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Color name
RGB 130 108 12

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 108 12 it is the complementary color RGB 125 147 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 108 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 108 12 shade: RGB 135 108 7, RGB 152 126 26, RGB 169 144 45, RGB 186 162 64 and RGB 203 180 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 108 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 108 12 shade: RGB 130 108 12, RGB 113 90 0, RGB 96 72 0, RGB 79 54 0 and RGB 62 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 108 12 shade: RGB 130 108 12, RGB 130 76 12, RGB 130 44 12, RGB 130 12 12 and RGB 130 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 108 12 shade: RGB 130 108 12, RGB 120 130 12, RGB 88 130 12, RGB 56 130 12 and RGB 24 130 12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 108 12 shade matches the following richer shades: RGB 130 108 12 and RGB 142 115 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 108 12 shade: RGB 130 108 12, RGB 119 101 23, RGB 107 94 35, RGB 96 86 46 and RGB 84 79 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 108 12 shade: RGB 130 43 12, RGB 130 75 12, RGB 130 106 12, RGB 122 130 12 and RGB 91 130 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 108 12 shade: RGB 55 45 5, RGB 92 77 8, RGB 130 108 12, RGB 168 139 15 and RGB 206 171 19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 108 12 shade: RGB 130 108 12, RGB 12 130 12 and RGB 59 12 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 108 12 shade: RGB 130 108 12, RGB 12 130 106 and RGB 106 12 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 108 12 shade: RGB 130 108 12, RGB 12 130 12, RGB 12 35 130 and RGB 130 12 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 108 12 shade: RGB 130 108 12, RGB 12 130 47, RGB 12 35 130 and RGB 130 12 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 91 / 49

HEX #826C0C

RGB 130 108 12

HSL 48.81, 0.83%, 0.28%

LAB 46.31, -0.58, 50.07

 

Complementary color

CMYK 49 / 40 / 0 / 5

HEX #7D93F3

RGB 125 147 243

HSL 228.81, 0.83%, 0.72%

LAB 63.09, 17.7, -50.68

 

CMYK 0 / 20 / 95 / 47

HEX #876C07

RGB 135 108 7

HSL 47.34, 0.9%, 0.28%

LAB 46.83, 1.71, 51.81

 

CMYK 0 / 17 / 83 / 40

HEX #987E1A

RGB 152 126 26

HSL 47.62, 0.71%, 0.35%

LAB 53.68, -0.01, 53.23

 

CMYK 0 / 15 / 73 / 34

HEX #A9902D

RGB 169 144 45

HSL 47.9, 0.58%, 0.42%

LAB 60.4, -1.41, 53.22

 

CMYK 0 / 13 / 66 / 27

HEX #BAA240

RGB 186 162 64

HSL 48.2, 0.49%, 0.49%

LAB 67.01, -2.55, 52.51

 

CMYK 0 / 11 / 59 / 20

HEX #CBB453

RGB 203 180 83

HSL 48.5, 0.54%, 0.56%

LAB 73.52, -3.49, 51.48

 

CMYK 0 / 17 / 91 / 49

HEX #826C0C

RGB 130 108 12

HSL 48.81, 0.83%, 0.28%

LAB 46.31, -0.58, 50.07

 

CMYK 0 / 20 / 100 / 56

HEX #715A00

RGB 113 90 0

HSL 47.79, 1%, 0.22%

LAB 39.28, 1.38, 46.97

 

CMYK 0 / 25 / 100 / 62

HEX #604800

RGB 96 72 0

HSL 45, 1%, 0.19%

LAB 32.08, 3.73, 41.04

 

CMYK 0 / 32 / 100 / 69

HEX #4F3600

RGB 79 54 0

HSL 41.01, 1%, 0.15%

LAB 24.64, 6.29, 34.04

 

CMYK 0 / 42 / 100 / 76

HEX #3E2400

RGB 62 36 0

HSL 34.84, 1%, 0.12%

LAB 16.92, 9.09, 24.84

 

