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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 79 144 it is the complementary color RGB 126 176 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 79 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 79 144 shade: RGB 134 79 139, RGB 151 97 158, RGB 168 115 177, RGB 185 133 196 and RGB 202 151 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 79 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 79 144 shade: RGB 129 79 144, RGB 112 61 125, RGB 95 43 106, RGB 78 25 87 and RGB 61 7 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 79 144 shade: RGB 129 79 144, RGB 144 79 142, RGB 144 79 124, RGB 144 79 107 and RGB 144 79 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 79 144 shade: RGB 129 79 144, RGB 112 79 144, RGB 94 79 144 and RGB 79 79 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 79 144 shade matches the following richer shades: RGB 129 79 144, RGB 139 61 162, RGB 149 43 181, RGB 159 25 199 and RGB 168 7 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 79 144 shade: RGB 129 79 144, RGB 119 97 126, RGB 110 115 108, RGB 100 134 90 and RGB 90 152 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 79 144 shade: RGB 94 79 144, RGB 112 79 144, RGB 129 79 144, RGB 144 79 142 and RGB 144 79 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 79 144 shade: RGB 82 50 91, RGB 105 65 118, RGB 129 79 144, RGB 151 97 168 and RGB 169 124 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 79 144 shade: RGB 129 79 144, RGB 144 79 81 and RGB 79 144 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 79 144 shade: RGB 129 79 144, RGB 144 129 79 and RGB 79 144 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 79 144 shade: RGB 129 79 144, RGB 144 79 81, RGB 94 144 79 and RGB 79 144 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 79 144 shade: RGB 129 79 144, RGB 144 97 79, RGB 94 144 79 and RGB 79 127 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 45 / 0 / 44

HEX #814F90

RGB 129 79 144

HSL 286.15, 0.29%, 0.44%

LAB 41.65, 32.59, -27.59

 

Complementary color

CMYK 28 / 0 / 37 / 31

HEX #7EB06F

RGB 126 176 111

HSL 106.15, 0.29%, 0.56%

LAB 67, -29.09, 28.13

 

CMYK 4 / 43 / 0 / 45

HEX #864F8B

RGB 134 79 139

HSL 295, 0.28%, 0.43%

LAB 42.04, 33.13, -23.91

 

CMYK 4 / 39 / 0 / 38

HEX #97619E

RGB 151 97 158

HSL 293.11, 0.24%, 0.5%

LAB 49, 32.33, -24.3

 

CMYK 5 / 35 / 0 / 31

HEX #A873B1

RGB 168 115 177

HSL 291.29, 0.28%, 0.57%

LAB 55.85, 31.56, -24.65

 

CMYK 6 / 32 / 0 / 23

HEX #B985C4

RGB 185 133 196

HSL 289.52, 0.35%, 0.65%

LAB 62.57, 30.83, -24.97

 

CMYK 6 / 30 / 0 / 16

HEX #CA97D7

RGB 202 151 215

HSL 287.81, 0.44%, 0.72%

LAB 69.18, 30.15, -25.27

 

CMYK 10 / 45 / 0 / 44

HEX #814F90

RGB 129 79 144

HSL 286.15, 0.29%, 0.44%

LAB 41.65, 32.59, -27.59

 

CMYK 10 / 51 / 0 / 51

HEX #703D7D

RGB 112 61 125

HSL 287.81, 0.34%, 0.36%

LAB 34.52, 33.42, -27.26

 

CMYK 10 / 59 / 0 / 58

HEX #5F2B6A

RGB 95 43 106

HSL 289.52, 0.42%, 0.29%

LAB 27.3, 34.16, -26.79

 

CMYK 10 / 71 / 0 / 66

HEX #4E1957

RGB 78 25 87

HSL 291.29, 0.55%, 0.22%

LAB 20.06, 34.52, -25.98

 

CMYK 10 / 90 / 0 / 73

HEX #3D0744

RGB 61 7 68

HSL 293.11, 0.81%, 0.15%

LAB 12.99, 33.81, -24.43

 

CMYK 10 / 45 / 0 / 44

HEX #814F90

RGB 129 79 144

HSL 286.15, 0.29%, 0.44%

LAB 41.65, 32.59, -27.59

 

