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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 90 89 it is the complementary color RGB 243 165 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 90 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 12 90 89 shade: RGB 17 90 84, RGB 34 108 103, RGB 51 126 122, RGB 68 144 141 and RGB 85 162 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 90 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 12 90 89 shade: RGB 12 90 89, RGB 0 72 70, RGB 0 54 51, RGB 0 36 32 and RGB 0 18 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 12 90 89 shade: RGB 12 89 88, RGB 12 89 67, RGB 12 89 46, RGB 12 89 26 and RGB 19 89 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 12 90 89 shade: RGB 12 89 88, RGB 12 69 89, RGB 12 48 89, RGB 12 28 89 and RGB 12 12 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 12 90 89 shade matches the following richer shades: RGB 12 89 88 and RGB 3 98 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 12 90 89 shade: RGB 12 89 88, RGB 20 81 80, RGB 28 73 72, RGB 36 65 64 and RGB 45 56 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 12 90 89 shade: RGB 12 89 47, RGB 12 89 67, RGB 12 89 88, RGB 12 70 89 and RGB 12 49 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 12 90 89 shade: RGB 2 17 16, RGB 7 53 52, RGB 12 89 88, RGB 17 126 124 and RGB 22 162 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 12 90 89 shade: RGB 12 90 89, RGB 26 12 89 and RGB 89 57 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 12 90 89 shade: RGB 12 90 89, RGB 88 12 89 and RGB 89 88 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 12 90 89 shade: RGB 12 90 89, RGB 26 12 89, RGB 89 12 13 and RGB 75 89 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 12 90 89 shade: RGB 12 90 89, RGB 49 12 89, RGB 89 12 13 and RGB 52 89 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 1 / 65

HEX #0C5A59

RGB 12 90 89

HSL 179.23, 0.76%, 0.2%

LAB 34.21, -21.76, -5.78

 

Complementary color

CMYK 0 / 32 / 32 / 5

HEX #F3A5A6

RGB 243 165 166

HSL 359.23, 0.76%, 0.8%

LAB 75.28, 28.96, 11.25

 

CMYK 81 / 0 / 7 / 65

HEX #115A54

RGB 17 90 84

HSL 175.07, 0.68%, 0.21%

LAB 34.13, -22.84, -2.76

 

CMYK 69 / 0 / 5 / 58

HEX #226C67

RGB 34 108 103

HSL 175.95, 0.52%, 0.28%

LAB 41.29, -23.59, -3.85

 

CMYK 60 / 0 / 3 / 51

HEX #337E7A

RGB 51 126 122

HSL 176.8, 0.42%, 0.35%

LAB 48.3, -23.98, -4.78

 

CMYK 53 / 0 / 2 / 44

HEX #44908D

RGB 68 144 141

HSL 177.63, 0.36%, 0.42%

LAB 55.17, -24.16, -5.6

 

CMYK 48 / 0 / 1 / 36

HEX #55A2A0

RGB 85 162 160

HSL 178.44, 0.31%, 0.48%

LAB 61.92, -24.23, -6.34

 

CMYK 87 / 0 / 1 / 65

HEX #0C5A59

RGB 12 90 89

HSL 179.23, 0.76%, 0.2%

LAB 34.21, -21.76, -5.78

 

CMYK 100 / 0 / 3 / 72

HEX #004846

RGB 0 72 70

HSL 178.33, 1%, 0.14%

LAB 26.95, -20.03, -4.48

 

CMYK 100 / 0 / 6 / 79

HEX #003633

RGB 0 54 51

HSL 176.67, 1%, 0.11%

LAB 19.55, -17.12, -2.82

 

CMYK 100 / 0 / 11 / 86

HEX #002420

RGB 0 36 32

HSL 173.33, 1%, 0.07%

LAB 11.73, -14.07, -1.01

 

CMYK 100 / 0 / 28 / 93

HEX #00120D

RGB 0 18 13

HSL 163.33, 1%, 0.04%

LAB 4.17, -6.14, 0.69

 

