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Color name
RGB 130 105 194

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 105 194 it is the complementary color RGB 125 150 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 105 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 105 194 shade: RGB 135 105 189, RGB 152 123 208, RGB 169 141 227, RGB 186 159 246 and RGB 203 177 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 105 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 105 194 shade: RGB 130 105 194, RGB 113 87 175, RGB 96 69 156, RGB 79 51 137 and RGB 62 33 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 105 194 shade: RGB 131 106 194, RGB 154 106 194, RGB 178 106 194, RGB 194 106 186 and RGB 194 106 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 105 194 shade: RGB 131 106 194, RGB 107 106 194 and RGB 106 106 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 105 194 shade matches the following richer shades: RGB 131 106 194, RGB 123 89 211, RGB 116 72 228 and RGB 108 55 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 105 194 shade: RGB 131 106 194, RGB 138 123 177, RGB 146 140 160, RGB 153 157 143 and RGB 160 174 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 105 194 shade: RGB 106 129 194, RGB 106 106 194, RGB 129 106 194, RGB 153 106 194 and RGB 176 106 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 105 194 shade: RGB 89 63 155, RGB 106 77 182, RGB 131 106 194, RGB 155 135 206 and RGB 180 165 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 105 194 shade: RGB 130 105 194, RGB 194 106 153 and RGB 118 194 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 105 194 shade: RGB 130 105 194, RGB 194 129 106 and RGB 106 194 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 105 194 shade: RGB 130 105 194, RGB 194 106 153, RGB 170 194 106 and RGB 106 194 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 105 194 shade: RGB 130 105 194, RGB 194 106 127, RGB 170 194 106 and RGB 106 194 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 46 / 0 / 24

HEX #8269C2

RGB 130 105 194

HSL 256.85, 0.42%, 0.59%

LAB 50.39, 29.86, -43.25

 

Complementary color

CMYK 17 / 0 / 59 / 41

HEX #7D963D

RGB 125 150 61

HSL 76.85, 0.42%, 0.41%

LAB 58.52, -22.78, 43.11

 

CMYK 29 / 44 / 0 / 26

HEX #8769BD

RGB 135 105 189

HSL 261.43, 0.39%, 0.58%

LAB 50.6, 29.95, -40

 

CMYK 27 / 41 / 0 / 18

HEX #987BD0

RGB 152 123 208

HSL 260.47, 0.47%, 0.65%

LAB 57.46, 29.08, -39.93

 

CMYK 26 / 38 / 0 / 11

HEX #A98DE3

RGB 169 141 227

HSL 259.53, 0.61%, 0.72%

LAB 64.19, 28.29, -39.9

 

CMYK 24 / 35 / 0 / 4

HEX #BA9FF6

RGB 186 159 246

HSL 258.62, 0.83%, 0.79%

LAB 70.79, 27.57, -39.89

 

CMYK 20 / 31 / 0 / 0

HEX #CBB1FF

RGB 203 177 255

HSL 260, 1%, 0.85%

LAB 76.9, 24.65, -35.17

 

CMYK 33 / 46 / 0 / 24

HEX #8269C2

RGB 130 105 194

HSL 256.85, 0.42%, 0.59%

LAB 50.39, 29.86, -43.25

 

CMYK 35 / 50 / 0 / 31

HEX #7157AF

RGB 113 87 175

HSL 257.73, 0.35%, 0.51%

LAB 43.39, 30.9, -43.42

 

CMYK 38 / 56 / 0 / 39

HEX #60459C

RGB 96 69 156

HSL 258.62, 0.39%, 0.44%

LAB 36.26, 32.05, -43.61

 

CMYK 42 / 63 / 0 / 46

HEX #4F3389

RGB 79 51 137

HSL 259.53, 0.46%, 0.37%

LAB 29, 33.31, -43.78

 

CMYK 47 / 72 / 0 / 54

HEX #3E2176

RGB 62 33 118

HSL 260.47, 0.56%, 0.3%

LAB 21.65, 34.56, -43.81

 

