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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 59 120 it is the complementary color RGB 126 196 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 59 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 59 120 shade: RGB 134 59 115, RGB 151 77 134, RGB 168 95 153, RGB 185 113 172 and RGB 202 131 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 59 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 59 120 shade: RGB 129 59 120, RGB 112 41 101, RGB 95 23 82, RGB 78 5 63 and RGB 61 0 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 59 120 shade: RGB 129 59 120, RGB 129 59 101, RGB 129 59 82, RGB 129 59 63 and RGB 129 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 59 120 shade: RGB 129 59 120, RGB 119 59 129, RGB 100 59 129, RGB 81 59 129 and RGB 62 59 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 59 120 shade matches the following richer shades: RGB 129 59 120, RGB 144 44 131, RGB 159 28 142 and RGB 175 13 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 59 120 shade: RGB 129 59 120, RGB 113 74 108, RGB 98 89 97, RGB 83 105 86 and RGB 68 120 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 59 120 shade: RGB 100 59 129, RGB 118 59 129, RGB 129 59 121, RGB 129 59 102 and RGB 129 59 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 59 120 shade: RGB 72 33 67, RGB 100 46 93, RGB 129 59 120, RGB 157 72 146 and RGB 179 91 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 59 120 shade: RGB 129 59 120, RGB 129 81 59 and RGB 59 129 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 59 120 shade: RGB 129 59 120, RGB 121 129 59 and RGB 59 121 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 59 120 shade: RGB 129 59 120, RGB 129 81 59, RGB 59 129 67 and RGB 59 107 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 59 120 shade: RGB 129 59 120, RGB 129 102 59, RGB 59 129 67 and RGB 59 86 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 7 / 49

HEX #813B78

RGB 129 59 120

HSL 307.71, 0.37%, 0.37%

LAB 36.27, 38.79, -21.24

 

Complementary color

CMYK 36 / 0 / 31 / 23

HEX #7EC487

RGB 126 196 135

HSL 127.71, 0.37%, 0.63%

LAB 73.33, -34.62, 23.85

 

CMYK 0 / 56 / 14 / 47

HEX #863B73

RGB 134 59 115

HSL 315.2, 0.39%, 0.38%

LAB 36.81, 39.49, -17.23

 

CMYK 0 / 49 / 11 / 41

HEX #974D86

RGB 151 77 134

HSL 313.78, 0.32%, 0.45%

LAB 43.67, 38.82, -18.18

 

CMYK 0 / 43 / 9 / 34

HEX #A85F99

RGB 168 95 153

HSL 312.33, 0.3%, 0.52%

LAB 50.46, 38.06, -18.93

 

CMYK 0 / 39 / 7 / 27

HEX #B971AC

RGB 185 113 172

HSL 310.83, 0.34%, 0.58%

LAB 57.18, 37.28, -19.56

 

CMYK 0 / 35 / 5 / 21

HEX #CA83BF

RGB 202 131 191

HSL 309.3, 0.4%, 0.65%

LAB 63.8, 36.52, -20.11

 

CMYK 0 / 54 / 7 / 49

HEX #813B78

RGB 129 59 120

HSL 307.71, 0.37%, 0.37%

LAB 36.27, 38.79, -21.24

 

CMYK 0 / 63 / 10 / 56

HEX #702965

RGB 112 41 101

HSL 309.3, 0.46%, 0.3%

LAB 29.34, 39.23, -20.18

 

CMYK 0 / 76 / 14 / 63

HEX #5F1752

RGB 95 23 82

HSL 310.83, 0.61%, 0.23%

LAB 22.5, 39.05, -18.57

 

CMYK 0 / 94 / 19 / 69

HEX #4E053F

RGB 78 5 63

HSL 312.33, 0.88%, 0.16%

LAB 15.94, 37.6, -16.02

 

CMYK 0 / 100 / 28 / 76

HEX #3D002C

RGB 61 0 44

HSL 316.72, 1%, 0.12%

LAB 10.36, 32.62, -11.27

 

CMYK 0 / 54 / 7 / 49

HEX #813B78

RGB 129 59 120

HSL 307.71, 0.37%, 0.37%

LAB 36.27, 38.79, -21.24

 

