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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 20 187 it is the complementary color RGB 124 235 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 20 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 20 187 shade: RGB 136 20 182, RGB 153 38 201, RGB 170 56 220, RGB 187 74 239 and RGB 204 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 20 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 20 187 shade: RGB 131 20 187, RGB 114 2 168, RGB 97 0 149, RGB 80 0 130 and RGB 63 0 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 20 187 shade: RGB 132 19 189, RGB 178 19 189, RGB 189 19 154, RGB 189 19 109 and RGB 189 19 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 20 187 shade: RGB 132 19 189, RGB 86 19 189, RGB 41 19 189 and RGB 19 19 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 20 187 shade matches the following richer shades: RGB 132 19 189 and RGB 138 2 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 20 187 shade: RGB 132 19 189, RGB 126 36 172, RGB 121 53 155, RGB 115 70 138 and RGB 110 87 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 20 187 shade: RGB 39 19 189, RGB 84 19 189, RGB 129 19 189, RGB 175 19 189 and RGB 189 19 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 20 187 shade: RGB 80 12 114, RGB 106 15 151, RGB 132 19 189, RGB 158 23 226 and RGB 174 57 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 20 187 shade: RGB 131 20 187, RGB 189 19 45 and RGB 19 189 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 20 187 shade: RGB 131 20 187, RGB 189 129 19 and RGB 19 189 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 20 187 shade: RGB 131 20 187, RGB 189 19 45, RGB 79 189 19 and RGB 19 189 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 20 187 shade: RGB 131 20 187, RGB 189 45 19, RGB 79 189 19 and RGB 19 163 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 89 / 0 / 27

HEX #8314BB

RGB 131 20 187

HSL 279.88, 0.81%, 0.41%

LAB 35.82, 66.83, -62.62

 

Complementary color

CMYK 47 / 0 / 71 / 8

HEX #7CEB44

RGB 124 235 68

HSL 99.88, 0.81%, 0.59%

LAB 84.03, -59.41, 67.39

 

CMYK 25 / 89 / 0 / 29

HEX #8814B6

RGB 136 20 182

HSL 282.96, 0.8%, 0.4%

LAB 36.2, 66.57, -59

 

CMYK 24 / 81 / 0 / 21

HEX #9926C9

RGB 153 38 201

HSL 282.33, 0.68%, 0.47%

LAB 41.81, 68.49, -60.92

 

CMYK 23 / 75 / 0 / 14

HEX #AA38DC

RGB 170 56 220

HSL 281.71, 0.7%, 0.54%

LAB 47.68, 69.37, -62.23

 

CMYK 22 / 69 / 0 / 6

HEX #BB4AEF

RGB 187 74 239

HSL 281.09, 0.84%, 0.61%

LAB 53.7, 69.59, -63.12

 

CMYK 20 / 64 / 0 / 0

HEX #CC5CFF

RGB 204 92 255

HSL 281.23, 1%, 0.68%

LAB 59.63, 68.79, -62.37

 

CMYK 30 / 89 / 0 / 27

HEX #8314BB

RGB 131 20 187

HSL 279.88, 0.81%, 0.41%

LAB 35.82, 66.83, -62.62

 

CMYK 32 / 99 / 0 / 34

HEX #7202A8

RGB 114 2 168

HSL 280.48, 0.98%, 0.33%

LAB 30.52, 63.74, -60.06

 

CMYK 35 / 100 / 0 / 42

HEX #610095

RGB 97 0 149

HSL 279.06, 1%, 0.29%

LAB 25.9, 58.21, -56.14

 

CMYK 38 / 100 / 0 / 49

HEX #500082

RGB 80 0 130

HSL 276.92, 1%, 0.25%

LAB 21.27, 52.24, -51.97

 

CMYK 43 / 100 / 0 / 56

HEX #3F006F

RGB 63 0 111

HSL 274.05, 1%, 0.22%

LAB 16.53, 46.14, -47.68

 

