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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 154 110 it is the complementary color RGB 124 101 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 154 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 154 110 shade: RGB 136 154 105, RGB 153 172 124, RGB 170 190 143, RGB 187 208 162 and RGB 204 226 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 154 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 154 110 shade: RGB 131 154 110, RGB 114 136 91, RGB 97 118 72, RGB 80 100 53 and RGB 63 82 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 154 110 shade: RGB 131 154 110, RGB 143 154 110, RGB 154 153 110, RGB 154 142 110 and RGB 154 130 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 154 110 shade: RGB 131 154 110, RGB 119 154 110, RGB 110 154 113, RGB 110 154 125 and RGB 110 154 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 154 110 shade matches the following richer shades: RGB 131 154 110, RGB 130 174 90, RGB 129 194 70, RGB 128 214 51 and RGB 128 233 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 154 110 shade: RGB 131 154 110, RGB 132 134 130, RGB 133 115 150, RGB 134 95 169 and RGB 135 75 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 154 110 shade: RGB 154 153 110, RGB 143 154 110, RGB 131 154 110, RGB 120 154 110 and RGB 110 154 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 154 110 shade: RGB 90 107 74, RGB 111 132 91, RGB 131 154 110, RGB 152 171 134 and RGB 173 188 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 154 110 shade: RGB 131 154 110, RGB 110 154 142 and RGB 154 110 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 154 110 shade: RGB 131 154 110, RGB 110 131 154 and RGB 154 110 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 154 110 shade: RGB 131 154 110, RGB 110 154 142, RGB 133 110 154 and RGB 154 110 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 154 110 shade: RGB 131 154 110, RGB 110 153 154, RGB 133 110 154 and RGB 154 111 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 29 / 40

HEX #839A6E

RGB 131 154 110

HSL 91.36, 0.18%, 0.52%

LAB 60.84, -16.35, 20.5

 

Complementary color

CMYK 14 / 30 / 0 / 43

HEX #7C6591

RGB 124 101 145

HSL 271.36, 0.18%, 0.48%

LAB 46.49, 18.17, -20.71

 

CMYK 12 / 0 / 32 / 40

HEX #889A69

RGB 136 154 105

HSL 82.04, 0.2%, 0.51%

LAB 61.1, -15.18, 23.67

 

CMYK 11 / 0 / 28 / 33

HEX #99AC7C

RGB 153 172 124

HSL 83.75, 0.22%, 0.58%

LAB 67.82, -15.19, 22.56

 

CMYK 11 / 0 / 25 / 25

HEX #AABE8F

RGB 170 190 143

HSL 85.53, 0.27%, 0.65%

LAB 74.42, -15.19, 21.52

 

CMYK 10 / 0 / 22 / 18

HEX #BBD0A2

RGB 187 208 162

HSL 87.39, 0.33%, 0.73%

LAB 80.9, -15.19, 20.53

 

CMYK 10 / 0 / 20 / 11

HEX #CCE2B5

RGB 204 226 181

HSL 89.33, 0.44%, 0.8%

LAB 87.27, -15.19, 19.6

 

CMYK 15 / 0 / 29 / 40

HEX #839A6E

RGB 131 154 110

HSL 91.36, 0.18%, 0.52%

LAB 60.84, -16.35, 20.5

 

CMYK 16 / 0 / 33 / 47

HEX #72885B

RGB 114 136 91

HSL 89.33, 0.2%, 0.45%

LAB 53.96, -16.41, 21.64

 

CMYK 18 / 0 / 39 / 54

HEX #617648

RGB 97 118 72

HSL 87.39, 0.24%, 0.37%

LAB 46.93, -16.45, 22.86

 

CMYK 20 / 0 / 47 / 61

HEX #506435

RGB 80 100 53

HSL 85.53, 0.31%, 0.3%

LAB 39.71, -16.46, 24.16

 

CMYK 23 / 0 / 59 / 68

HEX #3F5222

RGB 63 82 34

HSL 83.75, 0.41%, 0.23%

LAB 32.27, -16.38, 25.47

 

CMYK 15 / 0 / 29 / 40

HEX #839A6E

RGB 131 154 110

HSL 91.36, 0.18%, 0.52%

LAB 60.84, -16.35, 20.5

 

