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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 44 222 it is the complementary color RGB 124 211 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 44 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 44 222 shade: RGB 136 44 217, RGB 153 62 236, RGB 170 80 255, RGB 187 98 255 and RGB 204 116 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 44 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 44 222 shade: RGB 131 44 222, RGB 114 26 203, RGB 97 8 184, RGB 80 0 165 and RGB 63 0 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 44 222 shade: RGB 130 43 221, RGB 178 43 221, RGB 221 43 216, RGB 221 43 168 and RGB 221 43 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 44 222 shade: RGB 130 43 221, RGB 82 43 221 and RGB 43 43 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 44 222 shade matches the following richer shades: RGB 130 43 221 and RGB 130 23 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 44 222 shade: RGB 130 43 221, RGB 131 63 202, RGB 131 82 182, RGB 131 102 162 and RGB 132 122 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 44 222 shade: RGB 43 52 221, RGB 81 43 221, RGB 129 43 221, RGB 177 43 221 and RGB 221 43 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 44 222 shade: RGB 89 24 158, RGB 110 30 193, RGB 130 43 221, RGB 151 78 227 and RGB 172 114 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 44 222 shade: RGB 131 44 222, RGB 221 43 99 and RGB 43 221 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 44 222 shade: RGB 131 44 222, RGB 221 129 43 and RGB 43 221 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 44 222 shade: RGB 131 44 222, RGB 221 43 99, RGB 135 221 43 and RGB 43 221 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 44 222 shade: RGB 131 44 222, RGB 221 43 46, RGB 135 221 43 and RGB 43 221 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 80 / 0 / 13

HEX #832CDE

RGB 131 44 222

HSL 269.33, 0.73%, 0.52%

LAB 41.06, 67.64, -74.38

 

Complementary color

CMYK 41 / 0 / 84 / 17

HEX #7CD321

RGB 124 211 33

HSL 89.33, 0.73%, 0.48%

LAB 76.67, -52.03, 70.76

 

CMYK 37 / 80 / 0 / 15

HEX #882CD9

RGB 136 44 217

HSL 271.91, 0.69%, 0.51%

LAB 41.29, 67.24, -71.11

 

CMYK 35 / 74 / 0 / 7

HEX #993EEC

RGB 153 62 236

HSL 271.38, 0.82%, 0.58%

LAB 47.33, 67.45, -71.97

 

CMYK 33 / 69 / 0 / 0

HEX #AA50FF

RGB 170 80 255

HSL 270.86, 1%, 0.66%

LAB 53.5, 67.16, -72.48

 

CMYK 27 / 62 / 0 / 0

HEX #BB62FF

RGB 187 98 255

HSL 274.01, 1%, 0.69%

LAB 58.53, 62.33, -64.25

 

CMYK 20 / 55 / 0 / 0

HEX #CC74FF

RGB 204 116 255

HSL 277.99, 1%, 0.73%

LAB 63.79, 57.52, -55.72

 

CMYK 41 / 80 / 0 / 13

HEX #832CDE

RGB 131 44 222

HSL 269.33, 0.73%, 0.52%

LAB 41.06, 67.64, -74.38

 

CMYK 44 / 87 / 0 / 20

HEX #721ACB

RGB 114 26 203

HSL 269.83, 0.77%, 0.45%

LAB 35.26, 66.66, -73.01

 

CMYK 47 / 96 / 0 / 28

HEX #6108B8

RGB 97 8 184

HSL 270.34, 0.92%, 0.38%

LAB 29.85, 64.32, -70.82

 

CMYK 52 / 100 / 0 / 35

HEX #5000A5

RGB 80 0 165

HSL 269.09, 1%, 0.32%

LAB 25.02, 60.01, -67.47

 

CMYK 57 / 100 / 0 / 43

HEX #3F0092

RGB 63 0 146

HSL 265.89, 1%, 0.29%

LAB 20.57, 54.33, -63.25

 

