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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 70 132 it is the complementary color RGB 125 185 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 70 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 70 132 shade: RGB 135 70 127, RGB 152 88 146, RGB 169 106 165, RGB 186 124 184 and RGB 203 142 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 70 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 70 132 shade: RGB 130 70 132, RGB 113 52 113, RGB 96 34 94, RGB 79 16 75 and RGB 62 0 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 70 132 shade: RGB 131 70 133, RGB 133 70 118, RGB 133 70 101, RGB 133 70 84 and RGB 133 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 70 132 shade: RGB 131 70 133, RGB 114 70 133, RGB 97 70 133, RGB 80 70 133 and RGB 70 70 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 70 132 shade matches the following richer shades: RGB 131 70 133, RGB 147 53 150, RGB 162 37 166, RGB 177 20 183 and RGB 193 4 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 70 132 shade: RGB 131 70 133, RGB 116 86 117, RGB 100 103 100, RGB 85 119 84 and RGB 69 136 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 70 132 shade: RGB 97 70 133, RGB 114 70 133, RGB 131 70 133, RGB 133 70 118 and RGB 133 70 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 70 132 shade: RGB 78 41 79, RGB 104 56 106, RGB 131 70 133, RGB 158 84 160 and RGB 175 108 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 70 132 shade: RGB 130 70 132, RGB 133 80 70 and RGB 70 133 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 70 132 shade: RGB 130 70 132, RGB 133 131 70 and RGB 70 133 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 70 132 shade: RGB 130 70 132, RGB 133 80 70, RGB 72 133 70 and RGB 70 123 133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 70 132 shade: RGB 130 70 132, RGB 133 99 70, RGB 72 133 70 and RGB 70 104 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 47 / 0 / 48

HEX #824684

RGB 130 70 132

HSL 298.06, 0.31%, 0.4%

LAB 39.23, 35.48, -24.05

 

Complementary color

CMYK 32 / 0 / 34 / 27

HEX #7DB97B

RGB 125 185 123

HSL 118.06, 0.31%, 0.6%

LAB 69.82, -31.82, 25.48

 

CMYK 0 / 48 / 6 / 47

HEX #87467F

RGB 135 70 127

HSL 307.38, 0.32%, 0.4%

LAB 39.69, 36.12, -20.22

 

CMYK 0 / 42 / 4 / 40

HEX #985892

RGB 152 88 146

HSL 305.63, 0.27%, 0.47%

LAB 46.62, 35.34, -20.85

 

CMYK 0 / 37 / 2 / 34

HEX #A96AA5

RGB 169 106 165

HSL 303.81, 0.27%, 0.54%

LAB 53.45, 34.56, -21.38

 

CMYK 0 / 33 / 1 / 27

HEX #BA7CB8

RGB 186 124 184

HSL 301.94, 0.31%, 0.61%

LAB 60.17, 33.8, -21.84

 

CMYK 0 / 30 / 0 / 20

HEX #CB8ECB

RGB 203 142 203

HSL 300, 0.37%, 0.68%

LAB 66.79, 33.08, -22.26

 

CMYK 2 / 47 / 0 / 48

HEX #824684

RGB 130 70 132

HSL 298.06, 0.31%, 0.4%

LAB 39.23, 35.48, -24.05

 

CMYK 0 / 54 / 0 / 56

HEX #713471

RGB 113 52 113

HSL 300, 0.37%, 0.32%

LAB 32.17, 36.19, -23.42

 

CMYK 0 / 65 / 2 / 62

HEX #60225E

RGB 96 34 94

HSL 301.94, 0.48%, 0.25%

LAB 25.07, 36.62, -22.49

 

CMYK 0 / 80 / 5 / 69

HEX #4F104B

RGB 79 16 75

HSL 303.81, 0.66%, 0.19%

LAB 18.1, 36.27, -20.94

 

CMYK 0 / 100 / 10 / 76

HEX #3E0038

RGB 62 0 56

HSL 305.81, 1%, 0.12%

LAB 11.34, 34.71, -18.51

 

CMYK 2 / 47 / 0 / 48

HEX #834685

RGB 131 70 133

HSL 298.1, 0.31%, 0.4%

LAB 39.41, 35.99, -24.37

 

