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Color name
RGB 130 160 27

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 160 27 it is the complementary color RGB 125 95 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 160 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 160 27 shade: RGB 135 160 22, RGB 152 178 41, RGB 169 196 60, RGB 186 214 79 and RGB 203 232 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 160 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 160 27 shade: RGB 130 160 27, RGB 113 142 8, RGB 96 124 0, RGB 79 106 0 and RGB 62 88 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 160 27 shade: RGB 131 161 27, RGB 161 155 27, RGB 161 119 27, RGB 161 83 27 and RGB 161 47 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 160 27 shade: RGB 131 161 27, RGB 94 161 27, RGB 58 161 27, RGB 27 161 31 and RGB 27 161 68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 160 27 shade matches the following richer shades: RGB 131 161 27 and RGB 139 176 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 160 27 shade: RGB 131 161 27, RGB 122 146 42, RGB 114 130 57, RGB 105 115 73 and RGB 97 100 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 160 27 shade: RGB 161 118 27, RGB 161 154 27, RGB 132 161 27, RGB 96 161 27 and RGB 60 161 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 160 27 shade: RGB 73 90 15, RGB 102 126 21, RGB 131 161 27, RGB 159 196 33 and RGB 182 220 50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 160 27 shade: RGB 130 160 27, RGB 27 161 83 and RGB 136 27 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 160 27 shade: RGB 130 160 27, RGB 27 132 161 and RGB 161 27 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 160 27 shade: RGB 130 160 27, RGB 27 161 83, RGB 56 27 161 and RGB 161 27 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 160 27 shade: RGB 130 160 27, RGB 27 161 123, RGB 56 27 161 and RGB 161 27 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 83 / 37

HEX #82A01B

RGB 130 160 27

HSL 73.53, 0.71%, 0.37%

LAB 61.63, -27.72, 59.18

 

Complementary color

CMYK 45 / 58 / 0 / 11

HEX #7D5FE4

RGB 125 95 228

HSL 253.53, 0.71%, 0.63%

LAB 49.67, 43.79, -63.79

 

CMYK 16 / 0 / 86 / 37

HEX #87A016

RGB 135 160 22

HSL 70.87, 0.76%, 0.36%

LAB 61.96, -25.76, 60.83

 

CMYK 15 / 0 / 77 / 30

HEX #98B229

RGB 152 178 41

HSL 71.39, 0.63%, 0.43%

LAB 68.52, -26.65, 61.88

 

CMYK 14 / 0 / 69 / 23

HEX #A9C43C

RGB 169 196 60

HSL 71.91, 0.54%, 0.5%

LAB 74.98, -27.33, 61.93

 

CMYK 13 / 0 / 63 / 16

HEX #BAD64F

RGB 186 214 79

HSL 72.44, 0.62%, 0.57%

LAB 81.34, -27.86, 61.43

 

CMYK 13 / 0 / 58 / 9

HEX #CBE862

RGB 203 232 98

HSL 72.99, 0.74%, 0.65%

LAB 87.63, -28.27, 60.63

 

CMYK 19 / 0 / 83 / 37

HEX #82A01B

RGB 130 160 27

HSL 73.53, 0.71%, 0.37%

LAB 61.63, -27.72, 59.18

 

CMYK 20 / 0 / 94 / 44

HEX #718E08

RGB 113 142 8

HSL 72.99, 0.89%, 0.29%

LAB 54.94, -26.71, 57.11

 

CMYK 23 / 0 / 100 / 51

HEX #607C00

RGB 96 124 0

HSL 73.55, 1%, 0.24%

LAB 48.14, -25.4, 52.78

 

CMYK 25 / 0 / 100 / 58

HEX #4F6A00

RGB 79 106 0

HSL 75.28, 1%, 0.21%

LAB 41.17, -23.89, 46.98

 

CMYK 30 / 0 / 100 / 65

HEX #3E5800

RGB 62 88 0

HSL 77.73, 1%, 0.17%

LAB 33.99, -22.36, 41

 

