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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 201 74 it is the complementary color RGB 126 54 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 201 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 201 74 shade: RGB 134 201 69, RGB 151 219 88, RGB 168 237 107, RGB 185 255 126 and RGB 202 255 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 201 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 201 74 shade: RGB 129 201 74, RGB 112 183 55, RGB 95 165 36, RGB 78 147 17 and RGB 61 129 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 201 74 shade: RGB 129 201 74, RGB 163 201 74, RGB 197 201 74, RGB 201 170 74 and RGB 201 136 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 201 74 shade: RGB 129 201 74, RGB 95 201 74, RGB 74 201 87, RGB 74 201 121 and RGB 74 201 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 201 74 shade matches the following richer shades: RGB 129 201 74, RGB 126 220 55 and RGB 124 239 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 201 74 shade: RGB 129 201 74, RGB 131 182 93, RGB 134 163 112, RGB 136 144 131 and RGB 139 125 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 201 74 shade: RGB 196 201 74, RGB 163 201 74, RGB 129 201 74, RGB 95 201 74 and RGB 74 201 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 201 74 shade: RGB 89 148 44, RGB 108 180 53, RGB 129 201 74, RGB 151 210 106 and RGB 173 220 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 201 74 shade: RGB 129 201 74, RGB 74 201 171 and RGB 201 74 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 201 74 shade: RGB 129 201 74, RGB 74 129 201 and RGB 201 74 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 201 74 shade: RGB 129 201 74, RGB 74 201 171, RGB 146 74 201 and RGB 201 74 103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 201 74 shade: RGB 129 201 74, RGB 74 192 201, RGB 146 74 201 and RGB 201 82 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 63 / 21

HEX #81C94A

RGB 129 201 74

HSL 94.02, 0.54%, 0.54%

LAB 74.15, -43.75, 54.74

 

Complementary color

CMYK 30 / 70 / 0 / 29

HEX #7E36B5

RGB 126 54 181

HSL 274.02, 0.54%, 0.46%

LAB 38.57, 53.32, -54.63

 

CMYK 33 / 0 / 66 / 21

HEX #86C945

RGB 134 201 69

HSL 90.45, 0.55%, 0.53%

LAB 74.36, -42.41, 57.12

 

CMYK 31 / 0 / 60 / 14

HEX #97DB58

RGB 151 219 88

HSL 91.15, 0.65%, 0.6%

LAB 80.71, -42.61, 56.33

 

CMYK 29 / 0 / 55 / 7

HEX #A8ED6B

RGB 168 237 107

HSL 91.85, 0.78%, 0.67%

LAB 86.97, -42.7, 55.36

 

CMYK 27 / 0 / 51 / 0

HEX #B9FF7E

RGB 185 255 126

HSL 92.56, 1%, 0.75%

LAB 93.16, -42.73, 54.3

 

CMYK 21 / 0 / 43 / 0

HEX #CAFF91

RGB 202 255 145

HSL 88.91, 1%, 0.78%

LAB 94.36, -34.68, 47.08

 

CMYK 36 / 0 / 63 / 21

HEX #81C94A

RGB 129 201 74

HSL 94.02, 0.54%, 0.54%

LAB 74.15, -43.75, 54.74

 

CMYK 39 / 0 / 70 / 28

HEX #70B737

RGB 112 183 55

HSL 93.28, 0.54%, 0.47%

LAB 67.72, -43.48, 55.36

 

CMYK 42 / 0 / 78 / 35

HEX #5FA524

RGB 95 165 36

HSL 92.56, 0.64%, 0.39%

LAB 61.19, -43.01, 55.4

 

CMYK 47 / 0 / 88 / 42

HEX #4E9311

RGB 78 147 17

HSL 91.85, 0.79%, 0.32%

LAB 54.58, -42.22, 54.35

 

CMYK 53 / 0 / 100 / 49

HEX #3D8100

RGB 61 129 0

HSL 91.63, 1%, 0.25%

LAB 47.87, -41.05, 51.75

 

CMYK 36 / 0 / 63 / 21

HEX #81C94A

RGB 129 201 74

HSL 94.02, 0.54%, 0.54%

LAB 74.15, -43.75, 54.74

 

