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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 152 66 it is the complementary color RGB 124 103 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 152 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 152 66 shade: RGB 136 152 61, RGB 153 170 80, RGB 170 188 99, RGB 187 206 118 and RGB 204 224 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 152 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 152 66 shade: RGB 131 152 66, RGB 114 134 47, RGB 97 116 28, RGB 80 98 9 and RGB 63 80 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 152 66 shade: RGB 131 152 66, RGB 152 150 66, RGB 152 127 66, RGB 152 104 66 and RGB 152 81 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 152 66 shade: RGB 131 152 66, RGB 108 152 66, RGB 85 152 66, RGB 66 152 71 and RGB 66 152 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 152 66 shade matches the following richer shades: RGB 131 152 66, RGB 140 170 49, RGB 149 187 31 and RGB 158 205 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 152 66 shade: RGB 131 152 66, RGB 122 134 84, RGB 113 116 102, RGB 104 99 120 and RGB 95 81 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 152 66 shade: RGB 152 126 66, RGB 152 149 66, RGB 132 152 66, RGB 109 152 66 and RGB 86 152 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 152 66 shade: RGB 82 95 41, RGB 106 123 54, RGB 131 152 66, RGB 155 178 81 and RGB 171 191 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 152 66 shade: RGB 131 152 66, RGB 66 152 103 and RGB 138 66 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 152 66 shade: RGB 131 152 66, RGB 66 132 152 and RGB 152 66 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 152 66 shade: RGB 131 152 66, RGB 66 152 103, RGB 86 66 152 and RGB 152 66 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 152 66 shade: RGB 131 152 66, RGB 66 152 129, RGB 86 66 152 and RGB 152 66 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 57 / 40

HEX #839842

RGB 131 152 66

HSL 74.65, 0.39%, 0.43%

LAB 59.59, -20.85, 42.07

 

Complementary color

CMYK 34 / 46 / 0 / 26

HEX #7C67BD

RGB 124 103 189

HSL 254.65, 0.39%, 0.57%

LAB 49.08, 28.08, -42.48

 

CMYK 11 / 0 / 60 / 40

HEX #88983D

RGB 136 152 61

HSL 70.55, 0.43%, 0.42%

LAB 59.91, -19.18, 44.9

 

CMYK 10 / 0 / 53 / 33

HEX #99AA50

RGB 153 170 80

HSL 71.33, 0.36%, 0.49%

LAB 66.6, -19.57, 43.85

 

CMYK 10 / 0 / 47 / 26

HEX #AABC63

RGB 170 188 99

HSL 72.13, 0.4%, 0.56%

LAB 73.16, -19.86, 42.7

 

CMYK 9 / 0 / 43 / 19

HEX #BBCE76

RGB 187 206 118

HSL 72.95, 0.47%, 0.64%

LAB 79.62, -20.07, 41.53

 

CMYK 9 / 0 / 39 / 12

HEX #CCE089

RGB 204 224 137

HSL 73.79, 0.58%, 0.71%

LAB 85.98, -20.24, 40.38

 

CMYK 14 / 0 / 57 / 40

HEX #839842

RGB 131 152 66

HSL 74.65, 0.39%, 0.43%

LAB 59.59, -20.85, 42.07

 

CMYK 15 / 0 / 65 / 47

HEX #72862F

RGB 114 134 47

HSL 73.79, 0.48%, 0.35%

LAB 52.77, -20.46, 43.02

 

CMYK 16 / 0 / 76 / 55

HEX #61741C

RGB 97 116 28

HSL 72.95, 0.61%, 0.28%

LAB 45.79, -19.88, 43.46

 

CMYK 18 / 0 / 91 / 62

HEX #506209

RGB 80 98 9

HSL 72.13, 0.83%, 0.21%

LAB 38.66, -19, 42.63

 

CMYK 21 / 0 / 100 / 69

HEX #3F5000

RGB 63 80 0

HSL 72.75, 1%, 0.16%

LAB 31.33, -17.7, 39.01

 

CMYK 14 / 0 / 57 / 40

HEX #839842

RGB 131 152 66

HSL 74.65, 0.39%, 0.43%

LAB 59.59, -20.85, 42.07

 

