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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 165 52 it is the complementary color RGB 124 90 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 165 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 165 52 shade: RGB 136 165 47, RGB 153 183 66, RGB 170 201 85, RGB 187 219 104 and RGB 204 237 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 165 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 165 52 shade: RGB 131 165 52, RGB 114 147 33, RGB 97 129 14, RGB 80 111 0 and RGB 63 93 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 165 52 shade: RGB 132 166 52, RGB 163 166 52, RGB 166 139 52, RGB 166 108 52 and RGB 166 77 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 165 52 shade: RGB 132 166 52, RGB 101 166 52, RGB 70 166 52, RGB 52 166 65 and RGB 52 166 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 165 52 shade matches the following richer shades: RGB 132 166 52, RGB 139 184 34 and RGB 146 202 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 165 52 shade: RGB 132 166 52, RGB 125 148 70, RGB 118 131 88, RGB 111 113 105 and RGB 104 95 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 165 52 shade: RGB 166 140 52, RGB 162 166 52, RGB 132 166 52, RGB 102 166 52 and RGB 71 166 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 165 52 shade: RGB 82 103 32, RGB 107 135 42, RGB 132 166 52, RGB 156 195 65 and RGB 172 205 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 165 52 shade: RGB 131 165 52, RGB 52 166 109 and RGB 155 52 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 165 52 shade: RGB 131 165 52, RGB 52 132 166 and RGB 166 52 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 165 52 shade: RGB 131 165 52, RGB 52 166 109, RGB 86 52 166 and RGB 166 52 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 165 52 shade: RGB 131 165 52, RGB 52 166 143, RGB 86 52 166 and RGB 166 52 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 68 / 35

HEX #83A534

RGB 131 165 52

HSL 78.05, 0.52%, 0.43%

LAB 63.33, -28.41, 52.36

 

Complementary color

CMYK 39 / 56 / 0 / 20

HEX #7C5ACB

RGB 124 90 203

HSL 258.05, 0.52%, 0.57%

LAB 46.86, 39.51, -54.1

 

CMYK 18 / 0 / 72 / 35

HEX #88A52F

RGB 136 165 47

HSL 74.75, 0.56%, 0.42%

LAB 63.63, -26.67, 54.72

 

CMYK 16 / 0 / 64 / 28

HEX #99B742

RGB 153 183 66

HSL 75.38, 0.47%, 0.49%

LAB 70.2, -27.17, 54.25

 

CMYK 15 / 0 / 58 / 21

HEX #AAC955

RGB 170 201 85

HSL 76.03, 0.52%, 0.56%

LAB 76.66, -27.54, 53.41

 

CMYK 15 / 0 / 53 / 14

HEX #BBDB68

RGB 187 219 104

HSL 76.7, 0.61%, 0.63%

LAB 83.03, -27.81, 52.4

 

CMYK 14 / 0 / 48 / 7

HEX #CCED7B

RGB 204 237 123

HSL 77.37, 0.76%, 0.71%

LAB 89.32, -28, 51.31

 

CMYK 21 / 0 / 68 / 35

HEX #83A534

RGB 131 165 52

HSL 78.05, 0.52%, 0.43%

LAB 63.33, -28.41, 52.36

 

CMYK 22 / 0 / 78 / 42

HEX #729321

RGB 114 147 33

HSL 77.37, 0.63%, 0.35%

LAB 56.64, -27.85, 52.45

 

CMYK 25 / 0 / 89 / 49

HEX #61810E

RGB 97 129 14

HSL 76.7, 0.8%, 0.28%

LAB 49.83, -27.05, 51.36

 

CMYK 28 / 0 / 100 / 56

HEX #506F00

RGB 80 111 0

HSL 76.76, 1%, 0.22%

LAB 42.88, -25.94, 48.31

 

CMYK 32 / 0 / 100 / 64

HEX #3F5D00

RGB 63 93 0

HSL 79.35, 1%, 0.18%

LAB 35.76, -24.43, 42.38

 

CMYK 20 / 0 / 69 / 35

HEX #84A634

RGB 132 166 52

HSL 77.89, 0.52%, 0.43%

LAB 63.69, -28.48, 52.76

 

