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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 205 146 it is the complementary color RGB 124 50 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 205 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 205 146 shade: RGB 136 205 141, RGB 153 223 160, RGB 170 241 179, RGB 187 255 198 and RGB 204 255 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 205 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 205 146 shade: RGB 131 205 146, RGB 114 187 127, RGB 97 169 108, RGB 80 151 89 and RGB 63 133 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 205 146 shade: RGB 131 205 146, RGB 136 205 131, RGB 156 205 131, RGB 176 205 131 and RGB 196 205 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 205 146 shade: RGB 131 205 146, RGB 131 205 166, RGB 131 205 186, RGB 131 204 205 and RGB 131 184 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 205 146 shade matches the following richer shades: RGB 131 205 146, RGB 116 219 137, RGB 102 233 129 and RGB 88 247 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 205 146 shade: RGB 131 205 146, RGB 145 191 154, RGB 159 177 162, RGB 173 163 171 and RGB 187 149 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 205 146 shade: RGB 155 205 131, RGB 135 205 131, RGB 131 205 145, RGB 131 205 165 and RGB 131 205 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 205 146 shade: RGB 72 181 94, RGB 101 193 120, RGB 131 205 146, RGB 160 217 172 and RGB 190 229 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 205 146 shade: RGB 131 205 146, RGB 131 175 205 and RGB 205 131 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 205 146 shade: RGB 131 205 146, RGB 145 131 205 and RGB 205 145 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 205 146 shade: RGB 131 205 146, RGB 131 175 205, RGB 205 131 190 and RGB 205 160 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 205 146 shade: RGB 131 205 146, RGB 131 153 205, RGB 205 131 190 and RGB 205 183 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 29 / 20

HEX #83CD92

RGB 131 205 146

HSL 132.16, 0.43%, 0.66%

LAB 76.41, -35.3, 22.28

 

Complementary color

CMYK 0 / 60 / 12 / 51

HEX #7C326D

RGB 124 50 109

HSL 312.16, 0.43%, 0.34%

LAB 33.29, 39.87, -19.01

 

CMYK 34 / 0 / 31 / 20

HEX #88CD8D

RGB 136 205 141

HSL 124.35, 0.41%, 0.67%

LAB 76.57, -34.61, 25.17

 

CMYK 31 / 0 / 28 / 13

HEX #99DFA0

RGB 153 223 160

HSL 126, 0.52%, 0.74%

LAB 82.96, -34.35, 24.08

 

CMYK 29 / 0 / 26 / 5

HEX #AAF1B3

RGB 170 241 179

HSL 127.61, 0.72%, 0.81%

LAB 89.26, -34.11, 23.06

 

CMYK 27 / 0 / 22 / 0

HEX #BBFFC6

RGB 187 255 198

HSL 129.71, 1%, 0.87%

LAB 94.38, -32.02, 20.58

 

CMYK 20 / 0 / 15 / 0

HEX #CCFFD9

RGB 204 255 217

HSL 135.29, 1%, 0.9%

LAB 95.73, -23.33, 12.9

 

CMYK 36 / 0 / 29 / 20

HEX #83CD92

RGB 131 205 146

HSL 132.16, 0.43%, 0.66%

LAB 76.41, -35.3, 22.28

 

CMYK 39 / 0 / 32 / 27

HEX #72BB7F

RGB 114 187 127

HSL 130.68, 0.35%, 0.59%

LAB 69.93, -35.57, 23.41

 

CMYK 43 / 0 / 36 / 34

HEX #61A96C

RGB 97 169 108

HSL 129.17, 0.3%, 0.52%

LAB 63.34, -35.82, 24.62

 

CMYK 47 / 0 / 41 / 41

HEX #509759

RGB 80 151 89

HSL 127.61, 0.31%, 0.45%

LAB 56.64, -36.02, 25.92

 

CMYK 53 / 0 / 47 / 48

HEX #3F8546

RGB 63 133 70

HSL 126, 0.36%, 0.38%

LAB 49.83, -36.13, 27.31

 

CMYK 36 / 0 / 29 / 20

HEX #83CD92

RGB 131 205 146

HSL 132.16, 0.43%, 0.66%

LAB 76.41, -35.3, 22.28

 

