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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 111 67 it is the complementary color RGB 125 144 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 111 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 111 67 shade: RGB 135 111 62, RGB 152 129 81, RGB 169 147 100, RGB 186 165 119 and RGB 203 183 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 111 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 111 67 shade: RGB 130 111 67, RGB 113 93 48, RGB 96 75 29, RGB 79 57 10 and RGB 62 39 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 111 67 shade: RGB 131 112 67, RGB 131 94 67, RGB 131 77 67 and RGB 131 67 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 111 67 shade: RGB 131 112 67, RGB 131 129 67, RGB 116 131 67, RGB 98 131 67 and RGB 81 131 67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 111 67 shade matches the following richer shades: RGB 131 112 67, RGB 147 118 51, RGB 163 124 35, RGB 179 131 19 and RGB 195 137 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 111 67 shade: RGB 131 112 67, RGB 115 105 83, RGB 99 99 99, RGB 83 92 115 and RGB 66 86 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 111 67 shade: RGB 131 77 67, RGB 131 94 67, RGB 131 111 67, RGB 131 128 67 and RGB 117 131 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 111 67 shade: RGB 76 65 39, RGB 104 88 53, RGB 131 112 67, RGB 158 135 81 and RGB 177 155 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 111 67 shade: RGB 130 111 67, RGB 75 131 67 and RGB 85 67 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 111 67 shade: RGB 130 111 67, RGB 67 131 111 and RGB 111 67 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 111 67 shade: RGB 130 111 67, RGB 75 131 67, RGB 67 87 131 and RGB 123 67 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 111 67 shade: RGB 130 111 67, RGB 67 131 79, RGB 67 87 131 and RGB 131 67 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 48 / 49

HEX #826F43

RGB 130 111 67

HSL 41.9, 0.32%, 0.39%

LAB 47.65, 1.17, 27.17

 

Complementary color

CMYK 34 / 23 / 0 / 26

HEX #7D90BC

RGB 125 144 188

HSL 221.9, 0.32%, 0.61%

LAB 59.83, 3.87, -25.1

 

CMYK 0 / 18 / 54 / 47

HEX #876F3E

RGB 135 111 62

HSL 40.27, 0.37%, 0.39%

LAB 48.09, 2.92, 30.61

 

CMYK 0 / 15 / 47 / 40

HEX #988151

RGB 152 129 81

HSL 40.56, 0.3%, 0.46%

LAB 55.04, 2.1, 29.21

 

CMYK 0 / 13 / 41 / 34

HEX #A99364

RGB 169 147 100

HSL 40.87, 0.29%, 0.53%

LAB 61.85, 1.44, 27.9

 

CMYK 0 / 11 / 36 / 27

HEX #BAA577

RGB 186 165 119

HSL 41.19, 0.33%, 0.6%

LAB 68.52, 0.89, 26.67

 

CMYK 0 / 10 / 32 / 20

HEX #CBB78A

RGB 203 183 138

HSL 41.54, 0.38%, 0.67%

LAB 75.08, 0.42, 25.52

 

CMYK 0 / 15 / 48 / 49

HEX #826F43

RGB 130 111 67

HSL 41.9, 0.32%, 0.39%

LAB 47.65, 1.17, 27.17

 

CMYK 0 / 18 / 58 / 56

HEX #715D30

RGB 113 93 48

HSL 41.54, 0.4%, 0.32%

LAB 40.5, 2.03, 28.6

 

CMYK 0 / 22 / 70 / 62

HEX #604B1D

RGB 96 75 29

HSL 41.19, 0.54%, 0.25%

LAB 33.15, 3.18, 30.01

 

CMYK 0 / 28 / 87 / 69

HEX #4F390A

RGB 79 57 10

HSL 40.87, 0.78%, 0.17%

LAB 25.59, 4.78, 30.87

 

CMYK 0 / 37 / 100 / 76

HEX #3E2700

RGB 62 39 0

HSL 37.74, 1%, 0.12%

LAB 17.81, 7.07, 25.91

 

CMYK 0 / 15 / 49 / 49

HEX #837043

RGB 131 112 67

HSL 42.19, 0.32%, 0.39%

LAB 48.03, 1.04, 27.68

 

