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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 114 91 it is the complementary color RGB 125 141 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 114 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 114 91 shade: RGB 135 114 86, RGB 152 132 105, RGB 169 150 124, RGB 186 168 143 and RGB 203 186 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 114 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 114 91 shade: RGB 130 114 91, RGB 113 96 72, RGB 96 78 53, RGB 79 60 34 and RGB 62 42 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 114 91 shade: RGB 129 113 89, RGB 129 102 89, RGB 129 91 89 and RGB 129 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 114 91 shade: RGB 129 113 89, RGB 129 123 89, RGB 124 129 89, RGB 113 129 89 and RGB 103 129 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 114 91 shade matches the following richer shades: RGB 129 113 89, RGB 147 116 72, RGB 164 119 54, RGB 182 122 36 and RGB 200 125 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 114 91 shade: RGB 129 113 89, RGB 111 110 107, RGB 93 106 125, RGB 76 103 143 and RGB 58 100 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 114 91 shade: RGB 129 91 89, RGB 129 102 89, RGB 129 112 89, RGB 129 123 89 and RGB 124 129 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 114 91 shade: RGB 80 70 56, RGB 105 91 72, RGB 129 113 89, RGB 152 134 107 and RGB 169 154 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 114 91 shade: RGB 130 114 91, RGB 98 129 89 and RGB 97 89 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 114 91 shade: RGB 130 114 91, RGB 89 129 112 and RGB 112 89 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 114 91 shade: RGB 130 114 91, RGB 98 129 89, RGB 89 106 129 and RGB 120 89 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 114 91 shade: RGB 130 114 91, RGB 89 129 93, RGB 89 106 129 and RGB 129 89 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 30 / 49

HEX #82725B

RGB 130 114 91

HSL 35.38, 0.18%, 0.43%

LAB 48.93, 2.47, 15.05

 

Complementary color

CMYK 24 / 14 / 0 / 36

HEX #7D8DA4

RGB 125 141 164

HSL 215.38, 0.18%, 0.57%

LAB 58.12, -0.49, -14.06

 

CMYK 0 / 16 / 36 / 47

HEX #877256

RGB 135 114 86

HSL 34.29, 0.22%, 0.43%

LAB 49.32, 3.9, 18.59

 

CMYK 0 / 13 / 31 / 40

HEX #988469

RGB 152 132 105

HSL 34.47, 0.19%, 0.5%

LAB 56.29, 3.35, 17.39

 

CMYK 0 / 11 / 27 / 34

HEX #A9967C

RGB 169 150 124

HSL 34.67, 0.21%, 0.57%

LAB 63.1, 2.89, 16.3

 

CMYK 0 / 10 / 23 / 27

HEX #BAA88F

RGB 186 168 143

HSL 34.88, 0.24%, 0.65%

LAB 69.77, 2.5, 15.3

 

CMYK 0 / 8 / 20 / 20

HEX #CBBAA2

RGB 203 186 162

HSL 35.12, 0.28%, 0.72%

LAB 76.33, 2.16, 14.36

 

CMYK 0 / 12 / 30 / 49

HEX #82725B

RGB 130 114 91

HSL 35.38, 0.18%, 0.43%

LAB 48.93, 2.47, 15.05

 

CMYK 0 / 15 / 36 / 56

HEX #716048

RGB 113 96 72

HSL 35.12, 0.22%, 0.36%

LAB 41.76, 3, 16.26

 

CMYK 0 / 19 / 45 / 62

HEX #604E35

RGB 96 78 53

HSL 34.88, 0.29%, 0.29%

LAB 34.38, 3.69, 17.62

 

CMYK 0 / 24 / 57 / 69

HEX #4F3C22

RGB 79 60 34

HSL 34.67, 0.4%, 0.22%

LAB 26.76, 4.63, 19.17

 

CMYK 0 / 32 / 76 / 76

HEX #3E2A0F

RGB 62 42 15

HSL 34.47, 0.61%, 0.15%

LAB 18.86, 5.98, 20.75

 

CMYK 0 / 12 / 31 / 49

HEX #817159

RGB 129 113 89

HSL 36, 0.18%, 0.43%

LAB 48.51, 2.33, 15.63

 

