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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 58 120 it is the complementary color RGB 125 197 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 58 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 58 120 shade: RGB 135 58 115, RGB 152 76 134, RGB 169 94 153, RGB 186 112 172 and RGB 203 130 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 58 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 58 120 shade: RGB 130 58 120, RGB 113 40 101, RGB 96 22 82, RGB 79 4 63 and RGB 62 0 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 58 120 shade: RGB 130 58 120, RGB 130 58 100, RGB 130 58 81, RGB 130 58 62 and RGB 130 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 58 120 shade: RGB 130 58 120, RGB 120 58 130, RGB 101 58 130, RGB 82 58 130 and RGB 62 58 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 58 120 shade matches the following richer shades: RGB 130 58 120, RGB 145 43 131, RGB 160 27 142 and RGB 176 12 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 58 120 shade: RGB 130 58 120, RGB 114 73 109, RGB 99 89 98, RGB 84 104 87 and RGB 69 119 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 58 120 shade: RGB 101 58 130, RGB 120 58 130, RGB 130 58 120, RGB 130 58 101 and RGB 130 58 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 58 120 shade: RGB 73 32 67, RGB 101 45 93, RGB 130 58 120, RGB 158 71 146 and RGB 180 90 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 58 120 shade: RGB 130 58 120, RGB 130 82 58 and RGB 58 130 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 58 120 shade: RGB 130 58 120, RGB 120 130 58 and RGB 58 120 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 58 120 shade: RGB 130 58 120, RGB 130 82 58, RGB 58 130 68 and RGB 58 106 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 58 120 shade: RGB 130 58 120, RGB 130 103 58, RGB 58 130 68 and RGB 58 84 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 8 / 49

HEX #823A78

RGB 130 58 120

HSL 308.33, 0.38%, 0.37%

LAB 36.23, 39.62, -21.29

 

Complementary color

CMYK 37 / 0 / 31 / 23

HEX #7DC587

RGB 125 197 135

HSL 128.33, 0.38%, 0.63%

LAB 73.57, -35.39, 24.18

 

CMYK 0 / 57 / 15 / 47

HEX #873A73

RGB 135 58 115

HSL 315.58, 0.4%, 0.38%

LAB 36.77, 40.31, -17.27

 

CMYK 0 / 50 / 12 / 40

HEX #984C86

RGB 152 76 134

HSL 314.21, 0.33%, 0.45%

LAB 43.6, 39.67, -18.26

 

CMYK 0 / 44 / 9 / 34

HEX #A95E99

RGB 169 94 153

HSL 312.8, 0.3%, 0.52%

LAB 50.38, 38.92, -19.04

 

CMYK 0 / 40 / 8 / 27

HEX #BA70AC

RGB 186 112 172

HSL 311.35, 0.35%, 0.58%

LAB 57.08, 38.15, -19.69

 

CMYK 0 / 36 / 6 / 20

HEX #CB82BF

RGB 203 130 191

HSL 309.86, 0.41%, 0.65%

LAB 63.69, 37.39, -20.26

 

CMYK 0 / 55 / 8 / 49

HEX #823A78

RGB 130 58 120

HSL 308.33, 0.38%, 0.37%

LAB 36.23, 39.62, -21.29

 

CMYK 0 / 65 / 11 / 56

HEX #712865

RGB 113 40 101

HSL 309.86, 0.48%, 0.3%

LAB 29.33, 40, -20.18

 

CMYK 0 / 77 / 15 / 62

HEX #601652

RGB 96 22 82

HSL 311.35, 0.63%, 0.23%

LAB 22.55, 39.71, -18.48

 

CMYK 0 / 95 / 20 / 69

HEX #4F043F

RGB 79 4 63

HSL 312.8, 0.9%, 0.16%

LAB 16.04, 38.16, -15.84

 

CMYK 0 / 100 / 29 / 76

HEX #3E002C

RGB 62 0 44

HSL 317.42, 1%, 0.12%

LAB 10.6, 32.86, -10.88

 

CMYK 0 / 55 / 8 / 49

HEX #823A78

RGB 130 58 120

HSL 308.33, 0.38%, 0.37%

LAB 36.23, 39.62, -21.29

 

