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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 186 241 it is the complementary color RGB 125 69 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 186 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 186 241 shade: RGB 135 186 236, RGB 152 204 255, RGB 169 222 255, RGB 186 240 255 and RGB 203 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 186 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 186 241 shade: RGB 130 186 241, RGB 113 168 222, RGB 96 150 203, RGB 79 132 184 and RGB 62 114 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 186 241 shade: RGB 131 186 241, RGB 131 156 241, RGB 134 131 241, RGB 164 131 241 and RGB 194 131 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 186 241 shade: RGB 131 186 241, RGB 131 156 241 and RGB 131 131 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 186 241 shade matches the following richer shades: RGB 131 186 241 and RGB 119 186 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 186 241 shade: RGB 131 186 241, RGB 142 186 230, RGB 153 186 218, RGB 164 186 207 and RGB 175 186 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 186 241 shade: RGB 131 241 235, RGB 131 217 241, RGB 131 187 241, RGB 131 158 241 and RGB 132 131 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 186 241 shade: RGB 56 145 232, RGB 93 166 237, RGB 131 186 241, RGB 168 207 245 and RGB 205 227 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 186 241 shade: RGB 130 186 241, RGB 206 131 241 and RGB 232 241 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 186 241 shade: RGB 130 186 241, RGB 241 131 187 and RGB 187 241 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 186 241 shade: RGB 130 186 241, RGB 206 131 241, RGB 241 184 131 and RGB 165 241 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 186 241 shade: RGB 130 186 241, RGB 239 131 241, RGB 241 184 131 and RGB 132 241 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 23 / 0 / 5

HEX #82BAF1

RGB 130 186 241

HSL 209.73, 0.8%, 0.73%

LAB 73.68, -3.8, -32.99

 

Complementary color

CMYK 0 / 45 / 89 / 51

HEX #7D450E

RGB 125 69 14

HSL 29.73, 0.8%, 0.27%

LAB 35.3, 20.05, 40.26

 

CMYK 43 / 21 / 0 / 7

HEX #87BAEC

RGB 135 186 236

HSL 209.7, 0.73%, 0.73%

LAB 73.76, -3.96, -30.16

 

CMYK 40 / 20 / 0 / 0

HEX #98CCFF

RGB 152 204 255

HSL 209.71, 1%, 0.8%

LAB 80.23, -4.28, -30.33

 

CMYK 34 / 13 / 0 / 0

HEX #A9DEFF

RGB 169 222 255

HSL 203.02, 1%, 0.83%

LAB 85.96, -9.28, -21.51

 

CMYK 27 / 6 / 0 / 0

HEX #BAF0FF

RGB 186 240 255

HSL 193.04, 1%, 0.86%

LAB 91.68, -13.75, -12.81

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 46 / 23 / 0 / 5

HEX #82BAF1

RGB 130 186 241

HSL 209.73, 0.8%, 0.73%

LAB 73.68, -3.8, -32.99

 

CMYK 49 / 24 / 0 / 13

HEX #71A8DE

RGB 113 168 222

HSL 209.72, 0.62%, 0.66%

LAB 67.12, -3.34, -32.86

 

CMYK 53 / 26 / 0 / 20

HEX #6096CB

RGB 96 150 203

HSL 209.72, 0.51%, 0.59%

LAB 60.44, -2.79, -32.75

 

CMYK 57 / 28 / 0 / 28

HEX #4F84B8

RGB 79 132 184

HSL 209.71, 0.43%, 0.52%

LAB 53.63, -2.09, -32.65

 

CMYK 62 / 31 / 0 / 35

HEX #3E72A5

RGB 62 114 165

HSL 209.71, 0.45%, 0.45%

LAB 46.68, -1.2, -32.58

 

CMYK 46 / 23 / 0 / 5

HEX #83BAF1

RGB 131 186 241

HSL 210, 0.8%, 0.73%

LAB 73.74, -3.56, -32.91

 

CMYK 46 / 35 / 0 / 5

HEX #839CF1

RGB 131 156 241

HSL 226.36, 0.8%, 0.73%

LAB 65.71, 13.29, -45.42

 

CMYK 44 / 46 / 0 / 5

HEX #8683F1

RGB 134 131 241

HSL 241.64, 0.8%, 0.73%

LAB 59.57, 28.58, -55.13

 

CMYK 32 / 46 / 0 / 5

HEX #A483F1

RGB 164 131 241

HSL 258, 0.8%, 0.73%

LAB 62.06, 36.03, -51.02

 

CMYK 20 / 46 / 0 / 5

HEX #C283F1

RGB 194 131 241

HSL 274.36, 0.8%, 0.73%

LAB 65, 44.09, -46.18

 

CMYK 46 / 23 / 0 / 5

HEX #83BAF1

RGB 131 186 241

HSL 210, 0.8%, 0.73%

LAB 73.74, -3.56, -32.91

 

CMYK 46 / 35 / 0 / 5

HEX #839CF1

RGB 131 156 241

HSL 226.36, 0.8%, 0.73%

LAB 65.71, 13.29, -45.42

 

CMYK 46 / 46 / 0 / 5

HEX #8383F1

RGB 131 131 241

HSL 240, 0.8%, 0.73%

LAB 59.35, 27.88, -55.5

 

CMYK 46 / 23 / 0 / 5

HEX #83BAF1

RGB 131 186 241

HSL 210, 0.8%, 0.73%

LAB 73.74, -3.56, -32.91

 

CMYK 53 / 26 / 0 / 1

HEX #77BAFC

RGB 119 186 252

HSL 209.77, 0.96%, 0.73%

LAB 73.59, -3.11, -39.12

 

CMYK 46 / 23 / 0 / 5

HEX #83BAF1

RGB 131 186 241

HSL 210, 0.8%, 0.73%

LAB 73.74, -3.56, -32.91

 

