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Color name
RGB 131 185 34

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 185 34 it is the complementary color RGB 124 70 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 185 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 185 34 shade: RGB 136 185 29, RGB 153 203 48, RGB 170 221 67, RGB 187 239 86 and RGB 204 255 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 185 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 185 34 shade: RGB 131 185 34, RGB 114 167 15, RGB 97 149 0, RGB 80 131 0 and RGB 63 113 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 185 34 shade: RGB 131 185 33, RGB 171 185 33, RGB 185 157 33, RGB 185 117 33 and RGB 185 76 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 185 34 shade: RGB 131 185 33, RGB 90 185 33, RGB 49 185 33, RGB 33 185 59 and RGB 33 185 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 185 34 shade matches the following richer shades: RGB 131 185 33 and RGB 136 203 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 185 34 shade: RGB 131 185 33, RGB 126 167 51, RGB 121 149 69, RGB 116 132 87 and RGB 110 114 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 185 34 shade: RGB 185 157 33, RGB 172 185 33, RGB 132 185 33, RGB 91 185 33 and RGB 51 185 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 185 34 shade: RGB 81 115 21, RGB 106 150 27, RGB 131 185 33, RGB 154 216 44 and RGB 171 222 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 185 34 shade: RGB 131 185 34, RGB 33 185 117 and RGB 177 33 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 185 34 shade: RGB 131 185 34, RGB 33 132 185 and RGB 185 33 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 185 34 shade: RGB 131 185 34, RGB 33 185 117, RGB 86 33 185 and RGB 185 33 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 185 34 shade: RGB 131 185 34, RGB 33 185 162, RGB 86 33 185 and RGB 185 33 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 82 / 27

HEX #83B922

RGB 131 185 34

HSL 81.46, 0.69%, 0.43%

LAB 69.21, -38.62, 64.06

 

Complementary color

CMYK 44 / 68 / 0 / 13

HEX #7C46DD

RGB 124 70 221

HSL 261.46, 0.69%, 0.57%

LAB 44.07, 55.14, -68.92

 

CMYK 26 / 0 / 84 / 27

HEX #88B91D

RGB 136 185 29

HSL 78.85, 0.73%, 0.42%

LAB 69.48, -36.87, 65.67

 

CMYK 25 / 0 / 76 / 20

HEX #99CB30

RGB 153 203 48

HSL 79.35, 0.62%, 0.49%

LAB 75.88, -37.58, 66.58

 

CMYK 23 / 0 / 70 / 13

HEX #AADD43

RGB 170 221 67

HSL 79.87, 0.69%, 0.56%

LAB 82.2, -38.1, 66.64

 

CMYK 22 / 0 / 64 / 6

HEX #BBEF56

RGB 187 239 86

HSL 80.39, 0.83%, 0.64%

LAB 88.43, -38.5, 66.19

 

CMYK 20 / 0 / 59 / 0

HEX #CCFF69

RGB 204 255 105

HSL 80.4, 1%, 0.71%

LAB 94.05, -37.9, 64.84

 

CMYK 29 / 0 / 82 / 27

HEX #83B922

RGB 131 185 34

HSL 81.46, 0.69%, 0.43%

LAB 69.21, -38.62, 64.06

 

CMYK 32 / 0 / 91 / 35

HEX #72A70F

RGB 114 167 15

HSL 80.92, 0.84%, 0.36%

LAB 62.72, -37.78, 62.31

 

CMYK 35 / 0 / 100 / 42

HEX #619500

RGB 97 149 0

HSL 80.94, 1%, 0.29%

LAB 56.12, -36.67, 58.92

 

CMYK 39 / 0 / 100 / 49

HEX #508300

RGB 80 131 0

HSL 83.36, 1%, 0.26%

LAB 49.42, -35.23, 53.34

 

CMYK 44 / 0 / 100 / 56

HEX #3F7100

RGB 63 113 0

HSL 86.55, 1%, 0.22%

LAB 42.56, -33.71, 47.64

 

