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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 98 118 it is the complementary color RGB 125 157 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 98 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 98 118 shade: RGB 135 98 113, RGB 152 116 132, RGB 169 134 151, RGB 186 152 170 and RGB 203 170 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 98 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 98 118 shade: RGB 130 98 118, RGB 113 80 99, RGB 96 62 80, RGB 79 44 61 and RGB 62 26 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 98 118 shade: RGB 130 98 118, RGB 130 98 110, RGB 130 98 101 and RGB 130 98 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 98 118 shade: RGB 130 98 118, RGB 130 98 127, RGB 125 98 130, RGB 116 98 130 and RGB 108 98 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 98 118 shade matches the following richer shades: RGB 130 98 118, RGB 149 80 123, RGB 167 61 128, RGB 186 42 132 and RGB 205 24 137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 98 118 shade: RGB 130 98 118, RGB 112 117 114, RGB 93 135 109, RGB 75 154 104 and RGB 56 172 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 98 118 shade: RGB 125 98 130, RGB 130 98 127, RGB 130 98 119, RGB 130 98 110 and RGB 130 98 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 98 118 shade: RGB 83 63 76, RGB 107 80 97, RGB 130 98 118, RGB 152 118 139 and RGB 169 142 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 98 118 shade: RGB 130 98 118, RGB 130 116 98 and RGB 98 130 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 98 118 shade: RGB 130 98 118, RGB 119 130 98 and RGB 98 119 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 98 118 shade: RGB 130 98 118, RGB 130 116 98, RGB 98 130 110 and RGB 98 112 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 98 118 shade: RGB 130 98 118, RGB 130 126 98, RGB 98 130 110 and RGB 98 102 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 9 / 49

HEX #826276

RGB 130 98 118

HSL 322.5, 0.14%, 0.45%

LAB 45.34, 16.43, -6.2

 

Complementary color

CMYK 20 / 0 / 13 / 38

HEX #7D9D89

RGB 125 157 137

HSL 142.5, 0.14%, 0.55%

LAB 61.9, -15.27, 6.83

 

CMYK 0 / 27 / 16 / 47

HEX #876271

RGB 135 98 113

HSL 335.68, 0.16%, 0.46%

LAB 45.74, 17.45, -2.54

 

CMYK 0 / 24 / 13 / 40

HEX #987484

RGB 152 116 132

HSL 333.33, 0.15%, 0.53%

LAB 52.77, 16.79, -3.28

 

CMYK 0 / 21 / 11 / 34

HEX #A98697

RGB 169 134 151

HSL 330.86, 0.17%, 0.59%

LAB 59.63, 16.2, -3.97

 

CMYK 0 / 18 / 9 / 27

HEX #BA98AA

RGB 186 152 170

HSL 328.24, 0.2%, 0.66%

LAB 66.37, 15.68, -4.61

 

CMYK 0 / 16 / 7 / 20

HEX #CBAABD

RGB 203 170 189

HSL 325.45, 0.24%, 0.73%

LAB 72.97, 15.2, -5.22

 

CMYK 0 / 25 / 9 / 49

HEX #826276

RGB 130 98 118

HSL 322.5, 0.14%, 0.45%

LAB 45.34, 16.43, -6.2

 

CMYK 0 / 29 / 12 / 56

HEX #715063

RGB 113 80 99

HSL 325.45, 0.17%, 0.38%

LAB 38.11, 17.12, -5.53

 

CMYK 0 / 35 / 17 / 62

HEX #603E50

RGB 96 62 80

HSL 328.24, 0.22%, 0.31%

LAB 30.67, 17.92, -4.76

 

CMYK 0 / 44 / 23 / 69

HEX #4F2C3D

RGB 79 44 61

HSL 330.86, 0.28%, 0.24%

LAB 23, 18.83, -3.83

 

CMYK 0 / 58 / 32 / 76

HEX #3E1A2A

RGB 62 26 42

HSL 333.33, 0.41%, 0.17%

LAB 15.12, 19.82, -2.56

 

CMYK 0 / 25 / 9 / 49

HEX #826276

RGB 130 98 118

HSL 322.5, 0.14%, 0.45%

LAB 45.34, 16.43, -6.2

 

