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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 227 149 it is the complementary color RGB 243 28 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 227 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 12 227 149 shade: RGB 17 227 144, RGB 34 245 163, RGB 51 255 182, RGB 68 255 201 and RGB 85 255 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 227 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 12 227 149 shade: RGB 12 227 149, RGB 0 209 130, RGB 0 191 111, RGB 0 173 92 and RGB 0 155 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 12 227 149 shade: RGB 11 227 149, RGB 11 227 91, RGB 11 227 33, RGB 49 227 11 and RGB 107 227 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 12 227 149 shade: RGB 11 227 149, RGB 11 227 207, RGB 11 189 227, RGB 11 131 227 and RGB 11 73 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 12 227 149 shade matches the following richer shades: RGB 11 227 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 12 227 149 shade: RGB 11 227 149, RGB 31 208 144, RGB 50 188 138, RGB 70 169 133 and RGB 89 150 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 12 227 149 shade: RGB 11 227 33, RGB 11 227 91, RGB 11 227 148, RGB 11 227 206 and RGB 11 191 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 12 227 149 shade: RGB 7 149 97, RGB 9 188 123, RGB 11 227 149, RGB 37 243 168 and RGB 76 245 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 12 227 149 shade: RGB 12 227 149, RGB 11 47 227 and RGB 227 62 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 12 227 149 shade: RGB 12 227 149, RGB 148 11 227 and RGB 227 148 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 12 227 149 shade: RGB 12 227 149, RGB 11 47 227, RGB 227 11 91 and RGB 227 191 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 12 227 149 shade: RGB 12 227 149, RGB 40 11 227, RGB 227 11 91 and RGB 198 227 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 34 / 11

HEX #0CE395

RGB 12 227 149

HSL 158.23, 0.9%, 0.47%

LAB 80.28, -63.44, 25.53

 

Complementary color

CMYK 0 / 88 / 56 / 5

HEX #F31C6A

RGB 243 28 106

HSL 338.23, 0.9%, 0.53%

LAB 52.87, 77.78, 14.16

 

CMYK 93 / 0 / 37 / 11

HEX #11E390

RGB 17 227 144

HSL 156.29, 0.86%, 0.48%

LAB 80.22, -64.26, 28.02

 

CMYK 86 / 0 / 33 / 4

HEX #22F5A3

RGB 34 245 163

HSL 156.68, 0.91%, 0.55%

LAB 86.15, -65.85, 26.35

 

CMYK 80 / 0 / 29 / 0

HEX #33FFB6

RGB 51 255 182

HSL 158.53, 1%, 0.6%

LAB 89.67, -64.16, 21.53

 

CMYK 73 / 0 / 21 / 0

HEX #44FFC9

RGB 68 255 201

HSL 162.67, 1%, 0.63%

LAB 90.31, -58.15, 12.71

 

CMYK 67 / 0 / 14 / 0

HEX #55FFDC

RGB 85 255 220

HSL 167.65, 1%, 0.67%

LAB 91.06, -51.42, 4.03

 

CMYK 95 / 0 / 34 / 11

HEX #0CE395

RGB 12 227 149

HSL 158.23, 0.9%, 0.47%

LAB 80.28, -63.44, 25.53

 

CMYK 100 / 0 / 38 / 18

HEX #00D182

RGB 0 209 130

HSL 157.32, 1%, 0.41%

LAB 74.33, -61.34, 27.32

 

CMYK 100 / 0 / 42 / 25

HEX #00BF6F

RGB 0 191 111

HSL 154.87, 1%, 0.37%

LAB 68.32, -58.8, 29.24

RGB 0 191 111

CMYK 100 / 0 / 47 / 32

HEX #00AD5C

RGB 0 173 92

HSL 151.91, 1%, 0.34%

LAB 62.22, -56.13, 31.22

RGB 0 173 92

CMYK 100 / 0 / 53 / 39

HEX #009B49

RGB 0 155 73

HSL 148.26, 1%, 0.3%

LAB 56.01, -53.28, 33.21

RGB 0 155 73

CMYK 95 / 0 / 34 / 11

HEX #0BE395

RGB 11 227 149

HSL 158.33, 0.91%, 0.47%

LAB 80.28, -63.47, 25.52

 