CMYK 0 / 17 / 91 / 49

HEX #826C0C

RGB 130 108 12

HSL 48.81, 0.83%, 0.28%

LAB 46.31, -0.58, 50.07

 

CMYK 0 / 42 / 91 / 49

HEX #824C0C

RGB 130 76 12

HSL 32.54, 0.83%, 0.28%

LAB 37.74, 18.21, 43.24

 

CMYK 0 / 66 / 91 / 49

HEX #822C0C

RGB 130 44 12

HSL 16.27, 0.83%, 0.28%

LAB 30.82, 35.6, 37.74

 

CMYK 0 / 91 / 91 / 49

HEX #820C0C

RGB 130 12 12

HSL 0, 0.83%, 0.28%

LAB 26.84, 46.62, 34.48

 

CMYK 0 / 91 / 91 / 49

HEX #820C0C

RGB 130 12 12

HSL 0, 0.83%, 0.28%

LAB 26.84, 46.62, 34.48

 

CMYK 0 / 17 / 91 / 49

HEX #826C0C

RGB 130 108 12

HSL 48.81, 0.83%, 0.28%

LAB 46.31, -0.58, 50.07

 

CMYK 8 / 0 / 91 / 49

HEX #78820C

RGB 120 130 12

HSL 65.08, 0.83%, 0.28%

LAB 51.82, -17.44, 54.12

 

CMYK 32 / 0 / 91 / 49

HEX #58820C

RGB 88 130 12

HSL 81.36, 0.83%, 0.28%

LAB 49.58, -31.31, 51.35

 

CMYK 57 / 0 / 91 / 49

HEX #38820C

RGB 56 130 12

HSL 97.63, 0.83%, 0.28%

LAB 48.05, -42.57, 49.45

 

CMYK 82 / 0 / 91 / 49

HEX #18820C

RGB 24 130 12

HSL 113.9, 0.83%, 0.28%

LAB 47.22, -49.55, 48.4

 

CMYK 0 / 17 / 91 / 49

HEX #826C0C

RGB 130 108 12

HSL 48.81, 0.83%, 0.28%

LAB 46.31, -0.58, 50.07

 

CMYK 0 / 19 / 100 / 44

HEX #8E7300

RGB 142 115 0

HSL 48.59, 1%, 0.28%

LAB 49.51, 0.91, 55.61

 

CMYK 0 / 17 / 91 / 49

HEX #826C0C

RGB 130 108 12

HSL 48.81, 0.83%, 0.28%

LAB 46.31, -0.58, 50.07

 

CMYK 0 / 15 / 81 / 53

HEX #776517

RGB 119 101 23

HSL 48.75, 0.68%, 0.28%

LAB 43.2, -1.47, 43.59

 

CMYK 0 / 12 / 67 / 58

HEX #6B5E23

RGB 107 94 35

HSL 49.17, 0.51%, 0.28%

LAB 40, -2.48, 34.74

 

CMYK 0 / 10 / 52 / 62

HEX #60562E

RGB 96 86 46

HSL 48, 0.35%, 0.28%

LAB 36.63, -2, 24.64

 

CMYK 0 / 6 / 31 / 67

HEX #544F3A

RGB 84 79 58

HSL 48.46, 0.18%, 0.28%

LAB 33.53, -1.76, 13.18

 

CMYK 0 / 67 / 91 / 49

HEX #822B0C

RGB 130 43 12

HSL 15.76, 0.83%, 0.28%

LAB 30.64, 36.07, 37.6

 

CMYK 0 / 42 / 91 / 49

HEX #824B0C

RGB 130 75 12

HSL 32.03, 0.83%, 0.28%

LAB 37.49, 18.79, 43.04

 

CMYK 0 / 18 / 91 / 49

HEX #826A0C

RGB 130 106 12

HSL 47.8, 0.83%, 0.28%

LAB 45.74, 0.57, 49.62

 

CMYK 6 / 0 / 91 / 49

HEX #7A820C

RGB 122 130 12

HSL 64.07, 0.83%, 0.28%

LAB 51.98, -16.52, 54.32

 

