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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 122 53 it is the complementary color RGB 125 133 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 122 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 122 53 shade: RGB 135 122 48, RGB 152 140 67, RGB 169 158 86, RGB 186 176 105 and RGB 203 194 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 122 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 122 53 shade: RGB 130 122 53, RGB 113 104 34, RGB 96 86 15, RGB 79 68 0 and RGB 62 50 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 122 53 shade: RGB 130 122 53, RGB 130 101 53, RGB 130 80 53, RGB 130 59 53 and RGB 130 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 122 53 shade: RGB 130 122 53, RGB 117 130 53, RGB 96 130 53, RGB 75 130 53 and RGB 55 130 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 122 53 shade matches the following richer shades: RGB 130 122 53, RGB 145 134 38, RGB 160 145 23 and RGB 174 157 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 122 53 shade: RGB 130 122 53, RGB 115 110 68, RGB 100 98 82, RGB 85 87 97 and RGB 70 75 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 122 53 shade: RGB 130 80 53, RGB 130 100 53, RGB 130 121 53, RGB 118 130 53 and RGB 98 130 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 122 53 shade: RGB 71 67 29, RGB 101 94 41, RGB 130 122 53, RGB 159 149 65 and RGB 184 173 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 122 53 shade: RGB 130 122 53, RGB 53 130 59 and RGB 90 53 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 122 53 shade: RGB 130 122 53, RGB 53 130 121 and RGB 121 53 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 122 53 shade: RGB 130 122 53, RGB 53 130 59, RGB 53 62 130 and RGB 130 53 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 122 53 shade: RGB 130 122 53, RGB 53 130 82, RGB 53 62 130 and RGB 130 53 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 59 / 49

HEX #827A35

RGB 130 122 53

HSL 53.77, 0.42%, 0.36%

LAB 50.6, -6.4, 38.15

 

Complementary color

CMYK 38 / 34 / 0 / 21

HEX #7D85CA

RGB 125 133 202

HSL 233.77, 0.42%, 0.64%

LAB 57.46, 14.07, -36.7

 

CMYK 0 / 10 / 64 / 47

HEX #877A30

RGB 135 122 48

HSL 51.03, 0.48%, 0.36%

LAB 51.02, -4.5, 41.18

 

CMYK 0 / 8 / 56 / 40

HEX #988C43

RGB 152 140 67

HSL 51.53, 0.39%, 0.43%

LAB 57.88, -5.35, 40.05

 

CMYK 0 / 7 / 49 / 34

HEX #A99E56

RGB 169 158 86

HSL 52.05, 0.33%, 0.5%

LAB 64.61, -6.02, 38.8

 

CMYK 0 / 5 / 44 / 27

HEX #BAB069

RGB 186 176 105

HSL 52.59, 0.37%, 0.57%

LAB 71.22, -6.56, 37.55

 

CMYK 0 / 4 / 39 / 20

HEX #CBC27C

RGB 203 194 124

HSL 53.16, 0.43%, 0.64%

LAB 77.72, -7.01, 36.34

 

CMYK 0 / 6 / 59 / 49

HEX #827A35

RGB 130 122 53

HSL 53.77, 0.42%, 0.36%

LAB 50.6, -6.4, 38.15

 

CMYK 0 / 8 / 70 / 56

HEX #716822

RGB 113 104 34

HSL 53.16, 0.54%, 0.29%

LAB 43.55, -5.49, 39.14

 

CMYK 0 / 10 / 84 / 62

HEX #60560F

RGB 96 86 15

HSL 52.59, 0.73%, 0.22%

LAB 36.32, -4.26, 39.37

 

CMYK 0 / 14 / 100 / 69

HEX #4F4400

RGB 79 68 0

HSL 51.65, 1%, 0.15%

LAB 28.89, -2.58, 37.8

 

CMYK 0 / 19 / 100 / 76

HEX #3E3200

RGB 62 50 0

HSL 48.39, 1%, 0.12%

LAB 21.23, -0.25, 29.83

 

CMYK 0 / 6 / 59 / 49

HEX #827A35

RGB 130 122 53

HSL 53.77, 0.42%, 0.36%

LAB 50.6, -6.4, 38.15

 