CMYK 95 / 0 / 60 / 11

HEX #0BE35B

RGB 11 227 91

HSL 142.22, 0.91%, 0.47%

LAB 79.48, -73.04, 52.65

 

CMYK 95 / 0 / 85 / 11

HEX #0BE321

RGB 11 227 33

HSL 126.11, 0.91%, 0.47%

LAB 79.11, -77.73, 71.95

 

CMYK 78 / 0 / 95 / 11

HEX #31E30B

RGB 49 227 11

HSL 109.44, 0.91%, 0.47%

LAB 79.39, -75.37, 75.66

 

CMYK 53 / 0 / 95 / 11

HEX #6BE30B

RGB 107 227 11

HSL 93.33, 0.91%, 0.47%

LAB 80.79, -63.67, 77.37

 

CMYK 95 / 0 / 34 / 11

HEX #0BE395

RGB 11 227 149

HSL 158.33, 0.91%, 0.47%

LAB 80.28, -63.47, 25.52

 

CMYK 95 / 0 / 9 / 11

HEX #0BE3CF

RGB 11 227 207

HSL 174.44, 0.91%, 0.47%

LAB 81.57, -49.44, -3.12

 

CMYK 95 / 17 / 0 / 11

HEX #0BBDE3

RGB 11 189 227

HSL 190.56, 0.91%, 0.47%

LAB 70.88, -25.92, -29.99

 

CMYK 95 / 42 / 0 / 11

HEX #0B83E3

RGB 11 131 227

HSL 206.67, 0.91%, 0.47%

LAB 53.87, 6.4, -56.74

 

CMYK 95 / 68 / 0 / 11

HEX #0B49E3

RGB 11 73 227

HSL 222.78, 0.91%, 0.47%

LAB 38.52, 43.28, -81.69

 

CMYK 95 / 0 / 34 / 11

HEX #0BE395

RGB 11 227 149

HSL 158.33, 0.91%, 0.47%

LAB 80.28, -63.47, 25.52

 

CMYK 95 / 0 / 34 / 11

HEX #0BE395

RGB 11 227 149

HSL 158.33, 0.91%, 0.47%

LAB 80.28, -63.47, 25.52

 

CMYK 85 / 0 / 31 / 18

HEX #1FD090

RGB 31 208 144

HSL 158.31, 0.74%, 0.47%

LAB 74.46, -56.59, 20.2

 

CMYK 73 / 0 / 27 / 26

HEX #32BC8A

RGB 50 188 138

HSL 158.26, 0.58%, 0.47%

LAB 68.37, -48.15, 15.02

 

CMYK 59 / 0 / 21 / 34

HEX #46A985

RGB 70 169 133

HSL 158.18, 0.41%, 0.47%

LAB 62.82, -37.72, 10.03

 

CMYK 41 / 0 / 15 / 41

HEX #599680

RGB 89 150 128

HSL 158.36, 0.26%, 0.47%

LAB 57.55, -25.09, 5.43

 

CMYK 95 / 0 / 85 / 11

HEX #0BE321

RGB 11 227 33

HSL 126.11, 0.91%, 0.47%

LAB 79.11, -77.73, 71.95

 

CMYK 95 / 0 / 60 / 11

HEX #0BE35B

RGB 11 227 91

HSL 142.22, 0.91%, 0.47%

LAB 79.48, -73.04, 52.65

 

CMYK 95 / 0 / 35 / 11

HEX #0BE394

RGB 11 227 148

HSL 158.06, 0.91%, 0.47%

LAB 80.26, -63.67, 26.01

 

CMYK 95 / 0 / 9 / 11

HEX #0BE3CE

RGB 11 227 206

HSL 174.17, 0.91%, 0.47%

LAB 81.55, -49.72, -2.63

 

