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Color name
RGB 129 61 142

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 61 142 it is the complementary color RGB 126 194 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 61 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 61 142 shade: RGB 134 61 137, RGB 151 79 156, RGB 168 97 175, RGB 185 115 194 and RGB 202 133 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 61 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 61 142 shade: RGB 129 61 142, RGB 112 43 123, RGB 95 25 104, RGB 78 7 85 and RGB 61 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 61 142 shade: RGB 129 61 142, RGB 142 61 133, RGB 142 61 111, RGB 142 61 89 and RGB 142 61 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 61 142 shade: RGB 129 61 142, RGB 107 61 142, RGB 85 61 142, RGB 63 61 142 and RGB 61 61 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 61 142 shade matches the following richer shades: RGB 129 61 142, RGB 140 44 159, RGB 152 28 175 and RGB 163 11 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 61 142 shade: RGB 129 61 142, RGB 118 77 126, RGB 107 94 109, RGB 96 110 93 and RGB 84 127 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 61 142 shade: RGB 85 61 142, RGB 107 61 142, RGB 129 61 142, RGB 142 61 134 and RGB 142 61 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 61 142 shade: RGB 77 36 85, RGB 103 48 113, RGB 129 61 142, RGB 155 73 171 and RGB 173 98 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 61 142 shade: RGB 129 61 142, RGB 142 63 61 and RGB 61 142 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 61 142 shade: RGB 129 61 142, RGB 142 129 61 and RGB 61 142 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 61 142 shade: RGB 129 61 142, RGB 142 63 61, RGB 74 142 61 and RGB 61 140 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 61 142 shade: RGB 129 61 142, RGB 142 88 61, RGB 74 142 61 and RGB 61 115 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 57 / 0 / 44

HEX #813D8E

RGB 129 61 142

HSL 290.37, 0.4%, 0.4%

LAB 37.77, 42.03, -32.47

 

Complementary color

CMYK 35 / 0 / 42 / 24

HEX #7EC271

RGB 126 194 113

HSL 110.37, 0.4%, 0.6%

LAB 72.37, -37.19, 34.07

 

CMYK 2 / 55 / 0 / 46

HEX #863D89

RGB 134 61 137

HSL 297.63, 0.38%, 0.39%

LAB 38.22, 42.46, -28.65

 

CMYK 3 / 49 / 0 / 39

HEX #974F9C

RGB 151 79 156

HSL 296.1, 0.33%, 0.46%

LAB 45.04, 41.82, -29.27

 

CMYK 4 / 45 / 0 / 31

HEX #A861AF

RGB 168 97 175

HSL 294.62, 0.33%, 0.53%

LAB 51.8, 41.08, -29.75

 

CMYK 5 / 41 / 0 / 24

HEX #B973C2

RGB 185 115 194

HSL 293.16, 0.39%, 0.61%

LAB 58.48, 40.31, -30.15

 

CMYK 5 / 38 / 0 / 16

HEX #CA85D5

RGB 202 133 213

HSL 291.75, 0.49%, 0.68%

LAB 65.07, 39.55, -30.49

 

CMYK 9 / 57 / 0 / 44

HEX #813D8E

RGB 129 61 142

HSL 290.37, 0.4%, 0.4%

LAB 37.77, 42.03, -32.47

 

CMYK 9 / 65 / 0 / 52

HEX #702B7B

RGB 112 43 123

HSL 291.75, 0.48%, 0.33%

LAB 30.88, 42.47, -31.76

 

CMYK 9 / 76 / 0 / 59

HEX #5F1968

RGB 95 25 104

HSL 293.16, 0.61%, 0.25%

LAB 24.09, 42.29, -30.6

 

CMYK 8 / 92 / 0 / 67

HEX #4E0755

RGB 78 7 85

HSL 294.62, 0.85%, 0.18%

LAB 17.59, 40.78, -28.58

 

CMYK 8 / 100 / 0 / 74

HEX #3D0042

RGB 61 0 66

HSL 295.45, 1%, 0.13%

LAB 11.86, 36.29, -24.84

 

CMYK 9 / 57 / 0 / 44

HEX #813D8E

RGB 129 61 142

HSL 290.37, 0.4%, 0.4%

LAB 37.77, 42.03, -32.47

 

