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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 48 123 it is the complementary color RGB 126 207 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 48 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 48 123 shade: RGB 134 48 118, RGB 151 66 137, RGB 168 84 156, RGB 185 102 175 and RGB 202 120 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 48 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 48 123 shade: RGB 129 48 123, RGB 112 30 104, RGB 95 12 85, RGB 78 0 66 and RGB 61 0 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 48 123 shade: RGB 130 48 124, RGB 130 48 102, RGB 130 48 79, RGB 130 48 57 and RGB 130 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 48 123 shade: RGB 130 48 124, RGB 114 48 130, RGB 92 48 130, RGB 69 48 130 and RGB 48 48 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 48 123 shade matches the following richer shades: RGB 130 48 124, RGB 144 33 136, RGB 159 19 148 and RGB 173 4 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 48 123 shade: RGB 130 48 124, RGB 115 62 111, RGB 101 77 99, RGB 86 91 87 and RGB 72 105 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 48 123 shade: RGB 91 48 130, RGB 113 48 130, RGB 130 48 124, RGB 130 48 102 and RGB 130 48 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 48 123 shade: RGB 70 25 66, RGB 100 37 95, RGB 130 48 124, RGB 160 59 152 and RGB 187 73 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 48 123 shade: RGB 129 48 123, RGB 130 70 48 and RGB 48 130 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 48 123 shade: RGB 129 48 123, RGB 124 130 48 and RGB 48 124 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 48 123 shade: RGB 129 48 123, RGB 130 70 48, RGB 48 130 53 and RGB 48 108 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 48 123 shade: RGB 129 48 123, RGB 130 94 48, RGB 48 130 53 and RGB 48 83 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 5 / 49

HEX #81307B

RGB 129 48 123

HSL 304.44, 0.46%, 0.35%

LAB 34.42, 44.74, -26

 

Complementary color

CMYK 39 / 0 / 36 / 19

HEX #7ECF84

RGB 126 207 132

HSL 124.44, 0.46%, 0.65%

LAB 76.51, -40.1, 29.69

 

CMYK 0 / 64 / 12 / 47

HEX #863076

RGB 134 48 118

HSL 311.16, 0.47%, 0.36%

LAB 34.98, 45.29, -21.93

 

CMYK 0 / 56 / 9 / 41

HEX #974289

RGB 151 66 137

HSL 309.88, 0.39%, 0.43%

LAB 41.66, 44.97, -23.09

 

CMYK 0 / 50 / 7 / 34

HEX #A8549C

RGB 168 84 156

HSL 308.57, 0.33%, 0.49%

LAB 48.34, 44.38, -23.96

 

CMYK 0 / 45 / 5 / 27

HEX #B966AF

RGB 185 102 175

HSL 307.23, 0.37%, 0.56%

LAB 54.98, 43.67, -24.66

 

CMYK 0 / 41 / 4 / 21

HEX #CA78C2

RGB 202 120 194

HSL 305.85, 0.44%, 0.63%

LAB 61.55, 42.92, -25.23

 

CMYK 0 / 63 / 5 / 49

HEX #81307B

RGB 129 48 123

HSL 304.44, 0.46%, 0.35%

LAB 34.42, 44.74, -26

 

CMYK 0 / 73 / 7 / 56

HEX #701E68

RGB 112 30 104

HSL 305.85, 0.58%, 0.28%

LAB 27.77, 44.55, -24.57

 

CMYK 0 / 87 / 11 / 63

HEX #5F0C55

RGB 95 12 85

HSL 307.23, 0.78%, 0.21%

LAB 21.4, 43.16, -22.31

 

CMYK 0 / 100 / 15 / 69

HEX #4E0042

RGB 78 0 66

HSL 309.23, 1%, 0.15%

LAB 15.56, 39.7, -18.73

 

CMYK 0 / 100 / 23 / 76

HEX #3D002F

RGB 61 0 47

HSL 313.77, 1%, 0.12%

LAB 10.54, 33.06, -13.22

 

CMYK 0 / 63 / 5 / 49

HEX #82307C

RGB 130 48 124

HSL 304.39, 0.46%, 0.35%

LAB 34.63, 45.2, -26.28

 