CMYK 87 / 0 / 1 / 65

HEX #0C5958

RGB 12 89 88

HSL 179.22, 0.76%, 0.2%

LAB 33.83, -21.57, -5.72

 

CMYK 87 / 0 / 25 / 65

HEX #0C5943

RGB 12 89 67

HSL 162.86, 0.76%, 0.2%

LAB 33.2, -28.05, 6.52

 

CMYK 87 / 0 / 48 / 65

HEX #0C592E

RGB 12 89 46

HSL 146.49, 0.76%, 0.2%

LAB 32.74, -33.1, 18.71

 

CMYK 87 / 0 / 71 / 65

HEX #0C591A

RGB 12 89 26

HSL 130.91, 0.76%, 0.2%

LAB 32.47, -36.33, 29.27

 

CMYK 79 / 0 / 87 / 65

HEX #13590C

RGB 19 89 12

HSL 114.55, 0.76%, 0.2%

LAB 32.5, -36.5, 35.12

 

CMYK 87 / 0 / 1 / 65

HEX #0C5958

RGB 12 89 88

HSL 179.22, 0.76%, 0.2%

LAB 33.83, -21.57, -5.72

 

CMYK 87 / 22 / 0 / 65

HEX #0C4559

RGB 12 69 89

HSL 195.58, 0.76%, 0.2%

LAB 26.89, -9.77, -16.91

 

CMYK 87 / 46 / 0 / 65

HEX #0C3059

RGB 12 48 89

HSL 211.95, 0.76%, 0.2%

LAB 19.69, 4.37, -28.26

 

CMYK 87 / 69 / 0 / 65

HEX #0C1C59

RGB 12 28 89

HSL 227.53, 0.76%, 0.2%

LAB 13.41, 19.3, -38.43

 

CMYK 87 / 87 / 0 / 65

HEX #0C0C59

RGB 12 12 89

HSL 240, 0.76%, 0.2%

LAB 9.5, 30.08, -44.88

 

CMYK 87 / 0 / 1 / 65

HEX #0C5958

RGB 12 89 88

HSL 179.22, 0.76%, 0.2%

LAB 33.83, -21.57, -5.72

 

CMYK 97 / 0 / 2 / 62

HEX #036260

RGB 3 98 96

HSL 178.74, 0.94%, 0.2%

LAB 37.11, -24.29, -5.82

 

CMYK 87 / 0 / 1 / 65

HEX #0C5958

RGB 12 89 88

HSL 179.22, 0.76%, 0.2%

LAB 33.83, -21.57, -5.72

 

CMYK 75 / 0 / 1 / 68

HEX #145150

RGB 20 81 80

HSL 179.02, 0.6%, 0.2%

LAB 30.91, -18.94, -5

 

CMYK 62 / 0 / 1 / 71

HEX #1C4948

RGB 28 73 72

HSL 178.67, 0.45%, 0.2%

LAB 28.06, -15.55, -4.06

 

CMYK 45 / 0 / 2 / 75

HEX #244140

RGB 36 65 64

HSL 177.93, 0.29%, 0.2%

LAB 25.34, -11.16, -2.82

 

CMYK 20 / 0 / 0 / 78

HEX #2D3838

RGB 45 56 56

HSL 180, 0.11%, 0.2%

LAB 22.56, -4.56, -1.53

 

CMYK 87 / 0 / 47 / 65

HEX #0C592F

RGB 12 89 47

HSL 147.27, 0.76%, 0.2%

LAB 32.76, -32.89, 18.15

 

CMYK 87 / 0 / 25 / 65

HEX #0C5943

RGB 12 89 67

HSL 162.86, 0.76%, 0.2%

LAB 33.2, -28.05, 6.52

 

CMYK 87 / 0 / 1 / 65

HEX #0C5958

RGB 12 89 88

HSL 179.22, 0.76%, 0.2%

LAB 33.83, -21.57, -5.72

 

CMYK 87 / 21 / 0 / 65

HEX #0C4659

RGB 12 70 89

HSL 194.81, 0.76%, 0.2%

LAB 27.24, -10.39, -16.38

 

