0.46%

LAB 47.38, 15.16, -7.95

 

CMYK 0 / 25 / 7 / 55

HEX #73566B

RGB 115 86 107

HSL 316.55, 0.14%, 0.39%

LAB 40.18, 15.79, -7.37

 

CMYK 0 / 31 / 10 / 62

HEX #624458

RGB 98 68 88

HSL 320, 0.18%, 0.33%

LAB 32.78, 16.5, -6.73

 

CMYK 0 / 38 / 15 / 68

HEX #513245

RGB 81 50 69

HSL 323.23, 0.24%, 0.26%

LAB 25.14, 17.33, -6

 

CMYK 0 / 50 / 22 / 75

HEX #402032

RGB 64 32 50

HSL 326.25, 0.33%, 0.19%

LAB 17.24, 18.28, -5.06

 

CMYK 0 / 21 / 5 / 49

HEX #83677D

RGB 131 103 125

HSL 312.86, 0.12%, 0.46%

LAB 46.98, 15.18, -7.96

 

CMYK 0 / 21 / 11 / 49

HEX #836775

RGB 131 103 117

HSL 330, 0.12%, 0.46%

LAB 46.72, 13.66, -3.54

 

CMYK 0 / 21 / 16 / 49

HEX #83676E

RGB 131 103 110

HSL 345, 0.12%, 0.46%

LAB 46.51, 12.39, 0.35

 

CMYK 0 / 21 / 21 / 49

HEX #836767

RGB 131 103 103

HSL 0, 0.12%, 0.46%

LAB 46.32, 11.2, 4.27

 

CMYK 0 / 21 / 5 / 49

HEX #83677D

RGB 131 103 125

HSL 312.86, 0.12%, 0.46%

LAB 46.98, 15.18, -7.96

 

CMYK 2 / 21 / 0 / 49

HEX #816783

RGB 129 103 131

HSL 295.71, 0.12%, 0.46%

LAB 46.98, 15.66, -11.57

 

CMYK 7 / 21 / 0 / 49

HEX #7A6783

RGB 122 103 131

HSL 280.71, 0.12%, 0.46%

LAB 46.28, 13.11, -12.7

 

CMYK 13 / 21 / 0 / 49

HEX #726783

RGB 114 103 131

HSL 263.57, 0.12%, 0.46%

LAB 45.52, 10.25, -13.92

 

CMYK 18 / 21 / 0 / 49

HEX #6B6783

RGB 107 103 131

HSL 248.57, 0.12%, 0.46%

LAB 44.89, 7.8, -14.94

 

CMYK 0 / 21 / 5 / 49

HEX #83677D

RGB 131 103 125

HSL 312.86, 0.12%, 0.46%

LAB 46.98, 15.18, -7.96

 

CMYK 0 / 44 / 9 / 41

HEX #965488

RGB 150 84 136

HSL 312.73, 0.28%, 0.46%

LAB 45.08, 35.05, -17.23

 

CMYK 0 / 62 / 13 / 34

HEX #A94193

RGB 169 65 147

HSL 312.69, 0.44%, 0.46%

LAB 44.69, 52.3, -24.23

 

CMYK 0 / 76 / 16 / 26

HEX #BC2E9D

RGB 188 46 157

HSL 313.1, 0.61%, 0.46%

LAB 45.74, 65.77, -28.35

 

CMYK 0 / 87 / 19 / 19

HEX #CF1BA8

RGB 207 27 168

HSL 313, 0.77%, 0.46%

LAB 48.1, 75.79, -30.97

 

CMYK 0 / 21 / 5 / 49

HEX #83677D

RGB 131 103 125

HSL 312.86, 0.12%, 0.46%

LAB 46.98, 15.18, -7.96

 

CMYK 8 / 0 / 7 / 52

HEX #707A72

RGB 112 122 114

HSL 132, 0.04%, 0.46%

LAB 50.19, -5.38, 3.1

 

CMYK 34 / 0 / 27 / 45

HEX #5D8D67

RGB 93 141 103

HSL 132.5, 0.21%, 0.46%

LAB 54.4, -24.61, 15.24

 

CMYK 54 / 0 / 43 / 37

HEX #4AA05C

RGB 74 160 92

HSL 132.56, 0.37%, 0.46%

LAB 59.32, -41.13, 27.73

 

CMYK 69 / 0 / 55 / 30

HEX #37B351

RGB 55 179 81

HSL 132.58, 0.53%, 0.46%

LAB 64.68, -54.48, 39.95

 

CMYK 8 / 21 / 0 / 49

HEX #796783

RGB 121 103 131

HSL 278.57, 0.12%, 0.46%

LAB 46.18, 12.75, -12.86

 