CMYK 0 / 21 / 31 / 49

HEX #816659

RGB 129 102 89

HSL 19.5, 0.18%, 0.43%

LAB 45.48, 8.78, 11.46

 

CMYK 0 / 29 / 31 / 49

HEX #815B59

RGB 129 91 89

HSL 3, 0.18%, 0.43%

LAB 42.57, 15.32, 7.36

 

CMYK 0 / 31 / 31 / 49

HEX #815959

RGB 129 89 89

HSL 0, 0.18%, 0.43%

LAB 42.05, 16.51, 6.63

 

CMYK 0 / 12 / 31 / 49

HEX #817159

RGB 129 113 89

HSL 36, 0.18%, 0.43%

LAB 48.51, 2.33, 15.63

 

CMYK 0 / 5 / 31 / 49

HEX #817B59

RGB 129 123 89

HSL 51, 0.18%, 0.43%

LAB 51.33, -3.4, 19.46

 

CMYK 4 / 0 / 31 / 49

HEX #7C8159

RGB 124 129 89

HSL 67.5, 0.18%, 0.43%

LAB 52.63, -8.86, 21.12

 

CMYK 12 / 0 / 31 / 49

HEX #718159

RGB 113 129 89

HSL 84, 0.18%, 0.43%

LAB 51.76, -13.35, 19.81

 

CMYK 20 / 0 / 31 / 49

HEX #678159

RGB 103 129 89

HSL 99, 0.18%, 0.43%

LAB 51.04, -17.3, 18.72

 

CMYK 0 / 12 / 31 / 49

HEX #817159

RGB 129 113 89

HSL 36, 0.18%, 0.43%

LAB 48.51, 2.33, 15.63

 

CMYK 0 / 21 / 51 / 42

HEX #937448

RGB 147 116 72

HSL 35.2, 0.34%, 0.43%

LAB 50.88, 6.37, 28.82

 

CMYK 0 / 27 / 67 / 36

HEX #A47736

RGB 164 119 54

HSL 35.45, 0.5%, 0.43%

LAB 53.33, 10.79, 41.69

 

CMYK 0 / 33 / 80 / 29

HEX #B67A24

RGB 182 122 36

HSL 35.34, 0.67%, 0.43%

LAB 56.08, 16.24, 53.14

 

CMYK 0 / 38 / 91 / 22

HEX #C87D12

RGB 200 125 18

HSL 35.27, 0.83%, 0.43%

LAB 58.97, 22.02, 62.03

 

CMYK 0 / 12 / 31 / 49

HEX #817159

RGB 129 113 89

HSL 36, 0.18%, 0.43%

LAB 48.51, 2.33, 15.63

 

CMYK 0 / 1 / 4 / 56

HEX #6F6E6B

RGB 111 110 107

HSL 45, 0.02%, 0.43%

LAB 46.44, -0.21, 1.8

 

CMYK 26 / 15 / 0 / 51

HEX #5D6A7D

RGB 93 106 125

HSL 215.63, 0.15%, 0.43%

LAB 44.4, -0.3, -12.19

 

CMYK 47 / 28 / 0 / 44

HEX #4C678F

RGB 76 103 143

HSL 215.82, 0.31%, 0.43%

LAB 43.09, 1.5, -25.09

 

CMYK 64 / 38 / 0 / 37

HEX #3A64A0

RGB 58 100 160

HSL 215.29, 0.47%, 0.43%

LAB 42.08, 4.92, -36.88

 

CMYK 0 / 29 / 31 / 49

HEX #815B59

RGB 129 91 89

HSL 3, 0.18%, 0.43%

LAB 42.57, 15.32, 7.36

 

CMYK 0 / 21 / 31 / 49

HEX #816659

RGB 129 102 89

HSL 19.5, 0.18%, 0.43%

LAB 45.48, 8.78, 11.46

 

CMYK 0 / 13 / 31 / 49

HEX #817059

RGB 129 112 89

HSL 34.5, 0.18%, 0.43%

LAB 48.23, 2.91, 15.25

 

