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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 140 1 it is the complementary color RGB 125 115 254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 140 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 140 1 shade: RGB 135 140 0, RGB 152 158 15, RGB 169 176 34, RGB 186 194 53 and RGB 203 212 72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 140 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 140 1 shade: RGB 130 140 1, RGB 113 122 0, RGB 96 104 0, RGB 79 86 0 and RGB 62 68 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 140 1 shade: RGB 131 142 0, RGB 142 114 0, RGB 142 76 0, RGB 142 37 0 and RGB 142 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 140 1 shade: RGB 131 142 0, RGB 93 142 0, RGB 55 142 0, RGB 17 142 0 and RGB 0 142 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 140 1 shade matches the following richer shades: RGB 131 142 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 140 1 shade: RGB 131 142 0, RGB 122 130 12, RGB 112 118 23, RGB 102 107 35 and RGB 92 95 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 140 1 shade: RGB 142 76 0, RGB 142 113 0, RGB 132 142 0, RGB 94 142 0 and RGB 57 142 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 140 1 shade: RGB 55 59 0, RGB 93 101 0, RGB 131 142 0, RGB 170 183 0 and RGB 208 224 1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 140 1 shade: RGB 130 140 1, RGB 0 142 38 and RGB 94 0 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 140 1 shade: RGB 130 140 1, RGB 0 132 142 and RGB 142 0 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 140 1 shade: RGB 130 140 1, RGB 0 142 38, RGB 10 0 142 and RGB 142 0 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 140 1 shade: RGB 130 140 1, RGB 0 142 80, RGB 10 0 142 and RGB 142 0 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 99 / 45

HEX #828C01

RGB 130 140 1

HSL 64.32, 0.99%, 0.28%

LAB 55.59, -18.34, 59.32

 

Complementary color

CMYK 51 / 55 / 0 / 0

HEX #7D73FE

RGB 125 115 254

HSL 244.32, 0.99%, 0.72%

LAB 55.86, 39.8, -68.3

 

CMYK 4 / 0 / 100 / 45

HEX #878C00

RGB 135 140 0

HSL 62.14, 1%, 0.27%

LAB 55.99, -16.08, 59.98

 

CMYK 4 / 0 / 91 / 38

HEX #989E0F

RGB 152 158 15

HSL 62.52, 0.83%, 0.34%

LAB 62.65, -17.51, 63.33

 

CMYK 4 / 0 / 81 / 31

HEX #A9B022

RGB 169 176 34

HSL 62.96, 0.68%, 0.41%

LAB 69.18, -18.7, 65.03

 

CMYK 4 / 0 / 73 / 24

HEX #BAC235

RGB 186 194 53

HSL 63.4, 0.57%, 0.48%

LAB 75.63, -19.67, 65.5

 

CMYK 4 / 0 / 66 / 17

HEX #CBD448

RGB 203 212 72

HSL 63.86, 0.62%, 0.56%

LAB 81.97, -20.46, 65.26

 

CMYK 7 / 0 / 99 / 45

HEX #828C01

RGB 130 140 1

HSL 64.32, 0.99%, 0.28%

LAB 55.59, -18.34, 59.32

 

CMYK 7 / 0 / 100 / 52

HEX #717A00

RGB 113 122 0

HSL 64.43, 1%, 0.24%

LAB 48.8, -16.7, 53.84

 

CMYK 8 / 0 / 100 / 59

HEX #606800

RGB 96 104 0

HSL 64.62, 1%, 0.2%

LAB 41.83, -14.99, 48.04

 

CMYK 8 / 0 / 100 / 66

HEX #4F5600

RGB 79 86 0

HSL 64.88, 1%, 0.17%

LAB 34.64, -13.24, 42.06

 

CMYK 9 / 0 / 100 / 73

HEX #3E4400

RGB 62 68 0

HSL 65.29, 1%, 0.13%

LAB 27.18, -11.43, 35.68

 

