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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 129 101 it is the complementary color RGB 125 126 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 129 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 129 101 shade: RGB 135 129 96, RGB 152 147 115, RGB 169 165 134, RGB 186 183 153 and RGB 203 201 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 129 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 129 101 shade: RGB 130 129 101, RGB 113 111 82, RGB 96 93 63, RGB 79 75 44 and RGB 62 57 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 129 101 shade: RGB 129 128 99, RGB 129 120 99, RGB 129 112 99, RGB 129 104 99 and RGB 129 99 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 129 101 shade: RGB 129 128 99, RGB 122 129 99, RGB 114 129 99, RGB 106 129 99 and RGB 99 129 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 129 101 shade matches the following richer shades: RGB 129 128 99, RGB 148 145 81, RGB 166 163 62, RGB 185 180 44 and RGB 203 197 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 129 101 shade: RGB 129 128 99, RGB 111 111 118, RGB 92 94 136, RGB 73 76 155 and RGB 55 59 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 129 101 shade: RGB 129 112 99, RGB 129 120 99, RGB 129 128 99, RGB 123 129 99 and RGB 115 129 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 129 101 shade: RGB 83 82 63, RGB 106 105 81, RGB 129 128 99, RGB 150 149 119 and RGB 168 167 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 129 101 shade: RGB 130 129 101, RGB 99 129 104 and RGB 116 99 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 129 101 shade: RGB 130 129 101, RGB 99 129 128 and RGB 128 99 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 129 101 shade: RGB 130 129 101, RGB 99 129 104, RGB 99 101 129 and RGB 129 99 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 129 101 shade: RGB 130 129 101, RGB 99 129 113, RGB 99 101 129 and RGB 129 99 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 22 / 49

HEX #828165

RGB 130 129 101

HSL 57.93, 0.13%, 0.45%

LAB 53.37, -4.59, 15.36

 

Complementary color

CMYK 19 / 18 / 0 / 40

HEX #7D7E9A

RGB 125 126 154

HSL 237.93, 0.13%, 0.55%

LAB 53.62, 5.76, -15.12

 

CMYK 0 / 4 / 29 / 47

HEX #878160

RGB 135 129 96

HSL 50.77, 0.17%, 0.45%

LAB 53.7, -3.28, 18.75

 

CMYK 0 / 3 / 24 / 40

HEX #989373

RGB 152 147 115

HSL 51.89, 0.15%, 0.52%

LAB 60.59, -3.57, 17.64

 

CMYK 0 / 2 / 21 / 34

HEX #A9A586

RGB 169 165 134

HSL 53.14, 0.17%, 0.59%

LAB 67.33, -3.81, 16.62

 

CMYK 0 / 2 / 18 / 27

HEX #BAB799

RGB 186 183 153

HSL 54.55, 0.19%, 0.66%

LAB 73.94, -4.02, 15.66

 

CMYK 0 / 1 / 15 / 20

HEX #CBC9AC

RGB 203 201 172

HSL 56.13, 0.23%, 0.74%

LAB 80.43, -4.21, 14.76

 

CMYK 0 / 1 / 22 / 49

HEX #828165

RGB 130 129 101

HSL 57.93, 0.13%, 0.45%

LAB 53.37, -4.59, 15.36

 

CMYK 0 / 2 / 27 / 56

HEX #716F52

RGB 113 111 82

HSL 56.13, 0.16%, 0.38%

LAB 46.3, -4.35, 16.48

 

CMYK 0 / 3 / 34 / 62

HEX #605D3F

RGB 96 93 63

HSL 54.55, 0.21%, 0.31%

LAB 39.03, -4.04, 17.7

 

CMYK 0 / 5 / 44 / 69

HEX #4F4B2C

RGB 79 75 44

HSL 53.14, 0.28%, 0.24%

LAB 31.52, -3.62, 19.06

 

CMYK 0 / 8 / 60 / 76

HEX #3E3919

RGB 62 57 25

HSL 51.89, 0.43%, 0.17%

LAB 23.74, -2.98, 20.52

 

CMYK 0 / 1 / 23 / 49

HEX #818063

RGB 129 128 99

HSL 58, 0.13%, 0.45%

LAB 52.96, -4.75, 15.93

 

