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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 210 71 it is the complementary color RGB 125 45 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 210 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 210 71 shade: RGB 135 210 66, RGB 152 228 85, RGB 169 246 104, RGB 186 255 123 and RGB 203 255 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 210 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 210 71 shade: RGB 130 210 71, RGB 113 192 52, RGB 96 174 33, RGB 79 156 14 and RGB 62 138 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 210 71 shade: RGB 129 210 70, RGB 167 210 70, RGB 205 210 70, RGB 210 177 70 and RGB 210 139 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 210 71 shade: RGB 129 210 70, RGB 91 210 70, RGB 70 210 86, RGB 70 210 124 and RGB 70 210 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 210 71 shade matches the following richer shades: RGB 129 210 70, RGB 126 228 51 and RGB 124 247 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 210 71 shade: RGB 129 210 70, RGB 132 191 88, RGB 135 173 107, RGB 138 154 125 and RGB 140 135 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 210 71 shade: RGB 205 210 70, RGB 168 210 70, RGB 130 210 70, RGB 93 210 70 and RGB 70 210 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 210 71 shade: RGB 89 159 38, RGB 108 192 46, RGB 129 210 70, RGB 152 218 103 and RGB 174 226 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 210 71 shade: RGB 130 210 71, RGB 70 210 177 and RGB 210 70 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 210 71 shade: RGB 130 210 71, RGB 70 130 210 and RGB 210 70 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 210 71 shade: RGB 130 210 71, RGB 70 210 177, RGB 149 70 210 and RGB 210 70 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 210 71 shade: RGB 130 210 71, RGB 70 200 210, RGB 149 70 210 and RGB 210 79 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 66 / 18

HEX #82D247

RGB 130 210 71

HSL 94.53, 0.61%, 0.55%

LAB 76.86, -47.44, 58.91

 

Complementary color

CMYK 32 / 76 / 0 / 28

HEX #7D2DB8

RGB 125 45 184

HSL 274.53, 0.61%, 0.45%

LAB 37.29, 57.67, -58.48

 

CMYK 36 / 0 / 69 / 18

HEX #87D242

RGB 135 210 66

HSL 91.25, 0.62%, 0.54%

LAB 77.06, -46.12, 61.15

 

CMYK 33 / 0 / 63 / 11

HEX #98E455

RGB 152 228 85

HSL 91.89, 0.73%, 0.61%

LAB 83.35, -46.38, 60.54

 

CMYK 31 / 0 / 58 / 4

HEX #A9F668

RGB 169 246 104

HSL 92.54, 0.89%, 0.69%

LAB 89.55, -46.52, 59.67

 

CMYK 27 / 0 / 52 / 0

HEX #BAFF7B

RGB 186 255 123

HSL 91.36, 1%, 0.74%

LAB 93.18, -42.7, 55.7

 

CMYK 20 / 0 / 44 / 0

HEX #CBFF8E

RGB 203 255 142

HSL 87.61, 1%, 0.78%

LAB 94.38, -34.67, 48.55

 

CMYK 38 / 0 / 66 / 18

HEX #82D247

RGB 130 210 71

HSL 94.53, 0.61%, 0.55%

LAB 76.86, -47.44, 58.91

 

CMYK 41 / 0 / 73 / 25

HEX #71C034

RGB 113 192 52

HSL 93.86, 0.57%, 0.48%

LAB 70.5, -47.09, 59.3

 

CMYK 45 / 0 / 81 / 32

HEX #60AE21

RGB 96 174 33

HSL 93.19, 0.68%, 0.41%

LAB 64.05, -46.51, 59

 

CMYK 49 / 0 / 91 / 39

HEX #4F9C0E

RGB 79 156 14

HSL 92.54, 0.84%, 0.33%

LAB 57.53, -45.6, 57.47

 

CMYK 55 / 0 / 100 / 46

HEX #3E8A00

RGB 62 138 0

HSL 93.04, 1%, 0.27%

LAB 50.92, -44.24, 54.16

 

CMYK 39 / 0 / 67 / 18

HEX #81D246

RGB 129 210 70

HSL 94.71, 0.61%, 0.55%

LAB 76.8, -47.86, 59.23

 

