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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 72 129 it is the complementary color RGB 124 183 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 72 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 72 129 shade: RGB 136 72 124, RGB 153 90 143, RGB 170 108 162, RGB 187 126 181 and RGB 204 144 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 72 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 72 129 shade: RGB 131 72 129, RGB 114 54 110, RGB 97 36 91, RGB 80 18 72 and RGB 63 0 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 72 129 shade: RGB 131 72 129, RGB 131 72 113, RGB 131 72 97, RGB 131 72 81 and RGB 131 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 72 129 shade: RGB 131 72 129, RGB 117 72 131, RGB 101 72 131, RGB 85 72 131 and RGB 72 72 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 72 129 shade matches the following richer shades: RGB 131 72 129, RGB 148 55 144, RGB 164 39 160, RGB 181 22 175 and RGB 197 6 191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 72 129 shade: RGB 131 72 129, RGB 115 88 114, RGB 98 105 98, RGB 82 121 83 and RGB 65 138 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 72 129 shade: RGB 102 72 131, RGB 117 72 131, RGB 131 72 129, RGB 131 72 113 and RGB 131 72 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 72 129 shade: RGB 78 43 77, RGB 104 57 103, RGB 131 72 129, RGB 158 87 155 and RGB 175 110 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 72 129 shade: RGB 131 72 129, RGB 131 86 72 and RGB 72 131 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 72 129 shade: RGB 131 72 129, RGB 129 131 72 and RGB 72 129 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 72 129 shade: RGB 131 72 129, RGB 131 86 72, RGB 72 131 74 and RGB 72 117 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 72 129 shade: RGB 131 72 129, RGB 131 103 72, RGB 72 131 74 and RGB 72 100 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 2 / 49

HEX #834881

RGB 131 72 129

HSL 302.03, 0.29%, 0.4%

LAB 39.66, 34.09, -21.54

 

Complementary color

CMYK 32 / 0 / 31 / 28

HEX #7CB77E

RGB 124 183 126

HSL 122.03, 0.29%, 0.6%

LAB 69.23, -30.7, 23.08

 

CMYK 0 / 47 / 9 / 47

HEX #88487C

RGB 136 72 124

HSL 311.25, 0.31%, 0.41%

LAB 40.12, 34.8, -17.69

 

CMYK 0 / 41 / 7 / 40

HEX #995A8F

RGB 153 90 143

HSL 309.52, 0.26%, 0.48%

LAB 47.06, 34.01, -18.36

 

CMYK 0 / 36 / 5 / 33

HEX #AA6CA2

RGB 170 108 162

HSL 307.74, 0.27%, 0.55%

LAB 53.9, 33.22, -18.93

 

CMYK 0 / 33 / 3 / 27

HEX #BB7EB5

RGB 187 126 181

HSL 305.9, 0.31%, 0.61%

LAB 60.62, 32.47, -19.43

 

CMYK 0 / 29 / 2 / 20

HEX #CC90C8

RGB 204 144 200

HSL 304, 0.37%, 0.68%

LAB 67.24, 31.76, -19.89

 

CMYK 0 / 45 / 2 / 49

HEX #834881

RGB 131 72 129

HSL 302.03, 0.29%, 0.4%

LAB 39.66, 34.09, -21.54

 

CMYK 0 / 53 / 4 / 55

HEX #72366E

RGB 114 54 110

HSL 304, 0.36%, 0.33%

LAB 32.57, 34.84, -20.88

 

CMYK 0 / 63 / 6 / 62

HEX #61245B

RGB 97 36 91

HSL 305.9, 0.46%, 0.26%

LAB 25.44, 35.36, -19.93

 

CMYK 0 / 78 / 10 / 69

HEX #501248

RGB 80 18 72

HSL 307.74, 0.63%, 0.19%

LAB 18.39, 35.21, -18.41

 

CMYK 0 / 100 / 16 / 75

HEX #3F0035

RGB 63 0 53

HSL 309.52, 1%, 0.12%

LAB 11.37, 34.44, -16.28

 

CMYK 0 / 45 / 2 / 49

HEX #834881

RGB 131 72 129

HSL 302.03, 0.29%, 0.4%

LAB 39.66, 34.09, -21.54

 