CMYK 2 / 0 / 69 / 35

HEX #A3A634

RGB 163 166 52

HSL 61.58, 0.52%, 0.43%

LAB 65.99, -15.4, 55.83

 

CMYK 0 / 16 / 69 / 35

HEX #A68B34

RGB 166 139 52

HSL 45.79, 0.52%, 0.43%

LAB 58.81, 0.36, 48.56

 

CMYK 0 / 35 / 69 / 35

HEX #A66C34

RGB 166 108 52

HSL 29.47, 0.52%, 0.43%

LAB 50.78, 17.78, 39.94

 

CMYK 0 / 54 / 69 / 35

HEX #A64D34

RGB 166 77 52

HSL 13.16, 0.52%, 0.43%

LAB 43.75, 34.83, 31.94

 

CMYK 20 / 0 / 69 / 35

HEX #84A634

RGB 132 166 52

HSL 77.89, 0.52%, 0.43%

LAB 63.69, -28.48, 52.76

 

CMYK 39 / 0 / 69 / 35

HEX #65A634

RGB 101 166 52

HSL 94.21, 0.52%, 0.43%

LAB 61.9, -40.27, 50.33

 

CMYK 58 / 0 / 69 / 35

HEX #46A634

RGB 70 166 52

HSL 110.53, 0.52%, 0.43%

LAB 60.62, -49.78, 48.6

 

CMYK 69 / 0 / 61 / 35

HEX #34A641

RGB 52 166 65

HSL 126.84, 0.52%, 0.43%

LAB 60.23, -52.48, 42.31

 

CMYK 69 / 0 / 43 / 35

HEX #34A65F

RGB 52 166 95

HSL 142.63, 0.52%, 0.43%

LAB 60.63, -47.94, 27.72

 

CMYK 20 / 0 / 69 / 35

HEX #84A634

RGB 132 166 52

HSL 77.89, 0.52%, 0.43%

LAB 63.69, -28.48, 52.76

 

CMYK 24 / 0 / 82 / 28

HEX #8BB822

RGB 139 184 34

HSL 78, 0.69%, 0.43%

LAB 69.39, -35.06, 64.4

 

CMYK 28 / 0 / 92 / 21

HEX #92CA11

RGB 146 202 17

HSL 78.16, 0.84%, 0.43%

LAB 75.07, -40.86, 72.81

 

CMYK 20 / 0 / 69 / 35

HEX #84A634

RGB 132 166 52

HSL 77.89, 0.52%, 0.43%

LAB 63.69, -28.48, 52.76

 

CMYK 16 / 0 / 53 / 42

HEX #7D9446

RGB 125 148 70

HSL 77.69, 0.36%, 0.43%

LAB 58.02, -20.9, 38.15

 

CMYK 10 / 0 / 33 / 49

HEX #768358

RGB 118 131 88

HSL 78.14, 0.2%, 0.43%

LAB 52.72, -12.57, 21.72

 

CMYK 2 / 0 / 7 / 56

HEX #6F7169

RGB 111 113 105

HSL 75, 0.04%, 0.43%

LAB 47.25, -2.36, 4.17

 

CMYK 15 / 23 / 0 / 52

HEX #685F7B

RGB 104 95 123

HSL 259.29, 0.13%, 0.43%

LAB 42.09, 9.69, -14.4

 

CMYK 0 / 16 / 69 / 35

HEX #A68C34

RGB 166 140 52

HSL 46.32, 0.52%, 0.43%

LAB 59.08, -0.19, 48.84

 

CMYK 2 / 0 / 69 / 35

HEX #A2A634

RGB 162 166 52

HSL 62.11, 0.52%, 0.43%

LAB 65.91, -15.83, 55.72

 

CMYK 20 / 0 / 69 / 35

HEX #84A634

RGB 132 166 52

HSL 77.89, 0.52%, 0.43%

LAB 63.69, -28.48, 52.76

 

CMYK 39 / 0 / 69 / 35

HEX #66A634

RGB 102 166 52

HSL 93.68, 0.52%, 0.43%

LAB 61.95, -39.92, 50.4

 