CMYK 32 / 45 / 0 / 24

HEX #836AC2

RGB 131 106 194

HSL 257.05, 0.42%, 0.59%

LAB 50.72, 29.54, -42.72

 

CMYK 21 / 45 / 0 / 24

HEX #9A6AC2

RGB 154 106 194

HSL 272.73, 0.42%, 0.59%

LAB 53.03, 36.01, -38.92

 

CMYK 8 / 45 / 0 / 24

HEX #B26AC2

RGB 178 106 194

HSL 289.09, 0.42%, 0.59%

LAB 55.75, 43.03, -34.45

 

CMYK 0 / 45 / 4 / 24

HEX #C26ABA

RGB 194 106 186

HSL 305.45, 0.42%, 0.59%

LAB 57.39, 46.32, -27.18

 

CMYK 0 / 45 / 16 / 24

HEX #C26AA2

RGB 194 106 162

HSL 321.82, 0.42%, 0.59%

LAB 56.47, 42.29, -14.74

 

CMYK 32 / 45 / 0 / 24

HEX #836AC2

RGB 131 106 194

HSL 257.05, 0.42%, 0.59%

LAB 50.72, 29.54, -42.72

 

CMYK 45 / 45 / 0 / 24

HEX #6B6AC2

RGB 107 106 194

HSL 240.68, 0.42%, 0.59%

LAB 48.67, 23.3, -46.1

 

CMYK 45 / 45 / 0 / 24

HEX #6A6AC2

RGB 106 106 194

HSL 240, 0.42%, 0.59%

LAB 48.6, 23.05, -46.23

 

CMYK 32 / 45 / 0 / 24

HEX #836AC2

RGB 131 106 194

HSL 257.05, 0.42%, 0.59%

LAB 50.72, 29.54, -42.72

 

CMYK 42 / 58 / 0 / 17

HEX #7B59D3

RGB 123 89 211

HSL 256.72, 0.58%, 0.59%

LAB 47.05, 42.04, -58.38

 

CMYK 49 / 68 / 0 / 11

HEX #7448E4

RGB 116 72 228

HSL 256.92, 0.74%, 0.59%

LAB 44.16, 54.61, -72.79

 

CMYK 56 / 78 / 0 / 4

HEX #6C37F5

RGB 108 55 245

HSL 256.74, 0.9%, 0.59%

LAB 42.02, 66.08, -85.93

 

CMYK 32 / 45 / 0 / 24

HEX #836AC2

RGB 131 106 194

HSL 257.05, 0.42%, 0.59%

LAB 50.72, 29.54, -42.72

 

CMYK 22 / 31 / 0 / 31

HEX #8A7BB1

RGB 138 123 177

HSL 256.67, 0.26%, 0.59%

LAB 54.81, 17.28, -26.5

 

CMYK 9 / 13 / 0 / 37

HEX #928CA0

RGB 146 140 160

HSL 258, 0.1%, 0.59%

LAB 59.35, 6.24, -9.77

 

CMYK 3 / 0 / 9 / 38

HEX #999D8F

RGB 153 157 143

HSL 77.14, 0.07%, 0.59%

LAB 64.06, -4.06, 6.82

 

CMYK 8 / 0 / 28 / 32

HEX #A0AE7E

RGB 160 174 126

HSL 77.5, 0.23%, 0.59%

LAB 68.93, -13.26, 23.07

 

CMYK 45 / 34 / 0 / 24

HEX #6A81C2

RGB 106 129 194

HSL 224.32, 0.42%, 0.59%

LAB 54.72, 9.13, -36.55

 

CMYK 45 / 45 / 0 / 24

HEX #6A6AC2

RGB 106 106 194

HSL 240, 0.42%, 0.59%

LAB 48.6, 23.05, -46.23

 

CMYK 34 / 45 / 0 / 24

HEX #816AC2

RGB 129 106 194

HSL 255.68, 0.42%, 0.59%

LAB 50.54, 29, -43.02

 

CMYK 21 / 45 / 0 / 24

HEX #996AC2

RGB 153 106 194

HSL 272.05, 0.42%, 0.59%

LAB 52.92, 35.73, -39.1

 

