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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 105 43 it is the complementary color RGB 243 150 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 105 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 12 105 43 shade: RGB 17 105 38, RGB 34 123 57, RGB 51 141 76, RGB 68 159 95 and RGB 85 177 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 105 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 12 105 43 shade: RGB 12 105 43, RGB 0 87 24, RGB 0 69 5, RGB 0 51 0 and RGB 0 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 12 105 43 shade: RGB 12 104 43, RGB 12 104 18, RGB 31 104 12, RGB 56 104 12 and RGB 81 104 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 12 105 43 shade: RGB 12 104 43, RGB 12 104 68, RGB 12 104 93, RGB 12 91 104 and RGB 12 66 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 12 105 43 shade matches the following richer shades: RGB 12 104 43 and RGB 2 114 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 12 105 43 shade: RGB 12 104 43, RGB 21 95 46, RGB 31 86 49, RGB 40 76 52 and RGB 50 67 55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 12 105 43 shade: RGB 30 104 12, RGB 12 104 18, RGB 12 104 43, RGB 12 104 67 and RGB 12 104 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 12 105 43 shade: RGB 3 31 12, RGB 7 68 28, RGB 12 104 43, RGB 16 141 58 and RGB 20 178 73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 12 105 43 shade: RGB 12 105 43, RGB 12 55 104 and RGB 104 12 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 12 105 43 shade: RGB 12 105 43, RGB 43 12 104 and RGB 104 43 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 12 105 43 shade: RGB 12 105 43, RGB 12 55 104, RGB 104 12 74 and RGB 104 61 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 12 105 43 shade: RGB 12 105 43, RGB 12 27 104, RGB 104 12 74 and RGB 104 89 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 59 / 59

HEX #0C692B

RGB 12 105 43

HSL 140, 0.79%, 0.23%

LAB 38.47, -39.79, 27.51

 

Complementary color

CMYK 0 / 38 / 13 / 5

HEX #F396D4

RGB 243 150 212

HSL 320, 0.79%, 0.77%

LAB 73.3, 43.42, -16.94

 

CMYK 84 / 0 / 64 / 59

HEX #116926

RGB 17 105 38

HSL 134.32, 0.72%, 0.24%

LAB 38.48, -39.91, 30.12

 

CMYK 72 / 0 / 54 / 52

HEX #227B39

RGB 34 123 57

HSL 135.51, 0.57%, 0.31%

LAB 45.36, -41.06, 28.52

 

CMYK 64 / 0 / 46 / 45

HEX #338D4C

RGB 51 141 76

HSL 136.67, 0.47%, 0.38%

LAB 52.15, -41.56, 26.94

 

CMYK 57 / 0 / 40 / 38

HEX #449F5F

RGB 68 159 95

HSL 137.8, 0.4%, 0.45%

LAB 58.84, -41.7, 25.46

 

CMYK 52 / 0 / 36 / 31

HEX #55B172

RGB 85 177 114

HSL 138.91, 0.37%, 0.51%

LAB 65.43, -41.66, 24.09

 

CMYK 89 / 0 / 59 / 59

HEX #0C692B

RGB 12 105 43

HSL 140, 0.79%, 0.23%

LAB 38.47, -39.79, 27.51

 

CMYK 100 / 0 / 72 / 66

HEX #005718

RGB 0 87 24

HSL 136.55, 1%, 0.17%

LAB 31.54, -37.41, 29.15

 

CMYK 100 / 0 / 93 / 73

HEX #004505

RGB 0 69 5

HSL 124.35, 1%, 0.14%

LAB 24.54, -33.2, 30.09

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 88 / 0 / 59 / 59

HEX #0C682B

RGB 12 104 43

HSL 140.22, 0.79%, 0.23%

LAB 38.12, -39.42, 27.08

 

CMYK 88 / 0 / 83 / 59

HEX #0C6812

RGB 12 104 18

HSL 123.91, 0.79%, 0.23%

LAB 37.88, -42.31, 38.16

 