CMYK 0 / 45 / 14 / 49

HEX #834871

RGB 131 72 113

HSL 318.31, 0.29%, 0.4%

LAB 38.99, 31.11, -12.69

 

CMYK 0 / 45 / 26 / 49

HEX #834861

RGB 131 72 97

HSL 334.58, 0.29%, 0.4%

LAB 38.42, 28.47, -3.57

 

CMYK 0 / 45 / 38 / 49

HEX #834851

RGB 131 72 81

HSL 350.85, 0.29%, 0.4%

LAB 37.94, 26.19, 5.78

 

CMYK 0 / 45 / 45 / 49

HEX #834848

RGB 131 72 72

HSL 0, 0.29%, 0.4%

LAB 37.71, 25.08, 11.1

 

CMYK 0 / 45 / 2 / 49

HEX #834881

RGB 131 72 129

HSL 302.03, 0.29%, 0.4%

LAB 39.66, 34.09, -21.54

 

CMYK 11 / 45 / 0 / 49

HEX #754883

RGB 117 72 131

HSL 285.76, 0.29%, 0.4%

LAB 37.94, 29.97, -25.57

 

CMYK 23 / 45 / 0 / 49

HEX #654883

RGB 101 72 131

HSL 269.49, 0.29%, 0.4%

LAB 36.06, 24.89, -28.65

 

CMYK 35 / 45 / 0 / 49

HEX #554883

RGB 85 72 131

HSL 253.22, 0.29%, 0.4%

LAB 34.41, 20.03, -31.37

 

CMYK 45 / 45 / 0 / 49

HEX #484883

RGB 72 72 131

HSL 240, 0.29%, 0.4%

LAB 33.25, 16.36, -33.28

 

CMYK 0 / 45 / 2 / 49

HEX #834881

RGB 131 72 129

HSL 302.03, 0.29%, 0.4%

LAB 39.66, 34.09, -21.54

 

CMYK 0 / 63 / 3 / 42

HEX #943790

RGB 148 55 144

HSL 302.58, 0.46%, 0.4%

LAB 39.65, 50.48, -30.53

 

CMYK 0 / 76 / 2 / 36

HEX #A427A0

RGB 164 39 160

HSL 301.92, 0.62%, 0.4%

LAB 41.03, 62.95, -37.86

 

CMYK 0 / 88 / 3 / 29

HEX #B516AF

RGB 181 22 175

HSL 302.26, 0.78%, 0.4%

LAB 43.5, 72.56, -42.7

 

CMYK 0 / 97 / 3 / 23

HEX #C506BF

RGB 197 6 191

HSL 301.88, 0.94%, 0.4%

LAB 46.66, 79.53, -46.9

 

CMYK 0 / 45 / 2 / 49

HEX #834881

RGB 131 72 129

HSL 302.03, 0.29%, 0.4%

LAB 39.66, 34.09, -21.54

 

CMYK 0 / 23 / 1 / 55

HEX #735872

RGB 115 88 114

HSL 302.22, 0.13%, 0.4%

LAB 40.96, 15.99, -10.51

 

CMYK 7 / 0 / 7 / 59

HEX #626962

RGB 98 105 98

HSL 120, 0.03%, 0.4%

LAB 43.63, -4.15, 3.01

 

CMYK 32 / 0 / 31 / 53

HEX #527953

RGB 82 121 83

HSL 121.54, 0.19%, 0.4%

LAB 47.1, -21.98, 16.6

 

CMYK 53 / 0 / 51 / 46

HEX #418A44

RGB 65 138 68

HSL 122.47, 0.36%, 0.4%

LAB 51.52, -38.03, 30.51

 

CMYK 22 / 45 / 0 / 49

HEX #664883

RGB 102 72 131

HSL 270.51, 0.29%, 0.4%

LAB 36.17, 25.21, -28.47

 

CMYK 11 / 45 / 0 / 49

HEX #754883

RGB 117 72 131

HSL 285.76, 0.29%, 0.4%

LAB 37.94, 29.97, -25.57

 

CMYK 0 / 45 / 2 / 49

HEX #834881

RGB 131 72 129

HSL 302.03, 0.29%, 0.4%

LAB 39.66, 34.09, -21.54

 

