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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 207 176 it is the complementary color RGB 126 48 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 207 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 207 176 shade: RGB 134 207 171, RGB 151 225 190, RGB 168 243 209, RGB 185 255 228 and RGB 202 255 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 207 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 207 176 shade: RGB 129 207 176, RGB 112 189 157, RGB 95 171 138, RGB 78 153 119 and RGB 61 135 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 207 176 shade: RGB 129 207 176, RGB 129 207 155, RGB 129 207 134, RGB 145 207 129 and RGB 166 207 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 207 176 shade: RGB 129 207 176, RGB 129 207 197, RGB 129 196 207, RGB 129 175 207 and RGB 129 154 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 207 176 shade matches the following richer shades: RGB 129 207 176, RGB 115 221 179, RGB 101 235 182 and RGB 87 249 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 207 176 shade: RGB 129 207 176, RGB 143 193 173, RGB 157 179 170, RGB 171 165 167 and RGB 185 151 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 207 176 shade: RGB 129 207 134, RGB 129 207 155, RGB 129 207 176, RGB 129 207 196 and RGB 129 196 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 207 176 shade: RGB 69 184 138, RGB 99 195 157, RGB 129 207 176, RGB 159 218 195 and RGB 189 230 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 207 176 shade: RGB 129 207 176, RGB 129 144 207 and RGB 207 144 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 207 176 shade: RGB 129 207 176, RGB 176 129 207 and RGB 207 176 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 207 176 shade: RGB 129 207 176, RGB 129 144 207, RGB 207 129 160 and RGB 207 191 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 207 176 shade: RGB 129 207 176, RGB 137 129 207, RGB 207 129 160 and RGB 199 207 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 15 / 19

HEX #81CFB0

RGB 129 207 176

HSL 156.15, 0.45%, 0.66%

LAB 77.54, -30.98, 7.87

 

Complementary color

CMYK 0 / 62 / 37 / 51

HEX #7E304F

RGB 126 48 79

HSL 336.15, 0.45%, 0.34%

LAB 32.07, 37.02, -1.54

 

CMYK 35 / 0 / 17 / 19

HEX #86CFAB

RGB 134 207 171

HSL 150.41, 0.43%, 0.67%

LAB 77.66, -30.59, 10.75

 

CMYK 33 / 0 / 16 / 12

HEX #97E1BE

RGB 151 225 190

HSL 151.62, 0.55%, 0.74%

LAB 84.04, -30.35, 9.88

 

CMYK 31 / 0 / 14 / 5

HEX #A8F3D1

RGB 168 243 209

HSL 152.8, 0.76%, 0.81%

LAB 90.34, -30.12, 9.06

 

CMYK 27 / 0 / 11 / 0

HEX #B9FFE4

RGB 185 255 228

HSL 156.86, 1%, 0.86%

LAB 94.92, -27.07, 5.94

 

CMYK 21 / 0 / 3 / 0

HEX #CAFFF7

RGB 202 255 247

HSL 170.94, 1%, 0.9%

LAB 96.32, -18.24, -1.69

 

CMYK 38 / 0 / 15 / 19

HEX #81CFB0

RGB 129 207 176

HSL 156.15, 0.45%, 0.66%

LAB 77.54, -30.98, 7.87

 

CMYK 41 / 0 / 17 / 26

HEX #70BD9D

RGB 112 189 157

HSL 155.06, 0.37%, 0.59%

LAB 71.06, -31.21, 8.77

 

CMYK 44 / 0 / 19 / 33

HEX #5FAB8A

RGB 95 171 138

HSL 153.95, 0.31%, 0.52%

LAB 64.48, -31.43, 9.73

 

CMYK 49 / 0 / 22 / 40

HEX #4E9977

RGB 78 153 119

HSL 152.8, 0.32%, 0.45%

LAB 57.78, -31.63, 10.79

 

CMYK 55 / 0 / 26 / 47

HEX #3D8764

RGB 61 135 100

HSL 151.62, 0.38%, 0.38%

LAB 50.97, -31.77, 11.96

 

CMYK 38 / 0 / 15 / 19

HEX #81CFB0

RGB 129 207 176

HSL 156.15, 0.45%, 0.66%

LAB 77.54, -30.98, 7.87

 

CMYK 38 / 0 / 25 / 19

HEX #81CF9B

RGB 129 207 155

HSL 140, 0.45%, 0.66%

LAB 77.08, -35.18, 18.42

 

CMYK 38 / 0 / 35 / 19

HEX #81CF86

RGB 129 207 134

HSL 123.85, 0.45%, 0.66%

LAB 76.69, -38.86, 28.92

 

CMYK 30 / 0 / 38 / 19

HEX #91CF81

RGB 145 207 129

HSL 107.69, 0.45%, 0.66%

LAB 77.42, -34.48, 32.61

 

CMYK 20 / 0 / 38 / 19

HEX #A6CF81

RGB 166 207 129

HSL 91.54, 0.45%, 0.66%

LAB 78.65, -27.12, 34.45

 

CMYK 38 / 0 / 15 / 19

HEX #81CFB0

RGB 129 207 176

HSL 156.15, 0.45%, 0.66%

LAB 77.54, -30.98, 7.87

 