CMYK 34 / 0 / 36 / 20

HEX #88CD83

RGB 136 205 131

HSL 115.95, 0.43%, 0.66%

LAB 76.4, -36.23, 30.15

 

CMYK 24 / 0 / 36 / 20

HEX #9CCD83

RGB 156 205 131

HSL 99.73, 0.43%, 0.66%

LAB 77.5, -29.46, 31.81

 

CMYK 14 / 0 / 36 / 20

HEX #B0CD83

RGB 176 205 131

HSL 83.51, 0.43%, 0.66%

LAB 78.77, -22.2, 33.71

 

CMYK 4 / 0 / 36 / 20

HEX #C4CD83

RGB 196 205 131

HSL 67.3, 0.43%, 0.66%

LAB 80.2, -14.58, 35.84

 

CMYK 36 / 0 / 29 / 20

HEX #83CD92

RGB 131 205 146

HSL 132.16, 0.43%, 0.66%

LAB 76.41, -35.3, 22.28

 

CMYK 36 / 0 / 19 / 20

HEX #83CDA6

RGB 131 205 166

HSL 148.38, 0.43%, 0.66%

LAB 76.82, -31.52, 12.22

 

CMYK 36 / 0 / 9 / 20

HEX #83CDBA

RGB 131 205 186

HSL 164.59, 0.43%, 0.66%

LAB 77.3, -27.29, 2.18

 

CMYK 36 / 0 / 0 / 20

HEX #83CCCD

RGB 131 204 205

HSL 180.81, 0.43%, 0.66%

LAB 77.53, -22.39, -7.71

 

CMYK 36 / 10 / 0 / 20

HEX #83B8CD

RGB 131 184 205

HSL 197.03, 0.43%, 0.66%

LAB 71.9, -12.11, -16.13

 

CMYK 36 / 0 / 29 / 20

HEX #83CD92

RGB 131 205 146

HSL 132.16, 0.43%, 0.66%

LAB 76.41, -35.3, 22.28

 

CMYK 47 / 0 / 37 / 14

HEX #74DB89

RGB 116 219 137

HSL 132.23, 0.59%, 0.66%

LAB 79.72, -47.33, 31.29

 

CMYK 56 / 0 / 45 / 9

HEX #66E981

RGB 102 233 129

HSL 132.37, 0.75%, 0.66%

LAB 83.28, -57.71, 39.83

 

CMYK 64 / 0 / 51 / 3

HEX #58F779

RGB 88 247 121

HSL 132.45, 0.91%, 0.66%

LAB 86.99, -66.92, 48.22

 

CMYK 36 / 0 / 29 / 20

HEX #83CD92

RGB 131 205 146

HSL 132.16, 0.43%, 0.66%

LAB 76.41, -35.3, 22.28

 

CMYK 24 / 0 / 19 / 25

HEX #91BF9A

RGB 145 191 154

HSL 131.74, 0.26%, 0.66%

LAB 73.29, -22.66, 13.8

 

CMYK 10 / 0 / 8 / 31

HEX #9FB1A2

RGB 159 177 162

HSL 130, 0.1%, 0.66%

LAB 70.47, -9.15, 5.55

 

CMYK 0 / 6 / 1 / 32

HEX #ADA3AB

RGB 173 163 171

HSL 312, 0.06%, 0.66%

LAB 68.03, 5.09, -2.84

 

CMYK 0 / 20 / 4 / 27

HEX #BB95B3

RGB 187 149 179

HSL 312.63, 0.22%, 0.66%

LAB 65.99, 19.32, -10.2

 

CMYK 24 / 0 / 36 / 20

HEX #9BCD83

RGB 155 205 131

HSL 100.54, 0.43%, 0.66%

LAB 77.44, -29.81, 31.72

 

CMYK 34 / 0 / 36 / 20

HEX #87CD83

RGB 135 205 131

HSL 116.76, 0.43%, 0.66%

LAB 76.35, -36.55, 30.07

 

CMYK 36 / 0 / 29 / 20

HEX #83CD91

RGB 131 205 145

HSL 131.35, 0.43%, 0.66%

LAB 76.39, -35.48, 22.78

 