CMYK 0 / 63 / 22 / 49

HEX #823066

RGB 130 48 102

HSL 320.49, 0.46%, 0.35%

LAB 33.6, 41.55, -13.99

 

CMYK 0 / 63 / 39 / 49

HEX #82304F

RGB 130 48 79

HSL 337.32, 0.46%, 0.35%

LAB 32.75, 38.4, -0.45

 

CMYK 0 / 63 / 56 / 49

HEX #823039

RGB 130 48 57

HSL 353.41, 0.46%, 0.35%

LAB 32.16, 36.1, 13.01

 

CMYK 0 / 63 / 63 / 49

HEX #823030

RGB 130 48 48

HSL 0, 0.46%, 0.35%

LAB 31.97, 35.37, 18.56

 

CMYK 0 / 63 / 5 / 49

HEX #82307C

RGB 130 48 124

HSL 304.39, 0.46%, 0.35%

LAB 34.63, 45.2, -26.28

 

CMYK 12 / 63 / 0 / 49

HEX #723082

RGB 114 48 130

HSL 288.29, 0.46%, 0.35%

LAB 32.49, 42.02, -33.57

 

CMYK 29 / 63 / 0 / 49

HEX #5C3082

RGB 92 48 130

HSL 272.2, 0.46%, 0.35%

LAB 29.41, 36.29, -38.66

 

CMYK 47 / 63 / 0 / 49

HEX #453082

RGB 69 48 130

HSL 255.37, 0.46%, 0.35%

LAB 26.71, 30.76, -43.16

 

CMYK 63 / 63 / 0 / 49

HEX #303082

RGB 48 48 130

HSL 240, 0.46%, 0.35%

LAB 24.81, 26.51, -46.33

 

CMYK 0 / 63 / 5 / 49

HEX #82307C

RGB 130 48 124

HSL 304.39, 0.46%, 0.35%

LAB 34.63, 45.2, -26.28

 

CMYK 0 / 77 / 6 / 44

HEX #902188

RGB 144 33 136

HSL 304.32, 0.63%, 0.35%

LAB 35.59, 56.51, -32.07

 

CMYK 0 / 88 / 7 / 38

HEX #9F1394

RGB 159 19 148

HSL 304.71, 0.79%, 0.35%

LAB 37.8, 64.9, -35.77

 

CMYK 0 / 98 / 7 / 32

HEX #AD04A1

RGB 173 4 161

HSL 304.26, 0.95%, 0.35%

LAB 40.48, 71.29, -39.22

 

CMYK 0 / 63 / 5 / 49

HEX #82307C

RGB 130 48 124

HSL 304.39, 0.46%, 0.35%

LAB 34.63, 45.2, -26.28

 

CMYK 0 / 46 / 3 / 55

HEX #733E6F

RGB 115 62 111

HSL 304.53, 0.3%, 0.35%

LAB 34.47, 30.9, -18.55

 

CMYK 0 / 24 / 2 / 60

HEX #654D63

RGB 101 77 99

HSL 305, 0.13%, 0.35%

LAB 35.94, 14.31, -8.92

 

CMYK 5 / 0 / 4 / 64

HEX #565B57

RGB 86 91 87

HSL 132, 0.03%, 0.35%

LAB 38.11, -2.83, 1.62

 

CMYK 31 / 0 / 29 / 59

HEX #48694B

RGB 72 105 75

HSL 125.45, 0.19%, 0.35%

LAB 41.2, -18.7, 13.15

 

CMYK 30 / 63 / 0 / 49

HEX #5B3082

RGB 91 48 130

HSL 271.46, 0.46%, 0.35%

LAB 29.29, 36.03, -38.87

 

CMYK 13 / 63 / 0 / 49

HEX #713082

RGB 113 48 130

HSL 287.56, 0.46%, 0.35%

LAB 32.34, 41.75, -33.82

 

CMYK 0 / 63 / 5 / 49

HEX #82307C

RGB 130 48 124

HSL 304.39, 0.46%, 0.35%

LAB 34.63, 45.2, -26.28

 

