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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 55 167 it is the complementary color RGB 126 200 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 55 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 55 167 shade: RGB 134 55 162, RGB 151 73 181, RGB 168 91 200, RGB 185 109 219 and RGB 202 127 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 55 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 55 167 shade: RGB 129 55 167, RGB 112 37 148, RGB 95 19 129, RGB 78 1 110 and RGB 61 0 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 55 167 shade: RGB 130 56 168, RGB 160 56 168, RGB 168 56 145, RGB 168 56 115 and RGB 168 56 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 55 167 shade: RGB 130 56 168, RGB 99 56 168, RGB 69 56 168 and RGB 56 56 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 55 167 shade matches the following richer shades: RGB 130 56 168, RGB 136 37 186, RGB 141 19 204 and RGB 147 1 222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 55 167 shade: RGB 130 56 168, RGB 124 74 150, RGB 118 92 131, RGB 112 110 113 and RGB 106 128 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 55 167 shade: RGB 69 56 168, RGB 99 56 168, RGB 129 56 168, RGB 158 56 168 and RGB 168 56 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 55 167 shade: RGB 82 35 106, RGB 106 45 137, RGB 130 56 168, RGB 152 71 193 and RGB 169 102 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 55 167 shade: RGB 129 55 167, RGB 168 56 72 and RGB 56 168 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 55 167 shade: RGB 129 55 167, RGB 168 129 56 and RGB 56 168 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 55 167 shade: RGB 129 55 167, RGB 168 56 72, RGB 95 168 56 and RGB 56 168 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 55 167 shade: RGB 129 55 167, RGB 168 72 56, RGB 95 168 56 and RGB 56 151 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 67 / 0 / 35

HEX #8137A7

RGB 129 55 167

HSL 279.64, 0.5%, 0.44%

LAB 38.18, 50.34, -46.91

 

Complementary color

CMYK 37 / 0 / 56 / 22

HEX #7EC858

RGB 126 200 88

HSL 99.64, 0.5%, 0.56%

LAB 73.84, -42.98, 48.13

 

CMYK 17 / 66 / 0 / 36

HEX #8637A2

RGB 134 55 162

HSL 284.3, 0.49%, 0.43%

LAB 38.57, 50.43, -43.26

 

CMYK 17 / 60 / 0 / 29

HEX #9749B5

RGB 151 73 181

HSL 283.33, 0.43%, 0.5%

LAB 45.19, 49.99, -43.81

 

CMYK 16 / 55 / 0 / 22

HEX #A85BC8

RGB 168 91 200

HSL 282.39, 0.5%, 0.57%

LAB 51.81, 49.33, -44.18

 

CMYK 16 / 50 / 0 / 14

HEX #B96DDB

RGB 185 109 219

HSL 281.45, 0.6%, 0.64%

LAB 58.38, 48.57, -44.44

 

CMYK 15 / 47 / 0 / 7

HEX #CA7FEE

RGB 202 127 238

HSL 280.54, 0.77%, 0.72%

LAB 64.89, 47.79, -44.64

 

CMYK 23 / 67 / 0 / 35

HEX #8137A7

RGB 129 55 167

HSL 279.64, 0.5%, 0.44%

LAB 38.18, 50.34, -46.91

 

CMYK 24 / 75 / 0 / 42

HEX #702594

RGB 112 37 148

HSL 280.54, 0.6%, 0.36%

LAB 31.59, 50.41, -46.15

 

CMYK 26 / 85 / 0 / 49

HEX #5F1381

RGB 95 19 129

HSL 281.45, 0.74%, 0.29%

LAB 25.21, 49.55, -44.8

 

CMYK 29 / 99 / 0 / 57

HEX #4E016E

RGB 78 1 110

HSL 282.39, 0.98%, 0.22%

LAB 19.09, 47.49, -42.73

 

CMYK 33 / 100 / 0 / 64

HEX #3D005B

RGB 61 0 91

HSL 280.22, 1%, 0.18%

LAB 14.1, 41.41, -38.44

 

CMYK 23 / 67 / 0 / 34

HEX #8238A8

RGB 130 56 168

HSL 279.64, 0.5%, 0.44%

LAB 38.55, 50.32, -46.9

 