CMYK 0 / 1 / 57 / 40

HEX #989642

RGB 152 150 66

HSL 58.6, 0.39%, 0.43%

LAB 60.68, -10.84, 43.75

 

CMYK 0 / 16 / 57 / 40

HEX #987F42

RGB 152 127 66

HSL 42.56, 0.39%, 0.43%

LAB 54.29, 1.79, 36.34

 

CMYK 0 / 32 / 57 / 40

HEX #986842

RGB 152 104 66

HSL 26.51, 0.39%, 0.43%

LAB 48.22, 14.93, 28.98

 

CMYK 0 / 47 / 57 / 40

HEX #985142

RGB 152 81 66

HSL 10.47, 0.39%, 0.43%

LAB 42.69, 28.03, 21.98

 

CMYK 14 / 0 / 57 / 40

HEX #839842

RGB 131 152 66

HSL 74.65, 0.39%, 0.43%

LAB 59.59, -20.85, 42.07

 

CMYK 29 / 0 / 57 / 40

HEX #6C9842

RGB 108 152 66

HSL 90.7, 0.39%, 0.43%

LAB 58.07, -30.06, 39.92

 

CMYK 44 / 0 / 57 / 40

HEX #559842

RGB 85 152 66

HSL 106.74, 0.39%, 0.43%

LAB 56.86, -38.22, 38.19

 

CMYK 57 / 0 / 53 / 40

HEX #429847

RGB 66 152 71

HSL 123.49, 0.39%, 0.43%

LAB 56.16, -43.17, 34.67

 

CMYK 57 / 0 / 38 / 40

HEX #42985E

RGB 66 152 94

HSL 139.53, 0.39%, 0.43%

LAB 56.51, -39.39, 22.91

 

CMYK 14 / 0 / 57 / 40

HEX #839842

RGB 131 152 66

HSL 74.65, 0.39%, 0.43%

LAB 59.59, -20.85, 42.07

 

CMYK 18 / 0 / 71 / 33

HEX #8CAA31

RGB 140 170 49

HSL 74.88, 0.55%, 0.43%

LAB 65.39, -27.33, 55.82

 

CMYK 20 / 0 / 83 / 27

HEX #95BB1F

RGB 149 187 31

HSL 74.62, 0.72%, 0.43%

LAB 70.89, -32.55, 66.73

 

CMYK 23 / 0 / 94 / 20

HEX #9ECD0D

RGB 158 205 13

HSL 74.69, 0.88%, 0.43%

LAB 76.66, -37.6, 74.88

 

CMYK 14 / 0 / 57 / 40

HEX #839842

RGB 131 152 66

HSL 74.65, 0.39%, 0.43%

LAB 59.59, -20.85, 42.07

 

CMYK 9 / 0 / 37 / 47

HEX #7A8654

RGB 122 134 84

HSL 74.4, 0.23%, 0.43%

LAB 53.84, -13.12, 25.49

 

CMYK 3 / 0 / 12 / 55

HEX #717466

RGB 113 116 102

HSL 72.86, 0.06%, 0.43%

LAB 48.21, -3.87, 7.35

 

CMYK 13 / 18 / 0 / 53

HEX #686378

RGB 104 99 120

HSL 254.29, 0.1%, 0.43%

LAB 43.1, 6.54, -11.05

 

CMYK 31 / 41 / 0 / 46

HEX #5F5189

RGB 95 81 137

HSL 255, 0.26%, 0.43%

LAB 38.06, 19.03, -29.22

 

CMYK 0 / 17 / 57 / 40

HEX #987E42

RGB 152 126 66

HSL 41.86, 0.39%, 0.43%

LAB 54.02, 2.35, 36.02

 

CMYK 0 / 2 / 57 / 40

HEX #989542

RGB 152 149 66

HSL 57.91, 0.39%, 0.43%

LAB 60.39, -10.3, 43.43

 

CMYK 13 / 0 / 57 / 40

HEX #849842

RGB 132 152 66

HSL 73.95, 0.39%, 0.43%

LAB 59.67, -20.43, 42.17

 