CMYK 0 / 63 / 22 / 49

HEX #823066

RGB 130 48 102

HSL 320.49, 0.46%, 0.35%

LAB 33.6, 41.55, -13.99

 

CMYK 0 / 63 / 38 / 49

HEX #823051

RGB 130 48 81

HSL 335.85, 0.46%, 0.35%

LAB 32.82, 38.64, -1.65

 

CMYK 0 / 64 / 6 / 73

HEX #461942

RGB 70 25 66

HSL 305.33, 0.47%, 0.19%

LAB 17.42, 27.78, -15.92

 

CMYK 0 / 63 / 5 / 61

HEX #64255F

RGB 100 37 95

HSL 304.76, 0.46%, 0.27%

LAB 26.33, 36.51, -21.13

 

CMYK 0 / 63 / 5 / 49

HEX #82307C

RGB 130 48 124

HSL 304.39, 0.46%, 0.35%

LAB 34.63, 45.2, -26.28

 

CMYK 0 / 63 / 5 / 37

HEX #A03B98

RGB 160 59 152

HSL 304.75, 0.46%, 0.43%

LAB 42.56, 53.29, -30.66

 

CMYK 0 / 61 / 4 / 27

HEX #BB49B3

RGB 187 73 179

HSL 304.21, 0.46%, 0.51%

LAB 50.2, 58.89, -34.4

 

CMYK 0 / 63 / 5 / 49

HEX #81307B

RGB 129 48 123

HSL 304.44, 0.46%, 0.35%

LAB 34.42, 44.74, -26

 

CMYK 0 / 46 / 63 / 49

HEX #824630

RGB 130 70 48

HSL 16.1, 0.46%, 0.35%

LAB 36.63, 23.49, 24.42

 

CMYK 63 / 0 / 22 / 49

HEX #308266

RGB 48 130 102

HSL 159.51, 0.46%, 0.35%

LAB 48.95, -31.94, 7.9

 

CMYK 0 / 63 / 5 / 49

HEX #81307B

RGB 129 48 123

HSL 304.44, 0.46%, 0.35%

LAB 34.42, 44.74, -26

 

CMYK 5 / 0 / 63 / 49

HEX #7C8230

RGB 124 130 48

HSL 64.39, 0.46%, 0.35%

LAB 52.36, -13.88, 42.35

 

CMYK 63 / 5 / 0 / 49

HEX #307C82

RGB 48 124 130

HSL 184.39, 0.46%, 0.35%

LAB 47.82, -21.13, -10.23

 

CMYK 0 / 63 / 5 / 49

HEX #81307B

RGB 129 48 123

HSL 304.44, 0.46%, 0.35%

LAB 34.42, 44.74, -26

 

CMYK 0 / 46 / 63 / 49

HEX #824630

RGB 130 70 48

HSL 16.1, 0.46%, 0.35%

LAB 36.63, 23.49, 24.42

 

CMYK 63 / 0 / 59 / 49

HEX #308235

RGB 48 130 53

HSL 123.66, 0.46%, 0.35%

LAB 48.07, -41.36, 33.93

 

CMYK 63 / 17 / 0 / 49

HEX #306C82

RGB 48 108 130

HSL 196.1, 0.46%, 0.35%

LAB 42.71, -12.31, -17.99

 

CMYK 0 / 63 / 5 / 49

HEX #81307B

RGB 129 48 123

HSL 304.44, 0.46%, 0.35%

LAB 34.42, 44.74, -26

 

CMYK 0 / 28 / 63 / 49

HEX #825E30

RGB 130 94 48

HSL 33.66, 0.46%, 0.35%

LAB 42.71, 9.37, 31.7

 

CMYK 63 / 0 / 59 / 49

HEX #308235

RGB 48 130 53

HSL 123.66, 0.46%, 0.35%

LAB 48.07, -41.36, 33.93

 

CMYK 63 / 36 / 0 / 49

HEX #305382

RGB 48 83 130

HSL 214.39, 0.46%, 0.35%

LAB 34.86, 2.99, -30.22

 

Description

Color code: RGB 129 48 123 | qconv.com Color code: RGB 129 48 123 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 48 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 48 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 5 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 5% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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