CMYK 7 / 0 / 29 / 40

HEX #8F9A6E

RGB 143 154 110

HSL 75, 0.18%, 0.52%

LAB 61.72, -11.69, 21.84

 

CMYK 0 / 1 / 29 / 40

HEX #9A996E

RGB 154 153 110

HSL 58.64, 0.18%, 0.52%

LAB 62.32, -6.76, 22.8

 

CMYK 0 / 8 / 29 / 40

HEX #9A8E6E

RGB 154 142 110

HSL 43.64, 0.18%, 0.52%

LAB 59.29, -0.72, 18.7

 

CMYK 0 / 16 / 29 / 40

HEX #9A826E

RGB 154 130 110

HSL 27.27, 0.18%, 0.52%

LAB 56.05, 6.02, 14.24

 

CMYK 15 / 0 / 29 / 40

HEX #839A6E

RGB 131 154 110

HSL 91.36, 0.18%, 0.52%

LAB 60.84, -16.35, 20.5

 

CMYK 23 / 0 / 29 / 40

HEX #779A6E

RGB 119 154 110

HSL 107.73, 0.18%, 0.52%

LAB 60.03, -20.83, 19.27

 

CMYK 29 / 0 / 27 / 40

HEX #6E9A71

RGB 110 154 113

HSL 124.09, 0.18%, 0.52%

LAB 59.54, -23.5, 16.84

 

CMYK 29 / 0 / 19 / 40

HEX #6E9A7D

RGB 110 154 125

HSL 140.45, 0.18%, 0.52%

LAB 59.8, -21.21, 10.48

 

CMYK 29 / 0 / 11 / 40

HEX #6E9A89

RGB 110 154 137

HSL 156.82, 0.18%, 0.52%

LAB 60.1, -18.7, 4.13

 

CMYK 15 / 0 / 29 / 40

HEX #839A6E

RGB 131 154 110

HSL 91.36, 0.18%, 0.52%

LAB 60.84, -16.35, 20.5

 

CMYK 25 / 0 / 48 / 32

HEX #82AE5A

RGB 130 174 90

HSL 91.43, 0.34%, 0.52%

LAB 66.33, -29.53, 38.22

 

CMYK 34 / 0 / 64 / 24

HEX #81C246

RGB 129 194 70

HSL 91.45, 0.5%, 0.52%

LAB 72.02, -41.07, 54.11

 

CMYK 40 / 0 / 76 / 16

HEX #80D633

RGB 128 214 51

HSL 91.66, 0.67%, 0.52%

LAB 77.83, -51.08, 67.02

 

CMYK 45 / 0 / 87 / 9

HEX #80E91F

RGB 128 233 31

HSL 91.19, 0.82%, 0.52%

LAB 83.42, -59.28, 77.07

 

CMYK 15 / 0 / 29 / 40

HEX #839A6E

RGB 131 154 110

HSL 91.36, 0.18%, 0.52%

LAB 60.84, -16.35, 20.5

 

CMYK 1 / 0 / 3 / 47

HEX #848682

RGB 132 134 130

HSL 90, 0.02%, 0.52%

LAB 55.65, -1.52, 1.88

 

CMYK 11 / 23 / 0 / 41

HEX #857396

RGB 133 115 150

HSL 270.86, 0.14%, 0.52%

LAB 51.21, 14.05, -16.38

 

CMYK 21 / 44 / 0 / 34

HEX #865FA9

RGB 134 95 169

HSL 271.62, 0.3%, 0.52%

LAB 47.13, 30.58, -33.84

 

CMYK 29 / 60 / 0 / 26

HEX #874BBD

RGB 135 75 189

HSL 271.58, 0.46%, 0.52%

LAB 44.03, 46.82, -50.47

 

CMYK 0 / 1 / 29 / 40

HEX #9A996E

RGB 154 153 110

HSL 58.64, 0.18%, 0.52%

LAB 62.32, -6.76, 22.8

 

CMYK 7 / 0 / 29 / 40

HEX #8F9A6E

RGB 143 154 110

HSL 75, 0.18%, 0.52%

LAB 61.72, -11.69, 21.84

 

CMYK 15 / 0 / 29 / 40

HEX #839A6E

RGB 131 154 110

HSL 91.36, 0.18%, 0.52%

LAB 60.84, -16.35, 20.5

 

