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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 30 234 it is the complementary color RGB 125 225 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 30 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 30 234 shade: RGB 135 30 229, RGB 152 48 248, RGB 169 66 255, RGB 186 84 255 and RGB 203 102 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 30 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 30 234 shade: RGB 130 30 234, RGB 113 12 215, RGB 96 0 196, RGB 79 0 177 and RGB 62 0 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 30 234 shade: RGB 130 31 234, RGB 185 31 234, RGB 234 31 228, RGB 234 31 173 and RGB 234 31 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 30 234 shade: RGB 130 31 234, RGB 75 31 234 and RGB 31 31 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 30 234 shade matches the following richer shades: RGB 130 31 234 and RGB 130 11 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 30 234 shade: RGB 130 31 234, RGB 130 50 214, RGB 131 70 194, RGB 131 90 174 and RGB 132 110 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 30 234 shade: RGB 31 41 234, RGB 75 31 234, RGB 129 31 234, RGB 183 31 234 and RGB 234 31 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 30 234 shade: RGB 89 15 167, RGB 110 19 204, RGB 130 31 234, RGB 151 68 237 and RGB 172 106 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 30 234 shade: RGB 130 30 234, RGB 234 31 95 and RGB 31 234 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 30 234 shade: RGB 130 30 234, RGB 234 129 31 and RGB 31 234 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 30 234 shade: RGB 130 30 234, RGB 234 31 95, RGB 135 234 31 and RGB 31 234 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 30 234 shade: RGB 130 30 234, RGB 234 31 34, RGB 135 234 31 and RGB 31 234 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 87 / 0 / 8

HEX #821EEA

RGB 130 30 234

HSL 269.41, 0.83%, 0.52%

LAB 40.6, 74.35, -81.98

 

Complementary color

CMYK 44 / 0 / 91 / 12

HEX #7DE115

RGB 125 225 21

HSL 89.41, 0.83%, 0.48%

LAB 80.89, -57.47, 76.56

 

CMYK 41 / 87 / 0 / 10

HEX #871EE5

RGB 135 30 229

HSL 271.66, 0.79%, 0.51%

LAB 40.79, 73.83, -78.78

 

CMYK 39 / 81 / 0 / 3

HEX #9830F8

RGB 152 48 248

HSL 271.2, 0.93%, 0.58%

LAB 46.4, 75.02, -80.23

 

CMYK 34 / 74 / 0 / 0

HEX #A942FF

RGB 169 66 255

HSL 272.7, 1%, 0.63%

LAB 51.33, 72.77, -76.01

 

CMYK 27 / 67 / 0 / 0

HEX #BA54FF

RGB 186 84 255

HSL 275.79, 1%, 0.66%

LAB 56.09, 68.51, -68.19

 

CMYK 20 / 60 / 0 / 0

HEX #CB66FF

RGB 203 102 255

HSL 279.61, 1%, 0.7%

LAB 61.15, 64.05, -59.94

 

CMYK 44 / 87 / 0 / 8

HEX #821EEA

RGB 130 30 234

HSL 269.41, 0.83%, 0.52%

LAB 40.6, 74.35, -81.98

 

CMYK 47 / 94 / 0 / 16

HEX #710CD7

RGB 113 12 215

HSL 269.85, 0.89%, 0.45%

LAB 35.36, 72.03, -79.81

 

CMYK 51 / 100 / 0 / 23

HEX #6000C4

RGB 96 0 196

HSL 269.39, 1%, 0.38%

LAB 30.57, 68.17, -76.72

 

CMYK 55 / 100 / 0 / 31

HEX #4F00B1

RGB 79 0 177

HSL 266.78, 1%, 0.35%

LAB 26.26, 62.67, -72.65

 

CMYK 61 / 100 / 0 / 38

HEX #3E009E

RGB 62 0 158

HSL 263.54, 1%, 0.31%

LAB 21.92, 57.12, -68.41

 