CMYK 95 / 16 / 0 / 11

HEX #0BBFE3

RGB 11 191 227

HSL 190, 0.91%, 0.47%

LAB 71.47, -26.92, -29.07

 

CMYK 95 / 0 / 35 / 42

HEX #079561

RGB 7 149 97

HSL 158.03, 0.91%, 0.31%

LAB 54.45, -46.11, 18.29

 

CMYK 95 / 0 / 35 / 26

HEX #09BC7B

RGB 9 188 123

HSL 158.21, 0.91%, 0.39%

LAB 67.62, -54.96, 21.98

 

CMYK 95 / 0 / 34 / 11

HEX #0BE395

RGB 11 227 149

HSL 158.33, 0.91%, 0.47%

LAB 80.28, -63.47, 25.52

 

CMYK 85 / 0 / 31 / 5

HEX #25F3A8

RGB 37 243 168

HSL 158.16, 0.9%, 0.55%

LAB 85.67, -63.89, 23.14

 

CMYK 69 / 0 / 25 / 4

HEX #4CF5B8

RGB 76 245 184

HSL 158.34, 0.89%, 0.63%

LAB 87.14, -56.97, 17.04

 

CMYK 95 / 0 / 34 / 11

HEX #0CE395

RGB 12 227 149

HSL 158.23, 0.9%, 0.47%

LAB 80.28, -63.44, 25.53

 

CMYK 95 / 79 / 0 / 11

HEX #0B2FE3

RGB 11 47 227

HSL 230, 0.91%, 0.47%

LAB 33.24, 58.06, -90.43

 

CMYK 0 / 73 / 95 / 11

HEX #E33E0B

RGB 227 62 11

HSL 14.17, 0.91%, 0.47%

LAB 51.61, 61.63, 60.69

 

CMYK 95 / 0 / 34 / 11

HEX #0CE395

RGB 12 227 149

HSL 158.23, 0.9%, 0.47%

LAB 80.28, -63.44, 25.53

 

CMYK 35 / 95 / 0 / 11

HEX #940BE3

RGB 148 11 227

HSL 278.06, 0.91%, 0.47%

LAB 41.35, 78.22, -76.67

 

CMYK 0 / 35 / 95 / 11

HEX #E3940B

RGB 227 148 11

HSL 38.06, 0.91%, 0.47%

LAB 67.68, 21.16, 71.1

 

CMYK 95 / 0 / 34 / 11

HEX #0CE395

RGB 12 227 149

HSL 158.23, 0.9%, 0.47%

LAB 80.28, -63.44, 25.53

 

CMYK 95 / 79 / 0 / 11

HEX #0B2FE3

RGB 11 47 227

HSL 230, 0.91%, 0.47%

LAB 33.24, 58.06, -90.43

 

CMYK 0 / 95 / 60 / 11

HEX #E30B5B

RGB 227 11 91

HSL 337.78, 0.91%, 0.47%

LAB 48.67, 75.1, 17.05

 

CMYK 0 / 16 / 95 / 11

HEX #E3BF0B

RGB 227 191 11

HSL 50, 0.91%, 0.47%

LAB 78.24, -1.58, 78.67

 

CMYK 95 / 0 / 34 / 11

HEX #0CE395

RGB 12 227 149

HSL 158.23, 0.9%, 0.47%

LAB 80.28, -63.44, 25.53

 

CMYK 82 / 95 / 0 / 11

HEX #280BE3

RGB 40 11 227

HSL 248.06, 0.91%, 0.47%

LAB 30, 71.08, -95.81

 

CMYK 0 / 95 / 60 / 11

HEX #E30B5B

RGB 227 11 91

HSL 337.78, 0.91%, 0.47%

LAB 48.67, 75.1, 17.05

 

CMYK 13 / 0 / 95 / 11

HEX #C6E30B

RGB 198 227 11

HSL 68.06, 0.91%, 0.47%

LAB 85.49, -31.63, 83.08

 

Description

Color code: RGB 12 227 149 | qconv.com Color code: RGB 12 227 149 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 227 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 227 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 34 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 34% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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