CMYK 29 / 0 / 82 / 27

HEX #83B921

RGB 131 185 33

HSL 81.32, 0.7%, 0.43%

LAB 69.21, -38.66, 64.32

 

CMYK 8 / 0 / 82 / 27

HEX #ABB921

RGB 171 185 33

HSL 65.53, 0.7%, 0.43%

LAB 71.87, -22.36, 67.68

 

CMYK 0 / 15 / 82 / 27

HEX #B99D21

RGB 185 157 33

HSL 48.95, 0.7%, 0.43%

LAB 65.39, -1.75, 62.56

 

CMYK 0 / 37 / 82 / 27

HEX #B97521

RGB 185 117 33

HSL 33.16, 0.7%, 0.43%

LAB 55.22, 20.23, 53.64

 

CMYK 0 / 59 / 82 / 27

HEX #B94C21

RGB 185 76 33

HSL 16.97, 0.7%, 0.43%

LAB 46.44, 41.85, 45.65

 

CMYK 29 / 0 / 82 / 27

HEX #83B921

RGB 131 185 33

HSL 81.32, 0.7%, 0.43%

LAB 69.21, -38.66, 64.32

 

CMYK 51 / 0 / 82 / 27

HEX #5AB921

RGB 90 185 33

HSL 97.5, 0.7%, 0.43%

LAB 67.26, -52.64, 61.84

 

CMYK 74 / 0 / 82 / 27

HEX #31B921

RGB 49 185 33

HSL 113.68, 0.7%, 0.43%

LAB 66.11, -62.12, 60.36

 

CMYK 82 / 0 / 68 / 27

HEX #21B93B

RGB 33 185 59

HSL 130.26, 0.7%, 0.43%

LAB 66.01, -62.35, 51.25

 

CMYK 82 / 0 / 46 / 27

HEX #21B964

RGB 33 185 100

HSL 146.45, 0.7%, 0.43%

LAB 66.48, -56.74, 32.58

 

CMYK 29 / 0 / 82 / 27

HEX #83B921

RGB 131 185 33

HSL 81.32, 0.7%, 0.43%

LAB 69.21, -38.66, 64.32

 

CMYK 33 / 0 / 92 / 20

HEX #88CB10

RGB 136 203 16

HSL 81.5, 0.85%, 0.43%

LAB 74.81, -45.05, 72.51

 

CMYK 29 / 0 / 82 / 27

HEX #83B921

RGB 131 185 33

HSL 81.32, 0.7%, 0.43%

LAB 69.21, -38.66, 64.32

 

CMYK 25 / 0 / 69 / 35

HEX #7EA733

RGB 126 167 51

HSL 81.21, 0.53%, 0.43%

LAB 63.6, -31.43, 52.93

 

CMYK 19 / 0 / 54 / 42

HEX #799545

RGB 121 149 69

HSL 81, 0.37%, 0.43%

LAB 58.03, -23.15, 38.59

 

CMYK 12 / 0 / 34 / 48

HEX #748457

RGB 116 132 87

HSL 81.33, 0.21%, 0.43%

LAB 52.84, -14.07, 22.42

 

CMYK 4 / 0 / 9 / 55

HEX #6E7268

RGB 110 114 104

HSL 84, 0.05%, 0.43%

LAB 47.43, -3.52, 5.01

 

CMYK 0 / 15 / 82 / 27

HEX #B99D21

RGB 185 157 33

HSL 48.95, 0.7%, 0.43%

LAB 65.39, -1.75, 62.56

 

CMYK 7 / 0 / 82 / 27

HEX #ACB921

RGB 172 185 33

HSL 65.13, 0.7%, 0.43%

LAB 71.95, -21.94, 67.78

 

CMYK 29 / 0 / 82 / 27

HEX #84B921

RGB 132 185 33

HSL 80.92, 0.7%, 0.43%

LAB 69.26, -38.27, 64.4

 

CMYK 51 / 0 / 82 / 27

HEX #5BB921

RGB 91 185 33

HSL 97.11, 0.7%, 0.43%

LAB 67.3, -52.35, 61.89

 