CMYK 2 / 21 / 0 / 49

HEX #816783

RGB 129 103 131

HSL 295.71, 0.12%, 0.46%

LAB 46.98, 15.66, -11.57

 

CMYK 0 / 21 / 5 / 49

HEX #83677D

RGB 131 103 125

HSL 312.86, 0.12%, 0.46%

LAB 46.98, 15.18, -7.96

 

CMYK 0 / 21 / 10 / 49

HEX #836776

RGB 131 103 118

HSL 327.86, 0.12%, 0.46%

LAB 46.76, 13.84, -4.1

 

CMYK 0 / 21 / 16 / 49

HEX #83676E

RGB 131 103 110

HSL 345, 0.12%, 0.46%

LAB 46.51, 12.39, 0.35

 

CMYK 0 / 22 / 5 / 67

HEX #554251

RGB 85 66 81

HSL 312.63, 0.13%, 0.3%

LAB 30.45, 11.13, -5.87

 

CMYK 0 / 21 / 5 / 58

HEX #6C5567

RGB 108 85 103

HSL 313.04, 0.12%, 0.38%

LAB 39.01, 12.89, -6.73

 

CMYK 0 / 21 / 5 / 49

HEX #83677D

RGB 131 103 125

HSL 312.86, 0.12%, 0.46%

LAB 46.98, 15.18, -7.96

 

CMYK 0 / 19 / 4 / 41

HEX #977B91

RGB 151 123 145

HSL 312.86, 0.12%, 0.54%

LAB 54.85, 14.76, -7.79

 

CMYK 0 / 14 / 3 / 33

HEX #AA92A5

RGB 170 146 165

HSL 312.5, 0.12%, 0.62%

LAB 63.19, 12.35, -6.66

 

CMYK 0 / 21 / 5 / 48

HEX #84687E

RGB 132 104 126

HSL 312.86, 0.12%, 0.46%

LAB 47.38, 15.16, -7.95

 

CMYK 0 / 13 / 21 / 49

HEX #837267

RGB 131 114 103

HSL 23.57, 0.12%, 0.46%

LAB 49.3, 4.73, 8.53

 

CMYK 21 / 0 / 5 / 49

HEX #67837D

RGB 103 131 125

HSL 167.14, 0.12%, 0.46%

LAB 52.51, -11.31, -0.06

 

CMYK 0 / 21 / 5 / 48

HEX #84687E

RGB 132 104 126

HSL 312.86, 0.12%, 0.46%

LAB 47.38, 15.16, -7.95

 

CMYK 5 / 0 / 21 / 49

HEX #7D8367

RGB 125 131 103

HSL 72.86, 0.12%, 0.46%

LAB 53.57, -7.4, 14.42

 

CMYK 21 / 5 / 0 / 49

HEX #677D83

RGB 103 125 131

HSL 192.86, 0.12%, 0.46%

LAB 50.91, -6.55, -5.92

 

CMYK 0 / 21 / 5 / 48

HEX #84687E

RGB 132 104 126

HSL 312.86, 0.12%, 0.46%

LAB 47.38, 15.16, -7.95

 

CMYK 0 / 13 / 21 / 49

HEX #837267

RGB 131 114 103

HSL 23.57, 0.12%, 0.46%

LAB 49.3, 4.73, 8.53

 

CMYK 21 / 0 / 18 / 49

HEX #67836C

RGB 103 131 108

HSL 130.71, 0.12%, 0.46%

LAB 52.06, -14.91, 9.19

 

CMYK 21 / 8 / 0 / 49

HEX #677883

RGB 103 120 131

HSL 203.57, 0.12%, 0.46%

LAB 49.44, -3.68, -8.11

 

CMYK 0 / 21 / 5 / 48

HEX #84687E

RGB 132 104 126

HSL 312.86, 0.12%, 0.46%

LAB 47.38, 15.16, -7.95

 

CMYK 0 / 7 / 21 / 49

HEX #837A67

RGB 131 122 103

HSL 40.71, 0.12%, 0.46%

LAB 51.52, 0.11, 11.66

 

CMYK 21 / 0 / 18 / 49

HEX #67836C

RGB 103 131 108

HSL 130.71, 0.12%, 0.46%

LAB 52.06, -14.91, 9.19

 

CMYK 21 / 15 / 0 / 49

HEX #676F83

RGB 103 111 131

HSL 222.86, 0.12%, 0.46%

LAB 46.83, 1.61, -12.03

 

Description

Color code: RGB 132 104 126 | qconv.com Color code: RGB 132 104 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 104 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 104 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 5 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 5% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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