CMYK 38 / 19 / 0 / 10

HEX #8EBAE6

RGB 142 186 230

HSL 210, 0.64%, 0.73%

LAB 73.92, -3.76, -26.62

 

CMYK 30 / 15 / 0 / 15

HEX #99BADA

RGB 153 186 218

HSL 209.54, 0.47%, 0.73%

LAB 74.16, -3.74, -19.68

 

CMYK 21 / 10 / 0 / 19

HEX #A4BACF

RGB 164 186 207

HSL 209.3, 0.31%, 0.73%

LAB 74.52, -2.99, -13.09

 

CMYK 11 / 5 / 0 / 23

HEX #AFBAC4

RGB 175 186 196

HSL 208.57, 0.15%, 0.73%

LAB 74.96, -1.8, -6.36

 

CMYK 46 / 0 / 2 / 5

HEX #83F1EB

RGB 131 241 235

HSL 176.73, 0.8%, 0.73%

LAB 88.8, -33.02, -6.94

 

CMYK 46 / 10 / 0 / 5

HEX #83D9F1

RGB 131 217 241

HSL 193.09, 0.8%, 0.73%

LAB 82.27, -19.82, -19.86

 

CMYK 46 / 22 / 0 / 5

HEX #83BBF1

RGB 131 187 241

HSL 209.45, 0.8%, 0.73%

LAB 74.01, -4.11, -32.49

 

CMYK 46 / 34 / 0 / 5

HEX #839EF1

RGB 131 158 241

HSL 225.27, 0.8%, 0.73%

LAB 66.24, 12.14, -44.6

 

CMYK 45 / 46 / 0 / 5

HEX #8483F1

RGB 132 131 241

HSL 240.55, 0.8%, 0.73%

LAB 59.42, 28.12, -55.37

 

CMYK 76 / 38 / 0 / 9

HEX #3891E8

RGB 56 145 232

HSL 209.66, 0.79%, 0.56%

LAB 58.9, 3.07, -51.45

 

CMYK 61 / 30 / 0 / 7

HEX #5DA6ED

RGB 93 166 237

HSL 209.58, 0.8%, 0.65%

LAB 66.3, -1.78, -42.44

 

CMYK 46 / 23 / 0 / 5

HEX #83BAF1

RGB 131 186 241

HSL 210, 0.8%, 0.73%

LAB 73.74, -3.56, -32.91

 

CMYK 31 / 16 / 0 / 4

HEX #A8CFF5

RGB 168 207 245

HSL 209.61, 0.79%, 0.81%

LAB 81.59, -4.13, -22.84

 

CMYK 18 / 9 / 0 / 2

HEX #CDE3F9

RGB 205 227 249

HSL 210, 0.79%, 0.89%

LAB 89.28, -2.8, -13.13

 

CMYK 46 / 23 / 0 / 5

HEX #82BAF1

RGB 130 186 241

HSL 209.73, 0.8%, 0.73%

LAB 73.68, -3.8, -32.99

 

CMYK 15 / 46 / 0 / 5

HEX #CE83F1

RGB 206 131 241

HSL 280.91, 0.8%, 0.73%

LAB 66.29, 47.42, -44.06

 

CMYK 4 / 0 / 46 / 5

HEX #E8F183

RGB 232 241 131

HSL 64.91, 0.8%, 0.73%

LAB 92.44, -18.43, 51.8

 

CMYK 46 / 23 / 0 / 5

HEX #82BAF1

RGB 130 186 241

HSL 209.73, 0.8%, 0.73%

LAB 73.68, -3.8, -32.99

 

CMYK 0 / 46 / 22 / 5

HEX #F183BB

RGB 241 131 187

HSL 329.45, 0.8%, 0.73%

LAB 68.4, 48.67, -10.44

 

CMYK 22 / 0 / 46 / 5

HEX #BBF183

RGB 187 241 131

HSL 89.45, 0.8%, 0.73%

LAB 89.45, -35.23, 47.44

 

CMYK 46 / 23 / 0 / 5

HEX #82BAF1

RGB 130 186 241

HSL 209.73, 0.8%, 0.73%

LAB 73.68, -3.8, -32.99

 

CMYK 15 / 46 / 0 / 5

HEX #CE83F1

RGB 206 131 241

HSL 280.91, 0.8%, 0.73%

LAB 66.29, 47.42, -44.06

 

CMYK 0 / 24 / 46 / 5

HEX #F1B883

RGB 241 184 131

HSL 28.91, 0.8%, 0.73%

LAB 78.82, 14.19, 34.83

 

CMYK 32 / 0 / 46 / 5

HEX #A5F183

RGB 165 241 131

HSL 101.45, 0.8%, 0.73%

LAB 88.23, -42.79, 45.66

 

CMYK 46 / 23 / 0 / 5

HEX #82BAF1

RGB 130 186 241

HSL 209.73, 0.8%, 0.73%

LAB 73.68, -3.8, -32.99

 

CMYK 1 / 46 / 0 / 5

HEX #EF83F1

RGB 239 131 241

HSL 298.91, 0.8%, 0.73%

LAB 70.13, 56.69, -37.78

 

CMYK 0 / 24 / 46 / 5

HEX #F1B883

RGB 241 184 131

HSL 28.91, 0.8%, 0.73%

LAB 78.82, 14.19, 34.83

 

CMYK 45 / 0 / 46 / 5

HEX #84F183

RGB 132 241 131

HSL 119.45, 0.8%, 0.73%

LAB 86.73, -52.9, 43.45

 

Description

Color code: RGB 130 186 241 | qconv.com Color code: RGB 130 186 241 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 186 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 186 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 23 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 23% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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