CMYK 0 / 55 / 23 / 49

HEX #823A64

RGB 130 58 100

HSL 325, 0.38%, 0.37%

LAB 35.38, 36.26, -10.01

 

CMYK 0 / 55 / 38 / 49

HEX #823A51

RGB 130 58 81

HSL 340.83, 0.38%, 0.37%

LAB 34.73, 33.57, 1.14

 

CMYK 0 / 55 / 52 / 49

HEX #823A3E

RGB 130 58 62

HSL 356.67, 0.38%, 0.37%

LAB 34.23, 31.42, 12.61

 

CMYK 0 / 55 / 55 / 49

HEX #823A3A

RGB 130 58 58

HSL 0, 0.38%, 0.37%

LAB 34.14, 31.04, 15.04

 

CMYK 0 / 55 / 8 / 49

HEX #823A78

RGB 130 58 120

HSL 308.33, 0.38%, 0.37%

LAB 36.23, 39.62, -21.29

 

CMYK 8 / 55 / 0 / 49

HEX #783A82

RGB 120 58 130

HSL 291.67, 0.38%, 0.37%

LAB 35.26, 38.54, -29.12

 

CMYK 22 / 55 / 0 / 49

HEX #653A82

RGB 101 58 130

HSL 275.83, 0.38%, 0.37%

LAB 32.71, 33.03, -33.33

 

CMYK 37 / 55 / 0 / 49

HEX #523A82

RGB 82 58 130

HSL 260, 0.38%, 0.37%

LAB 30.48, 27.75, -37.02

 

CMYK 52 / 55 / 0 / 49

HEX #3E3A82

RGB 62 58 130

HSL 243.33, 0.38%, 0.37%

LAB 28.54, 22.74, -40.23

 

CMYK 0 / 55 / 8 / 49

HEX #823A78

RGB 130 58 120

HSL 308.33, 0.38%, 0.37%

LAB 36.23, 39.62, -21.29

 

CMYK 0 / 70 / 10 / 43

HEX #912B83

RGB 145 43 131

HSL 308.24, 0.54%, 0.37%

LAB 36.72, 52.47, -27.19

 

CMYK 0 / 83 / 11 / 37

HEX #A01B8E

RGB 160 27 142

HSL 308.12, 0.71%, 0.37%

LAB 38.22, 62.56, -31.42

 

CMYK 0 / 93 / 13 / 31

HEX #B00C99

RGB 176 12 153

HSL 308.41, 0.87%, 0.37%

LAB 40.89, 69.89, -33.72

 

CMYK 0 / 55 / 8 / 49

HEX #823A78

RGB 130 58 120

HSL 308.33, 0.38%, 0.37%

LAB 36.23, 39.62, -21.29

 

CMYK 0 / 36 / 4 / 55

HEX #72496D

RGB 114 73 109

HSL 307.32, 0.22%, 0.37%

LAB 36.83, 23.69, -13.69

 

CMYK 0 / 10 / 1 / 61

HEX #635962

RGB 99 89 98

HSL 306, 0.05%, 0.37%

LAB 39.03, 5.87, -3.7

 

CMYK 19 / 0 / 16 / 59

HEX #546857

RGB 84 104 87

HSL 129, 0.11%, 0.37%

LAB 41.96, -11.24, 7.12

 

CMYK 42 / 0 / 36 / 53

HEX #45774C

RGB 69 119 76

HSL 128.4, 0.27%, 0.37%

LAB 45.61, -26.74, 18.51

 

CMYK 22 / 55 / 0 / 49

HEX #653A82

RGB 101 58 130

HSL 275.83, 0.38%, 0.37%

LAB 32.71, 33.03, -33.33

 

CMYK 8 / 55 / 0 / 49

HEX #783A82

RGB 120 58 130

HSL 291.67, 0.38%, 0.37%

LAB 35.26, 38.54, -29.12

 

CMYK 0 / 55 / 8 / 49

HEX #823A78

RGB 130 58 120

HSL 308.33, 0.38%, 0.37%

LAB 36.23, 39.62, -21.29

 