CMYK 22 / 0 / 29 / 40

HEX #789A6E

RGB 120 154 110

HSL 106.36, 0.18%, 0.52%

LAB 60.1, -20.47, 19.37

 

CMYK 29 / 0 / 27 / 40

HEX #6E9A70

RGB 110 154 112

HSL 122.73, 0.18%, 0.52%

LAB 59.52, -23.68, 17.37

 

CMYK 16 / 0 / 31 / 58

HEX #5A6B4A

RGB 90 107 74

HSL 90.91, 0.18%, 0.35%

LAB 43.04, -12.97, 16.45

 

CMYK 16 / 0 / 31 / 48

HEX #6F845B

RGB 111 132 91

HSL 90.73, 0.18%, 0.44%

LAB 52.55, -15.46, 19.71

 

CMYK 15 / 0 / 29 / 40

HEX #839A6E

RGB 131 154 110

HSL 91.36, 0.18%, 0.52%

LAB 60.84, -16.35, 20.5

 

CMYK 11 / 0 / 22 / 33

HEX #98AB86

RGB 152 171 134

HSL 90.81, 0.18%, 0.6%

LAB 67.67, -13.47, 16.89

 

CMYK 8 / 0 / 15 / 26

HEX #ADBC9F

RGB 173 188 159

HSL 91.03, 0.18%, 0.68%

LAB 74.42, -10.48, 12.94

 

CMYK 15 / 0 / 29 / 40

HEX #839A6E

RGB 131 154 110

HSL 91.36, 0.18%, 0.52%

LAB 60.84, -16.35, 20.5

 

CMYK 29 / 0 / 8 / 40

HEX #6E9A8E

RGB 110 154 142

HSL 163.64, 0.18%, 0.52%

LAB 60.23, -17.59, 1.49

 

CMYK 0 / 29 / 3 / 40

HEX #9A6E95

RGB 154 110 149

HSL 306.82, 0.18%, 0.52%

LAB 52.05, 24.13, -14.31

 

CMYK 15 / 0 / 29 / 40

HEX #839A6E

RGB 131 154 110

HSL 91.36, 0.18%, 0.52%

LAB 60.84, -16.35, 20.5

 

CMYK 29 / 15 / 0 / 40

HEX #6E839A

RGB 110 131 154

HSL 211.36, 0.18%, 0.52%

LAB 53.9, -2.03, -14.8

 

CMYK 0 / 29 / 15 / 40

HEX #9A6E83

RGB 154 110 131

HSL 331.36, 0.18%, 0.52%

LAB 51.45, 20.84, -4.61

 

CMYK 15 / 0 / 29 / 40

HEX #839A6E

RGB 131 154 110

HSL 91.36, 0.18%, 0.52%

LAB 60.84, -16.35, 20.5

 

CMYK 29 / 0 / 8 / 40

HEX #6E9A8E

RGB 110 154 142

HSL 163.64, 0.18%, 0.52%

LAB 60.23, -17.59, 1.49

 

CMYK 14 / 29 / 0 / 40

HEX #856E9A

RGB 133 110 154

HSL 271.36, 0.18%, 0.52%

LAB 50.06, 17.91, -20.48

 

CMYK 0 / 29 / 20 / 40

HEX #9A6E7B

RGB 154 110 123

HSL 342.27, 0.18%, 0.52%

LAB 51.21, 19.49, -0.23

 

CMYK 15 / 0 / 29 / 40

HEX #839A6E

RGB 131 154 110

HSL 91.36, 0.18%, 0.52%

LAB 60.84, -16.35, 20.5

 

CMYK 29 / 1 / 0 / 40

HEX #6E999A

RGB 110 153 154

HSL 181.36, 0.18%, 0.52%

LAB 60.28, -14.27, -5.25

 

CMYK 14 / 29 / 0 / 40

HEX #856E9A

RGB 133 110 154

HSL 271.36, 0.18%, 0.52%

LAB 50.06, 17.91, -20.48

 

CMYK 0 / 28 / 29 / 40

HEX #9A6F6E

RGB 154 111 110

HSL 1.36, 0.18%, 0.52%

LAB 51.11, 16.91, 7.3

 

Description

Color code: RGB 131 154 110 | qconv.com Color code: RGB 131 154 110 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 154 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 154 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 29 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 29% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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