CMYK 0 / 47 / 11 / 48

HEX #854676

RGB 133 70 118

HSL 314.29, 0.31%, 0.4%

LAB 39.03, 33.81, -15.7

 

CMYK 0 / 47 / 24 / 48

HEX #854665

RGB 133 70 101

HSL 330.48, 0.31%, 0.4%

LAB 38.39, 30.96, -6.09

 

CMYK 0 / 47 / 37 / 48

HEX #854654

RGB 133 70 84

HSL 346.67, 0.31%, 0.4%

LAB 37.85, 28.51, 3.81

 

CMYK 0 / 47 / 47 / 48

HEX #854646

RGB 133 70 70

HSL 0, 0.31%, 0.4%

LAB 37.5, 26.81, 12.1

 

CMYK 2 / 47 / 0 / 48

HEX #834685

RGB 131 70 133

HSL 298.1, 0.31%, 0.4%

LAB 39.41, 35.99, -24.37

 

CMYK 14 / 47 / 0 / 48

HEX #724685

RGB 114 70 133

HSL 281.9, 0.31%, 0.4%

LAB 37.21, 30.64, -27.97

 

CMYK 27 / 47 / 0 / 48

HEX #614685

RGB 97 70 133

HSL 265.71, 0.31%, 0.4%

LAB 35.23, 25.42, -31.22

 

CMYK 40 / 47 / 0 / 48

HEX #504685

RGB 80 70 133

HSL 249.52, 0.31%, 0.4%

LAB 33.52, 20.47, -34.04

 

CMYK 47 / 47 / 0 / 48

HEX #464685

RGB 70 70 133

HSL 240, 0.31%, 0.4%

LAB 32.65, 17.78, -35.48

 

CMYK 2 / 47 / 0 / 48

HEX #834685

RGB 131 70 133

HSL 298.1, 0.31%, 0.4%

LAB 39.41, 35.99, -24.37

 

CMYK 2 / 65 / 0 / 41

HEX #933596

RGB 147 53 150

HSL 298.14, 0.48%, 0.4%

LAB 39.5, 52.16, -34.42

 

CMYK 2 / 78 / 0 / 35

HEX #A225A6

RGB 162 37 166

HSL 298.14, 0.64%, 0.4%

LAB 40.83, 64.1, -41.79

 

CMYK 3 / 89 / 0 / 28

HEX #B114B7

RGB 177 20 183

HSL 297.79, 0.8%, 0.4%

LAB 43.16, 73.39, -48

 

CMYK 3 / 98 / 0 / 22

HEX #C104C7

RGB 193 4 199

HSL 298.15, 0.96%, 0.4%

LAB 46.38, 80.22, -52.05

 

CMYK 2 / 47 / 0 / 48

HEX #834685

RGB 131 70 133

HSL 298.1, 0.31%, 0.4%

LAB 39.41, 35.99, -24.37

 

CMYK 1 / 26 / 0 / 54

HEX #745675

RGB 116 86 117

HSL 298.06, 0.15%, 0.4%

LAB 40.66, 18.2, -12.79

 

CMYK 3 / 0 / 3 / 60

HEX #646764

RGB 100 103 100

HSL 120, 0.01%, 0.4%

LAB 43.26, -1.78, 1.28

 

CMYK 29 / 0 / 29 / 53

HEX #557754

RGB 85 119 84

HSL 118.29, 0.17%, 0.4%

LAB 46.66, -19.67, 15.46

 

CMYK 49 / 0 / 51 / 47

HEX #458843

RGB 69 136 67

HSL 118.26, 0.34%, 0.4%

LAB 51.01, -36.13, 30.45

 

CMYK 27 / 47 / 0 / 48

HEX #614685

RGB 97 70 133

HSL 265.71, 0.31%, 0.4%

LAB 35.23, 25.42, -31.22

 

CMYK 14 / 47 / 0 / 48

HEX #724685

RGB 114 70 133

HSL 281.9, 0.31%, 0.4%

LAB 37.21, 30.64, -27.97

 

CMYK 2 / 47 / 0 / 48

HEX #834685

RGB 131 70 133

HSL 298.1, 0.31%, 0.4%

LAB 39.41, 35.99, -24.37

 