CMYK 0 / 5 / 31 / 49

HEX #817B59

RGB 129 123 89

HSL 51, 0.18%, 0.43%

LAB 51.33, -3.4, 19.46

 

CMYK 4 / 0 / 31 / 49

HEX #7C8159

RGB 124 129 89

HSL 67.5, 0.18%, 0.43%

LAB 52.63, -8.86, 21.12

 

CMYK 0 / 13 / 30 / 69

HEX #504638

RGB 80 70 56

HSL 35, 0.18%, 0.27%

LAB 30.33, 1.71, 10

 

CMYK 0 / 13 / 31 / 59

HEX #695B48

RGB 105 91 72

HSL 34.55, 0.19%, 0.35%

LAB 39.5, 2.47, 13.06

 

CMYK 0 / 12 / 31 / 49

HEX #817159

RGB 129 113 89

HSL 36, 0.18%, 0.43%

LAB 48.51, 2.33, 15.63

 

CMYK 0 / 12 / 30 / 40

HEX #98866B

RGB 152 134 107

HSL 36, 0.18%, 0.51%

LAB 56.87, 2.51, 17.05

 

CMYK 0 / 9 / 22 / 34

HEX #A99A84

RGB 169 154 132

HSL 35.68, 0.18%, 0.59%

LAB 64.33, 1.87, 13.56

 

CMYK 0 / 12 / 30 / 49

HEX #82725B

RGB 130 114 91

HSL 35.38, 0.18%, 0.43%

LAB 48.93, 2.47, 15.05

 

CMYK 24 / 0 / 31 / 49

HEX #628159

RGB 98 129 89

HSL 106.5, 0.18%, 0.43%

LAB 50.71, -19.21, 18.21

 

CMYK 25 / 31 / 0 / 49

HEX #615981

RGB 97 89 129

HSL 252, 0.18%, 0.43%

LAB 40.03, 12.51, -21.26

 

CMYK 0 / 12 / 30 / 49

HEX #82725B

RGB 130 114 91

HSL 35.38, 0.18%, 0.43%

LAB 48.93, 2.47, 15.05

 

CMYK 31 / 0 / 13 / 49

HEX #598170

RGB 89 129 112

HSL 154.5, 0.18%, 0.43%

LAB 50.68, -17.85, 4.77

 

CMYK 13 / 31 / 0 / 49

HEX #705981

RGB 112 89 129

HSL 274.5, 0.18%, 0.43%

LAB 41.49, 17.6, -18.89

 

CMYK 0 / 12 / 30 / 49

HEX #82725B

RGB 130 114 91

HSL 35.38, 0.18%, 0.43%

LAB 48.93, 2.47, 15.05

 

CMYK 24 / 0 / 31 / 49

HEX #628159

RGB 98 129 89

HSL 106.5, 0.18%, 0.43%

LAB 50.71, -19.21, 18.21

 

CMYK 31 / 18 / 0 / 49

HEX #596A81

RGB 89 106 129

HSL 214.5, 0.18%, 0.43%

LAB 44.26, -0.56, -14.83

 

CMYK 7 / 31 / 0 / 49

HEX #785981

RGB 120 89 129

HSL 286.5, 0.18%, 0.43%

LAB 42.34, 20.4, -17.51

 

CMYK 0 / 12 / 30 / 49

HEX #82725B

RGB 130 114 91

HSL 35.38, 0.18%, 0.43%

LAB 48.93, 2.47, 15.05

 

CMYK 31 / 0 / 28 / 49

HEX #59815D

RGB 89 129 93

HSL 126, 0.18%, 0.43%

LAB 50.23, -21.77, 15.18

 

CMYK 31 / 18 / 0 / 49

HEX #596A81

RGB 89 106 129

HSL 214.5, 0.18%, 0.43%

LAB 44.26, -0.56, -14.83

 

CMYK 0 / 31 / 2 / 49

HEX #81597E

RGB 129 89 126

HSL 304.5, 0.18%, 0.43%

LAB 43.24, 22.97, -14.23

 

Description

Color code: RGB 130 114 91 | qconv.com Color code: RGB 130 114 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 114 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 114 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 30 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 30% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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