CMYK 19 / 0 / 63 / 21

HEX #A3C94A

RGB 163 201 74

HSL 77.95, 0.54%, 0.54%

LAB 76.1, -31.17, 57.43

 

CMYK 2 / 0 / 63 / 21

HEX #C5C94A

RGB 197 201 74

HSL 61.89, 0.54%, 0.54%

LAB 78.54, -17.38, 60.76

 

CMYK 0 / 15 / 63 / 21

HEX #C9AA4A

RGB 201 170 74

HSL 45.35, 0.54%, 0.54%

LAB 70.64, 0.31, 52.36

 

CMYK 0 / 32 / 63 / 21

HEX #C9884A

RGB 201 136 74

HSL 29.29, 0.54%, 0.54%

LAB 62.1, 18.74, 42.74

 

CMYK 36 / 0 / 63 / 21

HEX #81C94A

RGB 129 201 74

HSL 94.02, 0.54%, 0.54%

LAB 74.15, -43.75, 54.74

 

CMYK 53 / 0 / 63 / 21

HEX #5FC94A

RGB 95 201 74

HSL 110.08, 0.54%, 0.54%

LAB 72.69, -54.26, 52.72

 

CMYK 63 / 0 / 57 / 21

HEX #4AC957

RGB 74 201 87

HSL 126.14, 0.54%, 0.54%

LAB 72.17, -57.87, 46.15

 

CMYK 63 / 0 / 40 / 21

HEX #4AC979

RGB 74 201 121

HSL 142.2, 0.54%, 0.54%

LAB 72.63, -52.7, 29.91

 

CMYK 63 / 0 / 22 / 21

HEX #4AC99C

RGB 74 201 156

HSL 158.74, 0.54%, 0.54%

LAB 73.3, -45.6, 12.31

 

CMYK 36 / 0 / 63 / 21

HEX #81C94A

RGB 129 201 74

HSL 94.02, 0.54%, 0.54%

LAB 74.15, -43.75, 54.74

 

CMYK 43 / 0 / 75 / 14

HEX #7EDC37

RGB 126 220 55

HSL 94.18, 0.7%, 0.54%

LAB 79.56, -53.88, 67.38

 

CMYK 48 / 0 / 85 / 6

HEX #7CEF24

RGB 124 239 36

HSL 93.99, 0.86%, 0.54%

LAB 85.07, -62.53, 77.43

 

CMYK 36 / 0 / 63 / 21

HEX #81C94A

RGB 129 201 74

HSL 94.02, 0.54%, 0.54%

LAB 74.15, -43.75, 54.74

 

CMYK 28 / 0 / 49 / 29

HEX #83B65D

RGB 131 182 93

HSL 94.38, 0.38%, 0.54%

LAB 68.8, -32.59, 39.76

 

CMYK 18 / 0 / 31 / 36

HEX #86A370

RGB 134 163 112

HSL 94.12, 0.22%, 0.54%

LAB 63.7, -19.57, 23.29

 

CMYK 6 / 0 / 9 / 44

HEX #889083

RGB 136 144 131

HSL 96.92, 0.06%, 0.54%

LAB 58.81, -5.44, 5.9

 

CMYK 7 / 17 / 0 / 41

HEX #8B7D96

RGB 139 125 150

HSL 273.6, 0.11%, 0.54%

LAB 54.41, 10.29, -11.49

 

CMYK 2 / 0 / 63 / 21

HEX #C4C94A

RGB 196 201 74

HSL 62.36, 0.54%, 0.54%

LAB 78.46, -17.8, 60.65

 

CMYK 19 / 0 / 63 / 21

HEX #A3C94A

RGB 163 201 74

HSL 77.95, 0.54%, 0.54%

LAB 76.1, -31.17, 57.43

 

CMYK 36 / 0 / 63 / 21

HEX #81C94A

RGB 129 201 74

HSL 94.02, 0.54%, 0.54%

LAB 74.15, -43.75, 54.74

 

CMYK 53 / 0 / 63 / 21

HEX #5FC94A

RGB 95 201 74

HSL 110.08, 0.54%, 0.54%

LAB 72.69, -54.26, 52.72

 