CMYK 0 / 22 / 59 / 49

HEX #826535

RGB 130 101 53

HSL 37.4, 0.42%, 0.36%

LAB 44.67, 5.65, 31.29

 

CMYK 0 / 38 / 59 / 49

HEX #825035

RGB 130 80 53

HSL 21.04, 0.42%, 0.36%

LAB 39.14, 18.06, 24.56

 

CMYK 0 / 55 / 59 / 49

HEX #823B35

RGB 130 59 53

HSL 4.68, 0.42%, 0.36%

LAB 34.25, 30.06, 18.35

 

CMYK 0 / 59 / 59 / 49

HEX #823535

RGB 130 53 53

HSL 0, 0.42%, 0.36%

LAB 33.03, 33.24, 16.74

 

CMYK 0 / 6 / 59 / 49

HEX #827A35

RGB 130 122 53

HSL 53.77, 0.42%, 0.36%

LAB 50.6, -6.4, 38.15

 

CMYK 10 / 0 / 59 / 49

HEX #758235

RGB 117 130 53

HSL 70.13, 0.42%, 0.36%

LAB 51.84, -16.57, 39.25

 

CMYK 26 / 0 / 59 / 49

HEX #608235

RGB 96 130 53

HSL 86.49, 0.42%, 0.36%

LAB 50.35, -25.42, 37.15

 

CMYK 42 / 0 / 59 / 49

HEX #4B8235

RGB 75 130 53

HSL 102.86, 0.42%, 0.36%

LAB 49.15, -33.34, 35.47

 

CMYK 58 / 0 / 59 / 49

HEX #378235

RGB 55 130 53

HSL 118.44, 0.42%, 0.36%

LAB 48.3, -39.56, 34.26

 

CMYK 0 / 6 / 59 / 49

HEX #827A35

RGB 130 122 53

HSL 53.77, 0.42%, 0.36%

LAB 50.6, -6.4, 38.15

 

CMYK 0 / 8 / 74 / 43

HEX #918626

RGB 145 134 38

HSL 53.83, 0.58%, 0.36%

LAB 55.29, -7.17, 50.21

 

CMYK 0 / 9 / 86 / 37

HEX #A09117

RGB 160 145 23

HSL 53.43, 0.75%, 0.36%

LAB 59.7, -6.87, 59.52

 

CMYK 0 / 10 / 95 / 32

HEX #AE9D08

RGB 174 157 8

HSL 53.86, 0.91%, 0.36%

LAB 64.27, -7.23, 66.45

 

CMYK 0 / 6 / 59 / 49

HEX #827A35

RGB 130 122 53

HSL 53.77, 0.42%, 0.36%

LAB 50.6, -6.4, 38.15

 

CMYK 0 / 4 / 41 / 55

HEX #736E44

RGB 115 110 68

HSL 53.62, 0.26%, 0.36%

LAB 45.93, -4.83, 24.12

 

CMYK 0 / 2 / 18 / 61

HEX #646252

RGB 100 98 82

HSL 53.33, 0.1%, 0.36%

LAB 41.3, -2.25, 9.41

 

CMYK 12 / 10 / 0 / 62

HEX #555761

RGB 85 87 97

HSL 230, 0.07%, 0.36%

LAB 37.13, 1.47, -6.04

 

CMYK 38 / 33 / 0 / 56

HEX #464B70

RGB 70 75 112

HSL 232.86, 0.23%, 0.36%

LAB 32.93, 7.92, -21.96

 

CMYK 0 / 38 / 59 / 49

HEX #825035

RGB 130 80 53

HSL 21.04, 0.42%, 0.36%

LAB 39.14, 18.06, 24.56

 

CMYK 0 / 23 / 59 / 49

HEX #826435

RGB 130 100 53

HSL 36.62, 0.42%, 0.36%

LAB 44.4, 6.24, 30.96

 

CMYK 0 / 7 / 59 / 49

HEX #827935

RGB 130 121 53

HSL 52.99, 0.42%, 0.36%

LAB 50.31, -5.84, 37.82

 