CMYK 41 / 81 / 0 / 13

HEX #822BDD

RGB 130 43 221

HSL 269.33, 0.72%, 0.52%

LAB 40.73, 67.62, -74.35

 

CMYK 19 / 81 / 0 / 13

HEX #B22BDD

RGB 178 43 221

HSL 285.51, 0.72%, 0.52%

LAB 47.51, 75.07, -63.01

 

CMYK 0 / 81 / 2 / 13

HEX #DD2BD8

RGB 221 43 216

HSL 301.69, 0.72%, 0.52%

LAB 54.09, 81.96, -49.23

 

CMYK 0 / 81 / 24 / 13

HEX #DD2BA8

RGB 221 43 168

HSL 317.87, 0.72%, 0.52%

LAB 51.75, 75.49, -25.1

 

CMYK 0 / 81 / 46 / 13

HEX #DD2B78

RGB 221 43 120

HSL 334.04, 0.72%, 0.52%

LAB 50.04, 70.51, 1.07

 

CMYK 41 / 81 / 0 / 13

HEX #822BDD

RGB 130 43 221

HSL 269.33, 0.72%, 0.52%

LAB 40.73, 67.62, -74.35

 

CMYK 63 / 81 / 0 / 13

HEX #522BDD

RGB 82 43 221

HSL 253.15, 0.72%, 0.52%

LAB 35.48, 61.97, -83.17

 

CMYK 81 / 81 / 0 / 13

HEX #2B2BDD

RGB 43 43 221

HSL 240, 0.72%, 0.52%

LAB 32.84, 59.17, -87.64

 

CMYK 41 / 81 / 0 / 13

HEX #822BDD

RGB 130 43 221

HSL 269.33, 0.72%, 0.52%

LAB 40.73, 67.62, -74.35

 

CMYK 46 / 90 / 0 / 5

HEX #8217F1

RGB 130 23 241

HSL 269.45, 0.89%, 0.52%

LAB 40.75, 77.4, -85.69

 

CMYK 41 / 81 / 0 / 13

HEX #822BDD

RGB 130 43 221

HSL 269.33, 0.72%, 0.52%

LAB 40.73, 67.62, -74.35

 

CMYK 35 / 69 / 0 / 21

HEX #833FCA

RGB 131 63 202

HSL 269.35, 0.57%, 0.52%

LAB 42.22, 55.09, -60.96

 

CMYK 28 / 55 / 0 / 29

HEX #8352B6

RGB 131 82 182

HSL 269.4, 0.41%, 0.52%

LAB 44.57, 40.33, -45.54

 

CMYK 19 / 37 / 0 / 36

HEX #8366A2

RGB 131 102 162

HSL 269, 0.24%, 0.52%

LAB 48.18, 23.86, -28.11

 

CMYK 7 / 14 / 0 / 44

HEX #847A8E

RGB 132 122 142

HSL 270, 0.08%, 0.52%

LAB 52.71, 7.83, -9.44

 

CMYK 81 / 76 / 0 / 13

HEX #2B34DD

RGB 43 52 221

HSL 236.97, 0.72%, 0.52%

LAB 34.38, 54.71, -85.08

 

CMYK 63 / 81 / 0 / 13

HEX #512BDD

RGB 81 43 221

HSL 252.81, 0.72%, 0.52%

LAB 35.4, 61.87, -83.32

 

CMYK 42 / 81 / 0 / 13

HEX #812BDD

RGB 129 43 221

HSL 268.99, 0.72%, 0.52%

LAB 40.6, 67.48, -74.57

 

CMYK 20 / 81 / 0 / 13

HEX #B12BDD

RGB 177 43 221

HSL 285.17, 0.72%, 0.52%

LAB 47.36, 74.9, -63.26

 

CMYK 0 / 81 / 1 / 13

HEX #DD2BDA

RGB 221 43 218

HSL 301.01, 0.72%, 0.52%

LAB 54.2, 82.26, -50.19

 