CMYK 44 / 87 / 0 / 8

HEX #821FEA

RGB 130 31 234

HSL 269.26, 0.83%, 0.52%

LAB 40.68, 74.1, -81.84

 

CMYK 21 / 87 / 0 / 8

HEX #B91FEA

RGB 185 31 234

HSL 285.52, 0.83%, 0.52%

LAB 48.55, 81.32, -68.65

 

CMYK 0 / 87 / 3 / 8

HEX #EA1FE4

RGB 234 31 228

HSL 301.77, 0.83%, 0.52%

LAB 56.16, 88.3, -52.6

 

CMYK 0 / 87 / 26 / 8

HEX #EA1FAD

RGB 234 31 173

HSL 318.03, 0.83%, 0.52%

LAB 53.48, 81.24, -25.18

 

CMYK 0 / 87 / 50 / 8

HEX #EA1F76

RGB 234 31 118

HSL 334.29, 0.83%, 0.52%

LAB 51.59, 76.02, 4.83

 

CMYK 44 / 87 / 0 / 8

HEX #821FEA

RGB 130 31 234

HSL 269.26, 0.83%, 0.52%

LAB 40.68, 74.1, -81.84

 

CMYK 68 / 87 / 0 / 8

HEX #4B1FEA

RGB 75 31 234

HSL 253, 0.83%, 0.52%

LAB 34.84, 69.3, -91.69

 

CMYK 87 / 87 / 0 / 8

HEX #1F1FEA

RGB 31 31 234

HSL 240, 0.83%, 0.52%

LAB 32.28, 67.42, -96.01

 

CMYK 44 / 87 / 0 / 8

HEX #821FEA

RGB 130 31 234

HSL 269.26, 0.83%, 0.52%

LAB 40.68, 74.1, -81.84

 

CMYK 49 / 96 / 0 / 1

HEX #820BFD

RGB 130 11 253

HSL 269.5, 0.98%, 0.52%

LAB 41.34, 81.76, -91.47

 

CMYK 44 / 87 / 0 / 8

HEX #821FEA

RGB 130 31 234

HSL 269.26, 0.83%, 0.52%

LAB 40.68, 74.1, -81.84

 

CMYK 39 / 77 / 0 / 16

HEX #8232D6

RGB 130 50 214

HSL 269.27, 0.67%, 0.52%

LAB 41.03, 63.42, -69.84

 

CMYK 32 / 64 / 0 / 24

HEX #8346C2

RGB 131 70 194

HSL 269.52, 0.5%, 0.52%

LAB 42.91, 49.7, -55.2

 

CMYK 25 / 48 / 0 / 32

HEX #835AAE

RGB 131 90 174

HSL 269.29, 0.34%, 0.52%

LAB 45.9, 33.81, -38.74

 

CMYK 14 / 29 / 0 / 40

HEX #846E9A

RGB 132 110 154

HSL 270, 0.18%, 0.52%

LAB 49.97, 17.57, -20.63

 

CMYK 87 / 82 / 0 / 8

HEX #1F29EA

RGB 31 41 234

HSL 237.04, 0.83%, 0.52%

LAB 33.6, 63.48, -93.82

 

CMYK 68 / 87 / 0 / 8

HEX #4B1FEA

RGB 75 31 234

HSL 253, 0.83%, 0.52%

LAB 34.84, 69.3, -91.69

 

CMYK 45 / 87 / 0 / 8

HEX #811FEA

RGB 129 31 234

HSL 268.97, 0.83%, 0.52%

LAB 40.55, 73.99, -82.05

 

CMYK 22 / 87 / 0 / 8

HEX #B71FEA

RGB 183 31 234

HSL 284.93, 0.83%, 0.52%

LAB 48.24, 81.02, -69.16

 

CMYK 0 / 87 / 2 / 8

HEX #EA1FE6

RGB 234 31 230

HSL 301.18, 0.83%, 0.52%

LAB 56.27, 88.59, -53.55

 

