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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 102 167 it is the complementary color RGB 124 153 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 102 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131 102 167 shade: RGB 136 102 162, RGB 153 120 181, RGB 170 138 200, RGB 187 156 219 and RGB 204 174 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 102 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131 102 167 shade: RGB 131 102 167, RGB 114 84 148, RGB 97 66 129, RGB 80 48 110 and RGB 63 30 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131 102 167 shade: RGB 131 102 167, RGB 149 102 167, RGB 166 102 167, RGB 167 102 150 and RGB 167 102 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131 102 167 shade: RGB 131 102 167, RGB 114 102 167 and RGB 102 102 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131 102 167 shade matches the following richer shades: RGB 131 102 167, RGB 129 83 186, RGB 127 64 206, RGB 125 44 225 and RGB 123 25 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131 102 167 shade: RGB 131 102 167, RGB 133 122 148, RGB 135 141 128, RGB 137 160 109 and RGB 140 180 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131 102 167 shade: RGB 102 109 167, RGB 113 102 167, RGB 130 102 167, RGB 148 102 167 and RGB 165 102 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131 102 167 shade: RGB 91 68 119, RGB 111 83 145, RGB 131 102 167, RGB 152 128 182 and RGB 174 155 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131 102 167 shade: RGB 131 102 167, RGB 167 102 126 and RGB 102 167 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131 102 167 shade: RGB 131 102 167, RGB 167 130 102 and RGB 102 167 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131 102 167 shade: RGB 131 102 167, RGB 167 102 126, RGB 139 167 102 and RGB 102 167 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131 102 167 shade: RGB 131 102 167, RGB 167 102 107, RGB 139 167 102 and RGB 102 167 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 39 / 0 / 35

HEX #8366A7

RGB 131 102 167

HSL 266.77, 0.27%, 0.53%

LAB 48.41, 25.06, -30.69

 

Complementary color

CMYK 19 / 0 / 42 / 40

HEX #7C9958

RGB 124 153 88

HSL 86.77, 0.27%, 0.47%

LAB 59.68, -21.73, 30.85

 

CMYK 16 / 37 / 0 / 36

HEX #8866A2

RGB 136 102 162

HSL 274, 0.24%, 0.52%

LAB 48.69, 25.46, -27.27

 

CMYK 15 / 34 / 0 / 29

HEX #9978B5

RGB 153 120 181

HSL 272.46, 0.29%, 0.59%

LAB 55.63, 24.73, -27.42

 

CMYK 15 / 31 / 0 / 22

HEX #AA8AC8

RGB 170 138 200

HSL 270.97, 0.36%, 0.66%

LAB 62.42, 24.06, -27.58

 

CMYK 15 / 29 / 0 / 14

HEX #BB9CDB

RGB 187 156 219

HSL 269.52, 0.47%, 0.74%

LAB 69.08, 23.46, -27.76

 

CMYK 14 / 27 / 0 / 7

HEX #CCAEEE

RGB 204 174 238

HSL 268.13, 0.65%, 0.81%

LAB 75.63, 22.9, -27.95

 

CMYK 22 / 39 / 0 / 35

HEX #8366A7

RGB 131 102 167

HSL 266.77, 0.27%, 0.53%

LAB 48.41, 25.06, -30.69

 

CMYK 23 / 43 / 0 / 42

HEX #725494

RGB 114 84 148

HSL 268.13, 0.28%, 0.45%

LAB 41.31, 25.9, -30.66

 

CMYK 25 / 49 / 0 / 49

HEX #614281

RGB 97 66 129

HSL 269.52, 0.32%, 0.38%

LAB 34.03, 26.83, -30.65

 

CMYK 27 / 56 / 0 / 57

HEX #50306E

RGB 80 48 110

HSL 270.97, 0.39%, 0.31%

LAB 26.58, 27.84, -30.63

 

CMYK 31 / 67 / 0 / 64

HEX #3F1E5B

RGB 63 30 91

HSL 272.46, 0.5%, 0.24%

LAB 18.97, 28.82, -30.52

 

CMYK 22 / 39 / 0 / 35

HEX #8366A7

RGB 131 102 167

HSL 266.77, 0.27%, 0.53%

LAB 48.41, 25.06, -30.69

 