CMYK 0 / 7 / 23 / 49

HEX #817863

RGB 129 120 99

HSL 42, 0.13%, 0.45%

LAB 50.69, -0.2, 12.8

 

CMYK 0 / 13 / 23 / 49

HEX #817063

RGB 129 112 99

HSL 26, 0.13%, 0.45%

LAB 48.46, 4.43, 9.67

 

CMYK 0 / 19 / 23 / 49

HEX #816863

RGB 129 104 99

HSL 10, 0.13%, 0.45%

LAB 46.27, 9.14, 6.58

 

CMYK 0 / 23 / 23 / 49

HEX #816363

RGB 129 99 99

HSL 0, 0.13%, 0.45%

LAB 44.93, 12.1, 4.66

 

CMYK 0 / 1 / 23 / 49

HEX #818063

RGB 129 128 99

HSL 58, 0.13%, 0.45%

LAB 52.96, -4.75, 15.93

 

CMYK 5 / 0 / 23 / 49

HEX #7A8163

RGB 122 129 99

HSL 74, 0.13%, 0.45%

LAB 52.66, -8.15, 15.43

 

CMYK 12 / 0 / 23 / 49

HEX #728163

RGB 114 129 99

HSL 90, 0.13%, 0.45%

LAB 52.04, -11.33, 14.47

 

CMYK 18 / 0 / 23 / 49

HEX #6A8163

RGB 106 129 99

HSL 106, 0.13%, 0.45%

LAB 51.46, -14.42, 13.58

 

CMYK 23 / 0 / 22 / 49

HEX #638165

RGB 99 129 101

HSL 124, 0.13%, 0.45%

LAB 51.03, -16.66, 11.75

 

CMYK 0 / 1 / 23 / 49

HEX #818063

RGB 129 128 99

HSL 58, 0.13%, 0.45%

LAB 52.96, -4.75, 15.93

 

CMYK 0 / 2 / 45 / 42

HEX #949151

RGB 148 145 81

HSL 57.31, 0.29%, 0.45%

LAB 59.1, -8.47, 34.22

 

CMYK 0 / 2 / 63 / 35

HEX #A6A33E

RGB 166 163 62

HSL 58.27, 0.46%, 0.45%

LAB 65.47, -11.92, 51.21

 

CMYK 0 / 3 / 76 / 27

HEX #B9B42C

RGB 185 180 44

HSL 57.87, 0.62%, 0.45%

LAB 71.65, -13.43, 64.74

 

CMYK 0 / 3 / 88 / 20

HEX #CBC519

RGB 203 197 25

HSL 57.98, 0.78%, 0.45%

LAB 77.7, -14.83, 75.3

 

CMYK 0 / 1 / 23 / 49

HEX #818063

RGB 129 128 99

HSL 58, 0.13%, 0.45%

LAB 52.96, -4.75, 15.93

 

CMYK 6 / 6 / 0 / 54

HEX #6F6F76

RGB 111 111 118

HSL 240, 0.03%, 0.45%

LAB 47.05, 1.47, -3.88

 

CMYK 32 / 31 / 0 / 47

HEX #5C5E88

RGB 92 94 136

HSL 237.27, 0.19%, 0.45%

LAB 41.31, 9.67, -23.57

 

CMYK 53 / 51 / 0 / 39

HEX #494C9B

RGB 73 76 155

HSL 237.8, 0.36%, 0.45%

LAB 35.89, 21.81, -43.7

 

CMYK 68 / 66 / 0 / 32

HEX #373BAE

RGB 55 59 174

HSL 237.98, 0.52%, 0.45%

LAB 31.8, 36, -61.81

 

CMYK 0 / 13 / 23 / 49

HEX #817063

RGB 129 112 99

HSL 26, 0.13%, 0.45%

LAB 48.46, 4.43, 9.67

 

CMYK 0 / 7 / 23 / 49

HEX #817863

RGB 129 120 99

HSL 42, 0.13%, 0.45%

LAB 50.69, -0.2, 12.8

 

CMYK 0 / 1 / 23 / 49

HEX #818063

RGB 129 128 99

HSL 58, 0.13%, 0.45%

LAB 52.96, -4.75, 15.93

 