CMYK 9 / 45 / 0 / 24

HEX #B06AC2

RGB 176 106 194

HSL 287.73, 0.42%, 0.59%

LAB 55.52, 42.44, -34.84

 

CMYK 43 / 59 / 0 / 39

HEX #593F9B

RGB 89 63 155

HSL 256.96, 0.42%, 0.43%

LAB 34.08, 33.68, -46.55

 

CMYK 42 / 58 / 0 / 29

HEX #6A4DB6

RGB 106 77 182

HSL 256.57, 0.42%, 0.51%

LAB 40.81, 37.05, -51.71

 

CMYK 32 / 45 / 0 / 24

HEX #836AC2

RGB 131 106 194

HSL 257.05, 0.42%, 0.59%

LAB 50.72, 29.54, -42.72

 

CMYK 25 / 34 / 0 / 19

HEX #9B87CE

RGB 155 135 206

HSL 256.9, 0.42%, 0.67%

LAB 60.56, 22.55, -33.93

 

CMYK 17 / 24 / 0 / 15

HEX #B4A5DA

RGB 180 165 218

HSL 256.98, 0.42%, 0.75%

LAB 70.65, 16.03, -24.86

 

CMYK 33 / 46 / 0 / 24

HEX #8269C2

RGB 130 105 194

HSL 256.85, 0.42%, 0.59%

LAB 50.39, 29.86, -43.25

 

CMYK 0 / 45 / 21 / 24

HEX #C26A99

RGB 194 106 153

HSL 327.95, 0.42%, 0.59%

LAB 56.17, 40.9, -9.97

 

CMYK 39 / 0 / 45 / 24

HEX #76C26A

RGB 118 194 106

HSL 111.82, 0.42%, 0.59%

LAB 71.88, -40.77, 36.92

 

CMYK 33 / 46 / 0 / 24

HEX #8269C2

RGB 130 105 194

HSL 256.85, 0.42%, 0.59%

LAB 50.39, 29.86, -43.25

 

CMYK 0 / 34 / 45 / 24

HEX #C2816A

RGB 194 129 106

HSL 15.68, 0.42%, 0.59%

LAB 60.08, 22.43, 22.73

 

CMYK 45 / 0 / 34 / 24

HEX #6AC281

RGB 106 194 129

HSL 135.68, 0.42%, 0.59%

LAB 71.71, -40.7, 24.69

 

CMYK 33 / 46 / 0 / 24

HEX #8269C2

RGB 130 105 194

HSL 256.85, 0.42%, 0.59%

LAB 50.39, 29.86, -43.25

 

CMYK 0 / 45 / 21 / 24

HEX #C26A99

RGB 194 106 153

HSL 327.95, 0.42%, 0.59%

LAB 56.17, 40.9, -9.97

 

CMYK 12 / 0 / 45 / 24

HEX #AAC26A

RGB 170 194 106

HSL 76.36, 0.42%, 0.59%

LAB 74.93, -22.09, 41.4

 

CMYK 45 / 0 / 24 / 24

HEX #6AC293

RGB 106 194 147

HSL 147.95, 0.42%, 0.59%

LAB 72.06, -37.26, 15.56

 

CMYK 33 / 46 / 0 / 24

HEX #8269C2

RGB 130 105 194

HSL 256.85, 0.42%, 0.59%

LAB 50.39, 29.86, -43.25

 

CMYK 0 / 45 / 35 / 24

HEX #C26A7F

RGB 194 106 127

HSL 345.68, 0.42%, 0.59%

LAB 55.39, 37.32, 4.09

 

CMYK 12 / 0 / 45 / 24

HEX #AAC26A

RGB 170 194 106

HSL 76.36, 0.42%, 0.59%

LAB 74.93, -22.09, 41.4

 

CMYK 45 / 0 / 11 / 24

HEX #6AC2AD

RGB 106 194 173

HSL 165.68, 0.42%, 0.59%

LAB 72.67, -31.57, 2.34

 

Description

Color code: RGB 130 105 194 | qconv.com Color code: RGB 130 105 194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 105 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 105 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 46 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 46% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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