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Color name
RGB 131 67 31

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 67 31 it is the complementary color RGB 124 188 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 67 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 67 31 shade: RGB 136 67 26, RGB 153 85 45, RGB 170 103 64, RGB 187 121 83 and RGB 204 139 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 67 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 67 31 shade: RGB 131 67 31, RGB 114 49 12, RGB 97 31 0, RGB 80 13 0 and RGB 63 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 67 31 shade: RGB 132 67 31, RGB 132 40 31 and RGB 132 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 67 31 shade: RGB 132 67 31, RGB 132 94 31, RGB 132 122 31, RGB 115 132 31 and RGB 87 132 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 67 31 shade matches the following richer shades: RGB 132 67 31, RGB 145 63 17 and RGB 158 60 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 67 31 shade: RGB 132 67 31, RGB 118 71 44, RGB 105 74 57, RGB 92 78 70 and RGB 79 82 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 67 31 shade: RGB 132 31 49, RGB 132 39 31, RGB 132 66 31, RGB 132 93 31 and RGB 132 120 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 67 31 shade: RGB 65 33 15, RGB 98 50 23, RGB 132 67 31, RGB 165 84 38 and RGB 199 101 46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 67 31 shade: RGB 131 67 31, RGB 76 132 31 and RGB 31 36 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 67 31 shade: RGB 131 67 31, RGB 31 132 66 and RGB 66 31 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 67 31 shade: RGB 131 67 31, RGB 76 132 31, RGB 31 96 132 and RGB 86 31 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 67 31 shade: RGB 131 67 31, RGB 46 132 31, RGB 31 96 132 and RGB 117 31 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 76 / 49

HEX #83431F

RGB 131 67 31

HSL 21.6, 0.62%, 0.32%

LAB 35.87, 24.56, 33.27

 

Complementary color

CMYK 45 / 16 / 0 / 12

HEX #7CBCE0

RGB 124 188 224

HSL 201.6, 0.62%, 0.68%

LAB 73.31, -11.03, -24.39

 

CMYK 0 / 51 / 81 / 47

HEX #88431A

RGB 136 67 26

HSL 22.36, 0.68%, 0.32%

LAB 36.6, 26.51, 36.83

 

CMYK 0 / 44 / 71 / 40

HEX #99552D

RGB 153 85 45

HSL 22.22, 0.55%, 0.39%

LAB 43.45, 24.7, 34.96

 

CMYK 0 / 39 / 62 / 33

HEX #AA6740

RGB 170 103 64

HSL 22.08, 0.45%, 0.46%

LAB 50.24, 23.13, 33.08

 

CMYK 0 / 35 / 56 / 27

HEX #BB7953

RGB 187 121 83

HSL 21.92, 0.43%, 0.53%

LAB 56.94, 21.78, 31.33

 

CMYK 0 / 32 / 50 / 20

HEX #CC8B66

RGB 204 139 102

HSL 21.76, 0.5%, 0.6%

LAB 63.56, 20.61, 29.75

 

CMYK 0 / 49 / 76 / 49

HEX #83431F

RGB 131 67 31

HSL 21.6, 0.62%, 0.32%

LAB 35.87, 24.56, 33.27

 

CMYK 0 / 57 / 89 / 55

HEX #72310C

RGB 114 49 12

HSL 21.76, 0.81%, 0.25%

LAB 28.9, 26.52, 34.98

 

CMYK 0 / 68 / 100 / 62

HEX #611F00

RGB 97 31 0

HSL 19.18, 1%, 0.19%

LAB 22.02, 28.56, 32.33

 

CMYK 0 / 84 / 100 / 69

HEX #500D00

RGB 80 13 0

HSL 9.75, 1%, 0.16%

LAB 15.45, 30.02, 23.74

 

CMYK 0 / 100 / 100 / 75

HEX #3F0000

RGB 63 0 0

HSL 0, 1%, 0.12%

LAB 9.46, 29.45, 14.93

 