CMYK 63 / 0 / 57 / 21

HEX #4AC957

RGB 74 201 87

HSL 126.14, 0.54%, 0.54%

LAB 72.17, -57.87, 46.15

 

CMYK 40 / 0 / 70 / 42

HEX #59942C

RGB 89 148 44

HSL 94.04, 0.54%, 0.38%

LAB 55.57, -37.3, 46.8

 

CMYK 40 / 0 / 71 / 29

HEX #6CB435

RGB 108 180 53

HSL 94.02, 0.55%, 0.46%

LAB 66.59, -43.73, 54.9

 

CMYK 36 / 0 / 63 / 21

HEX #81C94A

RGB 129 201 74

HSL 94.02, 0.54%, 0.54%

LAB 74.15, -43.75, 54.74

 

CMYK 28 / 0 / 50 / 18

HEX #97D26A

RGB 151 210 106

HSL 94.04, 0.54%, 0.62%

LAB 78.29, -36.78, 45.25

 

CMYK 21 / 0 / 38 / 14

HEX #ADDC89

RGB 173 220 137

HSL 93.98, 0.54%, 0.7%

LAB 82.85, -29.72, 35.93

 

CMYK 36 / 0 / 63 / 21

HEX #81C94A

RGB 129 201 74

HSL 94.02, 0.54%, 0.54%

LAB 74.15, -43.75, 54.74

 

CMYK 63 / 0 / 15 / 21

HEX #4AC9AB

RGB 74 201 171

HSL 165.83, 0.54%, 0.54%

LAB 73.66, -42.04, 4.72

 

CMYK 0 / 63 / 11 / 21

HEX #C94AB3

RGB 201 74 179

HSL 310.39, 0.54%, 0.54%

LAB 52.48, 62.11, -30.68

 

CMYK 36 / 0 / 63 / 21

HEX #81C94A

RGB 129 201 74

HSL 94.02, 0.54%, 0.54%

LAB 74.15, -43.75, 54.74

 

CMYK 63 / 36 / 0 / 21

HEX #4A81C9

RGB 74 129 201

HSL 214.02, 0.54%, 0.54%

LAB 53.36, 4.36, -42.79

 

CMYK 0 / 63 / 36 / 21

HEX #C94A81

RGB 201 74 129

HSL 334.02, 0.54%, 0.54%

LAB 50.57, 55.37, -4.01

 

CMYK 36 / 0 / 63 / 21

HEX #81C94A

RGB 129 201 74

HSL 94.02, 0.54%, 0.54%

LAB 74.15, -43.75, 54.74

 

CMYK 63 / 0 / 15 / 21

HEX #4AC9AB

RGB 74 201 171

HSL 165.83, 0.54%, 0.54%

LAB 73.66, -42.04, 4.72

 

CMYK 27 / 63 / 0 / 21

HEX #924AC9

RGB 146 74 201

HSL 274.02, 0.54%, 0.54%

LAB 45.94, 52.71, -54.29

 

CMYK 0 / 63 / 49 / 21

HEX #C94A67

RGB 201 74 103

HSL 346.3, 0.54%, 0.54%

LAB 49.85, 52.71, 10.62

 

CMYK 36 / 0 / 63 / 21

HEX #81C94A

RGB 129 201 74

HSL 94.02, 0.54%, 0.54%

LAB 74.15, -43.75, 54.74

 

CMYK 63 / 4 / 0 / 21

HEX #4AC0C9

RGB 74 192 201

HSL 184.25, 0.54%, 0.54%

LAB 71.81, -29.86, -14.32

 

CMYK 27 / 63 / 0 / 21

HEX #924AC9

RGB 146 74 201

HSL 274.02, 0.54%, 0.54%

LAB 45.94, 52.71, -54.29

 

CMYK 0 / 59 / 63 / 21

HEX #C9524A

RGB 201 82 74

HSL 3.78, 0.54%, 0.54%

LAB 50.62, 46.86, 28.92

 

Description

Color code: RGB 129 201 74 | qconv.com Color code: RGB 129 201 74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 201 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 201 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 63 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 63% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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