CMYK 0 / 55 / 22 / 49

HEX #823A65

RGB 130 58 101

HSL 324.17, 0.38%, 0.37%

LAB 35.42, 36.41, -10.59

 

CMYK 0 / 55 / 37 / 49

HEX #823A52

RGB 130 58 82

HSL 340, 0.38%, 0.37%

LAB 34.76, 33.7, 0.55

 

CMYK 0 / 56 / 8 / 71

HEX #492043

RGB 73 32 67

HSL 308.78, 0.39%, 0.21%

LAB 19.45, 25.03, -13.41

 

CMYK 0 / 55 / 8 / 60

HEX #652D5D

RGB 101 45 93

HSL 308.57, 0.38%, 0.29%

LAB 27.94, 32.28, -17.31

 

CMYK 0 / 55 / 8 / 49

HEX #823A78

RGB 130 58 120

HSL 308.33, 0.38%, 0.37%

LAB 36.23, 39.62, -21.29

 

CMYK 0 / 55 / 8 / 38

HEX #9E4792

RGB 158 71 146

HSL 308.28, 0.38%, 0.45%

LAB 44.02, 46.15, -24.8

 

CMYK 0 / 50 / 7 / 29

HEX #B45AA8

RGB 180 90 168

HSL 308, 0.38%, 0.53%

LAB 51.66, 47.07, -25.77

 

CMYK 0 / 55 / 8 / 49

HEX #823A78

RGB 130 58 120

HSL 308.33, 0.38%, 0.37%

LAB 36.23, 39.62, -21.29

 

CMYK 0 / 37 / 55 / 49

HEX #82523A

RGB 130 82 58

HSL 20, 0.38%, 0.37%

LAB 39.72, 17.34, 22.33

 

CMYK 55 / 0 / 15 / 49

HEX #3A826F

RGB 58 130 111

HSL 164.17, 0.38%, 0.37%

LAB 49.51, -27.45, 3.49

 

CMYK 0 / 55 / 8 / 49

HEX #823A78

RGB 130 58 120

HSL 308.33, 0.38%, 0.37%

LAB 36.23, 39.62, -21.29

 

CMYK 8 / 0 / 55 / 49

HEX #78823A

RGB 120 130 58

HSL 68.33, 0.38%, 0.37%

LAB 52.13, -14.8, 37.18

 

CMYK 55 / 8 / 0 / 49

HEX #3A7882

RGB 58 120 130

HSL 188.33, 0.38%, 0.37%

LAB 46.9, -16.92, -11.58

 

CMYK 0 / 55 / 8 / 49

HEX #823A78

RGB 130 58 120

HSL 308.33, 0.38%, 0.37%

LAB 36.23, 39.62, -21.29

 

CMYK 0 / 37 / 55 / 49

HEX #82523A

RGB 130 82 58

HSL 20, 0.38%, 0.37%

LAB 39.72, 17.34, 22.33

 

CMYK 55 / 0 / 48 / 49

HEX #3A8244

RGB 58 130 68

HSL 128.33, 0.38%, 0.37%

LAB 48.61, -36.55, 26.82

 

CMYK 55 / 18 / 0 / 49

HEX #3A6A82

RGB 58 106 130

HSL 200, 0.38%, 0.37%

LAB 42.49, -8.98, -18.3

 

CMYK 0 / 55 / 8 / 49

HEX #823A78

RGB 130 58 120

HSL 308.33, 0.38%, 0.37%

LAB 36.23, 39.62, -21.29

 

CMYK 0 / 21 / 55 / 49

HEX #82673A

RGB 130 103 58

HSL 37.5, 0.38%, 0.37%

LAB 45.29, 4.92, 29.28

 

CMYK 55 / 0 / 48 / 49

HEX #3A8244

RGB 58 130 68

HSL 128.33, 0.38%, 0.37%

LAB 48.61, -36.55, 26.82

 

CMYK 55 / 35 / 0 / 49

HEX #3A5482

RGB 58 84 130

HSL 218.33, 0.38%, 0.37%

LAB 35.7, 4.59, -28.86

 

Description

Color code: RGB 130 58 120 | qconv.com Color code: RGB 130 58 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 58 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 58 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 8 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 8% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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