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Color name
RGB 130 151 108

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 151 108 it is the complementary color RGB 125 104 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 151 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 151 108 shade: RGB 135 151 103, RGB 152 169 122, RGB 169 187 141, RGB 186 205 160 and RGB 203 223 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 151 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 151 108 shade: RGB 130 151 108, RGB 113 133 89, RGB 96 115 70, RGB 79 97 51 and RGB 62 79 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 151 108 shade: RGB 130 151 108, RGB 142 151 108, RGB 151 149 108, RGB 151 137 108 and RGB 151 126 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 151 108 shade: RGB 130 151 108, RGB 119 151 108, RGB 108 151 109, RGB 108 151 121 and RGB 108 151 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 151 108 shade matches the following richer shades: RGB 130 151 108, RGB 131 171 88, RGB 131 191 68, RGB 131 211 48 and RGB 132 232 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 151 108 shade: RGB 130 151 108, RGB 130 131 129, RGB 129 110 149, RGB 129 90 169 and RGB 128 70 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 151 108 shade: RGB 151 149 108, RGB 142 151 108, RGB 130 151 108, RGB 119 151 108 and RGB 108 151 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 151 108 shade: RGB 89 103 73, RGB 109 128 90, RGB 130 151 108, RGB 151 168 132 and RGB 171 185 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 151 108 shade: RGB 130 151 108, RGB 108 151 137 and RGB 151 108 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 151 108 shade: RGB 130 151 108, RGB 108 130 151 and RGB 151 108 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 151 108 shade: RGB 130 151 108, RGB 108 151 137, RGB 129 108 151 and RGB 151 108 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 151 108 shade: RGB 130 151 108, RGB 108 151 150, RGB 129 108 151 and RGB 151 108 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 28 / 41

HEX #82976C

RGB 130 151 108

HSL 89.3, 0.17%, 0.51%

LAB 59.85, -15.47, 20.26

 

Complementary color

CMYK 15 / 29 / 0 / 42

HEX #7D6893

RGB 125 104 147

HSL 269.3, 0.17%, 0.49%

LAB 47.45, 17.17, -20.42

 

CMYK 11 / 0 / 32 / 41

HEX #879767

RGB 135 151 103

HSL 80, 0.19%, 0.5%

LAB 60.13, -14.28, 23.46

 

CMYK 10 / 0 / 28 / 34

HEX #98A97A

RGB 152 169 122

HSL 81.7, 0.21%, 0.57%

LAB 66.87, -14.31, 22.34

 

CMYK 10 / 0 / 25 / 27

HEX #A9BB8D

RGB 169 187 141

HSL 83.48, 0.25%, 0.64%

LAB 73.48, -14.33, 21.29

 

CMYK 9 / 0 / 22 / 20

HEX #BACDA0

RGB 186 205 160

HSL 85.33, 0.31%, 0.72%

LAB 79.98, -14.34, 20.31

 

CMYK 9 / 0 / 20 / 13

HEX #CBDFB3

RGB 203 223 179

HSL 87.27, 0.41%, 0.79%

LAB 86.37, -14.35, 19.37

 

CMYK 14 / 0 / 28 / 41

HEX #82976C

RGB 130 151 108

HSL 89.3, 0.17%, 0.51%

LAB 59.85, -15.47, 20.26

 

CMYK 15 / 0 / 33 / 48

HEX #718559

RGB 113 133 89

HSL 87.27, 0.2%, 0.44%

LAB 52.96, -15.51, 21.4

 

CMYK 17 / 0 / 39 / 55

HEX #607346

RGB 96 115 70

HSL 85.33, 0.24%, 0.36%

LAB 45.89, -15.53, 22.63

 

CMYK 19 / 0 / 47 / 62

HEX #4F6133

RGB 79 97 51

HSL 83.48, 0.31%, 0.29%

LAB 38.64, -15.51, 23.94

 

CMYK 22 / 0 / 59 / 69

HEX #3E4F20

RGB 62 79 32

HSL 81.7, 0.42%, 0.22%

LAB 31.16, -15.4, 25.25

 

CMYK 14 / 0 / 28 / 41

HEX #82976C

RGB 130 151 108

HSL 89.3, 0.17%, 0.51%

LAB 59.85, -15.47, 20.26

 

