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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 176 12 it is the complementary color RGB 125 79 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 176 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 176 12 shade: RGB 135 176 7, RGB 152 194 26, RGB 169 212 45, RGB 186 230 64 and RGB 203 248 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 176 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 176 12 shade: RGB 130 176 12, RGB 113 158 0, RGB 96 140 0, RGB 79 122 0 and RGB 62 104 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 176 12 shade: RGB 130 176 12, RGB 174 176 12, RGB 176 133 12, RGB 176 89 12 and RGB 176 45 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 176 12 shade: RGB 130 176 12, RGB 86 176 12, RGB 41 176 12, RGB 12 176 26 and RGB 12 176 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 176 12 shade matches the following richer shades: RGB 130 176 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 176 12 shade: RGB 130 176 12, RGB 123 161 27, RGB 116 145 42, RGB 110 130 58 and RGB 103 115 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 176 12 shade: RGB 176 132 12, RGB 176 176 12, RGB 132 176 12, RGB 88 176 12 and RGB 45 176 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 176 12 shade: RGB 73 99 6, RGB 101 137 9, RGB 130 176 12, RGB 158 215 14 and RGB 181 239 31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 176 12 shade: RGB 130 176 12, RGB 12 176 88 and RGB 154 12 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 176 12 shade: RGB 130 176 12, RGB 12 132 176 and RGB 176 12 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 176 12 shade: RGB 130 176 12, RGB 12 176 88, RGB 56 12 176 and RGB 176 12 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 176 12 shade: RGB 130 176 12, RGB 12 176 138, RGB 56 12 176 and RGB 176 12 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 93 / 31

HEX #82B00C

RGB 130 176 12

HSL 76.83, 0.87%, 0.37%

LAB 66.38, -35.61, 66.12

 

Complementary color

CMYK 49 / 67 / 0 / 5

HEX #7D4FF3

RGB 125 79 243

HSL 256.83, 0.87%, 0.63%

LAB 47.52, 56.61, -75.72

 

CMYK 23 / 0 / 96 / 31

HEX #87B007

RGB 135 176 7

HSL 74.56, 0.92%, 0.36%

LAB 66.69, -33.69, 67.12

 

CMYK 22 / 0 / 87 / 24

HEX #98C21A

RGB 152 194 26

HSL 75, 0.76%, 0.43%

LAB 73.11, -34.72, 69.81

 

CMYK 20 / 0 / 79 / 17

HEX #A9D42D

RGB 169 212 45

HSL 75.45, 0.66%, 0.5%

LAB 79.45, -35.54, 71.12

 

CMYK 19 / 0 / 72 / 10

HEX #BAE640

RGB 186 230 64

HSL 75.9, 0.77%, 0.58%

LAB 85.71, -36.19, 71.49

 

CMYK 18 / 0 / 67 / 3

HEX #CBF853

RGB 203 248 83

HSL 76.36, 0.92%, 0.65%

LAB 91.89, -36.7, 71.27

 

CMYK 26 / 0 / 93 / 31

HEX #82B00C

RGB 130 176 12

HSL 76.83, 0.87%, 0.37%

LAB 66.38, -35.61, 66.12

 

CMYK 28 / 0 / 100 / 38

HEX #719E00

RGB 113 158 0

HSL 77.09, 1%, 0.31%

LAB 59.86, -34.43, 62.18

 

CMYK 31 / 0 / 100 / 45

HEX #608C00

RGB 96 140 0

HSL 78.86, 1%, 0.27%

LAB 53.21, -33.02, 56.65

 

CMYK 35 / 0 / 100 / 52

HEX #4F7A00

RGB 79 122 0

HSL 81.15, 1%, 0.24%

LAB 46.42, -31.57, 51

 

CMYK 40 / 0 / 100 / 59

HEX #3E6800

RGB 62 104 0

HSL 84.23, 1%, 0.2%

LAB 39.45, -30.07, 45.2

 