CMYK 72 / 0 / 82 / 27

HEX #33B921

RGB 51 185 33

HSL 112.89, 0.7%, 0.43%

LAB 66.15, -61.78, 60.41

 

CMYK 30 / 0 / 82 / 55

HEX #517315

RGB 81 115 21

HSL 81.7, 0.69%, 0.27%

LAB 44.33, -26.69, 44.18

 

CMYK 29 / 0 / 82 / 41

HEX #6A961B

RGB 106 150 27

HSL 81.46, 0.69%, 0.35%

LAB 57.03, -32.82, 54.51

 

CMYK 29 / 0 / 82 / 27

HEX #83B921

RGB 131 185 33

HSL 81.32, 0.7%, 0.43%

LAB 69.21, -38.66, 64.32

 

CMYK 29 / 0 / 80 / 15

HEX #9AD82C

RGB 154 216 44

HSL 81.63, 0.69%, 0.51%

LAB 79.71, -43.1, 71.29

 

CMYK 23 / 0 / 64 / 13

HEX #ABDE4F

RGB 171 222 79

HSL 81.4, 0.68%, 0.59%

LAB 82.63, -37.38, 62.51

 

CMYK 29 / 0 / 82 / 27

HEX #83B922

RGB 131 185 34

HSL 81.46, 0.69%, 0.43%

LAB 69.21, -38.62, 64.06

 

CMYK 82 / 0 / 37 / 27

HEX #21B975

RGB 33 185 117

HSL 153.16, 0.7%, 0.43%

LAB 66.75, -53.53, 24.05

 

CMYK 4 / 82 / 0 / 27

HEX #B121B9

RGB 177 33 185

HSL 296.84, 0.7%, 0.43%

LAB 44.14, 71.19, -47.61

 

CMYK 29 / 0 / 82 / 27

HEX #83B922

RGB 131 185 34

HSL 81.46, 0.69%, 0.43%

LAB 69.21, -38.62, 64.06

 

CMYK 82 / 29 / 0 / 27

HEX #2184B9

RGB 33 132 185

HSL 200.92, 0.7%, 0.43%

LAB 52.21, -8.81, -35.56

 

CMYK 0 / 82 / 29 / 27

HEX #B92184

RGB 185 33 132

HSL 320.92, 0.7%, 0.43%

LAB 42.87, 65.41, -17.7

 

CMYK 29 / 0 / 82 / 27

HEX #83B922

RGB 131 185 34

HSL 81.46, 0.69%, 0.43%

LAB 69.21, -38.62, 64.06

 

CMYK 82 / 0 / 37 / 27

HEX #21B975

RGB 33 185 117

HSL 153.16, 0.7%, 0.43%

LAB 66.75, -53.53, 24.05

 

CMYK 54 / 82 / 0 / 27

HEX #5621B9

RGB 86 33 185

HSL 260.92, 0.7%, 0.43%

LAB 30.8, 56.78, -69.89

 

CMYK 0 / 82 / 45 / 27

HEX #B92166

RGB 185 33 102

HSL 332.76, 0.7%, 0.43%

LAB 41.78, 62.28, -0.7

 

CMYK 29 / 0 / 82 / 27

HEX #83B922

RGB 131 185 34

HSL 81.46, 0.69%, 0.43%

LAB 69.21, -38.62, 64.06

 

CMYK 82 / 0 / 12 / 27

HEX #21B9A2

RGB 33 185 162

HSL 170.92, 0.7%, 0.43%

LAB 67.75, -42.78, 0.97

 

CMYK 54 / 82 / 0 / 27

HEX #5621B9

RGB 86 33 185

HSL 260.92, 0.7%, 0.43%

LAB 30.8, 56.78, -69.89

 

CMYK 0 / 82 / 70 / 27

HEX #B92138

RGB 185 33 56

HSL 350.92, 0.7%, 0.43%

LAB 40.72, 59.08, 26.76

 

Description

Color code: RGB 131 185 34 | qconv.com Color code: RGB 131 185 34 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 185 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 185 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 82 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 82% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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