CMYK 11 / 39 / 0 / 35

HEX #9566A7

RGB 149 102 167

HSL 283.38, 0.27%, 0.53%

LAB 50.31, 30.73, -27.57

 

CMYK 1 / 39 / 0 / 35

HEX #A666A7

RGB 166 102 167

HSL 299.08, 0.27%, 0.53%

LAB 52.29, 36.17, -24.36

 

CMYK 0 / 39 / 10 / 35

HEX #A76696

RGB 167 102 150

HSL 315.69, 0.27%, 0.53%

LAB 51.75, 33.36, -15.22

 

CMYK 0 / 39 / 20 / 35

HEX #A76685

RGB 167 102 133

HSL 331.38, 0.27%, 0.53%

LAB 51.17, 30.52, -6.05

 

CMYK 22 / 39 / 0 / 35

HEX #8366A7

RGB 131 102 167

HSL 266.77, 0.27%, 0.53%

LAB 48.41, 25.06, -30.69

 

CMYK 32 / 39 / 0 / 35

HEX #7266A7

RGB 114 102 167

HSL 251.08, 0.27%, 0.53%

LAB 46.8, 19.92, -33.31

 

CMYK 39 / 39 / 0 / 35

HEX #6666A7

RGB 102 102 167

HSL 240, 0.27%, 0.53%

LAB 45.79, 16.49, -34.97

 

CMYK 22 / 39 / 0 / 35

HEX #8366A7

RGB 131 102 167

HSL 266.77, 0.27%, 0.53%

LAB 48.41, 25.06, -30.69

 

CMYK 31 / 55 / 0 / 27

HEX #8153BA

RGB 129 83 186

HSL 266.8, 0.43%, 0.53%

LAB 44.8, 40.25, -47.52

 

CMYK 38 / 69 / 0 / 19

HEX #7F40CE

RGB 127 64 206

HSL 266.62, 0.59%, 0.53%

LAB 42.21, 54.82, -63.32

 

CMYK 44 / 80 / 0 / 12

HEX #7D2CE1

RGB 125 44 225

HSL 266.85, 0.75%, 0.53%

LAB 40.57, 67.51, -76.92

 

CMYK 50 / 90 / 0 / 4

HEX #7B19F5

RGB 123 25 245

HSL 266.73, 0.92%, 0.53%

LAB 40.41, 77.21, -88.54

 

CMYK 22 / 39 / 0 / 35

HEX #8366A7

RGB 131 102 167

HSL 266.77, 0.27%, 0.53%

LAB 48.41, 25.06, -30.69

 

CMYK 10 / 18 / 0 / 42

HEX #857A94

RGB 133 122 148

HSL 265.38, 0.11%, 0.53%

LAB 53, 9.49, -12.5

 

CMYK 4 / 0 / 9 / 45

HEX #878D80

RGB 135 141 128

HSL 87.69, 0.05%, 0.53%

LAB 57.81, -4.71, 6.17

 

CMYK 14 / 0 / 32 / 37

HEX #89A06D

RGB 137 160 109

HSL 87.06, 0.21%, 0.53%

LAB 62.98, -17.33, 24

 

CMYK 22 / 0 / 51 / 29

HEX #8CB459

RGB 140 180 89

HSL 86.37, 0.38%, 0.53%

LAB 68.71, -28.74, 41.75

 

CMYK 39 / 35 / 0 / 35

HEX #666DA7

RGB 102 109 167

HSL 233.54, 0.27%, 0.53%

LAB 47.69, 12.19, -31.99

 

CMYK 32 / 39 / 0 / 35

HEX #7166A7

RGB 113 102 167

HSL 250.15, 0.27%, 0.53%

LAB 46.72, 19.63, -33.46

 

CMYK 22 / 39 / 0 / 35

HEX #8266A7

RGB 130 102 167

HSL 265.85, 0.27%, 0.53%

LAB 48.31, 24.75, -30.85

 

CMYK 11 / 39 / 0 / 35

HEX #9466A7

RGB 148 102 167

HSL 282.46, 0.27%, 0.53%

LAB 50.2, 30.41, -27.75

 

