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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 92 122 it is the complementary color RGB 125 163 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 92 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 92 122 shade: RGB 135 92 117, RGB 152 110 136, RGB 169 128 155, RGB 186 146 174 and RGB 203 164 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 92 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 92 122 shade: RGB 130 92 122, RGB 113 74 103, RGB 96 56 84, RGB 79 38 65 and RGB 62 20 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 92 122 shade: RGB 131 93 123, RGB 131 93 112, RGB 131 93 102 and RGB 131 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 92 122 shade: RGB 131 93 123, RGB 129 93 131, RGB 118 93 131, RGB 108 93 131 and RGB 98 93 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 92 122 shade matches the following richer shades: RGB 131 93 123, RGB 149 74 133, RGB 167 56 144, RGB 185 38 154 and RGB 203 20 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 92 122 shade: RGB 131 93 123, RGB 113 111 112, RGB 94 129 102, RGB 76 147 91 and RGB 58 165 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 92 122 shade: RGB 118 93 131, RGB 128 93 131, RGB 131 93 123, RGB 131 93 113 and RGB 131 93 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 92 122 shade: RGB 83 58 77, RGB 107 76 100, RGB 131 93 123, RGB 153 112 144 and RGB 170 136 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 92 122 shade: RGB 130 92 122, RGB 131 108 93 and RGB 93 131 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 92 122 shade: RGB 130 92 122, RGB 123 131 93 and RGB 93 123 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 92 122 shade: RGB 130 92 122, RGB 131 108 93, RGB 93 131 100 and RGB 93 116 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 92 122 shade: RGB 130 92 122, RGB 131 119 93, RGB 93 131 100 and RGB 93 104 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 6 / 49

HEX #825C7A

RGB 130 92 122

HSL 312.63, 0.17%, 0.44%

LAB 43.95, 20.77, -10.71

 

Complementary color

CMYK 23 / 0 / 18 / 36

HEX #7DA385

RGB 125 163 133

HSL 132.63, 0.17%, 0.56%

LAB 63.55, -19.18, 11.41

 

CMYK 0 / 32 / 13 / 47

HEX #875C75

RGB 135 92 117

HSL 325.12, 0.19%, 0.45%

LAB 44.36, 21.7, -7

 

CMYK 0 / 28 / 11 / 40

HEX #986E88

RGB 152 110 136

HSL 322.86, 0.17%, 0.51%

LAB 51.39, 20.97, -7.68

 

CMYK 0 / 24 / 8 / 34

HEX #A9809B

RGB 169 128 155

HSL 320.49, 0.19%, 0.58%

LAB 58.26, 20.32, -8.3

 

CMYK 0 / 22 / 6 / 27

HEX #BA92AE

RGB 186 146 174

HSL 318, 0.22%, 0.65%

LAB 65, 19.73, -8.88

 

CMYK 0 / 19 / 5 / 20

HEX #CBA4C1

RGB 203 164 193

HSL 315.38, 0.27%, 0.72%

LAB 71.62, 19.19, -9.42

 

CMYK 0 / 29 / 6 / 49

HEX #825C7A

RGB 130 92 122

HSL 312.63, 0.17%, 0.44%

LAB 43.95, 20.77, -10.71

 

CMYK 0 / 35 / 9 / 56

HEX #714A67

RGB 113 74 103

HSL 315.38, 0.21%, 0.37%

LAB 36.72, 21.53, -10.11

 

CMYK 0 / 42 / 13 / 62

HEX #603854

RGB 96 56 84

HSL 318, 0.26%, 0.3%

LAB 29.3, 22.38, -9.42

 

CMYK 0 / 52 / 18 / 69

HEX #4F2641

RGB 79 38 65

HSL 320.49, 0.35%, 0.23%

LAB 21.69, 23.27, -8.53

 

CMYK 0 / 68 / 26 / 76

HEX #3E142E

RGB 62 20 46

HSL 322.86, 0.51%, 0.16%

LAB 13.95, 24.01, -7.2

 

CMYK 0 / 29 / 6 / 49

HEX #835D7B

RGB 131 93 123

HSL 312.63, 0.17%, 0.44%

LAB 44.35, 20.74, -10.7

 