CMYK 20 / 0 / 67 / 18

HEX #A7D246

RGB 167 210 70

HSL 78.43, 0.61%, 0.55%

LAB 78.9, -34.07, 62.08

 

CMYK 2 / 0 / 67 / 18

HEX #CDD246

RGB 205 210 70

HSL 62.14, 0.61%, 0.55%

LAB 81.57, -18.76, 65.67

 

CMYK 0 / 16 / 67 / 18

HEX #D2B146

RGB 210 177 70

HSL 45.86, 0.61%, 0.55%

LAB 73.28, 0.22, 57.23

 

CMYK 0 / 34 / 67 / 18

HEX #D28B46

RGB 210 139 70

HSL 29.57, 0.61%, 0.55%

LAB 63.84, 20.66, 47

 

CMYK 39 / 0 / 67 / 18

HEX #81D246

RGB 129 210 70

HSL 94.71, 0.61%, 0.55%

LAB 76.8, -47.86, 59.23

 

CMYK 57 / 0 / 67 / 18

HEX #5BD246

RGB 91 210 70

HSL 111, 0.61%, 0.55%

LAB 75.3, -59.01, 57.18

 

CMYK 67 / 0 / 59 / 18

HEX #46D256

RGB 70 210 86

HSL 126.86, 0.61%, 0.55%

LAB 74.87, -61.97, 49.73

 

CMYK 67 / 0 / 41 / 18

HEX #46D27C

RGB 70 210 124

HSL 143.14, 0.61%, 0.55%

LAB 75.36, -56.37, 31.93

 

CMYK 67 / 0 / 23 / 18

HEX #46D2A1

RGB 70 210 161

HSL 159, 0.61%, 0.55%

LAB 76.05, -48.91, 13.49

 

CMYK 39 / 0 / 67 / 18

HEX #81D246

RGB 129 210 70

HSL 94.71, 0.61%, 0.55%

LAB 76.8, -47.86, 59.23

 

CMYK 45 / 0 / 78 / 11

HEX #7EE433

RGB 126 228 51

HSL 94.58, 0.77%, 0.55%

LAB 81.93, -57.19, 70.87

 

CMYK 50 / 0 / 87 / 3

HEX #7CF721

RGB 124 247 33

HSL 94.49, 0.93%, 0.55%

LAB 87.44, -65.5, 80.07

 

CMYK 39 / 0 / 67 / 18

HEX #81D246

RGB 129 210 70

HSL 94.71, 0.61%, 0.55%

LAB 76.8, -47.86, 59.23

 

CMYK 31 / 0 / 54 / 25

HEX #84BF58

RGB 132 191 88

HSL 94.37, 0.45%, 0.55%

LAB 71.47, -36.93, 45.42

 

CMYK 22 / 0 / 38 / 32

HEX #87AD6B

RGB 135 173 107

HSL 94.55, 0.29%, 0.55%

LAB 66.6, -24.96, 29.82

 

CMYK 10 / 0 / 19 / 40

HEX #8A9A7D

RGB 138 154 125

HSL 93.1, 0.13%, 0.55%

LAB 61.65, -11.22, 13.34

 

CMYK 3 / 6 / 0 / 44

HEX #8C8790

RGB 140 135 144

HSL 273.33, 0.04%, 0.55%

LAB 56.99, 3.64, -4.15

 

CMYK 2 / 0 / 67 / 18

HEX #CDD246

RGB 205 210 70

HSL 62.14, 0.61%, 0.55%

LAB 81.57, -18.76, 65.67

 

CMYK 20 / 0 / 67 / 18

HEX #A8D246

RGB 168 210 70

HSL 78, 0.61%, 0.55%

LAB 78.96, -33.68, 62.16

 

CMYK 38 / 0 / 67 / 18

HEX #82D246

RGB 130 210 70

HSL 94.29, 0.61%, 0.55%

LAB 76.85, -47.52, 59.3

 

CMYK 56 / 0 / 67 / 18

HEX #5DD246

RGB 93 210 70

HSL 110.14, 0.61%, 0.55%

LAB 75.37, -58.51, 57.27

 

