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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 94 141 it is the complementary color RGB 124 161 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 94 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 94 141 shade: RGB 136 94 136, RGB 153 112 155, RGB 170 130 174, RGB 187 148 193 and RGB 204 166 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 94 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 94 141 shade: RGB 131 94 141, RGB 114 76 122, RGB 97 58 103, RGB 80 40 84 and RGB 63 22 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 94 141 shade: RGB 130 93 140, RGB 140 93 138, RGB 140 93 125, RGB 140 93 112 and RGB 140 93 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 94 141 shade: RGB 130 93 140, RGB 118 93 140, RGB 105 93 140 and RGB 93 93 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 94 141 shade matches the following richer shades: RGB 130 93 140, RGB 141 74 159, RGB 152 55 178, RGB 163 36 197 and RGB 174 17 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 94 141 shade: RGB 130 93 140, RGB 119 112 121, RGB 108 131 102, RGB 98 150 83 and RGB 87 169 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 94 141 shade: RGB 105 93 140, RGB 118 93 140, RGB 130 93 140, RGB 140 93 138 and RGB 140 93 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 94 141 shade: RGB 84 60 91, RGB 107 77 116, RGB 130 93 140, RGB 151 114 161 and RGB 169 139 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 94 141 shade: RGB 131 94 141, RGB 140 93 94 and RGB 93 140 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 94 141 shade: RGB 131 94 141, RGB 140 130 93 and RGB 93 140 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 94 141 shade: RGB 131 94 141, RGB 140 93 94, RGB 104 140 93 and RGB 93 140 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 94 141 shade: RGB 131 94 141, RGB 140 107 93, RGB 104 140 93 and RGB 93 127 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 33 / 0 / 45

HEX #835E8D

RGB 131 94 141

HSL 287.23, 0.2%, 0.46%

LAB 45.3, 23.83, -20.11

 

Complementary color

CMYK 23 / 0 / 29 / 37

HEX #7CA172

RGB 124 161 114

HSL 107.23, 0.2%, 0.54%

LAB 62.5, -21.91, 20.47

 

CMYK 0 / 31 / 0 / 47

HEX #885E88

RGB 136 94 136

HSL 300, 0.18%, 0.45%

LAB 45.66, 24.52, -16.51

 

CMYK 1 / 28 / 0 / 39

HEX #99709B

RGB 153 112 155

HSL 297.21, 0.18%, 0.52%

LAB 52.65, 23.8, -16.93

 

CMYK 2 / 25 / 0 / 32

HEX #AA82AE

RGB 170 130 174

HSL 294.55, 0.21%, 0.6%

LAB 59.5, 23.15, -17.33

 

CMYK 3 / 23 / 0 / 24

HEX #BB94C1

RGB 187 148 193

HSL 292, 0.27%, 0.67%

LAB 66.21, 22.55, -17.71

 

CMYK 4 / 22 / 0 / 17

HEX #CCA6D4

RGB 204 166 212

HSL 289.57, 0.35%, 0.74%

LAB 72.8, 21.99, -18.09

 

CMYK 7 / 33 / 0 / 45

HEX #835E8D

RGB 131 94 141

HSL 287.23, 0.2%, 0.46%

LAB 45.3, 23.83, -20.11

 

CMYK 7 / 38 / 0 / 52

HEX #724C7A

RGB 114 76 122

HSL 289.57, 0.23%, 0.39%

LAB 38.11, 24.61, -19.79

 

CMYK 6 / 44 / 0 / 60

HEX #613A67

RGB 97 58 103

HSL 292, 0.28%, 0.32%

LAB 30.75, 25.46, -19.43

 

CMYK 5 / 52 / 0 / 67

HEX #502854

RGB 80 40 84

HSL 294.55, 0.35%, 0.24%

LAB 23.21, 26.31, -18.97

 

CMYK 3 / 66 / 0 / 75

HEX #3F1641

RGB 63 22 65

HSL 297.21, 0.49%, 0.17%

LAB 15.55, 26.97, -18.24

 

CMYK 7 / 34 / 0 / 45

HEX #825D8C

RGB 130 93 140

HSL 287.23, 0.2%, 0.46%

LAB 44.9, 23.87, -20.13

 