CMYK 36 / 0 / 20 / 20

HEX #83CDA5

RGB 131 205 165

HSL 147.57, 0.43%, 0.66%

LAB 76.8, -31.72, 12.73

 

CMYK 36 / 0 / 10 / 20

HEX #83CDB9

RGB 131 205 185

HSL 163.78, 0.43%, 0.66%

LAB 77.28, -27.52, 2.68

 

CMYK 60 / 0 / 48 / 29

HEX #48B55E

RGB 72 181 94

HSL 132.11, 0.43%, 0.5%

LAB 65.93, -49.84, 35.12

 

CMYK 48 / 0 / 38 / 24

HEX #65C178

RGB 101 193 120

HSL 132.39, 0.43%, 0.58%

LAB 71.05, -43.22, 28.51

 

CMYK 36 / 0 / 29 / 20

HEX #83CD92

RGB 131 205 146

HSL 132.16, 0.43%, 0.66%

LAB 76.41, -35.3, 22.28

 

CMYK 26 / 0 / 21 / 15

HEX #A0D9AC

RGB 160 217 172

HSL 132.63, 0.43%, 0.74%

LAB 81.88, -27.2, 16.37

 

CMYK 17 / 0 / 14 / 10

HEX #BEE5C5

RGB 190 229 197

HSL 130.77, 0.43%, 0.82%

LAB 87.49, -18.77, 11.42

 

CMYK 36 / 0 / 29 / 20

HEX #83CD92

RGB 131 205 146

HSL 132.16, 0.43%, 0.66%

LAB 76.41, -35.3, 22.28

 

CMYK 36 / 15 / 0 / 20

HEX #83AFCD

RGB 131 175 205

HSL 204.32, 0.43%, 0.66%

LAB 69.39, -7.29, -19.93

 

CMYK 0 / 36 / 29 / 20

HEX #CD8391

RGB 205 131 145

HSL 348.65, 0.43%, 0.66%

LAB 62.72, 30.32, 4.45

 

CMYK 36 / 0 / 29 / 20

HEX #83CD92

RGB 131 205 146

HSL 132.16, 0.43%, 0.66%

LAB 76.41, -35.3, 22.28

 

CMYK 29 / 36 / 0 / 20

HEX #9183CD

RGB 145 131 205

HSL 251.35, 0.43%, 0.66%

LAB 58.66, 21.68, -36.4

 

CMYK 0 / 29 / 36 / 20

HEX #CD9183

RGB 205 145 131

HSL 11.35, 0.43%, 0.66%

LAB 65.65, 20.88, 16.49

 

CMYK 36 / 0 / 29 / 20

HEX #83CD92

RGB 131 205 146

HSL 132.16, 0.43%, 0.66%

LAB 76.41, -35.3, 22.28

 

CMYK 36 / 15 / 0 / 20

HEX #83AFCD

RGB 131 175 205

HSL 204.32, 0.43%, 0.66%

LAB 69.39, -7.29, -19.93

 

CMYK 0 / 36 / 7 / 20

HEX #CD83BE

RGB 205 131 190

HSL 312.16, 0.43%, 0.66%

LAB 64.1, 37.33, -19.04

 

CMYK 0 / 22 / 36 / 20

HEX #CDA083

RGB 205 160 131

HSL 23.51, 0.43%, 0.66%

LAB 69.3, 12.7, 21.51

 

CMYK 36 / 0 / 29 / 20

HEX #83CD92

RGB 131 205 146

HSL 132.16, 0.43%, 0.66%

LAB 76.41, -35.3, 22.28

 

CMYK 36 / 25 / 0 / 20

HEX #8399CD

RGB 131 153 205

HSL 222.16, 0.43%, 0.66%

LAB 63.36, 4.95, -29.18

 

CMYK 0 / 36 / 7 / 20

HEX #CD83BE

RGB 205 131 190

HSL 312.16, 0.43%, 0.66%

LAB 64.1, 37.33, -19.04

 

CMYK 0 / 11 / 36 / 20

HEX #CDB783

RGB 205 183 131

HSL 42.16, 0.43%, 0.66%

LAB 75.13, 0.35, 29.34

 

Description

Color code: RGB 131 205 146 | qconv.com Color code: RGB 131 205 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 205 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 205 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 29 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 29% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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