CMYK 0 / 45 / 1 / 44

HEX #904F8E

RGB 144 79 142

HSL 301.85, 0.29%, 0.44%

LAB 43.47, 36.94, -23.4

 

CMYK 0 / 45 / 14 / 44

HEX #904F7C

RGB 144 79 124

HSL 318.46, 0.29%, 0.44%

LAB 42.73, 33.65, -13.61

 

CMYK 0 / 45 / 26 / 44

HEX #904F6B

RGB 144 79 107

HSL 334.15, 0.29%, 0.44%

LAB 42.13, 30.89, -4.09

 

CMYK 0 / 45 / 38 / 44

HEX #904F59

RGB 144 79 89

HSL 350.77, 0.29%, 0.44%

LAB 41.6, 28.38, 6.26

 

CMYK 10 / 45 / 0 / 44

HEX #814F90

RGB 129 79 144

HSL 286.15, 0.29%, 0.44%

LAB 41.65, 32.59, -27.59

 

CMYK 22 / 45 / 0 / 44

HEX #704F90

RGB 112 79 144

HSL 270.46, 0.29%, 0.44%

LAB 39.67, 27.3, -30.83

 

CMYK 35 / 45 / 0 / 44

HEX #5E4F90

RGB 94 79 144

HSL 253.85, 0.29%, 0.44%

LAB 37.82, 21.94, -33.88

 

CMYK 45 / 45 / 0 / 44

HEX #4F4F90

RGB 79 79 144

HSL 240, 0.29%, 0.44%

LAB 36.49, 17.79, -36.05

 

CMYK 10 / 45 / 0 / 44

HEX #814F90

RGB 129 79 144

HSL 286.15, 0.29%, 0.44%

LAB 41.65, 32.59, -27.59

 

CMYK 14 / 62 / 0 / 36

HEX #8B3DA2

RGB 139 61 162

HSL 286.34, 0.45%, 0.44%

LAB 40.3, 48.83, -40.44

 

CMYK 18 / 76 / 0 / 29

HEX #952BB5

RGB 149 43 181

HSL 286.09, 0.62%, 0.44%

LAB 40.33, 62.3, -51.61

 

CMYK 20 / 87 / 0 / 22

HEX #9F19C7

RGB 159 25 199

HSL 286.21, 0.78%, 0.44%

LAB 41.52, 72.25, -60.18

 

CMYK 23 / 97 / 0 / 15

HEX #A807D9

RGB 168 7 217

HSL 286, 0.94%, 0.44%

LAB 43.49, 79.22, -67.32

 

CMYK 10 / 45 / 0 / 44

HEX #814F90

RGB 129 79 144

HSL 286.15, 0.29%, 0.44%

LAB 41.65, 32.59, -27.59

 

CMYK 6 / 23 / 0 / 51

HEX #77617E

RGB 119 97 126

HSL 285.52, 0.13%, 0.44%

LAB 44.2, 14.55, -12.87

 

CMYK 4 / 0 / 6 / 55

HEX #6E736C

RGB 110 115 108

HSL 102.86, 0.03%, 0.44%

LAB 47.83, -3.32, 3.21

 

CMYK 25 / 0 / 33 / 47

HEX #64865A

RGB 100 134 90

HSL 106.36, 0.2%, 0.44%

LAB 52.4, -20.9, 19.93

 

CMYK 41 / 0 / 53 / 40

HEX #5A9848

RGB 90 152 72

HSL 106.5, 0.36%, 0.44%

LAB 57.17, -35.82, 35.62

 

CMYK 35 / 45 / 0 / 44

HEX #5E4F90

RGB 94 79 144

HSL 253.85, 0.29%, 0.44%

LAB 37.82, 21.94, -33.88

 

CMYK 22 / 45 / 0 / 44

HEX #704F90

RGB 112 79 144

HSL 270.46, 0.29%, 0.44%

LAB 39.67, 27.3, -30.83

 

CMYK 10 / 45 / 0 / 44

HEX #814F90

RGB 129 79 144

HSL 286.15, 0.29%, 0.44%

LAB 41.65, 32.59, -27.59

 