CMYK 30 / 0 / 91 / 49

HEX #5B820C

RGB 91 130 12

HSL 79.83, 0.83%, 0.28%

LAB 49.76, -30.1, 51.58

 

CMYK 0 / 18 / 91 / 78

HEX #372D05

RGB 55 45 5

HSL 48, 0.83%, 0.12%

LAB 18.8, -0.49, 24.82

 

CMYK 0 / 16 / 91 / 64

HEX #5C4D08

RGB 92 77 8

HSL 49.29, 0.84%, 0.2%

LAB 33.14, -1.11, 38.75

 

CMYK 0 / 17 / 91 / 49

HEX #826C0C

RGB 130 108 12

HSL 48.81, 0.83%, 0.28%

LAB 46.31, -0.58, 50.07

 

CMYK 0 / 17 / 91 / 34

HEX #A88B0F

RGB 168 139 15

HSL 48.63, 0.84%, 0.36%

LAB 58.81, -0.12, 60.94

 

CMYK 0 / 17 / 91 / 19

HEX #CEAB13

RGB 206 171 19

HSL 48.77, 0.83%, 0.44%

LAB 71.07, -0.2, 71.31

 

CMYK 0 / 17 / 91 / 49

HEX #826C0C

RGB 130 108 12

HSL 48.81, 0.83%, 0.28%

LAB 46.31, -0.58, 50.07

 

CMYK 91 / 0 / 91 / 49

HEX #0C820C

RGB 12 130 12

HSL 120, 0.83%, 0.28%

LAB 47.07, -50.9, 48.21

 

CMYK 55 / 91 / 0 / 49

HEX #3B0C82

RGB 59 12 130

HSL 263.9, 0.83%, 0.28%

LAB 19.24, 46.78, -55.42

 

CMYK 0 / 17 / 91 / 49

HEX #826C0C

RGB 130 108 12

HSL 48.81, 0.83%, 0.28%

LAB 46.31, -0.58, 50.07

 

CMYK 91 / 0 / 18 / 49

HEX #0C826A

RGB 12 130 106

HSL 167.8, 0.83%, 0.28%

LAB 48.37, -35.74, 4.63

 

CMYK 18 / 91 / 0 / 49

HEX #6A0C82

RGB 106 12 130

HSL 287.8, 0.83%, 0.28%

LAB 26.56, 53.42, -43.16

 

CMYK 0 / 17 / 91 / 49

HEX #826C0C

RGB 130 108 12

HSL 48.81, 0.83%, 0.28%

LAB 46.31, -0.58, 50.07

 

CMYK 91 / 0 / 91 / 49

HEX #0C820C

RGB 12 130 12

HSL 120, 0.83%, 0.28%

LAB 47.07, -50.9, 48.21

 

CMYK 91 / 73 / 0 / 49

HEX #0C2382

RGB 12 35 130

HSL 228.31, 0.83%, 0.28%

LAB 19.61, 31.11, -54.94

 

CMYK 0 / 91 / 0 / 49

HEX #820C82

RGB 130 12 130

HSL 300, 0.83%, 0.28%

LAB 30.93, 57.74, -35.9

 

CMYK 0 / 17 / 91 / 49

HEX #826C0C

RGB 130 108 12

HSL 48.81, 0.83%, 0.28%

LAB 46.31, -0.58, 50.07

 

CMYK 91 / 0 / 64 / 49

HEX #0C822F

RGB 12 130 47

HSL 137.8, 0.83%, 0.28%

LAB 47.3, -47.96, 35.79

 

CMYK 91 / 73 / 0 / 49

HEX #0C2382

RGB 12 35 130

HSL 228.31, 0.83%, 0.28%

LAB 19.61, 31.11, -54.94

 

CMYK 0 / 91 / 27 / 49

HEX #820C5F

RGB 130 12 95

HSL 317.8, 0.83%, 0.28%

LAB 28.99, 52.67, -16.56

 

Description

Color code: RGB 130 108 12 | qconv.com Color code: RGB 130 108 12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 108 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 108 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 91 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 91% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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