CMYK 26 / 0 / 93 / 31

HEX #82B00C

RGB 130 176 12

HSL 76.83, 0.87%, 0.37%

LAB 66.38, -35.61, 66.12

 

CMYK 1 / 0 / 93 / 31

HEX #AEB00C

RGB 174 176 12

HSL 60.73, 0.87%, 0.37%

LAB 69.52, -17.05, 69.93

 

CMYK 0 / 24 / 93 / 31

HEX #B0850C

RGB 176 133 12

HSL 44.27, 0.87%, 0.37%

LAB 58.07, 6.8, 61.31

 

CMYK 0 / 49 / 93 / 31

HEX #B0590C

RGB 176 89 12

HSL 28.17, 0.87%, 0.37%

LAB 47.5, 31.16, 53.57

 

CMYK 0 / 74 / 93 / 31

HEX #B02D0C

RGB 176 45 12

HSL 12.07, 0.87%, 0.37%

LAB 39.8, 51.35, 48.27

 

CMYK 26 / 0 / 93 / 31

HEX #82B00C

RGB 130 176 12

HSL 76.83, 0.87%, 0.37%

LAB 66.38, -35.61, 66.12

 

CMYK 51 / 0 / 93 / 31

HEX #56B00C

RGB 86 176 12

HSL 92.93, 0.87%, 0.37%

LAB 64.21, -51.18, 63.45

 

CMYK 77 / 0 / 93 / 31

HEX #29B00C

RGB 41 176 12

HSL 109.39, 0.87%, 0.37%

LAB 62.97, -61.42, 61.92

 

CMYK 93 / 0 / 85 / 31

HEX #0CB01A

RGB 12 176 26

HSL 125.12, 0.87%, 0.37%

LAB 62.68, -63.84, 58.86

 

CMYK 93 / 0 / 60 / 31

HEX #0CB047

RGB 12 176 71

HSL 141.59, 0.87%, 0.37%

LAB 63, -59.82, 42.57

 

CMYK 26 / 0 / 93 / 31

HEX #82B00C

RGB 130 176 12

HSL 76.83, 0.87%, 0.37%

LAB 66.38, -35.61, 66.12

 

CMYK 26 / 0 / 93 / 31

HEX #82B00C

RGB 130 176 12

HSL 76.83, 0.87%, 0.37%

LAB 66.38, -35.61, 66.12

 

CMYK 24 / 0 / 83 / 37

HEX #7BA11B

RGB 123 161 27

HSL 77.01, 0.71%, 0.37%

LAB 61.46, -31.09, 58.86

 

CMYK 20 / 0 / 71 / 43

HEX #74912A

RGB 116 145 42

HSL 76.89, 0.55%, 0.37%

LAB 56.22, -25.51, 48.78

 

CMYK 15 / 0 / 55 / 49

HEX #6E823A

RGB 110 130 58

HSL 76.67, 0.38%, 0.37%

LAB 51.37, -19.11, 36.09

 

CMYK 10 / 0 / 37 / 55

HEX #677349

RGB 103 115 73

HSL 77.14, 0.22%, 0.37%

LAB 46.48, -12.18, 21.79

 

CMYK 0 / 25 / 93 / 31

HEX #B0840C

RGB 176 132 12

HSL 43.9, 0.87%, 0.37%

LAB 57.81, 7.36, 61.12

 

CMYK 0 / 0 / 93 / 31

HEX #B0B00C

RGB 176 176 12

HSL 60, 0.87%, 0.37%

LAB 69.69, -16.17, 70.13

 

CMYK 25 / 0 / 93 / 31

HEX #84B00C

RGB 132 176 12

HSL 76.1, 0.87%, 0.37%

LAB 66.51, -34.82, 66.27

 

CMYK 50 / 0 / 93 / 31

HEX #58B00C

RGB 88 176 12

HSL 92.2, 0.87%, 0.37%

LAB 64.28, -50.57, 63.55

 

CMYK 74 / 0 / 93 / 31

HEX #2DB00C

RGB 45 176 12

HSL 107.93, 0.87%, 0.37%

LAB 63.04, -60.79, 62.01

 