CMYK 1 / 39 / 0 / 35

HEX #A566A7

RGB 165 102 167

HSL 298.15, 0.27%, 0.53%

LAB 52.17, 35.85, -24.56

 

CMYK 24 / 43 / 0 / 53

HEX #5B4477

RGB 91 68 119

HSL 267.06, 0.27%, 0.37%

LAB 33.33, 21.12, -25.57

 

CMYK 23 / 43 / 0 / 43

HEX #6F5391

RGB 111 83 145

HSL 267.1, 0.27%, 0.45%

LAB 40.59, 24.83, -29.99

 

CMYK 22 / 39 / 0 / 35

HEX #8366A7

RGB 131 102 167

HSL 266.77, 0.27%, 0.53%

LAB 48.41, 25.06, -30.69

 

CMYK 16 / 30 / 0 / 29

HEX #9880B6

RGB 152 128 182

HSL 266.67, 0.27%, 0.61%

LAB 57.55, 20.01, -25.02

 

CMYK 12 / 21 / 0 / 23

HEX #AE9BC5

RGB 174 155 197

HSL 267.14, 0.27%, 0.69%

LAB 66.88, 15.11, -19.04

 

CMYK 22 / 39 / 0 / 35

HEX #8366A7

RGB 131 102 167

HSL 266.77, 0.27%, 0.53%

LAB 48.41, 25.06, -30.69

 

CMYK 0 / 39 / 25 / 35

HEX #A7667E

RGB 167 102 126

HSL 337.85, 0.27%, 0.53%

LAB 50.95, 29.44, -2.21

 

CMYK 39 / 0 / 38 / 35

HEX #66A768

RGB 102 167 104

HSL 121.85, 0.27%, 0.53%

LAB 62.9, -34.02, 26.22

 

CMYK 22 / 39 / 0 / 35

HEX #8366A7

RGB 131 102 167

HSL 266.77, 0.27%, 0.53%

LAB 48.41, 25.06, -30.69

 

CMYK 0 / 22 / 39 / 35

HEX #A78266

RGB 167 130 102

HSL 25.85, 0.27%, 0.53%

LAB 57.21, 10.32, 20.61

 

CMYK 39 / 0 / 22 / 35

HEX #66A782

RGB 102 167 130

HSL 145.85, 0.27%, 0.53%

LAB 63.4, -29.21, 12.7

 

CMYK 22 / 39 / 0 / 35

HEX #8366A7

RGB 131 102 167

HSL 266.77, 0.27%, 0.53%

LAB 48.41, 25.06, -30.69

 

CMYK 0 / 39 / 25 / 35

HEX #A7667E

RGB 167 102 126

HSL 337.85, 0.27%, 0.53%

LAB 50.95, 29.44, -2.21

 

CMYK 17 / 0 / 39 / 35

HEX #8BA766

RGB 139 167 102

HSL 85.85, 0.27%, 0.53%

LAB 65.03, -21.14, 30.49

 

CMYK 39 / 0 / 14 / 35

HEX #66A78F

RGB 102 167 143

HSL 157.85, 0.27%, 0.53%

LAB 63.71, -26.42, 5.9

 

CMYK 22 / 39 / 0 / 35

HEX #8366A7

RGB 131 102 167

HSL 266.77, 0.27%, 0.53%

LAB 48.41, 25.06, -30.69

 

CMYK 0 / 39 / 36 / 35

HEX #A7666B

RGB 167 102 107

HSL 355.38, 0.27%, 0.53%

LAB 50.43, 26.78, 8.33

 

CMYK 17 / 0 / 39 / 35

HEX #8BA766

RGB 139 167 102

HSL 85.85, 0.27%, 0.53%

LAB 65.03, -21.14, 30.49

 

CMYK 39 / 0 / 2 / 35

HEX #66A7A3

RGB 102 167 163

HSL 176.31, 0.27%, 0.53%

LAB 64.25, -21.7, -4.49

 

Description

Color code: RGB 131 102 167 | qconv.com Color code: RGB 131 102 167 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 102 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 102 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 39 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 39% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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