CMYK 0 / 45 / 14 / 49

HEX #834871

RGB 131 72 113

HSL 318.31, 0.29%, 0.4%

LAB 38.99, 31.11, -12.69

 

CMYK 0 / 45 / 25 / 49

HEX #834862

RGB 131 72 98

HSL 333.56, 0.29%, 0.4%

LAB 38.45, 28.62, -4.15

 

CMYK 0 / 45 / 1 / 69

HEX #4E2B4D

RGB 78 43 77

HSL 301.71, 0.29%, 0.24%

LAB 23.28, 22.25, -14.22

 

CMYK 0 / 45 / 1 / 59

HEX #683967

RGB 104 57 103

HSL 301.28, 0.29%, 0.32%

LAB 31.46, 28.45, -18.26

 

CMYK 0 / 45 / 2 / 49

HEX #834881

RGB 131 72 129

HSL 302.03, 0.29%, 0.4%

LAB 39.66, 34.09, -21.54

 

CMYK 0 / 45 / 2 / 38

HEX #9E579B

RGB 158 87 155

HSL 302.54, 0.29%, 0.48%

LAB 47.56, 39.51, -24.69

 

CMYK 0 / 37 / 1 / 31

HEX #AF6EAD

RGB 175 110 173

HSL 301.85, 0.29%, 0.56%

LAB 55.36, 35.83, -23.02

 

CMYK 0 / 45 / 2 / 49

HEX #834881

RGB 131 72 129

HSL 302.03, 0.29%, 0.4%

LAB 39.66, 34.09, -21.54

 

CMYK 0 / 34 / 45 / 49

HEX #835648

RGB 131 86 72

HSL 14.24, 0.29%, 0.4%

LAB 41.13, 16.89, 15.78

 

CMYK 45 / 0 / 17 / 49

HEX #48836D

RGB 72 131 109

HSL 157.63, 0.29%, 0.4%

LAB 50.35, -24.81, 5.94

 

CMYK 0 / 45 / 2 / 49

HEX #834881

RGB 131 72 129

HSL 302.03, 0.29%, 0.4%

LAB 39.66, 34.09, -21.54

 

CMYK 2 / 0 / 45 / 49

HEX #818348

RGB 129 131 72

HSL 62.03, 0.29%, 0.4%

LAB 53.35, -10, 31.53

 

CMYK 45 / 2 / 0 / 49

HEX #488183

RGB 72 129 131

HSL 182.03, 0.29%, 0.4%

LAB 50.35, -18.11, -6.94

 

CMYK 0 / 45 / 2 / 49

HEX #834881

RGB 131 72 129

HSL 302.03, 0.29%, 0.4%

LAB 39.66, 34.09, -21.54

 

CMYK 0 / 34 / 45 / 49

HEX #835648

RGB 131 86 72

HSL 14.24, 0.29%, 0.4%

LAB 41.13, 16.89, 15.78

 

CMYK 45 / 0 / 44 / 49

HEX #48834A

RGB 72 131 74

HSL 122.03, 0.29%, 0.4%

LAB 49.62, -31.85, 24.94

 

CMYK 45 / 11 / 0 / 49

HEX #487583

RGB 72 117 131

HSL 194.24, 0.29%, 0.4%

LAB 46.63, -11.48, -12.52

 

CMYK 0 / 45 / 2 / 49

HEX #834881

RGB 131 72 129

HSL 302.03, 0.29%, 0.4%

LAB 39.66, 34.09, -21.54

 

CMYK 0 / 21 / 45 / 49

HEX #836748

RGB 131 103 72

HSL 31.53, 0.29%, 0.4%

LAB 45.63, 6.84, 21.74

 

CMYK 45 / 0 / 44 / 49

HEX #48834A

RGB 72 131 74

HSL 122.03, 0.29%, 0.4%

LAB 49.62, -31.85, 24.94

 

CMYK 45 / 24 / 0 / 49

HEX #486483

RGB 72 100 131

HSL 211.53, 0.29%, 0.4%

LAB 41.42, -1.47, -20.48

 

Description

Color code: RGB 131 72 129 | qconv.com Color code: RGB 131 72 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 72 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 72 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 2 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 2% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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