CMYK 0 / 25 / 15 / 49

HEX #82626E

RGB 130 98 110

HSL 337.5, 0.14%, 0.45%

LAB 45.09, 14.97, -1.74

 

CMYK 0 / 25 / 22 / 49

HEX #826265

RGB 130 98 101

HSL 354.38, 0.14%, 0.45%

LAB 44.83, 13.43, 3.32

 

CMYK 0 / 25 / 25 / 49

HEX #826262

RGB 130 98 98

HSL 0, 0.14%, 0.45%

LAB 44.75, 12.95, 5.02

 

CMYK 0 / 25 / 9 / 49

HEX #826276

RGB 130 98 118

HSL 322.5, 0.14%, 0.45%

LAB 45.34, 16.43, -6.2

 

CMYK 0 / 25 / 2 / 49

HEX #82627F

RGB 130 98 127

HSL 305.63, 0.14%, 0.45%

LAB 45.65, 18.18, -11.17

 

CMYK 4 / 25 / 0 / 49

HEX #7D6282

RGB 125 98 130

HSL 290.63, 0.14%, 0.45%

LAB 45.23, 16.98, -13.66

 

CMYK 11 / 25 / 0 / 49

HEX #746282

RGB 116 98 130

HSL 273.75, 0.14%, 0.45%

LAB 44.32, 13.76, -15.13

 

CMYK 17 / 25 / 0 / 49

HEX #6C6282

RGB 108 98 130

HSL 258.75, 0.14%, 0.45%

LAB 43.56, 10.94, -16.36

 

CMYK 0 / 25 / 9 / 49

HEX #826276

RGB 130 98 118

HSL 322.5, 0.14%, 0.45%

LAB 45.34, 16.43, -6.2

 

CMYK 0 / 46 / 17 / 42

HEX #95507B

RGB 149 80 123

HSL 322.61, 0.3%, 0.45%

LAB 43.59, 34.67, -11.63

 

CMYK 0 / 63 / 23 / 35

HEX #A73D80

RGB 167 61 128

HSL 322.08, 0.46%, 0.45%

LAB 42.93, 50.65, -15.43

 

CMYK 0 / 77 / 29 / 27

HEX #BA2A84

RGB 186 42 132

HSL 322.5, 0.63%, 0.45%

LAB 43.89, 63.25, -16.12

 

CMYK 0 / 88 / 33 / 20

HEX #CD1889

RGB 205 24 137

HSL 322.54, 0.79%, 0.45%

LAB 46.23, 72.27, -15.28

 

CMYK 0 / 25 / 9 / 49

HEX #826276

RGB 130 98 118

HSL 322.5, 0.14%, 0.45%

LAB 45.34, 16.43, -6.2

 

CMYK 4 / 0 / 3 / 54

HEX #707572

RGB 112 117 114

HSL 144, 0.02%, 0.45%

LAB 48.74, -2.5, 0.99

 

CMYK 31 / 0 / 19 / 47

HEX #5D876D

RGB 93 135 109

HSL 142.86, 0.18%, 0.45%

LAB 52.68, -20.33, 9.4

 

CMYK 51 / 0 / 32 / 40

HEX #4B9A68

RGB 75 154 104

HSL 142.03, 0.34%, 0.45%

LAB 57.66, -36.04, 19

 

CMYK 67 / 0 / 42 / 33

HEX #38AC64

RGB 56 172 100

HSL 142.76, 0.51%, 0.45%

LAB 62.73, -48.64, 27.82

 

CMYK 4 / 25 / 0 / 49

HEX #7D6282

RGB 125 98 130

HSL 290.63, 0.14%, 0.45%

LAB 45.23, 16.98, -13.66

 

CMYK 0 / 25 / 2 / 49

HEX #82627F

RGB 130 98 127

HSL 305.63, 0.14%, 0.45%

LAB 45.65, 18.18, -11.17

 

CMYK 0 / 25 / 8 / 49

HEX #826277

RGB 130 98 119

HSL 320.63, 0.14%, 0.45%

LAB 45.38, 16.62, -6.76

 