CMYK 6 / 0 / 28 / 41

HEX #8E976C

RGB 142 151 108

HSL 72.56, 0.17%, 0.51%

LAB 60.75, -10.77, 21.63

 

CMYK 0 / 1 / 28 / 41

HEX #97956C

RGB 151 149 108

HSL 57.21, 0.17%, 0.51%

LAB 60.92, -6.08, 21.98

 

CMYK 0 / 9 / 28 / 41

HEX #97896C

RGB 151 137 108

HSL 40.47, 0.17%, 0.51%

LAB 57.61, 0.55, 17.49

 

CMYK 0 / 17 / 28 / 41

HEX #977E6C

RGB 151 126 108

HSL 25.12, 0.17%, 0.51%

LAB 54.64, 6.78, 13.39

 

CMYK 14 / 0 / 28 / 41

HEX #82976C

RGB 130 151 108

HSL 89.3, 0.17%, 0.51%

LAB 59.85, -15.47, 20.26

 

CMYK 21 / 0 / 28 / 41

HEX #77976C

RGB 119 151 108

HSL 104.65, 0.17%, 0.51%

LAB 59.1, -19.63, 19.12

 

CMYK 28 / 0 / 28 / 41

HEX #6C976D

RGB 108 151 109

HSL 121.4, 0.17%, 0.51%

LAB 58.44, -23.41, 17.54

 

CMYK 28 / 0 / 20 / 41

HEX #6C9779

RGB 108 151 121

HSL 138.14, 0.17%, 0.51%

LAB 58.7, -21.14, 11.16

 

CMYK 28 / 0 / 13 / 41

HEX #6C9784

RGB 108 151 132

HSL 153.49, 0.17%, 0.51%

LAB 58.96, -18.86, 5.31

 

CMYK 14 / 0 / 28 / 41

HEX #82976C

RGB 130 151 108

HSL 89.3, 0.17%, 0.51%

LAB 59.85, -15.47, 20.26

 

CMYK 23 / 0 / 49 / 33

HEX #83AB58

RGB 131 171 88

HSL 88.92, 0.33%, 0.51%

LAB 65.48, -27.95, 38.19

 

CMYK 31 / 0 / 64 / 25

HEX #83BF44

RGB 131 191 68

HSL 89.27, 0.49%, 0.51%

LAB 71.22, -39.2, 54.11

 

CMYK 38 / 0 / 77 / 17

HEX #83D330

RGB 131 211 48

HSL 89.45, 0.65%, 0.51%

LAB 77.06, -49.02, 67.26

 

CMYK 43 / 0 / 88 / 9

HEX #84E81B

RGB 132 232 27

HSL 89.27, 0.82%, 0.51%

LAB 83.28, -57.77, 77.73

 

CMYK 14 / 0 / 28 / 41

HEX #82976C

RGB 130 151 108

HSL 89.3, 0.17%, 0.51%

LAB 59.85, -15.47, 20.26

 

CMYK 1 / 0 / 2 / 49

HEX #828381

RGB 130 131 129

HSL 90, 0.01%, 0.51%

LAB 54.62, -0.76, 0.94

 

CMYK 13 / 26 / 0 / 42

HEX #816E95

RGB 129 110 149

HSL 269.23, 0.16%, 0.51%

LAB 49.48, 15.41, -18.46

 

CMYK 24 / 47 / 0 / 34

HEX #815AA9

RGB 129 90 169

HSL 269.62, 0.31%, 0.51%

LAB 45.42, 32.01, -36.57

 

CMYK 32 / 63 / 0 / 26

HEX #8046BD

RGB 128 70 189

HSL 269.24, 0.47%, 0.51%

LAB 42.22, 47.81, -53.42

 

CMYK 0 / 1 / 28 / 41

HEX #97956C

RGB 151 149 108

HSL 57.21, 0.17%, 0.51%

LAB 60.92, -6.08, 21.98

 

CMYK 6 / 0 / 28 / 41

HEX #8E976C

RGB 142 151 108

HSL 72.56, 0.17%, 0.51%

LAB 60.75, -10.77, 21.63

 

CMYK 14 / 0 / 28 / 41

HEX #82976C

RGB 130 151 108

HSL 89.3, 0.17%, 0.51%

LAB 59.85, -15.47, 20.26

 