CMYK 0 / 34 / 1 / 45

HEX #8C5D8A

RGB 140 93 138

HSL 302.55, 0.2%, 0.46%

LAB 45.96, 26.9, -17.2

 

CMYK 0 / 34 / 11 / 45

HEX #8C5D7D

RGB 140 93 125

HSL 319.15, 0.2%, 0.46%

LAB 45.48, 24.42, -10.11

 

CMYK 0 / 34 / 20 / 45

HEX #8C5D70

RGB 140 93 112

HSL 335.74, 0.2%, 0.46%

LAB 45.05, 22.16, -2.89

 

CMYK 0 / 34 / 29 / 45

HEX #8C5D64

RGB 140 93 100

HSL 351.06, 0.2%, 0.46%

LAB 44.69, 20.26, 3.88

 

CMYK 7 / 34 / 0 / 45

HEX #825D8C

RGB 130 93 140

HSL 287.23, 0.2%, 0.46%

LAB 44.9, 23.87, -20.13

 

CMYK 16 / 34 / 0 / 45

HEX #765D8C

RGB 118 93 140

HSL 271.91, 0.2%, 0.46%

LAB 43.62, 19.8, -22.21

 

CMYK 25 / 34 / 0 / 45

HEX #695D8C

RGB 105 93 140

HSL 255.32, 0.2%, 0.46%

LAB 42.35, 15.51, -24.28

 

CMYK 34 / 34 / 0 / 45

HEX #5D5D8C

RGB 93 93 140

HSL 240, 0.2%, 0.46%

LAB 41.29, 11.72, -26

 

CMYK 7 / 34 / 0 / 45

HEX #825D8C

RGB 130 93 140

HSL 287.23, 0.2%, 0.46%

LAB 44.9, 23.87, -20.13

 

CMYK 11 / 53 / 0 / 38

HEX #8D4A9F

RGB 141 74 159

HSL 287.29, 0.36%, 0.46%

LAB 42.86, 42.16, -34.58

 

CMYK 15 / 69 / 0 / 30

HEX #9837B2

RGB 152 55 178

HSL 287.32, 0.53%, 0.46%

LAB 42.19, 57.81, -46.84

 

CMYK 17 / 82 / 0 / 23

HEX #A324C5

RGB 163 36 197

HSL 287.33, 0.69%, 0.46%

LAB 42.88, 69.99, -56.78

 

CMYK 19 / 92 / 0 / 15

HEX #AE11D8

RGB 174 17 216

HSL 287.34, 0.85%, 0.46%

LAB 44.74, 78.81, -64.67

 

CMYK 7 / 34 / 0 / 45

HEX #825D8C

RGB 130 93 140

HSL 287.23, 0.2%, 0.46%

LAB 44.9, 23.87, -20.13

 

CMYK 2 / 7 / 0 / 53

HEX #777079

RGB 119 112 121

HSL 286.67, 0.04%, 0.46%

LAB 48.12, 4.51, -4

 

CMYK 18 / 0 / 22 / 49

HEX #6C8366

RGB 108 131 102

HSL 107.59, 0.12%, 0.46%

LAB 52.26, -14.2, 12.99

 

CMYK 35 / 0 / 45 / 41

HEX #629653

RGB 98 150 83

HSL 106.57, 0.29%, 0.46%

LAB 57.11, -30.65, 29.91

 

CMYK 49 / 0 / 62 / 34

HEX #57A940

RGB 87 169 64

HSL 106.86, 0.45%, 0.46%

LAB 62.31, -44.99, 45.44

 

CMYK 25 / 34 / 0 / 45

HEX #695D8C

RGB 105 93 140

HSL 255.32, 0.2%, 0.46%

LAB 42.35, 15.51, -24.28

 

CMYK 16 / 34 / 0 / 45

HEX #765D8C

RGB 118 93 140

HSL 271.91, 0.2%, 0.46%

LAB 43.62, 19.8, -22.21

 

CMYK 7 / 34 / 0 / 45

HEX #825D8C

RGB 130 93 140

HSL 287.23, 0.2%, 0.46%

LAB 44.9, 23.87, -20.13

 