CMYK 67 / 0 / 60 / 18

HEX #46D254

RGB 70 210 84

HSL 126, 0.61%, 0.55%

LAB 74.85, -62.2, 50.6

 

CMYK 44 / 0 / 76 / 38

HEX #599F26

RGB 89 159 38

HSL 94.71, 0.61%, 0.39%

LAB 59.03, -42.42, 52.55

 

CMYK 44 / 0 / 76 / 25

HEX #6CC02E

RGB 108 192 46

HSL 94.52, 0.61%, 0.47%

LAB 70.24, -49.11, 61.02

 

CMYK 39 / 0 / 67 / 18

HEX #81D246

RGB 129 210 70

HSL 94.71, 0.61%, 0.55%

LAB 76.8, -47.86, 59.23

 

CMYK 30 / 0 / 53 / 15

HEX #98DA67

RGB 152 218 103

HSL 94.43, 0.61%, 0.63%

LAB 80.63, -40.34, 49.5

 

CMYK 23 / 0 / 40 / 11

HEX #AEE288

RGB 174 226 136

HSL 94.67, 0.61%, 0.71%

LAB 84.57, -32.31, 38.67

 

CMYK 38 / 0 / 66 / 18

HEX #82D247

RGB 130 210 71

HSL 94.53, 0.61%, 0.55%

LAB 76.86, -47.44, 58.91

 

CMYK 67 / 0 / 16 / 18

HEX #46D2B1

RGB 70 210 177

HSL 165.86, 0.61%, 0.55%

LAB 76.42, -45.14, 5.46

 

CMYK 0 / 67 / 11 / 18

HEX #D246BA

RGB 210 70 186

HSL 310.29, 0.61%, 0.55%

LAB 53.63, 67.02, -32.84

 

CMYK 38 / 0 / 66 / 18

HEX #82D247

RGB 130 210 71

HSL 94.53, 0.61%, 0.55%

LAB 76.86, -47.44, 58.91

 

CMYK 67 / 38 / 0 / 18

HEX #4682D2

RGB 70 130 210

HSL 214.29, 0.61%, 0.55%

LAB 53.94, 6.17, -46.98

 

CMYK 0 / 67 / 38 / 18

HEX #D24682

RGB 210 70 130

HSL 334.29, 0.61%, 0.55%

LAB 51.49, 59.8, -3.08

 

CMYK 38 / 0 / 66 / 18

HEX #82D247

RGB 130 210 71

HSL 94.53, 0.61%, 0.55%

LAB 76.86, -47.44, 58.91

 

CMYK 67 / 0 / 16 / 18

HEX #46D2B1

RGB 70 210 177

HSL 165.86, 0.61%, 0.55%

LAB 76.42, -45.14, 5.46

 

CMYK 29 / 67 / 0 / 18

HEX #9546D2

RGB 149 70 210

HSL 273.86, 0.61%, 0.55%

LAB 46.21, 57.34, -59.02

 

CMYK 0 / 67 / 51 / 18

HEX #D24666

RGB 210 70 102

HSL 346.29, 0.61%, 0.55%

LAB 50.74, 57.14, 12.69

 

CMYK 38 / 0 / 66 / 18

HEX #82D247

RGB 130 210 71

HSL 94.53, 0.61%, 0.55%

LAB 76.86, -47.44, 58.91

 

CMYK 67 / 5 / 0 / 18

HEX #46C8D2

RGB 70 200 210

HSL 184.29, 0.61%, 0.55%

LAB 74.36, -31.73, -15.38

 

CMYK 29 / 67 / 0 / 18

HEX #9546D2

RGB 149 70 210

HSL 273.86, 0.61%, 0.55%

LAB 46.21, 57.34, -59.02

 

CMYK 0 / 62 / 67 / 18

HEX #D24F46

RGB 210 79 70

HSL 3.86, 0.61%, 0.55%

LAB 51.54, 51.13, 32.69

 

Description

Color code: RGB 130 210 71 | qconv.com Color code: RGB 130 210 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 210 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 210 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 66 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 66% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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