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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 146 142 it is the complementary color RGB 125 109 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 146 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 146 142 shade: RGB 135 146 137, RGB 152 164 156, RGB 169 182 175, RGB 186 200 194 and RGB 203 218 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 146 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 146 142 shade: RGB 130 146 142, RGB 113 128 123, RGB 96 110 104, RGB 79 92 85 and RGB 62 74 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 146 142 shade: RGB 129 145 141, RGB 129 145 137, RGB 129 145 132, RGB 130 145 129 and RGB 134 145 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 146 142 shade: RGB 129 145 141, RGB 129 145 145, RGB 129 141 145, RGB 129 136 145 and RGB 129 132 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 146 142 shade matches the following richer shades: RGB 129 145 141, RGB 110 164 151, RGB 91 183 160, RGB 72 202 170 and RGB 53 221 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 146 142 shade: RGB 129 145 141, RGB 148 126 132, RGB 167 107 122, RGB 186 88 113 and RGB 205 69 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 146 142 shade: RGB 129 145 133, RGB 129 145 137, RGB 129 145 141, RGB 129 145 145 and RGB 129 141 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 146 142 shade: RGB 89 103 99, RGB 108 125 121, RGB 129 145 141, RGB 151 165 161 and RGB 173 184 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 146 142 shade: RGB 130 146 142, RGB 129 130 145 and RGB 145 135 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 146 142 shade: RGB 130 146 142, RGB 141 129 145 and RGB 145 141 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 146 142 shade: RGB 130 146 142, RGB 129 130 145, RGB 145 129 133 and RGB 145 145 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 146 142 shade: RGB 130 146 142, RGB 133 129 145, RGB 145 129 133 and RGB 141 145 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 3 / 43

HEX #82928E

RGB 130 146 142

HSL 165, 0.07%, 0.54%

LAB 59.21, -6.55, 0.16

 

Complementary color

CMYK 0 / 13 / 10 / 51

HEX #7D6D71

RGB 125 109 113

HSL 345, 0.07%, 0.46%

LAB 47.61, 7.01, 0.08

 

CMYK 8 / 0 / 6 / 43

HEX #879289

RGB 135 146 137

HSL 130.91, 0.05%, 0.55%

LAB 59.45, -5.76, 3.4

 

CMYK 7 / 0 / 5 / 36

HEX #98A49C

RGB 152 164 156

HSL 140, 0.06%, 0.62%

LAB 66.23, -5.81, 2.68

 

CMYK 7 / 0 / 4 / 29

HEX #A9B6AF

RGB 169 182 175

HSL 147.69, 0.08%, 0.69%

LAB 72.88, -5.85, 2

 

CMYK 7 / 0 / 3 / 22

HEX #BAC8C2

RGB 186 200 194

HSL 154.29, 0.11%, 0.76%

LAB 79.41, -5.9, 1.35

 

CMYK 7 / 0 / 2 / 15

HEX #CBDAD5

RGB 203 218 213

HSL 160, 0.17%, 0.83%

LAB 85.83, -5.96, 0.72

 

CMYK 11 / 0 / 3 / 43

HEX #82928E

RGB 130 146 142

HSL 165, 0.07%, 0.54%

LAB 59.21, -6.55, 0.16

 

CMYK 12 / 0 / 4 / 50

HEX #71807B

RGB 113 128 123

HSL 160, 0.06%, 0.47%

LAB 52.26, -6.55, 0.84

 

CMYK 13 / 0 / 5 / 57

HEX #606E68

RGB 96 110 104

HSL 154.29, 0.07%, 0.4%

LAB 45.13, -6.57, 1.56

 

CMYK 14 / 0 / 8 / 64

HEX #4F5C55

RGB 79 92 85

HSL 147.69, 0.08%, 0.34%

LAB 37.79, -6.61, 2.33

 

CMYK 16 / 0 / 11 / 71

HEX #3E4A42

RGB 62 74 66

HSL 140, 0.09%, 0.27%

LAB 30.19, -6.67, 3.17

 

CMYK 11 / 0 / 3 / 43

HEX #81918D

RGB 129 145 141

HSL 165, 0.07%, 0.54%

LAB 58.83, -6.56, 0.16

 

