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Color name
RGB 130 93 38

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 93 38 it is the complementary color RGB 125 162 217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 93 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 93 38 shade: RGB 135 93 33, RGB 152 111 52, RGB 169 129 71, RGB 186 147 90 and RGB 203 165 109

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 93 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 93 38 shade: RGB 130 93 38, RGB 113 75 19, RGB 96 57 0, RGB 79 39 0 and RGB 62 21 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 93 38 shade: RGB 130 93 37, RGB 130 68 37, RGB 130 43 37 and RGB 130 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 93 38 shade: RGB 130 93 37, RGB 130 118 37, RGB 117 130 37, RGB 92 130 37 and RGB 67 130 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 93 38 shade matches the following richer shades: RGB 130 93 37, RGB 144 95 24 and RGB 157 98 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 93 38 shade: RGB 130 93 37, RGB 116 90 51, RGB 103 87 65, RGB 89 85 78 and RGB 75 82 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 93 38 shade: RGB 130 42 37, RGB 130 67 37, RGB 130 91 37, RGB 130 116 37 and RGB 119 130 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 93 38 shade: RGB 66 47 19, RGB 98 70 28, RGB 130 93 37, RGB 162 116 47 and RGB 194 138 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 93 38 shade: RGB 130 93 38, RGB 57 130 37 and RGB 54 37 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 93 38 shade: RGB 130 93 38, RGB 37 130 91 and RGB 91 37 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 93 38 shade: RGB 130 93 38, RGB 57 130 37, RGB 37 76 130 and RGB 110 37 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 93 38 shade: RGB 130 93 38, RGB 37 130 45, RGB 37 76 130 and RGB 130 37 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 71 / 49

HEX #825D26

RGB 130 93 38

HSL 35.87, 0.55%, 0.33%

LAB 42.33, 9.26, 36.51

 

Complementary color

CMYK 42 / 25 / 0 / 15

HEX #7DA2D9

RGB 125 162 217

HSL 215.87, 0.55%, 0.67%

LAB 65.91, 1.53, -31.92

 

CMYK 0 / 31 / 76 / 47

HEX #875D21

RGB 135 93 33

HSL 35.29, 0.61%, 0.33%

LAB 42.9, 11.32, 39.71

 

CMYK 0 / 27 / 66 / 40

HEX #986F34

RGB 152 111 52

HSL 35.4, 0.49%, 0.4%

LAB 49.85, 9.82, 38.43

 

CMYK 0 / 24 / 58 / 34

HEX #A98147

RGB 169 129 71

HSL 35.51, 0.41%, 0.47%

LAB 56.67, 8.6, 37

 

CMYK 0 / 21 / 52 / 27

HEX #BA935A

RGB 186 147 90

HSL 35.63, 0.41%, 0.54%

LAB 63.38, 7.59, 35.57

 

CMYK 0 / 19 / 46 / 20

HEX #CBA56D

RGB 203 165 109

HSL 35.74, 0.47%, 0.61%

LAB 69.97, 6.74, 34.21

 

CMYK 0 / 28 / 71 / 49

HEX #825D26

RGB 130 93 38

HSL 35.87, 0.55%, 0.33%

LAB 42.33, 9.26, 36.51

 

CMYK 0 / 34 / 83 / 56

HEX #714B13

RGB 113 75 19

HSL 35.74, 0.71%, 0.26%

LAB 35.18, 10.97, 37.52

 

CMYK 0 / 41 / 100 / 62

HEX #603900

RGB 96 57 0

HSL 35.63, 1%, 0.19%

LAB 27.88, 13.07, 37.86

 

CMYK 0 / 51 / 100 / 69

HEX #4F2700

RGB 79 39 0

HSL 29.62, 1%, 0.15%

LAB 20.49, 15.9, 29.71

 

CMYK 0 / 66 / 100 / 76

HEX #3E1500

RGB 62 21 0

HSL 20.32, 1%, 0.12%

LAB 12.99, 18.72, 19.78

 