CMYK 0 / 28 / 49 / 49

HEX #835E43

RGB 131 94 67

HSL 25.31, 0.32%, 0.39%

LAB 43.12, 11.59, 21.4

 

CMYK 0 / 41 / 49 / 49

HEX #834D43

RGB 131 77 67

HSL 9.38, 0.32%, 0.39%

LAB 38.79, 21.62, 15.68

 

CMYK 0 / 49 / 49 / 49

HEX #834343

RGB 131 67 67

HSL 0, 0.32%, 0.39%

LAB 36.45, 27.37, 12.5

 

CMYK 0 / 15 / 49 / 49

HEX #837043

RGB 131 112 67

HSL 42.19, 0.32%, 0.39%

LAB 48.03, 1.04, 27.68

 

CMYK 0 / 2 / 49 / 49

HEX #838143

RGB 131 129 67

HSL 58.13, 0.32%, 0.39%

LAB 52.87, -8.56, 33.64

 

CMYK 11 / 0 / 49 / 49

HEX #748343

RGB 116 131 67

HSL 74.06, 0.32%, 0.39%

LAB 52.23, -16.13, 32.58

 

CMYK 25 / 0 / 49 / 49

HEX #628343

RGB 98 131 67

HSL 90.94, 0.32%, 0.39%

LAB 50.96, -23.52, 30.73

 

CMYK 38 / 0 / 49 / 49

HEX #518343

RGB 81 131 67

HSL 106.88, 0.32%, 0.39%

LAB 49.96, -29.9, 29.27

 

CMYK 0 / 15 / 49 / 49

HEX #837043

RGB 131 112 67

HSL 42.19, 0.32%, 0.39%

LAB 48.03, 1.04, 27.68

 

CMYK 0 / 20 / 65 / 42

HEX #937633

RGB 147 118 51

HSL 41.88, 0.48%, 0.39%

LAB 51.15, 3.47, 40.23

 

CMYK 0 / 24 / 79 / 36

HEX #A37C23

RGB 163 124 35

HSL 41.72, 0.65%, 0.39%

LAB 54.37, 6.52, 51.13

 

CMYK 0 / 27 / 89 / 30

HEX #B38313

RGB 179 131 19

HSL 42, 0.81%, 0.39%

LAB 57.91, 9.4, 59.88

 

CMYK 0 / 30 / 98 / 24

HEX #C38903

RGB 195 137 3

HSL 41.88, 0.97%, 0.39%

LAB 61.22, 13.05, 65.99

 

CMYK 0 / 15 / 49 / 49

HEX #837043

RGB 131 112 67

HSL 42.19, 0.32%, 0.39%

LAB 48.03, 1.04, 27.68

 

CMYK 0 / 9 / 28 / 55

HEX #736953

RGB 115 105 83

HSL 41.25, 0.16%, 0.39%

LAB 44.76, 0.14, 13.82

 

CMYK 0 / 0 / 0 / 61

HEX #636363

RGB 99 99 99

HSL 0, 0%, 0.39%

LAB 41.96, 0, -0.01

 

CMYK 28 / 20 / 0 / 55

HEX #535C73

RGB 83 92 115

HSL 223.13, 0.16%, 0.39%

LAB 39.12, 2.23, -14.19

 

CMYK 50 / 34 / 0 / 49

HEX #425683

RGB 66 86 131

HSL 221.54, 0.33%, 0.39%

LAB 36.84, 5.66, -27.64

 

CMYK 0 / 41 / 49 / 49

HEX #834D43

RGB 131 77 67

HSL 9.38, 0.32%, 0.39%

LAB 38.79, 21.62, 15.68

 

CMYK 0 / 28 / 49 / 49

HEX #835E43

RGB 131 94 67

HSL 25.31, 0.32%, 0.39%

LAB 43.12, 11.59, 21.4

 

CMYK 0 / 15 / 49 / 49

HEX #836F43

RGB 131 111 67

HSL 41.25, 0.32%, 0.39%

LAB 47.75, 1.62, 27.32

 