CMYK 8 / 0 / 100 / 44

HEX #838E00

RGB 131 142 0

HSL 64.65, 1%, 0.28%

LAB 56.26, -18.94, 60.02

 

CMYK 0 / 20 / 100 / 44

HEX #8E7200

RGB 142 114 0

HSL 48.17, 1%, 0.28%

LAB 49.23, 1.48, 55.42

 

CMYK 0 / 46 / 100 / 44

HEX #8E4C00

RGB 142 76 0

HSL 32.11, 1%, 0.28%

LAB 39.44, 23.43, 48.92

 

CMYK 0 / 74 / 100 / 44

HEX #8E2500

RGB 142 37 0

HSL 15.63, 1%, 0.28%

LAB 31.97, 42.76, 44.51

 

CMYK 0 / 100 / 100 / 44

HEX #8E0000

RGB 142 0 0

HSL 0, 1%, 0.28%

LAB 28.77, 51.81, 42.14

 

CMYK 8 / 0 / 100 / 44

HEX #838E00

RGB 131 142 0

HSL 64.65, 1%, 0.28%

LAB 56.26, -18.94, 60.02

 

CMYK 35 / 0 / 100 / 44

HEX #5D8E00

RGB 93 142 0

HSL 80.7, 1%, 0.28%

LAB 53.68, -35.11, 56.94

 

CMYK 61 / 0 / 100 / 44

HEX #378E00

RGB 55 142 0

HSL 96.76, 1%, 0.28%

LAB 52.02, -47.69, 54.92

 

CMYK 88 / 0 / 100 / 44

HEX #118E00

RGB 17 142 0

HSL 112.82, 1%, 0.28%

LAB 51.23, -54.49, 53.96

 

CMYK 100 / 0 / 85 / 44

HEX #008E16

RGB 0 142 22

HSL 129.3, 1%, 0.28%

LAB 51.16, -54.87, 49.37

 

CMYK 8 / 0 / 100 / 44

HEX #838E00

RGB 131 142 0

HSL 64.65, 1%, 0.28%

LAB 56.26, -18.94, 60.02

 

CMYK 8 / 0 / 100 / 44

HEX #838E00

RGB 131 142 0

HSL 64.65, 1%, 0.28%

LAB 56.26, -18.94, 60.02

 

CMYK 6 / 0 / 91 / 49

HEX #7A820C

RGB 122 130 12

HSL 64.07, 0.83%, 0.28%

LAB 51.98, -16.52, 54.32

 

CMYK 5 / 0 / 81 / 54

HEX #707617

RGB 112 118 23

HSL 63.79, 0.67%, 0.28%

LAB 47.58, -14.36, 47.34

 

CMYK 5 / 0 / 67 / 58

HEX #666B23

RGB 102 107 35

HSL 64.17, 0.51%, 0.28%

LAB 43.45, -12.29, 38.27

 

CMYK 3 / 0 / 52 / 63

HEX #5C5F2E

RGB 92 95 46

HSL 63.67, 0.35%, 0.28%

LAB 39, -9.17, 27.42

 

CMYK 0 / 46 / 100 / 44

HEX #8E4C00

RGB 142 76 0

HSL 32.11, 1%, 0.28%

LAB 39.44, 23.43, 48.92

 

CMYK 0 / 20 / 100 / 44

HEX #8E7100

RGB 142 113 0

HSL 47.75, 1%, 0.28%

LAB 48.96, 2.05, 55.23

 

CMYK 7 / 0 / 100 / 44

HEX #848E00

RGB 132 142 0

HSL 64.23, 1%, 0.28%

LAB 56.34, -18.49, 60.12

 

CMYK 34 / 0 / 100 / 44

HEX #5E8E00

RGB 94 142 0

HSL 80.28, 1%, 0.28%

LAB 53.73, -34.72, 57

 