CMYK 0 / 28 / 72 / 49

HEX #825D25

RGB 130 93 37

HSL 36.13, 0.56%, 0.33%

LAB 42.32, 9.2, 37

 

CMYK 0 / 48 / 72 / 49

HEX #824425

RGB 130 68 37

HSL 20, 0.56%, 0.33%

LAB 36.01, 23.88, 30.09

 

CMYK 0 / 67 / 72 / 49

HEX #822B25

RGB 130 43 37

HSL 3.87, 0.56%, 0.33%

LAB 30.9, 37.04, 24.18

 

CMYK 0 / 72 / 72 / 49

HEX #822525

RGB 130 37 37

HSL 0, 0.56%, 0.33%

LAB 29.92, 39.7, 23.02

 

CMYK 0 / 28 / 72 / 49

HEX #825D25

RGB 130 93 37

HSL 36.13, 0.56%, 0.33%

LAB 42.32, 9.2, 37

 

CMYK 0 / 9 / 72 / 49

HEX #827625

RGB 130 118 37

HSL 52.26, 0.56%, 0.33%

LAB 49.3, -5.27, 44.22

 

CMYK 10 / 0 / 72 / 49

HEX #758225

RGB 117 130 37

HSL 68.39, 0.56%, 0.33%

LAB 51.7, -17.75, 46.26

 

CMYK 29 / 0 / 72 / 49

HEX #5C8225

RGB 92 130 37

HSL 84.52, 0.56%, 0.33%

LAB 49.95, -28.43, 43.91

 

CMYK 48 / 0 / 72 / 49

HEX #438225

RGB 67 130 37

HSL 100.65, 0.56%, 0.33%

LAB 48.63, -37.65, 42.13

 

CMYK 0 / 28 / 72 / 49

HEX #825D25

RGB 130 93 37

HSL 36.13, 0.56%, 0.33%

LAB 42.32, 9.2, 37

 

CMYK 0 / 34 / 83 / 44

HEX #905F18

RGB 144 95 24

HSL 35.5, 0.71%, 0.33%

LAB 44.49, 13.95, 45.47

 

CMYK 0 / 38 / 94 / 38

HEX #9D620A

RGB 157 98 10

HSL 35.92, 0.88%, 0.33%

LAB 46.88, 17.84, 52.37

 

CMYK 0 / 28 / 72 / 49

HEX #825D25

RGB 130 93 37

HSL 36.13, 0.56%, 0.33%

LAB 42.32, 9.2, 37

 

CMYK 0 / 22 / 56 / 55

HEX #745A33

RGB 116 90 51

HSL 36, 0.39%, 0.33%

LAB 40.02, 5.51, 26.42

 

CMYK 0 / 16 / 37 / 60

HEX #675741

RGB 103 87 65

HSL 34.74, 0.23%, 0.33%

LAB 37.99, 2.99, 15.23

 

CMYK 0 / 4 / 12 / 65

HEX #59554E

RGB 89 85 78

HSL 38.18, 0.07%, 0.33%

LAB 36.31, 0.23, 4.66

 

CMYK 18 / 11 / 0 / 64

HEX #4B525C

RGB 75 82 92

HSL 215.29, 0.1%, 0.33%

LAB 34.61, -0.38, -6.77

 

CMYK 0 / 68 / 72 / 49

HEX #822A25

RGB 130 42 37

HSL 3.23, 0.56%, 0.33%

LAB 30.72, 37.5, 23.98

 

CMYK 0 / 48 / 72 / 49

HEX #824325

RGB 130 67 37

HSL 19.35, 0.56%, 0.33%

LAB 35.78, 24.45, 29.83

 

CMYK 0 / 30 / 72 / 49

HEX #825B25

RGB 130 91 37

HSL 34.84, 0.56%, 0.33%

LAB 41.79, 10.38, 36.43

 

CMYK 0 / 11 / 72 / 49

HEX #827425

RGB 130 116 37

HSL 50.97, 0.56%, 0.33%

LAB 48.72, -4.14, 43.64

 