CMYK 0 / 47 / 11 / 48

HEX #854676

RGB 133 70 118

HSL 314.29, 0.31%, 0.4%

LAB 39.03, 33.81, -15.7

 

CMYK 0 / 47 / 23 / 48

HEX #854666

RGB 133 70 102

HSL 329.52, 0.31%, 0.4%

LAB 38.42, 31.12, -6.66

 

CMYK 1 / 48 / 0 / 69

HEX #4E294F

RGB 78 41 79

HSL 298.42, 0.32%, 0.24%

LAB 22.9, 23.92, -16.15

 

CMYK 2 / 47 / 0 / 58

HEX #68386A

RGB 104 56 106

HSL 297.6, 0.31%, 0.32%

LAB 31.38, 29.65, -20.31

 

CMYK 2 / 47 / 0 / 48

HEX #834685

RGB 131 70 133

HSL 298.1, 0.31%, 0.4%

LAB 39.41, 35.99, -24.37

 

CMYK 1 / 48 / 0 / 37

HEX #9E54A0

RGB 158 84 160

HSL 298.42, 0.31%, 0.48%

LAB 47.17, 42.06, -28.26

 

CMYK 1 / 39 / 0 / 31

HEX #AF6CB1

RGB 175 108 177

HSL 298.26, 0.31%, 0.56%

LAB 55.09, 37.68, -25.75

 

CMYK 2 / 47 / 0 / 48

HEX #824684

RGB 130 70 132

HSL 298.06, 0.31%, 0.4%

LAB 39.23, 35.48, -24.05

 

CMYK 0 / 40 / 47 / 48

HEX #855046

RGB 133 80 70

HSL 9.52, 0.31%, 0.4%

LAB 39.86, 21.05, 15.32

 

CMYK 47 / 0 / 20 / 48

HEX #46856A

RGB 70 133 106

HSL 154.29, 0.31%, 0.4%

LAB 50.82, -27.07, 8.34

 

CMYK 2 / 47 / 0 / 48

HEX #824684

RGB 130 70 132

HSL 298.06, 0.31%, 0.4%

LAB 39.23, 35.48, -24.05

 

CMYK 0 / 2 / 47 / 48

HEX #858346

RGB 133 131 70

HSL 58.1, 0.31%, 0.4%

LAB 53.67, -8.47, 33.06

 

CMYK 47 / 0 / 2 / 48

HEX #468583

RGB 70 133 131

HSL 178.1, 0.31%, 0.4%

LAB 51.51, -20.75, -5.22

 

CMYK 2 / 47 / 0 / 48

HEX #824684

RGB 130 70 132

HSL 298.06, 0.31%, 0.4%

LAB 39.23, 35.48, -24.05

 

CMYK 0 / 40 / 47 / 48

HEX #855046

RGB 133 80 70

HSL 9.52, 0.31%, 0.4%

LAB 39.86, 21.05, 15.32

 

CMYK 46 / 0 / 47 / 48

HEX #488546

RGB 72 133 70

HSL 118.1, 0.31%, 0.4%

LAB 50.21, -33.41, 27.87

 

CMYK 47 / 8 / 0 / 48

HEX #467B85

RGB 70 123 133

HSL 189.52, 0.31%, 0.4%

LAB 48.46, -14.79, -10.95

 

CMYK 2 / 47 / 0 / 48

HEX #824684

RGB 130 70 132

HSL 298.06, 0.31%, 0.4%

LAB 39.23, 35.48, -24.05

 

CMYK 0 / 26 / 47 / 48

HEX #856346

RGB 133 99 70

HSL 27.62, 0.31%, 0.4%

LAB 44.73, 9.85, 21.79

 

CMYK 46 / 0 / 47 / 48

HEX #488546

RGB 72 133 70

HSL 118.1, 0.31%, 0.4%

LAB 50.21, -33.41, 27.87

 

CMYK 47 / 22 / 0 / 48

HEX #466885

RGB 70 104 133

HSL 207.62, 0.31%, 0.4%

LAB 42.61, -3.82, -19.87

 

Description

Color code: RGB 130 70 132 | qconv.com Color code: RGB 130 70 132 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 70 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 70 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 47 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 47% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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