CMYK 70 / 0 / 88 / 59

HEX #1F680C

RGB 31 104 12

HSL 107.61, 0.79%, 0.23%

LAB 38.23, -39.41, 40.51

 

CMYK 46 / 0 / 88 / 59

HEX #38680C

RGB 56 104 12

HSL 91.3, 0.79%, 0.23%

LAB 39.19, -31.87, 41.72

 

CMYK 22 / 0 / 88 / 59

HEX #51680C

RGB 81 104 12

HSL 75, 0.79%, 0.23%

LAB 40.7, -21.58, 43.63

 

CMYK 88 / 0 / 59 / 59

HEX #0C682B

RGB 12 104 43

HSL 140.22, 0.79%, 0.23%

LAB 38.12, -39.42, 27.08

 

CMYK 88 / 0 / 35 / 59

HEX #0C6844

RGB 12 104 68

HSL 156.52, 0.79%, 0.23%

LAB 38.54, -34.42, 13.35

 

CMYK 88 / 0 / 11 / 59

HEX #0C685D

RGB 12 104 93

HSL 172.83, 0.79%, 0.23%

LAB 39.19, -27.53, -0.9

 

CMYK 88 / 13 / 0 / 59

HEX #0C5B68

RGB 12 91 104

HSL 188.48, 0.79%, 0.23%

LAB 35.12, -17.03, -13.78

 

CMYK 88 / 37 / 0 / 59

HEX #0C4268

RGB 12 66 104

HSL 204.78, 0.79%, 0.23%

LAB 26.66, -1.69, -26.94

 

CMYK 88 / 0 / 59 / 59

HEX #0C682B

RGB 12 104 43

HSL 140.22, 0.79%, 0.23%

LAB 38.12, -39.42, 27.08

 

CMYK 98 / 0 / 65 / 55

HEX #027228

RGB 2 114 40

HSL 140.36, 0.97%, 0.23%

LAB 41.53, -44.31, 32.58

 

CMYK 88 / 0 / 59 / 59

HEX #0C682B

RGB 12 104 43

HSL 140.22, 0.79%, 0.23%

LAB 38.12, -39.42, 27.08

 

CMYK 78 / 0 / 52 / 63

HEX #155F2E

RGB 21 95 46

HSL 140.27, 0.64%, 0.23%

LAB 35.09, -34.17, 21.73

 

CMYK 64 / 0 / 43 / 66

HEX #1F5631

RGB 31 86 49

HSL 139.64, 0.47%, 0.23%

LAB 32.19, -27.53, 16.29

 

CMYK 47 / 0 / 32 / 70

HEX #284C34

RGB 40 76 52

HSL 140, 0.31%, 0.23%

LAB 29.08, -19.24, 10.32

 

CMYK 25 / 0 / 18 / 74

HEX #324337

RGB 50 67 55

HSL 137.65, 0.15%, 0.23%

LAB 26.64, -9.72, 5.09

 

CMYK 71 / 0 / 88 / 59

HEX #1E680C

RGB 30 104 12

HSL 108.26, 0.79%, 0.23%

LAB 38.2, -39.64, 40.47

 

CMYK 88 / 0 / 83 / 59

HEX #0C6812

RGB 12 104 18

HSL 123.91, 0.79%, 0.23%

LAB 37.88, -42.31, 38.16

 

CMYK 88 / 0 / 59 / 59

HEX #0C682B

RGB 12 104 43

HSL 140.22, 0.79%, 0.23%

LAB 38.12, -39.42, 27.08

 

CMYK 88 / 0 / 36 / 59

HEX #0C6843

RGB 12 104 67

HSL 155.87, 0.79%, 0.23%

LAB 38.52, -34.66, 13.91

 

CMYK 88 / 0 / 12 / 59

HEX #0C685C

RGB 12 104 92

HSL 172.17, 0.79%, 0.23%

LAB 39.16, -27.83, -0.33

 