CMYK 5 / 67 / 0 / 34

HEX #A038A8

RGB 160 56 168

HSL 295.71, 0.5%, 0.44%

LAB 42.96, 57.36, -39.62

 

CMYK 0 / 67 / 14 / 34

HEX #A83891

RGB 168 56 145

HSL 312.32, 0.5%, 0.44%

LAB 43.06, 55.53, -25.57

 

CMYK 0 / 67 / 32 / 34

HEX #A83873

RGB 168 56 115

HSL 328.39, 0.5%, 0.44%

LAB 41.83, 51.35, -9.08

 

CMYK 0 / 67 / 49 / 34

HEX #A83855

RGB 168 56 85

HSL 344.46, 0.5%, 0.44%

LAB 40.91, 48.08, 8.31

 

CMYK 23 / 67 / 0 / 34

HEX #8238A8

RGB 130 56 168

HSL 279.64, 0.5%, 0.44%

LAB 38.55, 50.32, -46.9

 

CMYK 41 / 67 / 0 / 34

HEX #6338A8

RGB 99 56 168

HSL 263.04, 0.5%, 0.44%

LAB 34.62, 43.52, -53.46

 

CMYK 59 / 67 / 0 / 34

HEX #4538A8

RGB 69 56 168

HSL 246.96, 0.5%, 0.44%

LAB 31.63, 37.91, -58.46

 

CMYK 67 / 67 / 0 / 34

HEX #3838A8

RGB 56 56 168

HSL 240, 0.5%, 0.44%

LAB 30.63, 35.93, -60.12

 

CMYK 23 / 67 / 0 / 34

HEX #8238A8

RGB 130 56 168

HSL 279.64, 0.5%, 0.44%

LAB 38.55, 50.32, -46.9

 

CMYK 27 / 80 / 0 / 27

HEX #8825BA

RGB 136 37 186

HSL 279.87, 0.67%, 0.44%

LAB 38.03, 62.92, -58.4

 

CMYK 31 / 91 / 0 / 20

HEX #8D13CC

RGB 141 19 204

HSL 279.57, 0.83%, 0.44%

LAB 38.7, 71.74, -67.79

 

CMYK 34 / 100 / 0 / 13

HEX #9301DE

RGB 147 1 222

HSL 279.64, 0.99%, 0.44%

LAB 40.41, 78.19, -75.36

 

CMYK 23 / 67 / 0 / 34

HEX #8238A8

RGB 130 56 168

HSL 279.64, 0.5%, 0.44%

LAB 38.55, 50.32, -46.9

 

CMYK 17 / 51 / 0 / 41

HEX #7C4A96

RGB 124 74 150

HSL 279.47, 0.34%, 0.44%

LAB 40.22, 35.27, -33.49

 

CMYK 10 / 30 / 0 / 49

HEX #765C83

RGB 118 92 131

HSL 280, 0.17%, 0.44%

LAB 42.98, 18.33, -17.76

 

CMYK 1 / 3 / 0 / 56

HEX #706E71

RGB 112 110 113

HSL 280, 0.01%, 0.44%

LAB 46.7, 1.38, -1.4

 

CMYK 17 / 0 / 26 / 50

HEX #6A805F

RGB 106 128 95

HSL 100, 0.15%, 0.44%

LAB 51.07, -14.59, 15.35

 

CMYK 59 / 67 / 0 / 34

HEX #4538A8

RGB 69 56 168

HSL 246.96, 0.5%, 0.44%

LAB 31.63, 37.91, -58.46

 

CMYK 41 / 67 / 0 / 34

HEX #6338A8

RGB 99 56 168

HSL 263.04, 0.5%, 0.44%

LAB 34.62, 43.52, -53.46

 

CMYK 23 / 67 / 0 / 34

HEX #8138A8

RGB 129 56 168

HSL 279.11, 0.5%, 0.44%

LAB 38.42, 50.09, -47.13

 

CMYK 6 / 67 / 0 / 34

HEX #9E38A8

RGB 158 56 168

HSL 294.64, 0.5%, 0.44%

LAB 42.65, 56.88, -40.12

 