CMYK 0 / 54 / 22 / 49

HEX #813B65

RGB 129 59 101

HSL 324, 0.37%, 0.37%

LAB 35.47, 35.55, -10.53

 

CMYK 0 / 54 / 36 / 49

HEX #813B52

RGB 129 59 82

HSL 340.29, 0.37%, 0.37%

LAB 34.81, 32.79, 0.6

 

CMYK 0 / 54 / 51 / 49

HEX #813B3F

RGB 129 59 63

HSL 356.57, 0.37%, 0.37%

LAB 34.3, 30.59, 12.04

 

CMYK 0 / 54 / 54 / 49

HEX #813B3B

RGB 129 59 59

HSL 0, 0.37%, 0.37%

LAB 34.21, 30.19, 14.47

 

CMYK 0 / 54 / 7 / 49

HEX #813B78

RGB 129 59 120

HSL 307.71, 0.37%, 0.37%

LAB 36.27, 38.79, -21.24

 

CMYK 8 / 54 / 0 / 49

HEX #773B81

RGB 119 59 129

HSL 291.43, 0.37%, 0.37%

LAB 35.27, 37.5, -28.5

 

CMYK 22 / 54 / 0 / 49

HEX #643B81

RGB 100 59 129

HSL 275.14, 0.37%, 0.37%

LAB 32.75, 31.91, -32.65

 

CMYK 37 / 54 / 0 / 49

HEX #513B81

RGB 81 59 129

HSL 258.86, 0.37%, 0.37%

LAB 30.55, 26.57, -36.29

 

CMYK 52 / 54 / 0 / 49

HEX #3E3B81

RGB 62 59 129

HSL 242.57, 0.37%, 0.37%

LAB 28.74, 21.74, -39.29

 

CMYK 0 / 54 / 7 / 49

HEX #813B78

RGB 129 59 120

HSL 307.71, 0.37%, 0.37%

LAB 36.27, 38.79, -21.24

 

CMYK 0 / 69 / 9 / 44

HEX #902C83

RGB 144 44 131

HSL 307.8, 0.53%, 0.37%

LAB 36.69, 51.82, -27.25

 

CMYK 0 / 82 / 11 / 38

HEX #9F1C8E

RGB 159 28 142

HSL 307.79, 0.7%, 0.37%

LAB 38.12, 62.11, -31.59

 

CMYK 0 / 93 / 12 / 31

HEX #AF0D9A

RGB 175 13 154

HSL 307.78, 0.86%, 0.37%

LAB 40.79, 69.72, -34.49

 

CMYK 0 / 54 / 7 / 49

HEX #813B78

RGB 129 59 120

HSL 307.71, 0.37%, 0.37%

LAB 36.27, 38.79, -21.24

 

CMYK 0 / 35 / 4 / 56

HEX #714A6C

RGB 113 74 108

HSL 307.69, 0.21%, 0.37%

LAB 36.91, 22.52, -12.95

 

CMYK 0 / 9 / 1 / 62

HEX #625961

RGB 98 89 97

HSL 306.67, 0.05%, 0.37%

LAB 38.91, 5.27, -3.28

 

CMYK 21 / 0 / 18 / 59

HEX #536956

RGB 83 105 86

HSL 128.18, 0.12%, 0.37%

LAB 42.18, -12.39, 8.02

 

CMYK 43 / 0 / 38 / 53

HEX #44784A

RGB 68 120 74

HSL 126.92, 0.28%, 0.37%

LAB 45.85, -27.92, 19.97

 

CMYK 22 / 54 / 0 / 49

HEX #643B81

RGB 100 59 129

HSL 275.14, 0.37%, 0.37%

LAB 32.75, 31.91, -32.65

 

CMYK 9 / 54 / 0 / 49

HEX #763B81

RGB 118 59 129

HSL 290.57, 0.37%, 0.37%

LAB 35.13, 37.2, -28.73

 

CMYK 0 / 54 / 6 / 49

HEX #813B79

RGB 129 59 121

HSL 306.86, 0.37%, 0.37%

LAB 36.32, 38.97, -21.79

 