CMYK 0 / 29 / 15 / 49

HEX #835D70

RGB 131 93 112

HSL 330, 0.17%, 0.44%

LAB 43.98, 18.69, -4.58

 

CMYK 0 / 29 / 22 / 49

HEX #835D66

RGB 131 93 102

HSL 345.79, 0.17%, 0.44%

LAB 43.67, 16.97, 1.05

 

CMYK 0 / 29 / 29 / 49

HEX #835D5D

RGB 131 93 93

HSL 0, 0.17%, 0.44%

LAB 43.43, 15.55, 6.18

 

CMYK 0 / 29 / 6 / 49

HEX #835D7B

RGB 131 93 123

HSL 312.63, 0.17%, 0.44%

LAB 44.35, 20.74, -10.7

 

CMYK 2 / 29 / 0 / 49

HEX #815D83

RGB 129 93 131

HSL 296.84, 0.17%, 0.44%

LAB 44.43, 21.61, -15.45

 

CMYK 10 / 29 / 0 / 49

HEX #765D83

RGB 118 93 131

HSL 279.47, 0.17%, 0.44%

LAB 43.24, 17.72, -17.36

 

CMYK 18 / 29 / 0 / 49

HEX #6C5D83

RGB 108 93 131

HSL 263.68, 0.17%, 0.44%

LAB 42.24, 14.25, -18.99

 

CMYK 25 / 29 / 0 / 49

HEX #625D83

RGB 98 93 131

HSL 247.89, 0.17%, 0.44%

LAB 41.32, 10.87, -20.48

 

CMYK 0 / 29 / 6 / 49

HEX #835D7B

RGB 131 93 123

HSL 312.63, 0.17%, 0.44%

LAB 44.35, 20.74, -10.7

 

CMYK 0 / 50 / 11 / 42

HEX #954A85

RGB 149 74 133

HSL 312.8, 0.34%, 0.44%

LAB 42.73, 39.58, -19.03

 

CMYK 0 / 66 / 14 / 35

HEX #A73890

RGB 167 56 144

HSL 312.43, 0.5%, 0.44%

LAB 42.85, 55.11, -25.3

 

CMYK 0 / 79 / 17 / 27

HEX #B9269A

RGB 185 38 154

HSL 312.65, 0.66%, 0.44%

LAB 44.28, 66.95, -28.88

 

CMYK 0 / 90 / 19 / 20

HEX #CB14A5

RGB 203 20 165

HSL 312.46, 0.82%, 0.44%

LAB 46.86, 75.69, -31.18

 

CMYK 0 / 29 / 6 / 49

HEX #835D7B

RGB 131 93 123

HSL 312.63, 0.17%, 0.44%

LAB 44.35, 20.74, -10.7

 

CMYK 0 / 2 / 1 / 56

HEX #716F70

RGB 113 111 112

HSL 330, 0.01%, 0.44%

LAB 47.04, 0.97, -0.29

 

CMYK 27 / 0 / 21 / 49

HEX #5E8166

RGB 94 129 102

HSL 133.71, 0.16%, 0.44%

LAB 50.73, -18.26, 10.71

 

CMYK 48 / 0 / 38 / 42

HEX #4C935B

RGB 76 147 91

HSL 132.68, 0.32%, 0.44%

LAB 55.24, -35.05, 22.94

 

CMYK 65 / 0 / 51 / 35

HEX #3AA551

RGB 58 165 81

HSL 132.9, 0.48%, 0.44%

LAB 60.25, -48.71, 34.56

 

CMYK 10 / 29 / 0 / 49

HEX #765D83

RGB 118 93 131

HSL 279.47, 0.17%, 0.44%

LAB 43.24, 17.72, -17.36

 

CMYK 2 / 29 / 0 / 49

HEX #805D83

RGB 128 93 131

HSL 295.26, 0.17%, 0.44%

LAB 44.31, 21.26, -15.63

 

CMYK 0 / 29 / 6 / 49

HEX #835D7B

RGB 131 93 123

HSL 312.63, 0.17%, 0.44%

LAB 44.35, 20.74, -10.7

 