CMYK 0 / 34 / 1 / 45

HEX #8C5D8A

RGB 140 93 138

HSL 302.55, 0.2%, 0.46%

LAB 45.96, 26.9, -17.2

 

CMYK 0 / 34 / 11 / 45

HEX #8C5D7D

RGB 140 93 125

HSL 319.15, 0.2%, 0.46%

LAB 45.48, 24.42, -10.11

 

CMYK 8 / 34 / 0 / 64

HEX #543C5B

RGB 84 60 91

HSL 286.45, 0.21%, 0.3%

LAB 29.09, 16.83, -14.42

 

CMYK 8 / 34 / 0 / 55

HEX #6B4D74

RGB 107 77 116

HSL 286.15, 0.2%, 0.38%

LAB 37.29, 20.23, -17.42

 

CMYK 7 / 34 / 0 / 45

HEX #825D8C

RGB 130 93 140

HSL 287.23, 0.2%, 0.46%

LAB 44.9, 23.87, -20.13

 

CMYK 6 / 29 / 0 / 37

HEX #9772A1

RGB 151 114 161

HSL 287.23, 0.2%, 0.54%

LAB 53.15, 23.19, -19.68

 

CMYK 5 / 21 / 0 / 31

HEX #A98BB1

RGB 169 139 177

HSL 287.37, 0.2%, 0.62%

LAB 61.72, 18.3, -15.67

 

CMYK 7 / 33 / 0 / 45

HEX #835E8D

RGB 131 94 141

HSL 287.23, 0.2%, 0.46%

LAB 45.3, 23.83, -20.11

 

CMYK 0 / 34 / 33 / 45

HEX #8C5D5E

RGB 140 93 94

HSL 358.72, 0.2%, 0.46%

LAB 44.54, 19.39, 7.3

 

CMYK 34 / 0 / 21 / 45

HEX #5D8C6F

RGB 93 140 111

HSL 142.98, 0.2%, 0.46%

LAB 54.27, -22.5, 10.49

 

CMYK 7 / 33 / 0 / 45

HEX #835E8D

RGB 131 94 141

HSL 287.23, 0.2%, 0.46%

LAB 45.3, 23.83, -20.11

 

CMYK 0 / 7 / 34 / 45

HEX #8C825D

RGB 140 130 93

HSL 47.23, 0.2%, 0.46%

LAB 54.38, -2.17, 21.43

 

CMYK 34 / 0 / 7 / 45

HEX #5D8C82

RGB 93 140 130

HSL 167.23, 0.2%, 0.46%

LAB 54.76, -18.27, 0.26

 

CMYK 7 / 33 / 0 / 45

HEX #835E8D

RGB 131 94 141

HSL 287.23, 0.2%, 0.46%

LAB 45.3, 23.83, -20.11

 

CMYK 0 / 34 / 33 / 45

HEX #8C5D5E

RGB 140 93 94

HSL 358.72, 0.2%, 0.46%

LAB 44.54, 19.39, 7.3

 

CMYK 26 / 0 / 34 / 45

HEX #688C5D

RGB 104 140 93

HSL 105.96, 0.2%, 0.46%

LAB 54.54, -22, 21.17

 

CMYK 34 / 0 / 1 / 45

HEX #5D8C8B

RGB 93 140 139

HSL 178.72, 0.2%, 0.46%

LAB 55.02, -16.07, -4.55

 

CMYK 7 / 33 / 0 / 45

HEX #835E8D

RGB 131 94 141

HSL 287.23, 0.2%, 0.46%

LAB 45.3, 23.83, -20.11

 

CMYK 0 / 24 / 34 / 45

HEX #8C6B5D

RGB 140 107 93

HSL 17.87, 0.2%, 0.46%

LAB 48.11, 11.05, 12.91

 

CMYK 26 / 0 / 34 / 45

HEX #688C5D

RGB 104 140 93

HSL 105.96, 0.2%, 0.46%

LAB 54.54, -22, 21.17

 

CMYK 34 / 9 / 0 / 45

HEX #5D7F8C

RGB 93 127 140

HSL 196.6, 0.2%, 0.46%

LAB 51.15, -8.63, -10.9

 

Description

Color code: RGB 131 94 141 | qconv.com Color code: RGB 131 94 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 94 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 94 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 33 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 33% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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