CMYK 57 / 0 / 69 / 35

HEX #47A634

RGB 71 166 52

HSL 110, 0.52%, 0.43%

LAB 60.66, -49.51, 48.64

 

CMYK 20 / 0 / 69 / 60

HEX #526720

RGB 82 103 32

HSL 77.75, 0.53%, 0.26%

LAB 40.57, -19.45, 36.12

 

CMYK 21 / 0 / 69 / 47

HEX #6B872A

RGB 107 135 42

HSL 78.06, 0.53%, 0.35%

LAB 52.53, -24.33, 44.8

 

CMYK 20 / 0 / 69 / 35

HEX #84A634

RGB 132 166 52

HSL 77.89, 0.52%, 0.43%

LAB 63.69, -28.48, 52.76

 

CMYK 20 / 0 / 67 / 24

HEX #9CC341

RGB 156 195 65

HSL 78, 0.52%, 0.51%

LAB 73.86, -31.75, 58.58

 

CMYK 16 / 0 / 53 / 20

HEX #ACCD60

RGB 172 205 96

HSL 78.17, 0.52%, 0.59%

LAB 78.04, -27.68, 50

 

CMYK 21 / 0 / 68 / 35

HEX #83A534

RGB 131 165 52

HSL 78.05, 0.52%, 0.43%

LAB 63.33, -28.41, 52.36

 

CMYK 69 / 0 / 34 / 35

HEX #34A66D

RGB 52 166 109

HSL 150, 0.52%, 0.43%

LAB 60.88, -45.23, 20.49

 

CMYK 7 / 69 / 0 / 35

HEX #9B34A6

RGB 155 52 166

HSL 294.21, 0.52%, 0.43%

LAB 41.5, 57.42, -40.79

 

CMYK 21 / 0 / 68 / 35

HEX #83A534

RGB 131 165 52

HSL 78.05, 0.52%, 0.43%

LAB 63.33, -28.41, 52.36

 

CMYK 69 / 20 / 0 / 35

HEX #3484A6

RGB 52 132 166

HSL 197.89, 0.52%, 0.43%

LAB 51.82, -13.13, -25.18

 

CMYK 0 / 69 / 20 / 35

HEX #A63484

RGB 166 52 132

HSL 317.89, 0.52%, 0.43%

LAB 41.58, 54.66, -19.97

 

CMYK 21 / 0 / 68 / 35

HEX #83A534

RGB 131 165 52

HSL 78.05, 0.52%, 0.43%

LAB 63.33, -28.41, 52.36

 

CMYK 69 / 0 / 34 / 35

HEX #34A66D

RGB 52 166 109

HSL 150, 0.52%, 0.43%

LAB 60.88, -45.23, 20.49

 

CMYK 48 / 69 / 0 / 35

HEX #5634A6

RGB 86 52 166

HSL 257.89, 0.52%, 0.43%

LAB 32.23, 42.59, -56.2

 

CMYK 0 / 69 / 34 / 35

HEX #A6346D

RGB 166 52 109

HSL 330, 0.52%, 0.43%

LAB 40.68, 51.65, -7.11

 

CMYK 21 / 0 / 68 / 35

HEX #83A534

RGB 131 165 52

HSL 78.05, 0.52%, 0.43%

LAB 63.33, -28.41, 52.36

 

CMYK 69 / 0 / 14 / 35

HEX #34A68F

RGB 52 166 143

HSL 167.89, 0.52%, 0.43%

LAB 61.64, -37.22, 2.69

 

CMYK 48 / 69 / 0 / 35

HEX #5634A6

RGB 86 52 166

HSL 257.89, 0.52%, 0.43%

LAB 32.23, 42.59, -56.2

 

CMYK 0 / 69 / 55 / 35

HEX #A6344B

RGB 166 52 75

HSL 347.89, 0.52%, 0.43%

LAB 39.7, 48.23, 12.85

 

Description

Color code: RGB 131 165 52 | qconv.com Color code: RGB 131 165 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 165 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 165 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 68 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 68% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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