CMYK 8 / 0 / 72 / 49

HEX #778225

RGB 119 130 37

HSL 67.1, 0.56%, 0.33%

LAB 51.86, -16.86, 46.47

 

CMYK 0 / 29 / 71 / 74

HEX #422F13

RGB 66 47 19

HSL 35.74, 0.55%, 0.17%

LAB 20.97, 5.07, 21

 

CMYK 0 / 29 / 71 / 62

HEX #62461C

RGB 98 70 28

HSL 36, 0.56%, 0.25%

LAB 31.94, 7.2, 29.29

 

CMYK 0 / 28 / 72 / 49

HEX #825D25

RGB 130 93 37

HSL 36.13, 0.56%, 0.33%

LAB 42.32, 9.2, 37

 

CMYK 0 / 28 / 71 / 36

HEX #A2742F

RGB 162 116 47

HSL 36, 0.55%, 0.41%

LAB 52.26, 11.17, 43.85

 

CMYK 0 / 29 / 71 / 24

HEX #C28A38

RGB 194 138 56

HSL 35.65, 0.55%, 0.49%

LAB 61.6, 13.56, 50.62

 

CMYK 0 / 28 / 71 / 49

HEX #825D26

RGB 130 93 38

HSL 35.87, 0.55%, 0.33%

LAB 42.33, 9.26, 36.51

 

CMYK 56 / 0 / 72 / 49

HEX #398225

RGB 57 130 37

HSL 107.1, 0.56%, 0.33%

LAB 48.22, -40.74, 41.59

 

CMYK 58 / 72 / 0 / 49

HEX #362582

RGB 54 37 130

HSL 250.97, 0.56%, 0.33%

LAB 22.72, 34.51, -49.72

 

CMYK 0 / 28 / 71 / 49

HEX #825D26

RGB 130 93 38

HSL 35.87, 0.55%, 0.33%

LAB 42.33, 9.26, 36.51

 

CMYK 72 / 0 / 30 / 49

HEX #25825B

RGB 37 130 91

HSL 154.84, 0.56%, 0.33%

LAB 48.4, -36.67, 13.47

 

CMYK 30 / 72 / 0 / 49

HEX #5B2582

RGB 91 37 130

HSL 274.84, 0.56%, 0.33%

LAB 27.18, 41.81, -42.26

 

CMYK 0 / 28 / 71 / 49

HEX #825D26

RGB 130 93 38

HSL 35.87, 0.55%, 0.33%

LAB 42.33, 9.26, 36.51

 

CMYK 56 / 0 / 72 / 49

HEX #398225

RGB 57 130 37

HSL 107.1, 0.56%, 0.33%

LAB 48.22, -40.74, 41.59

 

CMYK 72 / 42 / 0 / 49

HEX #254C82

RGB 37 76 130

HSL 214.84, 0.56%, 0.33%

LAB 32.2, 5.52, -34.46

 

CMYK 15 / 72 / 0 / 49

HEX #6E2582

RGB 110 37 130

HSL 287.1, 0.56%, 0.33%

LAB 30.03, 46.13, -37.52

 

CMYK 0 / 28 / 71 / 49

HEX #825D26

RGB 130 93 38

HSL 35.87, 0.55%, 0.33%

LAB 42.33, 9.26, 36.51

 

CMYK 72 / 0 / 65 / 49

HEX #25822D

RGB 37 130 45

HSL 125.16, 0.56%, 0.33%

LAB 47.69, -44.77, 37.28

 

CMYK 72 / 42 / 0 / 49

HEX #254C82

RGB 37 76 130

HSL 214.84, 0.56%, 0.33%

LAB 32.2, 5.52, -34.46

 

CMYK 0 / 72 / 6 / 49

HEX #82257A

RGB 130 37 122

HSL 305.16, 0.56%, 0.33%

LAB 32.86, 49.49, -27.81

 

Description

Color code: RGB 130 93 38 | qconv.com Color code: RGB 130 93 38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 93 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 93 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 71 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 71% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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