CMYK 30 / 90 / 0 / 26

HEX #8413BD

RGB 132 19 189

HSL 279.88, 0.82%, 0.41%

LAB 36.07, 67.57, -63.37

 

CMYK 6 / 90 / 0 / 26

HEX #B213BD

RGB 178 19 189

HSL 296.12, 0.82%, 0.41%

LAB 43.66, 74.65, -50.72

 

CMYK 0 / 90 / 19 / 26

HEX #BD139A

RGB 189 19 154

HSL 312.35, 0.82%, 0.41%

LAB 43.68, 71.65, -29.76

 

CMYK 0 / 90 / 42 / 26

HEX #BD136D

RGB 189 19 109

HSL 328.24, 0.82%, 0.41%

LAB 41.83, 66.68, -4.94

 

CMYK 0 / 90 / 67 / 26

HEX #BD133F

RGB 189 19 63

HSL 344.47, 0.82%, 0.41%

LAB 40.64, 63.38, 22.48

 

CMYK 30 / 90 / 0 / 26

HEX #8413BD

RGB 132 19 189

HSL 279.88, 0.82%, 0.41%

LAB 36.07, 67.57, -63.37

 

CMYK 54 / 90 / 0 / 26

HEX #5613BD

RGB 86 19 189

HSL 263.65, 0.82%, 0.41%

LAB 29.71, 62.27, -74.07

 

CMYK 78 / 90 / 0 / 26

HEX #2913BD

RGB 41 19 189

HSL 247.76, 0.82%, 0.41%

LAB 25.6, 59.33, -81.01

 

CMYK 90 / 90 / 0 / 26

HEX #1313BD

RGB 19 19 189

HSL 240, 0.82%, 0.41%

LAB 24.57, 58.68, -82.75

 

CMYK 30 / 90 / 0 / 26

HEX #8413BD

RGB 132 19 189

HSL 279.88, 0.82%, 0.41%

LAB 36.07, 67.57, -63.37

 

CMYK 33 / 99 / 0 / 19

HEX #8A02CE

RGB 138 2 206

HSL 280, 0.98%, 0.41%

LAB 37.67, 74, -70.67

 

CMYK 30 / 90 / 0 / 26

HEX #8413BD

RGB 132 19 189

HSL 279.88, 0.82%, 0.41%

LAB 36.07, 67.57, -63.37

 

CMYK 27 / 79 / 0 / 33

HEX #7E24AC

RGB 126 36 172

HSL 279.71, 0.65%, 0.41%

LAB 35.35, 58.59, -54.49

 

CMYK 22 / 66 / 0 / 39

HEX #79359B

RGB 121 53 155

HSL 280, 0.49%, 0.41%

LAB 35.94, 46.76, -43.35

 

CMYK 17 / 49 / 0 / 46

HEX #73468A

RGB 115 70 138

HSL 279.71, 0.33%, 0.41%

LAB 37.59, 32.11, -30.43

 

CMYK 9 / 28 / 0 / 53

HEX #6E5779

RGB 110 87 121

HSL 280.59, 0.16%, 0.41%

LAB 40.43, 16.28, -15.65

 

CMYK 79 / 90 / 0 / 26

HEX #2713BD

RGB 39 19 189

HSL 247.06, 0.82%, 0.41%

LAB 25.48, 59.25, -81.22

 

CMYK 56 / 90 / 0 / 26

HEX #5413BD

RGB 84 19 189

HSL 262.94, 0.82%, 0.41%

LAB 29.47, 62.09, -74.46

 

CMYK 32 / 90 / 0 / 26

HEX #8113BD

RGB 129 19 189

HSL 278.82, 0.82%, 0.41%

LAB 35.61, 67.16, -64.15

 

CMYK 7 / 90 / 0 / 26

HEX #AF13BD

RGB 175 19 189

HSL 295.06, 0.82%, 0.41%

LAB 43.14, 74.15, -51.58

 

CMYK 0 / 90 / 16 / 26

HEX #BD139E

RGB 189 19 158

HSL 310.94, 0.82%, 0.41%

LAB 43.88, 72.17, -31.86

 