CMYK 0 / 57 / 6 / 44

HEX #8E3D85

RGB 142 61 133

HSL 306.67, 0.4%, 0.4%

LAB 39.21, 44.06, -24.56

 

CMYK 0 / 57 / 22 / 44

HEX #8E3D6F

RGB 142 61 111

HSL 322.96, 0.4%, 0.4%

LAB 38.26, 40.41, -12.39

 

CMYK 0 / 57 / 37 / 44

HEX #8E3D59

RGB 142 61 89

HSL 339.26, 0.4%, 0.4%

LAB 37.5, 37.35, 0.31

 

CMYK 0 / 57 / 53 / 44

HEX #8E3D43

RGB 142 61 67

HSL 355.56, 0.4%, 0.4%

LAB 36.92, 34.94, 13.42

 

CMYK 9 / 57 / 0 / 44

HEX #813D8E

RGB 129 61 142

HSL 290.37, 0.4%, 0.4%

LAB 37.77, 42.03, -32.47

 

CMYK 25 / 57 / 0 / 44

HEX #6B3D8E

RGB 107 61 142

HSL 274.07, 0.4%, 0.4%

LAB 34.84, 35.93, -37.3

 

CMYK 40 / 57 / 0 / 44

HEX #553D8E

RGB 85 61 142

HSL 257.78, 0.4%, 0.4%

LAB 32.31, 30.14, -41.49

 

CMYK 56 / 57 / 0 / 44

HEX #3F3D8E

RGB 63 61 142

HSL 241.48, 0.4%, 0.4%

LAB 30.27, 25.03, -44.88

 

CMYK 57 / 57 / 0 / 44

HEX #3D3D8E

RGB 61 61 142

HSL 240, 0.4%, 0.4%

LAB 30.11, 24.61, -45.14

 

CMYK 9 / 57 / 0 / 44

HEX #813D8E

RGB 129 61 142

HSL 290.37, 0.4%, 0.4%

LAB 37.77, 42.03, -32.47

 

CMYK 12 / 72 / 0 / 38

HEX #8C2C9F

RGB 140 44 159

HSL 290.09, 0.57%, 0.4%

LAB 37.63, 55.85, -42.91

 

CMYK 13 / 84 / 0 / 31

HEX #981CAF

RGB 152 28 175

HSL 290.61, 0.72%, 0.4%

LAB 38.9, 66.12, -50.34

 

CMYK 15 / 94 / 0 / 25

HEX #A30BC0

RGB 163 11 192

HSL 290.39, 0.89%, 0.4%

LAB 40.95, 73.78, -56.98

 

CMYK 9 / 57 / 0 / 44

HEX #813D8E

RGB 129 61 142

HSL 290.37, 0.4%, 0.4%

LAB 37.77, 42.03, -32.47

 

CMYK 6 / 39 / 0 / 51

HEX #764D7E

RGB 118 77 126

HSL 290.2, 0.24%, 0.4%

LAB 39.01, 26.25, -20.83

 

CMYK 2 / 14 / 0 / 57

HEX #6B5E6D

RGB 107 94 109

HSL 292, 0.07%, 0.4%

LAB 41.59, 8.24, -6.59

 

CMYK 13 / 0 / 15 / 57

HEX #606E5D

RGB 96 110 93

HSL 109.41, 0.08%, 0.4%

LAB 44.84, -8.83, 7.73

 

CMYK 34 / 0 / 40 / 50

HEX #547F4C

RGB 84 127 76

HSL 110.59, 0.25%, 0.4%

LAB 48.99, -25.52, 23.13

 

CMYK 40 / 57 / 0 / 44

HEX #553D8E

RGB 85 61 142

HSL 257.78, 0.4%, 0.4%

LAB 32.31, 30.14, -41.49

 

CMYK 25 / 57 / 0 / 44

HEX #6B3D8E

RGB 107 61 142

HSL 274.07, 0.4%, 0.4%

LAB 34.84, 35.93, -37.3

 

CMYK 9 / 57 / 0 / 44

HEX #813D8E

RGB 129 61 142

HSL 290.37, 0.4%, 0.4%

LAB 37.77, 42.03, -32.47

 