CMYK 0 / 49 / 77 / 48

HEX #84431F

RGB 132 67 31

HSL 21.39, 0.62%, 0.32%

LAB 36.02, 25, 33.48

 

CMYK 0 / 70 / 77 / 48

HEX #84281F

RGB 132 40 31

HSL 5.35, 0.62%, 0.32%

LAB 30.69, 38.82, 27.73

 

CMYK 0 / 77 / 77 / 48

HEX #841F1F

RGB 132 31 31

HSL 0, 0.62%, 0.32%

LAB 29.37, 42.44, 26.25

 

CMYK 0 / 49 / 77 / 48

HEX #84431F

RGB 132 67 31

HSL 21.39, 0.62%, 0.32%

LAB 36.02, 25, 33.48

 

CMYK 0 / 29 / 77 / 48

HEX #845E1F

RGB 132 94 31

HSL 37.43, 0.62%, 0.32%

LAB 42.78, 9.22, 40.39

 

CMYK 0 / 8 / 77 / 48

HEX #847A1F

RGB 132 122 31

HSL 54.06, 0.62%, 0.32%

LAB 50.6, -6.89, 47.97

 

CMYK 13 / 0 / 77 / 48

HEX #73841F

RGB 115 132 31

HSL 70.1, 0.62%, 0.32%

LAB 52.11, -20.02, 48.89

 

CMYK 34 / 0 / 77 / 48

HEX #57841F

RGB 87 132 31

HSL 86.73, 0.62%, 0.32%

LAB 50.25, -31.77, 46.45

 

CMYK 0 / 49 / 77 / 48

HEX #84431F

RGB 132 67 31

HSL 21.39, 0.62%, 0.32%

LAB 36.02, 25, 33.48

 

CMYK 0 / 57 / 88 / 43

HEX #913F11

RGB 145 63 17

HSL 21.56, 0.79%, 0.32%

LAB 37.14, 32.17, 41.92

 

CMYK 0 / 62 / 97 / 38

HEX #9E3C04

RGB 158 60 4

HSL 21.82, 0.95%, 0.32%

LAB 38.74, 38.61, 48.51

 

CMYK 0 / 49 / 77 / 48

HEX #84431F

RGB 132 67 31

HSL 21.39, 0.62%, 0.32%

LAB 36.02, 25, 33.48

 

CMYK 0 / 40 / 63 / 54

HEX #76472C

RGB 118 71 44

HSL 21.89, 0.46%, 0.32%

LAB 35.08, 17.26, 24.51

 

CMYK 0 / 30 / 46 / 59

HEX #694A39

RGB 105 74 57

HSL 21.25, 0.3%, 0.32%

LAB 34.39, 10.82, 15.36

 

CMYK 0 / 15 / 24 / 64

HEX #5C4E46

RGB 92 78 70

HSL 21.82, 0.14%, 0.32%

LAB 34.33, 4.4, 6.89

 

CMYK 5 / 1 / 0 / 67

HEX #4F5253

RGB 79 82 83

HSL 195, 0.02%, 0.32%

LAB 34.64, -0.98, -1.01

 

CMYK 0 / 77 / 63 / 48

HEX #841F31

RGB 132 31 49

HSL 349.31, 0.62%, 0.32%

LAB 29.68, 43.47, 15

 

CMYK 0 / 70 / 77 / 48

HEX #84271F

RGB 132 39 31

HSL 4.75, 0.62%, 0.32%

LAB 30.53, 39.25, 27.55

 

CMYK 0 / 50 / 77 / 48

HEX #84421F

RGB 132 66 31

HSL 20.79, 0.62%, 0.32%

LAB 35.79, 25.56, 33.24

 

CMYK 0 / 30 / 77 / 48

HEX #845D1F

RGB 132 93 31

HSL 36.83, 0.62%, 0.32%

LAB 42.51, 9.81, 40.12

 