CMYK 19 / 0 / 83 / 37

HEX #83A11B

RGB 131 161 27

HSL 73.43, 0.71%, 0.37%

LAB 61.99, -27.78, 59.53

 

CMYK 0 / 4 / 83 / 37

HEX #A19B1B

RGB 161 155 27

HSL 57.31, 0.71%, 0.37%

LAB 62.59, -11.63, 60.96

 

CMYK 0 / 26 / 83 / 37

HEX #A1771B

RGB 161 119 27

HSL 41.19, 0.71%, 0.37%

LAB 52.78, 8.13, 52.51

 

CMYK 0 / 48 / 83 / 37

HEX #A1531B

RGB 161 83 27

HSL 25.07, 0.71%, 0.37%

LAB 44.01, 28.42, 44.7

 

CMYK 0 / 71 / 83 / 37

HEX #A12F1B

RGB 161 47 27

HSL 8.96, 0.71%, 0.37%

LAB 37.28, 45.92, 38.49

 

CMYK 19 / 0 / 83 / 37

HEX #83A11B

RGB 131 161 27

HSL 73.43, 0.71%, 0.37%

LAB 61.99, -27.78, 59.53

 

CMYK 42 / 0 / 83 / 37

HEX #5EA11B

RGB 94 161 27

HSL 90, 0.71%, 0.37%

LAB 59.84, -42.14, 56.8

 

CMYK 64 / 0 / 83 / 37

HEX #3AA11B

RGB 58 161 27

HSL 106.12, 0.71%, 0.37%

LAB 58.48, -52.72, 55.06

 

CMYK 83 / 0 / 81 / 37

HEX #1BA11F

RGB 27 161 31

HSL 121.79, 0.71%, 0.37%

LAB 57.87, -57.88, 53.11

 

CMYK 83 / 0 / 58 / 37

HEX #1BA144

RGB 27 161 68

HSL 138.36, 0.71%, 0.37%

LAB 58.17, -54.14, 38.36

 

CMYK 19 / 0 / 83 / 37

HEX #83A11B

RGB 131 161 27

HSL 73.43, 0.71%, 0.37%

LAB 61.99, -27.78, 59.53

 

CMYK 21 / 0 / 93 / 31

HEX #8BB00C

RGB 139 176 12

HSL 73.54, 0.87%, 0.37%

LAB 66.95, -31.98, 66.81

 

CMYK 19 / 0 / 83 / 37

HEX #83A11B

RGB 131 161 27

HSL 73.43, 0.71%, 0.37%

LAB 61.99, -27.78, 59.53

 

CMYK 16 / 0 / 71 / 43

HEX #7A922A

RGB 122 146 42

HSL 73.85, 0.55%, 0.37%

LAB 56.94, -23.48, 49.64

 

CMYK 12 / 0 / 56 / 49

HEX #728239

RGB 114 130 57

HSL 73.15, 0.39%, 0.37%

LAB 51.65, -17.5, 37.01

 

CMYK 9 / 0 / 37 / 55

HEX #697349

RGB 105 115 73

HSL 74.29, 0.22%, 0.37%

LAB 46.64, -11.33, 22.02

 

CMYK 3 / 0 / 12 / 61

HEX #616458

RGB 97 100 88

HSL 75, 0.06%, 0.37%

LAB 41.78, -3.58, 6.41

 

CMYK 0 / 27 / 83 / 37

HEX #A1761B

RGB 161 118 27

HSL 40.75, 0.71%, 0.37%

LAB 52.52, 8.7, 52.28

 

CMYK 0 / 4 / 83 / 37

HEX #A19A1B

RGB 161 154 27

HSL 56.87, 0.71%, 0.37%

LAB 62.31, -11.1, 60.72

 

CMYK 18 / 0 / 83 / 37

HEX #84A11B

RGB 132 161 27

HSL 72.99, 0.71%, 0.37%

LAB 62.06, -27.36, 59.62

 

CMYK 40 / 0 / 83 / 37

HEX #60A11B

RGB 96 161 27

HSL 89.1, 0.71%, 0.37%

LAB 59.94, -41.44, 56.93

 