CMYK 11 / 0 / 6 / 43

HEX #819189

RGB 129 145 137

HSL 150, 0.07%, 0.54%

LAB 58.72, -7.38, 2.29

 

CMYK 11 / 0 / 9 / 43

HEX #819184

RGB 129 145 132

HSL 131.25, 0.07%, 0.54%

LAB 58.59, -8.38, 4.95

 

CMYK 10 / 0 / 11 / 43

HEX #829181

RGB 130 145 129

HSL 116.25, 0.07%, 0.54%

LAB 58.59, -8.59, 6.66

 

CMYK 8 / 0 / 11 / 43

HEX #869181

RGB 134 145 129

HSL 101.25, 0.07%, 0.54%

LAB 58.89, -7.11, 7.13

 

CMYK 11 / 0 / 3 / 43

HEX #81918D

RGB 129 145 141

HSL 165, 0.07%, 0.54%

LAB 58.83, -6.56, 0.16

 

CMYK 11 / 0 / 0 / 43

HEX #819191

RGB 129 145 145

HSL 180, 0.07%, 0.54%

LAB 58.94, -5.72, -1.96

 

CMYK 11 / 3 / 0 / 43

HEX #818D91

RGB 129 141 145

HSL 195, 0.07%, 0.54%

LAB 57.81, -3.49, -3.62

 

CMYK 11 / 6 / 0 / 43

HEX #818891

RGB 129 136 145

HSL 213.75, 0.07%, 0.54%

LAB 56.41, -0.66, -5.69

 

CMYK 11 / 9 / 0 / 43

HEX #818491

RGB 129 132 145

HSL 228.75, 0.07%, 0.54%

LAB 55.29, 1.62, -7.35

 

CMYK 11 / 0 / 3 / 43

HEX #81918D

RGB 129 145 141

HSL 165, 0.07%, 0.54%

LAB 58.83, -6.56, 0.16

 

CMYK 33 / 0 / 8 / 36

HEX #6EA497

RGB 110 164 151

HSL 165.56, 0.23%, 0.54%

LAB 63.43, -20.75, 1.07

 

CMYK 50 / 0 / 13 / 28

HEX #5BB7A0

RGB 91 183 160

HSL 165, 0.39%, 0.54%

LAB 68.48, -33.07, 3.31

 

CMYK 64 / 0 / 16 / 21

HEX #48CAAA

RGB 72 202 170

HSL 165.23, 0.55%, 0.54%

LAB 73.88, -43.07, 5.58

 

CMYK 76 / 0 / 19 / 13

HEX #35DDB3

RGB 53 221 179

HSL 165, 0.71%, 0.54%

LAB 79.46, -51.5, 8.72

 

CMYK 11 / 0 / 3 / 43

HEX #81918D

RGB 129 145 141

HSL 165, 0.07%, 0.54%

LAB 58.83, -6.56, 0.16

 

CMYK 0 / 15 / 11 / 42

HEX #947E84

RGB 148 126 132

HSL 343.64, 0.09%, 0.54%

LAB 54.95, 9.49, -0.12

 

CMYK 0 / 36 / 27 / 35

HEX #A76B7A

RGB 167 107 122

HSL 345, 0.25%, 0.54%

LAB 51.99, 26.04, 1.68

 

CMYK 0 / 53 / 39 / 27

HEX #BA5871

RGB 186 88 113

HSL 344.69, 0.42%, 0.54%

LAB 50.23, 42.08, 4.82

 

CMYK 0 / 66 / 50 / 20

HEX #CD4567

RGB 205 69 103

HSL 345, 0.58%, 0.54%

LAB 49.76, 56.07, 10.59

 

CMYK 11 / 0 / 8 / 43

HEX #819185

RGB 129 145 133

HSL 135, 0.07%, 0.54%

LAB 58.61, -8.18, 4.42

 

CMYK 11 / 0 / 6 / 43

HEX #819189

RGB 129 145 137

HSL 150, 0.07%, 0.54%

LAB 58.72, -7.38, 2.29

 

CMYK 11 / 0 / 3 / 43

HEX #81918D

RGB 129 145 141

HSL 165, 0.07%, 0.54%

LAB 58.83, -6.56, 0.16

 