CMYK 87 / 45 / 0 / 65

HEX #0C3159

RGB 12 49 89

HSL 211.17, 0.76%, 0.2%

LAB 20.03, 3.65, -27.72

 

CMYK 88 / 0 / 6 / 93

HEX #021110

RGB 2 17 16

HSL 176, 0.79%, 0.04%

LAB 4.08, -4.5, -0.99

 

CMYK 87 / 0 / 2 / 79

HEX #073534

RGB 7 53 52

HSL 178.7, 0.77%, 0.12%

LAB 19.39, -14.95, -3.72

 

CMYK 87 / 0 / 1 / 65

HEX #0C5958

RGB 12 89 88

HSL 179.22, 0.76%, 0.2%

LAB 33.83, -21.57, -5.72

 

CMYK 87 / 0 / 2 / 51

HEX #117E7C

RGB 17 126 124

HSL 178.9, 0.76%, 0.28%

LAB 47.62, -28.14, -7.06

 

CMYK 86 / 0 / 1 / 36

HEX #16A2A0

RGB 22 162 160

HSL 179.14, 0.76%, 0.36%

LAB 60.38, -33.85, -8.79

 

CMYK 87 / 0 / 1 / 65

HEX #0C5A59

RGB 12 90 89

HSL 179.23, 0.76%, 0.2%

LAB 34.21, -21.76, -5.78

 

CMYK 71 / 87 / 0 / 65

HEX #1A0C59

RGB 26 12 89

HSL 250.91, 0.76%, 0.2%

LAB 10.59, 31.29, -43.05

 

CMYK 0 / 36 / 87 / 65

HEX #59390C

RGB 89 57 12

HSL 35.06, 0.76%, 0.2%

LAB 26.95, 9.99, 31.76

 

CMYK 87 / 0 / 1 / 65

HEX #0C5A59

RGB 12 90 89

HSL 179.23, 0.76%, 0.2%

LAB 34.21, -21.76, -5.78

 

CMYK 1 / 87 / 0 / 65

HEX #580C59

RGB 88 12 89

HSL 299.22, 0.76%, 0.2%

LAB 20.28, 42.26, -26.86

 

CMYK 0 / 1 / 87 / 65

HEX #59580C

RGB 89 88 12

HSL 59.22, 0.76%, 0.2%

LAB 36.23, -9.02, 40.02

 

CMYK 87 / 0 / 1 / 65

HEX #0C5A59

RGB 12 90 89

HSL 179.23, 0.76%, 0.2%

LAB 34.21, -21.76, -5.78

 

CMYK 71 / 87 / 0 / 65

HEX #1A0C59

RGB 26 12 89

HSL 250.91, 0.76%, 0.2%

LAB 10.59, 31.29, -43.05

 

CMYK 0 / 87 / 85 / 65

HEX #590C0D

RGB 89 12 13

HSL 359.22, 0.76%, 0.2%

LAB 17.53, 33.95, 21.37

 

CMYK 16 / 0 / 87 / 65

HEX #4B590C

RGB 75 89 12

HSL 70.91, 0.76%, 0.2%

LAB 35.34, -16.38, 38.76

 

CMYK 87 / 0 / 1 / 65

HEX #0C5A59

RGB 12 90 89

HSL 179.23, 0.76%, 0.2%

LAB 34.21, -21.76, -5.78

 

CMYK 45 / 87 / 0 / 65

HEX #310C59

RGB 49 12 89

HSL 268.83, 0.76%, 0.2%

LAB 13.45, 34.51, -38.23

 

CMYK 0 / 87 / 85 / 65

HEX #590C0D

RGB 89 12 13

HSL 359.22, 0.76%, 0.2%

LAB 17.53, 33.95, 21.37

 

CMYK 42 / 0 / 87 / 65

HEX #34590C

RGB 52 89 12

HSL 88.83, 0.76%, 0.2%

LAB 33.78, -26.52, 36.77

 

Description

Color code: RGB 12 90 89 | qconv.com Color code: RGB 12 90 89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 90 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 90 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 1 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 1% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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