CMYK 0 / 57 / 6 / 44

HEX #8E3D86

RGB 142 61 134

HSL 305.93, 0.4%, 0.4%

LAB 39.26, 44.23, -25.1

 

CMYK 0 / 57 / 21 / 44

HEX #8E3D70

RGB 142 61 112

HSL 322.22, 0.4%, 0.4%

LAB 38.3, 40.56, -12.96

 

CMYK 9 / 58 / 0 / 67

HEX #4D2455

RGB 77 36 85

HSL 290.2, 0.4%, 0.24%

LAB 21.93, 27.91, -21.69

 

CMYK 9 / 58 / 0 / 56

HEX #673071

RGB 103 48 113

HSL 290.77, 0.4%, 0.32%

LAB 29.89, 35.32, -27.1

 

CMYK 9 / 57 / 0 / 44

HEX #813D8E

RGB 129 61 142

HSL 290.37, 0.4%, 0.4%

LAB 37.77, 42.03, -32.47

 

CMYK 9 / 57 / 0 / 33

HEX #9B49AB

RGB 155 73 171

HSL 290.2, 0.4%, 0.48%

LAB 45.18, 48.98, -37.91

 

CMYK 7 / 48 / 0 / 27

HEX #AD62BB

RGB 173 98 187

HSL 290.56, 0.4%, 0.56%

LAB 53.18, 44.41, -34.51

 

CMYK 9 / 57 / 0 / 44

HEX #813D8E

RGB 129 61 142

HSL 290.37, 0.4%, 0.4%

LAB 37.77, 42.03, -32.47

 

CMYK 0 / 56 / 57 / 44

HEX #8E3F3D

RGB 142 63 61

HSL 1.48, 0.4%, 0.4%

LAB 37.19, 33.36, 17.56

 

CMYK 57 / 0 / 32 / 44

HEX #3D8E60

RGB 61 142 96

HSL 145.93, 0.4%, 0.4%

LAB 53.15, -35.84, 17.25

 

CMYK 9 / 57 / 0 / 44

HEX #813D8E

RGB 129 61 142

HSL 290.37, 0.4%, 0.4%

LAB 37.77, 42.03, -32.47

 

CMYK 0 / 9 / 57 / 44

HEX #8E813D

RGB 142 129 61

HSL 50.37, 0.4%, 0.4%

LAB 53.8, -4.23, 38.09

 

CMYK 57 / 0 / 9 / 44

HEX #3D8E81

RGB 61 142 129

HSL 170.37, 0.4%, 0.4%

LAB 53.95, -27.97, -0.52

 

CMYK 9 / 57 / 0 / 44

HEX #813D8E

RGB 129 61 142

HSL 290.37, 0.4%, 0.4%

LAB 37.77, 42.03, -32.47

 

CMYK 0 / 56 / 57 / 44

HEX #8E3F3D

RGB 142 63 61

HSL 1.48, 0.4%, 0.4%

LAB 37.19, 33.36, 17.56

 

CMYK 48 / 0 / 57 / 44

HEX #4A8E3D

RGB 74 142 61

HSL 110.37, 0.4%, 0.4%

LAB 53.1, -38.01, 36.1

 

CMYK 57 / 1 / 0 / 44

HEX #3D8C8E

RGB 61 140 142

HSL 181.48, 0.4%, 0.4%

LAB 53.71, -23.33, -8.38

 

CMYK 9 / 57 / 0 / 44

HEX #813D8E

RGB 129 61 142

HSL 290.37, 0.4%, 0.4%

LAB 37.77, 42.03, -32.47

 

CMYK 0 / 38 / 57 / 44

HEX #8E583D

RGB 142 88 61

HSL 20, 0.4%, 0.4%

LAB 42.86, 19.37, 24.88

 

CMYK 48 / 0 / 57 / 44

HEX #4A8E3D

RGB 74 142 61

HSL 110.37, 0.4%, 0.4%

LAB 53.1, -38.01, 36.1

 

CMYK 57 / 19 / 0 / 44

HEX #3D738E

RGB 61 115 142

HSL 200, 0.4%, 0.4%

LAB 45.92, -9.68, -20.2

 

Description

Color code: RGB 129 61 142 | qconv.com Color code: RGB 129 61 142 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 61 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 61 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 57 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 57% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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