CMYK 0 / 29 / 14 / 49

HEX #835D71

RGB 131 93 113

HSL 328.42, 0.17%, 0.44%

LAB 44.01, 18.87, -5.14

 

CMYK 0 / 29 / 21 / 49

HEX #835D67

RGB 131 93 103

HSL 344.21, 0.17%, 0.44%

LAB 43.7, 17.13, 0.49

 

CMYK 0 / 30 / 7 / 67

HEX #533A4D

RGB 83 58 77

HSL 314.4, 0.18%, 0.28%

LAB 27.85, 14.63, -7.2

 

CMYK 0 / 29 / 7 / 58

HEX #6B4C64

RGB 107 76 100

HSL 313.55, 0.17%, 0.36%

LAB 36.39, 17.44, -8.79

 

CMYK 0 / 29 / 6 / 49

HEX #835D7B

RGB 131 93 123

HSL 312.63, 0.17%, 0.44%

LAB 44.35, 20.74, -10.7

 

CMYK 0 / 27 / 6 / 40

HEX #997090

RGB 153 112 144

HSL 313.17, 0.17%, 0.52%

LAB 52.26, 21.66, -11.08

 

CMYK 0 / 20 / 4 / 33

HEX #AA88A3

RGB 170 136 163

HSL 312.35, 0.17%, 0.6%

LAB 60.6, 17.62, -9.38

 

CMYK 0 / 29 / 6 / 49

HEX #825C7A

RGB 130 92 122

HSL 312.63, 0.17%, 0.44%

LAB 43.95, 20.77, -10.71

 

CMYK 0 / 18 / 29 / 49

HEX #836C5D

RGB 131 108 93

HSL 23.68, 0.17%, 0.44%

LAB 47.42, 6.68, 11.8

 

CMYK 29 / 0 / 6 / 49

HEX #5D837B

RGB 93 131 123

HSL 167.37, 0.17%, 0.44%

LAB 51.83, -15.1, 0.04

 

CMYK 0 / 29 / 6 / 49

HEX #825C7A

RGB 130 92 122

HSL 312.63, 0.17%, 0.44%

LAB 43.95, 20.77, -10.71

 

CMYK 6 / 0 / 29 / 49

HEX #7B835D

RGB 123 131 93

HSL 72.63, 0.17%, 0.44%

LAB 53.2, -9.79, 19.61

 

CMYK 29 / 6 / 0 / 49

HEX #5D7B83

RGB 93 123 131

HSL 192.63, 0.17%, 0.44%

LAB 49.66, -8.69, -7.86

 

CMYK 0 / 29 / 6 / 49

HEX #825C7A

RGB 130 92 122

HSL 312.63, 0.17%, 0.44%

LAB 43.95, 20.77, -10.71

 

CMYK 0 / 18 / 29 / 49

HEX #836C5D

RGB 131 108 93

HSL 23.68, 0.17%, 0.44%

LAB 47.42, 6.68, 11.8

 

CMYK 29 / 0 / 24 / 49

HEX #5D8364

RGB 93 131 100

HSL 131.05, 0.17%, 0.44%

LAB 51.24, -20.06, 12.58

 

CMYK 29 / 11 / 0 / 49

HEX #5D7483

RGB 93 116 131

HSL 203.68, 0.17%, 0.44%

LAB 47.57, -4.66, -10.99

 

CMYK 0 / 29 / 6 / 49

HEX #825C7A

RGB 130 92 122

HSL 312.63, 0.17%, 0.44%

LAB 43.95, 20.77, -10.71

 

CMYK 0 / 9 / 29 / 49

HEX #83775D

RGB 131 119 93

HSL 41.05, 0.17%, 0.44%

LAB 50.46, 0.29, 16.01

 

CMYK 29 / 0 / 24 / 49

HEX #5D8364

RGB 93 131 100

HSL 131.05, 0.17%, 0.44%

LAB 51.24, -20.06, 12.58

 

CMYK 29 / 21 / 0 / 49

HEX #5D6883

RGB 93 104 131

HSL 222.63, 0.17%, 0.44%

LAB 44.04, 2.47, -16.34

 

Description

Color code: RGB 130 92 122 | qconv.com Color code: RGB 130 92 122 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 92 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 92 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 6 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 6% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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