CMYK 44 / 85 / 0 / 38

HEX #59189E

RGB 89 24 158

HSL 269.1, 0.74%, 0.36%

LAB 27.42, 53.64, -59.2

 

CMYK 43 / 84 / 0 / 24

HEX #6E1EC1

RGB 110 30 193

HSL 269.45, 0.73%, 0.44%

LAB 34.18, 62.76, -68.95

 

CMYK 41 / 81 / 0 / 13

HEX #822BDD

RGB 130 43 221

HSL 269.33, 0.72%, 0.52%

LAB 40.73, 67.62, -74.35

 

CMYK 33 / 66 / 0 / 11

HEX #974EE3

RGB 151 78 227

HSL 269.4, 0.73%, 0.6%

LAB 48.98, 57.9, -64.22

 

CMYK 26 / 51 / 0 / 9

HEX #AC72E9

RGB 172 114 233

HSL 269.24, 0.73%, 0.68%

LAB 58.68, 45.58, -51.89

 

CMYK 41 / 80 / 0 / 13

HEX #832CDE

RGB 131 44 222

HSL 269.33, 0.73%, 0.52%

LAB 41.06, 67.64, -74.38

 

CMYK 0 / 81 / 55 / 13

HEX #DD2B63

RGB 221 43 99

HSL 341.12, 0.72%, 0.52%

LAB 49.5, 68.88, 13.09

 

CMYK 81 / 0 / 74 / 13

HEX #2BDD3A

RGB 43 221 58

HSL 125.06, 0.72%, 0.52%

LAB 77.6, -72.27, 63.69

 

CMYK 41 / 80 / 0 / 13

HEX #832CDE

RGB 131 44 222

HSL 269.33, 0.73%, 0.52%

LAB 41.06, 67.64, -74.38

 

CMYK 0 / 42 / 81 / 13

HEX #DD812B

RGB 221 129 43

HSL 28.99, 0.72%, 0.52%

LAB 62.72, 29.39, 58.33

 

CMYK 81 / 0 / 42 / 13

HEX #2BDD81

RGB 43 221 129

HSL 148.99, 0.72%, 0.52%

LAB 78.35, -63.2, 33.21

 

CMYK 41 / 80 / 0 / 13

HEX #832CDE

RGB 131 44 222

HSL 269.33, 0.73%, 0.52%

LAB 41.06, 67.64, -74.38

 

CMYK 0 / 81 / 55 / 13

HEX #DD2B63

RGB 221 43 99

HSL 341.12, 0.72%, 0.52%

LAB 49.5, 68.88, 13.09

 

CMYK 39 / 0 / 81 / 13

HEX #87DD2B

RGB 135 221 43

HSL 88.99, 0.72%, 0.52%

LAB 80.2, -51.95, 71.65

 

CMYK 81 / 0 / 25 / 13

HEX #2BDDA5

RGB 43 221 165

HSL 161.12, 0.72%, 0.52%

LAB 79.01, -55.83, 15.47

 

CMYK 41 / 80 / 0 / 13

HEX #832CDE

RGB 131 44 222

HSL 269.33, 0.73%, 0.52%

LAB 41.06, 67.64, -74.38

 

CMYK 0 / 81 / 79 / 13

HEX #DD2B2E

RGB 221 43 46

HSL 358.99, 0.72%, 0.52%

LAB 48.63, 66.24, 43.43

 

CMYK 39 / 0 / 81 / 13

HEX #87DD2B

RGB 135 221 43

HSL 88.99, 0.72%, 0.52%

LAB 80.2, -51.95, 71.65

 

CMYK 81 / 0 / 1 / 13

HEX #2BDDDA

RGB 43 221 218

HSL 178.99, 0.72%, 0.52%

LAB 80.34, -42.11, -10.76

 

Description

Color code: RGB 131 44 222 | qconv.com Color code: RGB 131 44 222 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 44 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 44 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 80 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 80% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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