CMYK 5 / 0 / 23 / 49

HEX #7B8163

RGB 123 129 99

HSL 72, 0.13%, 0.45%

LAB 52.74, -7.74, 15.56

 

CMYK 11 / 0 / 23 / 49

HEX #738163

RGB 115 129 99

HSL 88, 0.13%, 0.45%

LAB 52.11, -10.93, 14.59

 

CMYK 0 / 1 / 24 / 67

HEX #53523F

RGB 83 82 63

HSL 57, 0.14%, 0.29%

LAB 34.46, -3.23, 11.33

 

CMYK 0 / 1 / 24 / 58

HEX #6A6951

RGB 106 105 81

HSL 57.6, 0.13%, 0.37%

LAB 43.89, -4, 13.68

 

CMYK 0 / 1 / 23 / 49

HEX #818063

RGB 129 128 99

HSL 58, 0.13%, 0.45%

LAB 52.96, -4.75, 15.93

 

CMYK 0 / 1 / 21 / 41

HEX #969577

RGB 150 149 119

HSL 58.06, 0.13%, 0.53%

LAB 61.05, -4.86, 16.02

 

CMYK 0 / 1 / 15 / 34

HEX #A8A78F

RGB 168 167 143

HSL 57.6, 0.13%, 0.61%

LAB 67.98, -3.86, 12.56

 

CMYK 0 / 1 / 22 / 49

HEX #828165

RGB 130 129 101

HSL 57.93, 0.13%, 0.45%

LAB 53.37, -4.59, 15.36

 

CMYK 23 / 0 / 19 / 49

HEX #638168

RGB 99 129 104

HSL 130, 0.13%, 0.45%

LAB 51.1, -16.07, 10.11

 

CMYK 10 / 23 / 0 / 49

HEX #746381

RGB 116 99 129

HSL 274, 0.13%, 0.45%

LAB 44.55, 12.93, -14.18

 

CMYK 0 / 1 / 22 / 49

HEX #828165

RGB 130 129 101

HSL 57.93, 0.13%, 0.45%

LAB 53.37, -4.59, 15.36

 

CMYK 23 / 0 / 1 / 49

HEX #638180

RGB 99 129 128

HSL 178, 0.13%, 0.45%

LAB 51.74, -10.85, -2.97

 

CMYK 1 / 23 / 0 / 49

HEX #806381

RGB 128 99 129

HSL 298, 0.13%, 0.45%

LAB 45.77, 17.26, -12.22

 

CMYK 0 / 1 / 22 / 49

HEX #828165

RGB 130 129 101

HSL 57.93, 0.13%, 0.45%

LAB 53.37, -4.59, 15.36

 

CMYK 23 / 0 / 19 / 49

HEX #638168

RGB 99 129 104

HSL 130, 0.13%, 0.45%

LAB 51.1, -16.07, 10.11

 

CMYK 23 / 22 / 0 / 49

HEX #636581

RGB 99 101 129

HSL 236, 0.13%, 0.45%

LAB 43.57, 5.77, -15.81

 

CMYK 0 / 23 / 3 / 49

HEX #81637D

RGB 129 99 125

HSL 308, 0.13%, 0.45%

LAB 45.73, 16.82, -9.85

 

CMYK 0 / 1 / 22 / 49

HEX #828165

RGB 130 129 101

HSL 57.93, 0.13%, 0.45%

LAB 53.37, -4.59, 15.36

 

CMYK 23 / 0 / 12 / 49

HEX #638171

RGB 99 129 113

HSL 148, 0.13%, 0.45%

LAB 51.32, -14.23, 5.19

 

CMYK 23 / 22 / 0 / 49

HEX #636581

RGB 99 101 129

HSL 236, 0.13%, 0.45%

LAB 43.57, 5.77, -15.81

 

CMYK 0 / 23 / 10 / 49

HEX #816374

RGB 129 99 116

HSL 326, 0.13%, 0.45%

LAB 45.43, 15.08, -4.88

 

Description

Color code: RGB 130 129 101 | qconv.com Color code: RGB 130 129 101 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 129 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 129 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 22 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 22% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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