CMYK 30 / 89 / 0 / 55

HEX #500C72

RGB 80 12 114

HSL 280, 0.81%, 0.25%

LAB 20.76, 45.76, -42.58

 

CMYK 30 / 90 / 0 / 41

HEX #6A0F97

RGB 106 15 151

HSL 280.15, 0.82%, 0.33%

LAB 28.49, 56.98, -53.08

 

CMYK 30 / 90 / 0 / 26

HEX #8413BD

RGB 132 19 189

HSL 279.88, 0.82%, 0.41%

LAB 36.07, 67.57, -63.37

 

CMYK 30 / 90 / 0 / 11

HEX #9E17E2

RGB 158 23 226

HSL 279.9, 0.82%, 0.49%

LAB 43.32, 77.54, -72.81

 

CMYK 26 / 76 / 0 / 8

HEX #AE39EA

RGB 174 57 234

HSL 279.66, 0.81%, 0.57%

LAB 49.33, 72.53, -67.46

 

CMYK 30 / 89 / 0 / 27

HEX #8314BB

RGB 131 20 187

HSL 279.88, 0.81%, 0.41%

LAB 35.82, 66.83, -62.62

 

CMYK 0 / 90 / 76 / 26

HEX #BD132D

RGB 189 19 45

HSL 350.82, 0.82%, 0.41%

LAB 40.37, 62.6, 33.27

 

CMYK 90 / 0 / 67 / 26

HEX #13BD3E

RGB 19 189 62

HSL 135.18, 0.82%, 0.41%

LAB 67.19, -64.5, 51.26

 

CMYK 30 / 89 / 0 / 27

HEX #8314BB

RGB 131 20 187

HSL 279.88, 0.81%, 0.41%

LAB 35.82, 66.83, -62.62

 

CMYK 0 / 32 / 90 / 26

HEX #BD8113

RGB 189 129 19

HSL 38.82, 0.82%, 0.41%

LAB 58.57, 15, 60.9

 

CMYK 90 / 0 / 32 / 26

HEX #13BD81

RGB 19 189 129

HSL 158.82, 0.82%, 0.41%

LAB 68.11, -53.56, 19.45

 

CMYK 30 / 89 / 0 / 27

HEX #8314BB

RGB 131 20 187

HSL 279.88, 0.81%, 0.41%

LAB 35.82, 66.83, -62.62

 

CMYK 0 / 90 / 76 / 26

HEX #BD132D

RGB 189 19 45

HSL 350.82, 0.82%, 0.41%

LAB 40.37, 62.6, 33.27

 

CMYK 58 / 0 / 90 / 26

HEX #4FBD13

RGB 79 189 19

HSL 98.82, 0.82%, 0.41%

LAB 68.1, -57.65, 65.51

 

CMYK 90 / 0 / 14 / 26

HEX #13BDA3

RGB 19 189 163

HSL 170.82, 0.82%, 0.41%

LAB 68.88, -45.17, 2.05

 

CMYK 30 / 89 / 0 / 27

HEX #8314BB

RGB 131 20 187

HSL 279.88, 0.81%, 0.41%

LAB 35.82, 66.83, -62.62

 

CMYK 0 / 76 / 90 / 26

HEX #BD2D13

RGB 189 45 19

HSL 9.18, 0.82%, 0.41%

LAB 42.37, 55.58, 48.64

 

CMYK 58 / 0 / 90 / 26

HEX #4FBD13

RGB 79 189 19

HSL 98.82, 0.82%, 0.41%

LAB 68.1, -57.65, 65.51

 

CMYK 90 / 14 / 0 / 26

HEX #13A3BD

RGB 19 163 189

HSL 189.18, 0.82%, 0.41%

LAB 61.66, -25.21, -23.18

 

Description

Color code: RGB 131 20 187 | qconv.com Color code: RGB 131 20 187 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 20 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 20 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 89 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 89% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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