CMYK 90 / 0 / 61 / 88

HEX #031F0C

RGB 3 31 12

HSL 139.29, 0.82%, 0.07%

LAB 9.21, -15.35, 8.51

 

CMYK 90 / 0 / 59 / 73

HEX #07441C

RGB 7 68 28

HSL 140.66, 0.81%, 0.15%

LAB 24.52, -28.71, 18.95

 

CMYK 88 / 0 / 59 / 59

HEX #0C682B

RGB 12 104 43

HSL 140.22, 0.79%, 0.23%

LAB 38.12, -39.42, 27.08

 

CMYK 89 / 0 / 59 / 45

HEX #108D3A

RGB 16 141 58

HSL 140.16, 0.8%, 0.31%

LAB 51.23, -49.84, 35.01

 

CMYK 89 / 0 / 59 / 30

HEX #14B249

RGB 20 178 73

HSL 140.13, 0.8%, 0.39%

LAB 63.73, -59.7, 42.51

 

CMYK 89 / 0 / 59 / 59

HEX #0C692B

RGB 12 105 43

HSL 140, 0.79%, 0.23%

LAB 38.47, -39.79, 27.51

 

CMYK 88 / 47 / 0 / 59

HEX #0C3768

RGB 12 55 104

HSL 211.96, 0.79%, 0.23%

LAB 23.03, 5.91, -32.73

 

CMYK 0 / 88 / 83 / 59

HEX #680C12

RGB 104 12 18

HSL 356.09, 0.79%, 0.23%

LAB 21.02, 38.97, 23.56

 

CMYK 89 / 0 / 59 / 59

HEX #0C692B

RGB 12 105 43

HSL 140, 0.79%, 0.23%

LAB 38.47, -39.79, 27.51

 

CMYK 59 / 88 / 0 / 59

HEX #2B0C68

RGB 43 12 104

HSL 260.22, 0.79%, 0.23%

LAB 14.26, 37.87, -46.92

 

CMYK 0 / 59 / 88 / 59

HEX #682B0C

RGB 104 43 12

HSL 20.22, 0.79%, 0.23%

LAB 25.85, 25.51, 31.64

 

CMYK 89 / 0 / 59 / 59

HEX #0C692B

RGB 12 105 43

HSL 140, 0.79%, 0.23%

LAB 38.47, -39.79, 27.51

 

CMYK 88 / 47 / 0 / 59

HEX #0C3768

RGB 12 55 104

HSL 211.96, 0.79%, 0.23%

LAB 23.03, 5.91, -32.73

 

CMYK 0 / 88 / 29 / 59

HEX #680C4A

RGB 104 12 74

HSL 319.57, 0.79%, 0.23%

LAB 22.66, 43.73, -12.78

 

CMYK 0 / 41 / 88 / 59

HEX #683D0C

RGB 104 61 12

HSL 31.96, 0.79%, 0.23%

LAB 30.17, 14.9, 35.44

 

CMYK 89 / 0 / 59 / 59

HEX #0C692B

RGB 12 105 43

HSL 140, 0.79%, 0.23%

LAB 38.47, -39.79, 27.51

 

CMYK 88 / 74 / 0 / 59

HEX #0C1B68

RGB 12 27 104

HSL 230.22, 0.79%, 0.23%

LAB 14.74, 26.24, -46.22

 

CMYK 0 / 88 / 29 / 59

HEX #680C4A

RGB 104 12 74

HSL 319.57, 0.79%, 0.23%

LAB 22.66, 43.73, -12.78

 

CMYK 0 / 14 / 88 / 59

HEX #68590C

RGB 104 89 12

HSL 50.22, 0.79%, 0.23%

LAB 38.05, -2.17, 42.17

 

Description

Color code: RGB 12 105 43 | qconv.com Color code: RGB 12 105 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 105 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 105 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 59 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 59% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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