CMYK 0 / 54 / 21 / 49

HEX #813B66

RGB 129 59 102

HSL 323.14, 0.37%, 0.37%

LAB 35.51, 35.7, -11.11

 

CMYK 0 / 54 / 36 / 49

HEX #813B53

RGB 129 59 83

HSL 339.43, 0.37%, 0.37%

LAB 34.84, 32.92, 0

 

CMYK 0 / 54 / 7 / 72

HEX #482143

RGB 72 33 67

HSL 307.69, 0.37%, 0.21%

LAB 19.52, 24.09, -13.32

 

CMYK 0 / 54 / 7 / 61

HEX #642E5D

RGB 100 46 93

HSL 307.78, 0.37%, 0.29%

LAB 27.99, 31.4, -17.24

 

CMYK 0 / 54 / 7 / 49

HEX #813B78

RGB 129 59 120

HSL 307.71, 0.37%, 0.37%

LAB 36.27, 38.79, -21.24

 

CMYK 0 / 54 / 7 / 38

HEX #9D4892

RGB 157 72 146

HSL 307.76, 0.37%, 0.45%

LAB 44.06, 45.36, -24.75

 

CMYK 0 / 49 / 6 / 30

HEX #B35BA8

RGB 179 91 168

HSL 307.5, 0.37%, 0.53%

LAB 51.72, 46.27, -25.69

 

CMYK 0 / 54 / 7 / 49

HEX #813B78

RGB 129 59 120

HSL 307.71, 0.37%, 0.37%

LAB 36.27, 38.79, -21.24

 

CMYK 0 / 37 / 54 / 49

HEX #81513B

RGB 129 81 59

HSL 18.86, 0.37%, 0.37%

LAB 39.36, 17.58, 21.24

 

CMYK 54 / 0 / 16 / 49

HEX #3B816D

RGB 59 129 109

HSL 162.86, 0.37%, 0.37%

LAB 49.17, -27.23, 4.17

 

CMYK 0 / 54 / 7 / 49

HEX #813B78

RGB 129 59 120

HSL 307.71, 0.37%, 0.37%

LAB 36.27, 38.79, -21.24

 

CMYK 6 / 0 / 54 / 49

HEX #79813B

RGB 121 129 59

HSL 66.86, 0.37%, 0.37%

LAB 51.93, -13.73, 36.46

 

CMYK 54 / 6 / 0 / 49

HEX #3B7981

RGB 59 121 129

HSL 186.86, 0.37%, 0.37%

LAB 47.22, -17.54, -10.5

 

CMYK 0 / 54 / 7 / 49

HEX #813B78

RGB 129 59 120

HSL 307.71, 0.37%, 0.37%

LAB 36.27, 38.79, -21.24

 

CMYK 0 / 37 / 54 / 49

HEX #81513B

RGB 129 81 59

HSL 18.86, 0.37%, 0.37%

LAB 39.36, 17.58, 21.24

 

CMYK 54 / 0 / 48 / 49

HEX #3B8143

RGB 59 129 67

HSL 126.86, 0.37%, 0.37%

LAB 48.3, -36, 26.98

 

CMYK 54 / 17 / 0 / 49

HEX #3B6B81

RGB 59 107 129

HSL 198.86, 0.37%, 0.37%

LAB 42.81, -9.65, -17.2

 

CMYK 0 / 54 / 7 / 49

HEX #813B78

RGB 129 59 120

HSL 307.71, 0.37%, 0.37%

LAB 36.27, 38.79, -21.24

 

CMYK 0 / 21 / 54 / 49

HEX #81663B

RGB 129 102 59

HSL 36.86, 0.37%, 0.37%

LAB 44.92, 5.15, 28.24

 

CMYK 54 / 0 / 48 / 49

HEX #3B8143

RGB 59 129 67

HSL 126.86, 0.37%, 0.37%

LAB 48.3, -36, 26.98

 

CMYK 54 / 33 / 0 / 49

HEX #3B5681

RGB 59 86 129

HSL 216.86, 0.37%, 0.37%

LAB 36.31, 3.21, -27.28

 

Description

Color code: RGB 129 59 120 | qconv.com Color code: RGB 129 59 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 59 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 59 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 7 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 7% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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