CMYK 28 / 0 / 57 / 40

HEX #6D9842

RGB 109 152 66

HSL 90, 0.39%, 0.43%

LAB 58.13, -29.68, 40

 

CMYK 43 / 0 / 57 / 40

HEX #569842

RGB 86 152 66

HSL 106.05, 0.39%, 0.43%

LAB 56.91, -37.9, 38.26

 

CMYK 14 / 0 / 57 / 63

HEX #525F29

RGB 82 95 41

HSL 74.44, 0.4%, 0.27%

LAB 38.09, -14.28, 28.86

 

CMYK 14 / 0 / 56 / 52

HEX #6A7B36

RGB 106 123 54

HSL 74.78, 0.39%, 0.35%

LAB 48.88, -17.54, 35.14

 

CMYK 14 / 0 / 57 / 40

HEX #839842

RGB 131 152 66

HSL 74.65, 0.39%, 0.43%

LAB 59.59, -20.85, 42.07

 

CMYK 13 / 0 / 54 / 30

HEX #9BB251

RGB 155 178 81

HSL 74.23, 0.39%, 0.51%

LAB 69.04, -22.67, 46.26

 

CMYK 10 / 0 / 42 / 25

HEX #ABBF6E

RGB 171 191 110

HSL 74.81, 0.39%, 0.59%

LAB 74.22, -19.76, 38.52

 

CMYK 14 / 0 / 57 / 40

HEX #839842

RGB 131 152 66

HSL 74.65, 0.39%, 0.43%

LAB 59.59, -20.85, 42.07

 

CMYK 57 / 0 / 32 / 40

HEX #429867

RGB 66 152 103

HSL 145.81, 0.39%, 0.43%

LAB 56.68, -37.63, 18.16

 

CMYK 9 / 57 / 0 / 40

HEX #8A4298

RGB 138 66 152

HSL 290.23, 0.39%, 0.43%

LAB 40.52, 44.03, -34.1

 

CMYK 14 / 0 / 57 / 40

HEX #839842

RGB 131 152 66

HSL 74.65, 0.39%, 0.43%

LAB 59.59, -20.85, 42.07

 

CMYK 57 / 13 / 0 / 40

HEX #428498

RGB 66 132 152

HSL 193.95, 0.39%, 0.43%

LAB 51.76, -15.02, -17.12

 

CMYK 0 / 57 / 13 / 40

HEX #984284

RGB 152 66 132

HSL 313.95, 0.39%, 0.43%

LAB 41.59, 44.43, -20.14

 

CMYK 14 / 0 / 57 / 40

HEX #839842

RGB 131 152 66

HSL 74.65, 0.39%, 0.43%

LAB 59.59, -20.85, 42.07

 

CMYK 57 / 0 / 32 / 40

HEX #429867

RGB 66 152 103

HSL 145.81, 0.39%, 0.43%

LAB 56.68, -37.63, 18.16

 

CMYK 43 / 57 / 0 / 40

HEX #564298

RGB 86 66 152

HSL 253.95, 0.39%, 0.43%

LAB 34.28, 30.26, -44.42

 

CMYK 0 / 57 / 24 / 40

HEX #984273

RGB 152 66 115

HSL 325.81, 0.39%, 0.43%

LAB 40.91, 41.78, -10.72

 

CMYK 14 / 0 / 57 / 40

HEX #839842

RGB 131 152 66

HSL 74.65, 0.39%, 0.43%

LAB 59.59, -20.85, 42.07

 

CMYK 57 / 0 / 15 / 40

HEX #429881

RGB 66 152 129

HSL 163.95, 0.39%, 0.43%

LAB 57.27, -31.71, 4.33

 

CMYK 43 / 57 / 0 / 40

HEX #564298

RGB 86 66 152

HSL 253.95, 0.39%, 0.43%

LAB 34.28, 30.26, -44.42

 

CMYK 0 / 57 / 41 / 40

HEX #984259

RGB 152 66 89

HSL 343.95, 0.39%, 0.43%

LAB 40.07, 38.37, 4.23

 

Description

Color code: RGB 131 152 66 | qconv.com Color code: RGB 131 152 66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 152 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 152 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 57 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 57% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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