CMYK 60 / 0 / 100 / 44

HEX #398E00

RGB 57 142 0

HSL 95.92, 1%, 0.28%

LAB 52.08, -47.16, 55

 

CMYK 7 / 0 / 100 / 77

HEX #373B00

RGB 55 59 0

HSL 64.07, 1%, 0.12%

LAB 23.47, -9.71, 31.96

 

CMYK 8 / 0 / 100 / 60

HEX #5D6500

RGB 93 101 0

HSL 64.75, 1%, 0.2%

LAB 40.63, -14.79, 47.04

 

CMYK 8 / 0 / 100 / 44

HEX #838E00

RGB 131 142 0

HSL 64.65, 1%, 0.28%

LAB 56.26, -18.94, 60.02

 

CMYK 7 / 0 / 100 / 28

HEX #AAB700

RGB 170 183 0

HSL 64.26, 1%, 0.36%

LAB 71.15, -22.44, 72.42

 

CMYK 7 / 0 / 100 / 12

HEX #D0E001

RGB 208 224 1

HSL 64.3, 0.99%, 0.44%

LAB 85.36, -26.22, 84.14

 

CMYK 7 / 0 / 99 / 45

HEX #828C01

RGB 130 140 1

HSL 64.32, 0.99%, 0.28%

LAB 55.59, -18.34, 59.32

 

CMYK 100 / 0 / 73 / 44

HEX #008E26

RGB 0 142 38

HSL 136.06, 1%, 0.28%

LAB 51.25, -53.65, 44.01

 

CMYK 34 / 100 / 0 / 44

HEX #5E008E

RGB 94 0 142

HSL 279.72, 1%, 0.28%

LAB 24.74, 56.42, -53.72

 

CMYK 7 / 0 / 99 / 45

HEX #828C01

RGB 130 140 1

HSL 64.32, 0.99%, 0.28%

LAB 55.59, -18.34, 59.32

 

CMYK 100 / 7 / 0 / 44

HEX #00848E

RGB 0 132 142

HSL 184.23, 1%, 0.28%

LAB 50.04, -26.18, -14.01

 

CMYK 0 / 100 / 7 / 44

HEX #8E0084

RGB 142 0 132

HSL 304.23, 1%, 0.28%

LAB 32.74, 62.04, -34.13

 

CMYK 7 / 0 / 99 / 45

HEX #828C01

RGB 130 140 1

HSL 64.32, 0.99%, 0.28%

LAB 55.59, -18.34, 59.32

 

CMYK 100 / 0 / 73 / 44

HEX #008E26

RGB 0 142 38

HSL 136.06, 1%, 0.28%

LAB 51.25, -53.65, 44.01

 

CMYK 93 / 100 / 0 / 44

HEX #0A008E

RGB 10 0 142

HSL 244.23, 1%, 0.28%

LAB 15.58, 51.33, -69.18

 

CMYK 0 / 100 / 27 / 44

HEX #8E0068

RGB 142 0 104

HSL 316.06, 1%, 0.28%

LAB 31.23, 58.28, -18.74

 

CMYK 7 / 0 / 99 / 45

HEX #828C01

RGB 130 140 1

HSL 64.32, 0.99%, 0.28%

LAB 55.59, -18.34, 59.32

 

CMYK 100 / 0 / 44 / 44

HEX #008E50

RGB 0 142 80

HSL 153.8, 1%, 0.28%

LAB 51.75, -47.48, 24.09

 

CMYK 93 / 100 / 0 / 44

HEX #0A008E

RGB 10 0 142

HSL 244.23, 1%, 0.28%

LAB 15.58, 51.33, -69.18

 

CMYK 0 / 100 / 57 / 44

HEX #8E003D

RGB 142 0 61

HSL 334.23, 1%, 0.28%

LAB 29.63, 54.12, 7.26

 

Description

Color code: RGB 130 140 1 | qconv.com Color code: RGB 130 140 1 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 140 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 140 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 99 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 99% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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