CMYK 63 / 0 / 83 / 37

HEX #3CA11B

RGB 60 161 27

HSL 105.22, 0.71%, 0.37%

LAB 58.54, -52.24, 55.13

 

CMYK 19 / 0 / 83 / 65

HEX #495A0F

RGB 73 90 15

HSL 73.6, 0.71%, 0.21%

LAB 35.52, -17.72, 37.87

 

CMYK 19 / 0 / 83 / 51

HEX #667E15

RGB 102 126 21

HSL 73.71, 0.71%, 0.29%

LAB 49.25, -23.15, 49.18

 

CMYK 19 / 0 / 83 / 37

HEX #83A11B

RGB 131 161 27

HSL 73.43, 0.71%, 0.37%

LAB 61.99, -27.78, 59.53

 

CMYK 19 / 0 / 83 / 23

HEX #9FC421

RGB 159 196 33

HSL 73.62, 0.71%, 0.45%

LAB 74.16, -32.62, 69.33

 

CMYK 17 / 0 / 77 / 14

HEX #B6DC32

RGB 182 220 50

HSL 73.41, 0.71%, 0.53%

LAB 82.57, -33.86, 72.84

 

CMYK 19 / 0 / 83 / 37

HEX #82A01B

RGB 130 160 27

HSL 73.53, 0.71%, 0.37%

LAB 61.63, -27.72, 59.18

 

CMYK 83 / 0 / 48 / 37

HEX #1BA153

RGB 27 161 83

HSL 145.07, 0.71%, 0.37%

LAB 58.37, -51.8, 31.04

 

CMYK 16 / 83 / 0 / 37

HEX #881BA1

RGB 136 27 161

HSL 288.81, 0.71%, 0.37%

LAB 35.19, 60.97, -48.07

 

CMYK 19 / 0 / 83 / 37

HEX #82A01B

RGB 130 160 27

HSL 73.53, 0.71%, 0.37%

LAB 61.63, -27.72, 59.18

 

CMYK 83 / 18 / 0 / 37

HEX #1B84A1

RGB 27 132 161

HSL 192.99, 0.71%, 0.37%

LAB 51.05, -17.98, -23.52

 

CMYK 0 / 83 / 18 / 37

HEX #A11B84

RGB 161 27 132

HSL 312.99, 0.71%, 0.37%

LAB 37.89, 61.37, -25.76

 

CMYK 19 / 0 / 83 / 37

HEX #82A01B

RGB 130 160 27

HSL 73.53, 0.71%, 0.37%

LAB 61.63, -27.72, 59.18

 

CMYK 83 / 0 / 48 / 37

HEX #1BA153

RGB 27 161 83

HSL 145.07, 0.71%, 0.37%

LAB 58.37, -51.8, 31.04

 

CMYK 65 / 83 / 0 / 37

HEX #381BA1

RGB 56 27 161

HSL 252.99, 0.71%, 0.37%

LAB 24.31, 49.44, -66.29

 

CMYK 0 / 83 / 35 / 37

HEX #A11B69

RGB 161 27 105

HSL 325.07, 0.71%, 0.37%

LAB 36.71, 58.02, -10.66

 

CMYK 19 / 0 / 83 / 37

HEX #82A01B

RGB 130 160 27

HSL 73.53, 0.71%, 0.37%

LAB 61.63, -27.72, 59.18

 

CMYK 83 / 0 / 24 / 37

HEX #1BA17B

RGB 27 161 123

HSL 162.99, 0.71%, 0.37%

LAB 59.12, -43.33, 10.23

 

CMYK 65 / 83 / 0 / 37

HEX #381BA1

RGB 56 27 161

HSL 252.99, 0.71%, 0.37%

LAB 24.31, 49.44, -66.29

 

CMYK 0 / 83 / 60 / 37

HEX #A11B41

RGB 161 27 65

HSL 342.99, 0.71%, 0.37%

LAB 35.48, 54.42, 13.33

 

Description

Color code: RGB 130 160 27 | qconv.com Color code: RGB 130 160 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 160 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 160 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 83 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 83% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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