CMYK 0 / 45 / 1 / 44

HEX #904F8E

RGB 144 79 142

HSL 301.85, 0.29%, 0.44%

LAB 43.47, 36.94, -23.4

 

CMYK 0 / 45 / 13 / 44

HEX #904F7D

RGB 144 79 125

HSL 317.54, 0.29%, 0.44%

LAB 42.77, 33.83, -14.16

 

CMYK 10 / 45 / 0 / 64

HEX #52325B

RGB 82 50 91

HSL 286.83, 0.29%, 0.28%

LAB 26.25, 22.47, -18.84

 

CMYK 11 / 45 / 0 / 54

HEX #694176

RGB 105 65 118

HSL 285.28, 0.29%, 0.36%

LAB 34.17, 27.29, -23.51

 

CMYK 10 / 45 / 0 / 44

HEX #814F90

RGB 129 79 144

HSL 286.15, 0.29%, 0.44%

LAB 41.65, 32.59, -27.59

 

CMYK 10 / 42 / 0 / 34

HEX #9761A8

RGB 151 97 168

HSL 285.63, 0.29%, 0.52%

LAB 49.44, 34.41, -29.5

 

CMYK 7 / 32 / 0 / 29

HEX #A97CB6

RGB 169 124 182

HSL 286.55, 0.28%, 0.6%

LAB 58.25, 27.83, -23.8

 

CMYK 10 / 45 / 0 / 44

HEX #814F90

RGB 129 79 144

HSL 286.15, 0.29%, 0.44%

LAB 41.65, 32.59, -27.59

 

CMYK 0 / 45 / 44 / 44

HEX #904F51

RGB 144 79 81

HSL 358.15, 0.29%, 0.44%

LAB 41.4, 27.41, 10.91

 

CMYK 45 / 0 / 28 / 44

HEX #4F9067

RGB 79 144 103

HSL 142.15, 0.29%, 0.44%

LAB 54.65, -30.48, 15.46

 

CMYK 10 / 45 / 0 / 44

HEX #814F90

RGB 129 79 144

HSL 286.15, 0.29%, 0.44%

LAB 41.65, 32.59, -27.59

 

CMYK 0 / 10 / 45 / 44

HEX #90814F

RGB 144 129 79

HSL 46.15, 0.29%, 0.44%

LAB 54.23, -1.6, 29.12

 

CMYK 45 / 0 / 10 / 44

HEX #4F9081

RGB 79 144 129

HSL 166.15, 0.29%, 0.44%

LAB 55.27, -24.61, 1.5

 

CMYK 10 / 45 / 0 / 44

HEX #814F90

RGB 129 79 144

HSL 286.15, 0.29%, 0.44%

LAB 41.65, 32.59, -27.59

 

CMYK 0 / 45 / 44 / 44

HEX #904F51

RGB 144 79 81

HSL 358.15, 0.29%, 0.44%

LAB 41.4, 27.41, 10.91

 

CMYK 35 / 0 / 45 / 44

HEX #5E904F

RGB 94 144 79

HSL 106.15, 0.29%, 0.44%

LAB 54.96, -29.78, 29.27

 

CMYK 45 / 0 / 1 / 44

HEX #4F908E

RGB 79 144 142

HSL 178.15, 0.29%, 0.44%

LAB 55.65, -21.26, -5.43

 

CMYK 10 / 45 / 0 / 44

HEX #814F90

RGB 129 79 144

HSL 286.15, 0.29%, 0.44%

LAB 41.65, 32.59, -27.59

 

CMYK 0 / 33 / 45 / 44

HEX #90614F

RGB 144 97 79

HSL 16.62, 0.29%, 0.44%

LAB 45.69, 16.83, 17.99

 

CMYK 35 / 0 / 45 / 44

HEX #5E904F

RGB 94 144 79

HSL 106.15, 0.29%, 0.44%

LAB 54.96, -29.78, 29.27

 

CMYK 45 / 12 / 0 / 44

HEX #4F7F90

RGB 79 127 144

HSL 195.69, 0.29%, 0.44%

LAB 50.52, -11.51, -14.28

 

Description

Color code: RGB 129 79 144 | qconv.com Color code: RGB 129 79 144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 79 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 79 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 45 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 45% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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