CMYK 0 / 9 / 77 / 48

HEX #84781F

RGB 132 120 31

HSL 52.87, 0.62%, 0.32%

LAB 50.02, -5.77, 47.42

 

CMYK 0 / 49 / 77 / 75

HEX #41210F

RGB 65 33 15

HSL 21.6, 0.63%, 0.16%

LAB 16.73, 13.53, 18.3

 

CMYK 0 / 49 / 77 / 62

HEX #623217

RGB 98 50 23

HSL 21.6, 0.62%, 0.24%

LAB 26.56, 19.24, 26.19

 

CMYK 0 / 49 / 77 / 48

HEX #84431F

RGB 132 67 31

HSL 21.39, 0.62%, 0.32%

LAB 36.02, 25, 33.48

 

CMYK 0 / 49 / 77 / 35

HEX #A55426

RGB 165 84 38

HSL 21.73, 0.63%, 0.4%

LAB 44.91, 29.99, 40.68

 

CMYK 0 / 49 / 77 / 22

HEX #C7652E

RGB 199 101 46

HSL 21.57, 0.62%, 0.48%

LAB 53.65, 35.23, 47.29

 

CMYK 0 / 49 / 76 / 49

HEX #83431F

RGB 131 67 31

HSL 21.6, 0.62%, 0.32%

LAB 35.87, 24.56, 33.27

 

CMYK 42 / 0 / 77 / 48

HEX #4C841F

RGB 76 132 31

HSL 93.27, 0.62%, 0.32%

LAB 49.66, -35.88, 45.68

 

CMYK 77 / 73 / 0 / 48

HEX #1F2484

RGB 31 36 132

HSL 237.03, 0.62%, 0.32%

LAB 20.9, 32.7, -54.04

 

CMYK 0 / 49 / 76 / 49

HEX #83431F

RGB 131 67 31

HSL 21.6, 0.62%, 0.32%

LAB 35.87, 24.56, 33.27

 

CMYK 77 / 0 / 50 / 48

HEX #1F8442

RGB 31 132 66

HSL 140.79, 0.62%, 0.32%

LAB 48.5, -43.54, 27.59

 

CMYK 50 / 77 / 0 / 48

HEX #421F84

RGB 66 31 132

HSL 260.79, 0.62%, 0.32%

LAB 23.01, 40.44, -50.45

 

CMYK 0 / 49 / 76 / 49

HEX #83431F

RGB 131 67 31

HSL 21.6, 0.62%, 0.32%

LAB 35.87, 24.56, 33.27

 

CMYK 42 / 0 / 77 / 48

HEX #4C841F

RGB 76 132 31

HSL 93.27, 0.62%, 0.32%

LAB 49.66, -35.88, 45.68

 

CMYK 77 / 27 / 0 / 48

HEX #1F6084

RGB 31 96 132

HSL 201.39, 0.62%, 0.32%

LAB 38.42, -7.39, -25.9

 

CMYK 35 / 77 / 0 / 48

HEX #561F84

RGB 86 31 132

HSL 272.67, 0.62%, 0.32%

LAB 25.64, 44.06, -46.06

 

CMYK 0 / 49 / 76 / 49

HEX #83431F

RGB 131 67 31

HSL 21.6, 0.62%, 0.32%

LAB 35.87, 24.56, 33.27

 

CMYK 65 / 0 / 77 / 48

HEX #2E841F

RGB 46 132 31

HSL 111.09, 0.62%, 0.32%

LAB 48.49, -44.91, 44.12

 

CMYK 77 / 27 / 0 / 48

HEX #1F6084

RGB 31 96 132

HSL 201.39, 0.62%, 0.32%

LAB 38.42, -7.39, -25.9

 

CMYK 11 / 77 / 0 / 48

HEX #751F84

RGB 117 31 132

HSL 291.09, 0.62%, 0.32%

LAB 30.47, 50.48, -38.02

 

Description

Color code: RGB 131 67 31 | qconv.com Color code: RGB 131 67 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 67 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 67 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 76 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 76% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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