CMYK 0 / 25 / 15 / 49

HEX #82626E

RGB 130 98 110

HSL 337.5, 0.14%, 0.45%

LAB 45.09, 14.97, -1.74

 

CMYK 0 / 25 / 22 / 49

HEX #826265

RGB 130 98 101

HSL 354.38, 0.14%, 0.45%

LAB 44.83, 13.43, 3.32

 

CMYK 0 / 24 / 8 / 67

HEX #533F4C

RGB 83 63 76

HSL 321, 0.14%, 0.29%

LAB 29.2, 11.2, -4.52

 

CMYK 0 / 25 / 9 / 58

HEX #6B5061

RGB 107 80 97

HSL 322.22, 0.14%, 0.37%

LAB 37.35, 14.38, -5.49

 

CMYK 0 / 25 / 9 / 49

HEX #826276

RGB 130 98 118

HSL 322.5, 0.14%, 0.45%

LAB 45.34, 16.43, -6.2

 

CMYK 0 / 22 / 9 / 40

HEX #98768B

RGB 152 118 139

HSL 322.94, 0.14%, 0.53%

LAB 53.49, 16.89, -6.32

 

CMYK 0 / 16 / 6 / 34

HEX #A98E9F

RGB 169 142 159

HSL 322.22, 0.14%, 0.61%

LAB 61.9, 13.12, -5.19

 

CMYK 0 / 25 / 9 / 49

HEX #826276

RGB 130 98 118

HSL 322.5, 0.14%, 0.45%

LAB 45.34, 16.43, -6.2

 

CMYK 0 / 11 / 25 / 49

HEX #827462

RGB 130 116 98

HSL 33.75, 0.14%, 0.45%

LAB 49.64, 2.36, 11.93

 

CMYK 25 / 0 / 1 / 49

HEX #628281

RGB 98 130 129

HSL 178.13, 0.14%, 0.45%

LAB 52, -11.5, -3.17

 

CMYK 0 / 25 / 9 / 49

HEX #826276

RGB 130 98 118

HSL 322.5, 0.14%, 0.45%

LAB 45.34, 16.43, -6.2

 

CMYK 8 / 0 / 25 / 49

HEX #778262

RGB 119 130 98

HSL 80.63, 0.14%, 0.45%

LAB 52.7, -10.06, 16.01

 

CMYK 25 / 8 / 0 / 49

HEX #627782

RGB 98 119 130

HSL 200.63, 0.14%, 0.45%

LAB 48.76, -5.02, -8.57

 

CMYK 0 / 25 / 9 / 49

HEX #826276

RGB 130 98 118

HSL 322.5, 0.14%, 0.45%

LAB 45.34, 16.43, -6.2

 

CMYK 0 / 11 / 25 / 49

HEX #827462

RGB 130 116 98

HSL 33.75, 0.14%, 0.45%

LAB 49.64, 2.36, 11.93

 

CMYK 25 / 0 / 15 / 49

HEX #62826E

RGB 98 130 110

HSL 142.5, 0.14%, 0.45%

LAB 51.48, -15.75, 7.16

 

CMYK 25 / 14 / 0 / 49

HEX #627082

RGB 98 112 130

HSL 213.75, 0.14%, 0.45%

LAB 46.71, -0.93, -11.66

 

CMYK 0 / 25 / 9 / 49

HEX #826276

RGB 130 98 118

HSL 322.5, 0.14%, 0.45%

LAB 45.34, 16.43, -6.2

 

CMYK 0 / 3 / 25 / 49

HEX #827E62

RGB 130 126 98

HSL 52.5, 0.14%, 0.45%

LAB 52.45, -3.36, 15.83

 

CMYK 25 / 0 / 15 / 49

HEX #62826E

RGB 98 130 110

HSL 142.5, 0.14%, 0.45%

LAB 51.48, -15.75, 7.16

 

CMYK 25 / 22 / 0 / 49

HEX #626682

RGB 98 102 130

HSL 232.5, 0.14%, 0.45%

LAB 43.82, 5.08, -16.04

 

Description

Color code: RGB 130 98 118 | qconv.com Color code: RGB 130 98 118 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 98 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 98 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 9 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 9% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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