CMYK 26 / 0 / 94 / 61

HEX #496306

RGB 73 99 6

HSL 76.77, 0.89%, 0.21%

LAB 38.47, -22.81, 43.07

 

CMYK 26 / 0 / 93 / 46

HEX #658909

RGB 101 137 9

HSL 76.88, 0.88%, 0.29%

LAB 52.59, -29.35, 54.72

 

CMYK 26 / 0 / 93 / 31

HEX #82B00C

RGB 130 176 12

HSL 76.83, 0.87%, 0.37%

LAB 66.38, -35.61, 66.12

 

CMYK 27 / 0 / 93 / 16

HEX #9ED70E

RGB 158 215 14

HSL 77.01, 0.88%, 0.45%

LAB 79.56, -42, 77.06

 

CMYK 24 / 0 / 87 / 6

HEX #B5EF1F

RGB 181 239 31

HSL 76.73, 0.87%, 0.53%

LAB 87.8, -43.34, 81.81

 

CMYK 26 / 0 / 93 / 31

HEX #82B00C

RGB 130 176 12

HSL 76.83, 0.87%, 0.37%

LAB 66.38, -35.61, 66.12

 

CMYK 93 / 0 / 50 / 31

HEX #0CB058

RGB 12 176 88

HSL 147.8, 0.87%, 0.37%

LAB 63.2, -57.29, 34.53

 

CMYK 13 / 93 / 0 / 31

HEX #9A0CB0

RGB 154 12 176

HSL 291.95, 0.87%, 0.37%

LAB 38.32, 69.55, -51.86

 

CMYK 26 / 0 / 93 / 31

HEX #82B00C

RGB 130 176 12

HSL 76.83, 0.87%, 0.37%

LAB 66.38, -35.61, 66.12

 

CMYK 93 / 25 / 0 / 31

HEX #0C84B0

RGB 12 132 176

HSL 196.1, 0.87%, 0.37%

LAB 51.51, -13.56, -31.49

 

CMYK 0 / 93 / 25 / 31

HEX #B00C84

RGB 176 12 132

HSL 316.1, 0.87%, 0.37%

LAB 39.85, 67.21, -22.5

 

CMYK 26 / 0 / 93 / 31

HEX #82B00C

RGB 130 176 12

HSL 76.83, 0.87%, 0.37%

LAB 66.38, -35.61, 66.12

 

CMYK 93 / 0 / 50 / 31

HEX #0CB058

RGB 12 176 88

HSL 147.8, 0.87%, 0.37%

LAB 63.2, -57.29, 34.53

 

CMYK 68 / 93 / 0 / 31

HEX #380CB0

RGB 56 12 176

HSL 256.1, 0.87%, 0.37%

LAB 24.44, 58.52, -75.14

 

CMYK 0 / 93 / 44 / 31

HEX #B00C63

RGB 176 12 99

HSL 328.17, 0.87%, 0.37%

LAB 38.54, 63.73, -3.79

 

CMYK 26 / 0 / 93 / 31

HEX #82B00C

RGB 130 176 12

HSL 76.83, 0.87%, 0.37%

LAB 66.38, -35.61, 66.12

 

CMYK 93 / 0 / 22 / 31

HEX #0CB08A

RGB 12 176 138

HSL 166.1, 0.87%, 0.37%

LAB 64.13, -46.69, 8.98

 

CMYK 68 / 93 / 0 / 31

HEX #380CB0

RGB 56 12 176

HSL 256.1, 0.87%, 0.37%

LAB 24.44, 58.52, -75.14

 

CMYK 0 / 93 / 72 / 31

HEX #B00C32

RGB 176 12 50

HSL 346.1, 0.87%, 0.37%

LAB 37.34, 60.43, 25.96

 

Description

Color code: RGB 130 176 12 | qconv.com Color code: RGB 130 176 12 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 176 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 176 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 93 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 93% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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