CMYK 9 / 0 / 59 / 49

HEX #768235

RGB 118 130 53

HSL 69.35, 0.42%, 0.36%

LAB 51.92, -16.13, 39.36

 

CMYK 25 / 0 / 59 / 49

HEX #628235

RGB 98 130 53

HSL 84.94, 0.42%, 0.36%

LAB 50.47, -24.61, 37.34

 

CMYK 0 / 6 / 59 / 72

HEX #47431D

RGB 71 67 29

HSL 54.29, 0.42%, 0.2%

LAB 27.96, -4.32, 23.39

 

CMYK 0 / 7 / 59 / 60

HEX #655E29

RGB 101 94 41

HSL 53, 0.42%, 0.28%

LAB 39.47, -4.86, 30.89

 

CMYK 0 / 6 / 59 / 49

HEX #827A35

RGB 130 122 53

HSL 53.77, 0.42%, 0.36%

LAB 50.6, -6.4, 38.15

 

CMYK 0 / 6 / 59 / 38

HEX #9F9541

RGB 159 149 65

HSL 53.62, 0.42%, 0.44%

LAB 61, -7.32, 44.75

 

CMYK 0 / 6 / 56 / 28

HEX #B8AD51

RGB 184 173 81

HSL 53.59, 0.42%, 0.52%

LAB 69.95, -8.03, 47.9

 

CMYK 0 / 6 / 59 / 49

HEX #827A35

RGB 130 122 53

HSL 53.77, 0.42%, 0.36%

LAB 50.6, -6.4, 38.15

 

CMYK 59 / 0 / 55 / 49

HEX #35823B

RGB 53 130 59

HSL 124.68, 0.42%, 0.36%

LAB 48.31, -39.27, 31.19

 

CMYK 31 / 59 / 0 / 49

HEX #5A3582

RGB 90 53 130

HSL 268.83, 0.42%, 0.36%

LAB 30.23, 32.91, -37.36

 

CMYK 0 / 6 / 59 / 49

HEX #827A35

RGB 130 122 53

HSL 53.77, 0.42%, 0.36%

LAB 50.6, -6.4, 38.15

 

CMYK 59 / 0 / 7 / 49

HEX #358279

RGB 53 130 121

HSL 172.99, 0.42%, 0.36%

LAB 49.62, -25.88, -2.24

 

CMYK 7 / 59 / 0 / 49

HEX #793582

RGB 121 53 130

HSL 292.99, 0.42%, 0.36%

LAB 34.44, 41.42, -30.41

 

CMYK 0 / 6 / 59 / 49

HEX #827A35

RGB 130 122 53

HSL 53.77, 0.42%, 0.36%

LAB 50.6, -6.4, 38.15

 

CMYK 59 / 0 / 55 / 49

HEX #35823B

RGB 53 130 59

HSL 124.68, 0.42%, 0.36%

LAB 48.31, -39.27, 31.19

 

CMYK 59 / 52 / 0 / 49

HEX #353E82

RGB 53 62 130

HSL 232.99, 0.42%, 0.36%

LAB 28.94, 18.06, -39.63

 

CMYK 0 / 59 / 5 / 49

HEX #82357B

RGB 130 53 123

HSL 305.45, 0.42%, 0.36%

LAB 35.44, 42.66, -24.39

 

CMYK 0 / 6 / 59 / 49

HEX #827A35

RGB 130 122 53

HSL 53.77, 0.42%, 0.36%

LAB 50.6, -6.4, 38.15

 

CMYK 59 / 0 / 37 / 49

HEX #358252

RGB 53 130 82

HSL 142.6, 0.42%, 0.36%

LAB 48.67, -35.3, 19.07

 

CMYK 59 / 52 / 0 / 49

HEX #353E82

RGB 53 62 130

HSL 232.99, 0.42%, 0.36%

LAB 28.94, 18.06, -39.63

 

CMYK 0 / 59 / 23 / 49

HEX #823564

RGB 130 53 100

HSL 323.38, 0.42%, 0.36%

LAB 34.42, 38.82, -11.47

 

Description

Color code: RGB 130 122 53 | qconv.com Color code: RGB 130 122 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 122 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 122 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 59 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 59% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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