CMYK 11 / 0 / 0 / 43

HEX #819191

RGB 129 145 145

HSL 180, 0.07%, 0.54%

LAB 58.94, -5.72, -1.96

 

CMYK 11 / 3 / 0 / 43

HEX #818D91

RGB 129 141 145

HSL 195, 0.07%, 0.54%

LAB 57.81, -3.49, -3.62

 

CMYK 14 / 0 / 4 / 60

HEX #596763

RGB 89 103 99

HSL 162.86, 0.07%, 0.38%

LAB 42.35, -6.2, 0.45

 

CMYK 14 / 0 / 3 / 51

HEX #6C7D79

RGB 108 125 121

HSL 165.88, 0.07%, 0.46%

LAB 50.96, -7.09, 0.07

 

CMYK 11 / 0 / 3 / 43

HEX #81918D

RGB 129 145 141

HSL 165, 0.07%, 0.54%

LAB 58.83, -6.56, 0.16

 

CMYK 8 / 0 / 2 / 35

HEX #97A5A1

RGB 151 165 161

HSL 162.86, 0.07%, 0.62%

LAB 66.57, -5.72, 0.37

 

CMYK 6 / 0 / 2 / 28

HEX #ADB8B5

RGB 173 184 181

HSL 163.64, 0.07%, 0.7%

LAB 73.87, -4.38, 0.2

 

CMYK 11 / 0 / 3 / 43

HEX #82928E

RGB 130 146 142

HSL 165, 0.07%, 0.54%

LAB 59.21, -6.55, 0.16

 

CMYK 11 / 10 / 0 / 43

HEX #818291

RGB 129 130 145

HSL 236.25, 0.07%, 0.54%

LAB 54.74, 2.77, -8.18

 

CMYK 0 / 7 / 11 / 43

HEX #918781

RGB 145 135 129

HSL 22.5, 0.07%, 0.54%

LAB 57.01, 2.66, 4.56

 

CMYK 11 / 0 / 3 / 43

HEX #82928E

RGB 130 146 142

HSL 165, 0.07%, 0.54%

LAB 59.21, -6.55, 0.16

 

CMYK 3 / 11 / 0 / 43

HEX #8D8191

RGB 141 129 145

HSL 285, 0.07%, 0.54%

LAB 55.49, 7.65, -6.95

 

CMYK 0 / 3 / 11 / 43

HEX #918D81

RGB 145 141 129

HSL 45, 0.07%, 0.54%

LAB 58.65, -0.72, 6.92

 

CMYK 11 / 0 / 3 / 43

HEX #82928E

RGB 130 146 142

HSL 165, 0.07%, 0.54%

LAB 59.21, -6.55, 0.16

 

CMYK 11 / 10 / 0 / 43

HEX #818291

RGB 129 130 145

HSL 236.25, 0.07%, 0.54%

LAB 54.74, 2.77, -8.18

 

CMYK 0 / 11 / 8 / 43

HEX #918185

RGB 145 129 133

HSL 345, 0.07%, 0.54%

LAB 55.5, 6.8, 0.06

 

CMYK 0 / 0 / 11 / 43

HEX #919181

RGB 145 145 129

HSL 60, 0.07%, 0.54%

LAB 59.76, -2.95, 8.5

 

CMYK 11 / 0 / 3 / 43

HEX #82928E

RGB 130 146 142

HSL 165, 0.07%, 0.54%

LAB 59.21, -6.55, 0.16

 

CMYK 8 / 11 / 0 / 43

HEX #858191

RGB 133 129 145

HSL 255, 0.07%, 0.54%

LAB 54.79, 4.77, -8.06

 

CMYK 0 / 11 / 8 / 43

HEX #918185

RGB 145 129 133

HSL 345, 0.07%, 0.54%

LAB 55.5, 6.8, 0.06

 

CMYK 3 / 0 / 11 / 43

HEX #8D9181

RGB 141 145 129

HSL 75, 0.07%, 0.54%

LAB 59.43, -4.47, 7.99

 

Description

Color code: RGB 130 146 142 | qconv.com Color code: RGB 130 146 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 146 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 146 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 3 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 3% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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