CMYK 21 / 0 / 28 / 41

HEX #77976C

RGB 119 151 108

HSL 104.65, 0.17%, 0.51%

LAB 59.1, -19.63, 19.12

 

CMYK 28 / 0 / 28 / 41

HEX #6C976D

RGB 108 151 109

HSL 121.4, 0.17%, 0.51%

LAB 58.44, -23.41, 17.54

 

CMYK 14 / 0 / 29 / 60

HEX #596749

RGB 89 103 73

HSL 88, 0.17%, 0.35%

LAB 41.7, -11.3, 15.22

 

CMYK 15 / 0 / 30 / 50

HEX #6D805A

RGB 109 128 90

HSL 90, 0.17%, 0.43%

LAB 51.18, -14.25, 18.41

 

CMYK 14 / 0 / 28 / 41

HEX #82976C

RGB 130 151 108

HSL 89.3, 0.17%, 0.51%

LAB 59.85, -15.47, 20.26

 

CMYK 10 / 0 / 21 / 34

HEX #97A884

RGB 151 168 132

HSL 88.33, 0.17%, 0.59%

LAB 66.71, -12.6, 16.65

 

CMYK 8 / 0 / 15 / 27

HEX #ABB99D

RGB 171 185 157

HSL 90, 0.17%, 0.67%

LAB 73.41, -9.98, 12.59

 

CMYK 14 / 0 / 28 / 41

HEX #82976C

RGB 130 151 108

HSL 89.3, 0.17%, 0.51%

LAB 59.85, -15.47, 20.26

 

CMYK 28 / 0 / 9 / 41

HEX #6C9789

RGB 108 151 137

HSL 160.47, 0.17%, 0.51%

LAB 59.09, -17.77, 2.66

 

CMYK 0 / 28 / 3 / 41

HEX #976C93

RGB 151 108 147

HSL 305.58, 0.17%, 0.51%

LAB 51.16, 23.83, -14.51

 

CMYK 14 / 0 / 28 / 41

HEX #82976C

RGB 130 151 108

HSL 89.3, 0.17%, 0.51%

LAB 59.85, -15.47, 20.26

 

CMYK 28 / 14 / 0 / 41

HEX #6C8297

RGB 108 130 151

HSL 209.3, 0.17%, 0.51%

LAB 53.37, -2.85, -13.87

 

CMYK 0 / 28 / 14 / 41

HEX #976C82

RGB 151 108 130

HSL 329.3, 0.17%, 0.51%

LAB 50.59, 20.69, -5.33

 

CMYK 14 / 0 / 28 / 41

HEX #82976C

RGB 130 151 108

HSL 89.3, 0.17%, 0.51%

LAB 59.85, -15.47, 20.26

 

CMYK 28 / 0 / 9 / 41

HEX #6C9789

RGB 108 151 137

HSL 160.47, 0.17%, 0.51%

LAB 59.09, -17.77, 2.66

 

CMYK 15 / 28 / 0 / 41

HEX #816C97

RGB 129 108 151

HSL 269.3, 0.17%, 0.51%

LAB 49.04, 17.06, -20.31

 

CMYK 0 / 28 / 19 / 41

HEX #976C7A

RGB 151 108 122

HSL 340.47, 0.17%, 0.51%

LAB 50.35, 19.33, -0.95

 

CMYK 14 / 0 / 28 / 41

HEX #82976C

RGB 130 151 108

HSL 89.3, 0.17%, 0.51%

LAB 59.85, -15.47, 20.26

 

CMYK 28 / 0 / 1 / 41

HEX #6C9796

RGB 108 151 150

HSL 178.6, 0.17%, 0.51%

LAB 59.46, -14.77, -4.2

 

CMYK 15 / 28 / 0 / 41

HEX #816C97

RGB 129 108 151

HSL 269.3, 0.17%, 0.51%

LAB 49.04, 17.06, -20.31

 

CMYK 0 / 28 / 28 / 41

HEX #976C6D

RGB 151 108 109

HSL 358.6, 0.17%, 0.51%

LAB 49.99, 17.29, 6.25

 

Description

Color code: RGB 130 151 108 | qconv.com Color code: RGB 130 151 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 151 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 151 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 28 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 28% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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