CMYK 0 / 67 / 13 / 34

HEX #A83893

RGB 168 56 147

HSL 311.25, 0.5%, 0.44%

LAB 43.15, 55.84, -26.63

 

CMYK 23 / 67 / 0 / 58

HEX #52236A

RGB 82 35 106

HSL 279.72, 0.5%, 0.28%

LAB 23.79, 34.85, -32.49

 

CMYK 23 / 67 / 0 / 46

HEX #6A2D89

RGB 106 45 137

HSL 279.78, 0.51%, 0.36%

LAB 31.22, 43.01, -40.01

 

CMYK 23 / 67 / 0 / 34

HEX #8238A8

RGB 130 56 168

HSL 279.64, 0.5%, 0.44%

LAB 38.55, 50.32, -46.9

 

CMYK 21 / 63 / 0 / 24

HEX #9847C1

RGB 152 71 193

HSL 279.84, 0.5%, 0.52%

LAB 45.68, 53.77, -50.03

 

CMYK 17 / 50 / 0 / 20

HEX #A966CC

RGB 169 102 204

HSL 279.41, 0.5%, 0.6%

LAB 54.34, 44.69, -42.46

 

CMYK 23 / 67 / 0 / 35

HEX #8137A7

RGB 129 55 167

HSL 279.64, 0.5%, 0.44%

LAB 38.18, 50.34, -46.91

 

CMYK 0 / 67 / 57 / 34

HEX #A83848

RGB 168 56 72

HSL 351.43, 0.5%, 0.44%

LAB 40.61, 46.98, 16.03

 

CMYK 67 / 0 / 50 / 34

HEX #38A854

RGB 56 168 84

HSL 135, 0.5%, 0.44%

LAB 61.21, -49.8, 34.21

 

CMYK 23 / 67 / 0 / 35

HEX #8137A7

RGB 129 55 167

HSL 279.64, 0.5%, 0.44%

LAB 38.18, 50.34, -46.91

 

CMYK 0 / 23 / 67 / 34

HEX #A88138

RGB 168 129 56

HSL 39.11, 0.5%, 0.44%

LAB 56.4, 7.07, 44.21

 

CMYK 67 / 0 / 23 / 34

HEX #38A881

RGB 56 168 129

HSL 159.11, 0.5%, 0.44%

LAB 62.02, -40.93, 11.07

 

CMYK 23 / 67 / 0 / 35

HEX #8137A7

RGB 129 55 167

HSL 279.64, 0.5%, 0.44%

LAB 38.18, 50.34, -46.91

 

CMYK 0 / 67 / 57 / 34

HEX #A83848

RGB 168 56 72

HSL 351.43, 0.5%, 0.44%

LAB 40.61, 46.98, 16.03

 

CMYK 43 / 0 / 67 / 34

HEX #5FA838

RGB 95 168 56

HSL 99.11, 0.5%, 0.44%

LAB 62.27, -42.81, 48.99

 

CMYK 67 / 0 / 10 / 34

HEX #38A897

RGB 56 168 151

HSL 170.89, 0.5%, 0.44%

LAB 62.58, -35.37, -0.42

 

CMYK 23 / 67 / 0 / 35

HEX #8137A7

RGB 129 55 167

HSL 279.64, 0.5%, 0.44%

LAB 38.18, 50.34, -46.91

 

CMYK 0 / 57 / 67 / 34

HEX #A84838

RGB 168 72 56

HSL 8.57, 0.5%, 0.44%

LAB 43.13, 38.4, 28.98

 

CMYK 43 / 0 / 67 / 34

HEX #5FA838

RGB 95 168 56

HSL 99.11, 0.5%, 0.44%

LAB 62.27, -42.81, 48.99

 

CMYK 67 / 10 / 0 / 34

HEX #3897A8

RGB 56 151 168

HSL 189.11, 0.5%, 0.44%

LAB 57.85, -22.08, -17.08

 

Description

Color code: RGB 129 55 167 | qconv.com Color code: RGB 129 55 167 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 55 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 55 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 67 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 67% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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