CMYK 47 / 91 / 0 / 35

HEX #590FA7

RGB 89 15 167

HSL 269.21, 0.84%, 0.36%

LAB 27.45, 58.32, -64.62

 

CMYK 46 / 91 / 0 / 20

HEX #6E13CC

RGB 110 19 204

HSL 269.51, 0.83%, 0.44%

LAB 34.27, 68.09, -75.24

 

CMYK 44 / 87 / 0 / 8

HEX #821FEA

RGB 130 31 234

HSL 269.26, 0.83%, 0.52%

LAB 40.68, 74.1, -81.84

 

CMYK 36 / 71 / 0 / 7

HEX #9744ED

RGB 151 68 237

HSL 269.47, 0.82%, 0.6%

LAB 48.04, 64.82, -71.38

 

CMYK 29 / 56 / 0 / 5

HEX #AC6AF1

RGB 172 106 241

HSL 269.33, 0.83%, 0.68%

LAB 57.49, 51.71, -58.25

 

CMYK 44 / 87 / 0 / 8

HEX #821EEA

RGB 130 30 234

HSL 269.41, 0.83%, 0.52%

LAB 40.6, 74.35, -81.98

 

CMYK 0 / 87 / 59 / 8

HEX #EA1F5F

RGB 234 31 95

HSL 341.08, 0.83%, 0.52%

LAB 51.03, 74.45, 18.04

 

CMYK 87 / 0 / 80 / 8

HEX #1FEA2F

RGB 31 234 47

HSL 124.73, 0.83%, 0.52%

LAB 81.48, -77.85, 70.77

 

CMYK 44 / 87 / 0 / 8

HEX #821EEA

RGB 130 30 234

HSL 269.41, 0.83%, 0.52%

LAB 40.6, 74.35, -81.98

 

CMYK 0 / 45 / 87 / 8

HEX #EA811F

RGB 234 129 31

HSL 28.97, 0.83%, 0.52%

LAB 64.4, 34.39, 64.65

 

CMYK 87 / 0 / 45 / 8

HEX #1FEA81

RGB 31 234 129

HSL 148.97, 0.83%, 0.52%

LAB 82.23, -68.64, 38.21

 

CMYK 44 / 87 / 0 / 8

HEX #821EEA

RGB 130 30 234

HSL 269.41, 0.83%, 0.52%

LAB 40.6, 74.35, -81.98

 

CMYK 0 / 87 / 59 / 8

HEX #EA1F5F

RGB 234 31 95

HSL 341.08, 0.83%, 0.52%

LAB 51.03, 74.45, 18.04

 

CMYK 42 / 0 / 87 / 8

HEX #87EA1F

RGB 135 234 31

HSL 89.26, 0.83%, 0.52%

LAB 84.02, -57.47, 77.69

 

CMYK 87 / 0 / 28 / 8

HEX #1FEAA9

RGB 31 234 169

HSL 160.79, 0.83%, 0.52%

LAB 82.91, -60.78, 18.81

 

CMYK 44 / 87 / 0 / 8

HEX #821EEA

RGB 130 30 234

HSL 269.41, 0.83%, 0.52%

LAB 40.6, 74.35, -81.98

 

CMYK 0 / 87 / 85 / 8

HEX #EA1F22

RGB 234 31 34

HSL 359.11, 0.83%, 0.52%

LAB 50.2, 72.04, 51.96

 

CMYK 42 / 0 / 87 / 8

HEX #87EA1F

RGB 135 234 31

HSL 89.26, 0.83%, 0.52%

LAB 84.02, -57.47, 77.69

 

CMYK 87 / 0 / 2 / 8

HEX #1FEAE6

RGB 31 234 230

HSL 178.82, 0.83%, 0.52%

LAB 84.41, -45.2, -11.07

 

Description

Color code: RGB 130 30 234 | qconv.com Color code: RGB 130 30 234 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 30 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 30 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 87 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 87% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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