CMYK 0 / 2 / 49 / 49

HEX #838043

RGB 131 128 67

HSL 57.19, 0.32%, 0.39%

LAB 52.59, -8, 33.29

 

CMYK 11 / 0 / 49 / 49

HEX #758343

RGB 117 131 67

HSL 73.13, 0.32%, 0.39%

LAB 52.31, -15.7, 32.69

 

CMYK 0 / 14 / 49 / 70

HEX #4C4127

RGB 76 65 39

HSL 42.16, 0.32%, 0.23%

LAB 28.02, 0.53, 17.58

 

CMYK 0 / 15 / 49 / 59

HEX #685835

RGB 104 88 53

HSL 41.18, 0.32%, 0.31%

LAB 38.16, 1.33, 22.66

 

CMYK 0 / 15 / 49 / 49

HEX #837043

RGB 131 112 67

HSL 42.19, 0.32%, 0.39%

LAB 48.03, 1.04, 27.68

 

CMYK 0 / 15 / 49 / 38

HEX #9E8751

RGB 158 135 81

HSL 42.08, 0.32%, 0.47%

LAB 57.26, 1.34, 32.13

 

CMYK 0 / 12 / 41 / 31

HEX #B19B68

RGB 177 155 104

HSL 41.92, 0.32%, 0.55%

LAB 64.79, 0.85, 29.71

 

CMYK 0 / 15 / 48 / 49

HEX #826F43

RGB 130 111 67

HSL 41.9, 0.32%, 0.39%

LAB 47.65, 1.17, 27.17

 

CMYK 43 / 0 / 49 / 49

HEX #4B8343

RGB 75 131 67

HSL 112.5, 0.32%, 0.39%

LAB 49.66, -31.96, 28.83

 

CMYK 35 / 49 / 0 / 49

HEX #554383

RGB 85 67 131

HSL 256.88, 0.32%, 0.39%

LAB 33.1, 23.21, -33.44

 

CMYK 0 / 15 / 48 / 49

HEX #826F43

RGB 130 111 67

HSL 41.9, 0.32%, 0.39%

LAB 47.65, 1.17, 27.17

 

CMYK 49 / 0 / 15 / 49

HEX #43836F

RGB 67 131 111

HSL 161.25, 0.32%, 0.39%

LAB 50.18, -25.69, 4.5

 

CMYK 15 / 49 / 0 / 49

HEX #6F4383

RGB 111 67 131

HSL 281.25, 0.32%, 0.39%

LAB 36.05, 31.01, -28.59

 

CMYK 0 / 15 / 48 / 49

HEX #826F43

RGB 130 111 67

HSL 41.9, 0.32%, 0.39%

LAB 47.65, 1.17, 27.17

 

CMYK 43 / 0 / 49 / 49

HEX #4B8343

RGB 75 131 67

HSL 112.5, 0.32%, 0.39%

LAB 49.66, -31.96, 28.83

 

CMYK 49 / 34 / 0 / 49

HEX #435783

RGB 67 87 131

HSL 221.25, 0.32%, 0.39%

LAB 37.2, 5.29, -27.06

 

CMYK 6 / 49 / 0 / 49

HEX #7B4383

RGB 123 67 131

HSL 292.5, 0.32%, 0.39%

LAB 37.6, 34.74, -26.05

 

CMYK 0 / 15 / 48 / 49

HEX #826F43

RGB 130 111 67

HSL 41.9, 0.32%, 0.39%

LAB 47.65, 1.17, 27.17

 

CMYK 49 / 0 / 40 / 49

HEX #43834F

RGB 67 131 79

HSL 131.25, 0.32%, 0.39%

LAB 49.48, -32.53, 21.94

 

CMYK 49 / 34 / 0 / 49

HEX #435783

RGB 67 87 131

HSL 221.25, 0.32%, 0.39%

LAB 37.2, 5.29, -27.06

 

CMYK 0 / 49 / 9 / 49

HEX #834377

RGB 131 67 119

HSL 311.25, 0.32%, 0.39%

LAB 38.15, 34.97, -17.7

 

Description

Color code: RGB 130 111 67 | qconv.com Color code: RGB 130 111 67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 111 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 111 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 48 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 48% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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