CMYK 38 / 0 / 5 / 19

HEX #81CFC5

RGB 129 207 197

HSL 172.31, 0.45%, 0.66%

LAB 78.07, -26.31, -2.63

 

CMYK 38 / 5 / 0 / 19

HEX #81C4CF

RGB 129 196 207

HSL 188.46, 0.45%, 0.66%

LAB 75.23, -18.38, -12.23

 

CMYK 38 / 15 / 0 / 19

HEX #81AFCF

RGB 129 175 207

HSL 204.62, 0.45%, 0.66%

LAB 69.35, -7.31, -21.11

 

CMYK 38 / 26 / 0 / 19

HEX #819ACF

RGB 129 154 207

HSL 220.77, 0.45%, 0.66%

LAB 63.58, 4.37, -29.97

 

CMYK 38 / 0 / 15 / 19

HEX #81CFB0

RGB 129 207 176

HSL 156.15, 0.45%, 0.66%

LAB 77.54, -30.98, 7.87

 

CMYK 48 / 0 / 19 / 13

HEX #73DDB3

RGB 115 221 179

HSL 156.23, 0.61%, 0.66%

LAB 81.08, -40.45, 11.25

 

CMYK 57 / 0 / 23 / 8

HEX #65EBB6

RGB 101 235 182

HSL 156.27, 0.77%, 0.66%

LAB 84.77, -48.99, 14.83

 

CMYK 65 / 0 / 26 / 2

HEX #57F9B8

RGB 87 249 184

HSL 155.93, 0.93%, 0.66%

LAB 88.56, -56.83, 19.06

 

CMYK 38 / 0 / 15 / 19

HEX #81CFB0

RGB 129 207 176

HSL 156.15, 0.45%, 0.66%

LAB 77.54, -30.98, 7.87

 

CMYK 26 / 0 / 10 / 24

HEX #8FC1AD

RGB 143 193 173

HSL 156, 0.29%, 0.66%

LAB 74.19, -20.59, 4.77

 

CMYK 12 / 0 / 5 / 30

HEX #9DB3AA

RGB 157 179 170

HSL 155.45, 0.13%, 0.66%

LAB 71.08, -9.36, 2.02

 

CMYK 0 / 4 / 2 / 33

HEX #ABA5A7

RGB 171 165 167

HSL 340, 0.03%, 0.66%

LAB 68.28, 2.53, -0.27

 

CMYK 0 / 18 / 11 / 27

HEX #B997A4

RGB 185 151 164

HSL 337.06, 0.2%, 0.66%

LAB 65.85, 14.82, -2.02

 

CMYK 38 / 0 / 35 / 19

HEX #81CF86

RGB 129 207 134

HSL 123.85, 0.45%, 0.66%

LAB 76.69, -38.86, 28.92

 

CMYK 38 / 0 / 25 / 19

HEX #81CF9B

RGB 129 207 155

HSL 140, 0.45%, 0.66%

LAB 77.08, -35.18, 18.42

 

CMYK 38 / 0 / 15 / 19

HEX #81CFB0

RGB 129 207 176

HSL 156.15, 0.45%, 0.66%

LAB 77.54, -30.98, 7.87

 

CMYK 38 / 0 / 5 / 19

HEX #81CFC4

RGB 129 207 196

HSL 171.54, 0.45%, 0.66%

LAB 78.04, -26.54, -2.13

 

CMYK 38 / 5 / 0 / 19

HEX #81C4CF

RGB 129 196 207

HSL 188.46, 0.45%, 0.66%

LAB 75.23, -18.38, -12.23

 

CMYK 63 / 0 / 25 / 28

HEX #45B88A

RGB 69 184 138

HSL 156, 0.45%, 0.5%

LAB 67.56, -43.35, 13.95

 

CMYK 49 / 0 / 19 / 24

HEX #63C39D

RGB 99 195 157

HSL 156.25, 0.44%, 0.58%

LAB 72.31, -37.4, 10.47

 

CMYK 38 / 0 / 15 / 19

HEX #81CFB0

RGB 129 207 176

HSL 156.15, 0.45%, 0.66%

LAB 77.54, -30.98, 7.87

 

CMYK 27 / 0 / 11 / 15

HEX #9FDAC3

RGB 159 218 195

HSL 156.61, 0.44%, 0.74%

LAB 82.62, -23.58, 5.26

 

CMYK 18 / 0 / 7 / 10

HEX #BDE6D5

RGB 189 230 213

HSL 155.12, 0.45%, 0.82%

LAB 88.07, -16.61, 3.86

 

CMYK 38 / 0 / 15 / 19

HEX #81CFB0

RGB 129 207 176

HSL 156.15, 0.45%, 0.66%

LAB 77.54, -30.98, 7.87

 

CMYK 38 / 30 / 0 / 19

HEX #8190CF

RGB 129 144 207

HSL 228.46, 0.45%, 0.66%

LAB 60.89, 10.12, -34.14

 

CMYK 0 / 30 / 38 / 19

HEX #CF9081

RGB 207 144 129

HSL 11.54, 0.45%, 0.66%

LAB 65.59, 21.97, 17.56

 

CMYK 38 / 0 / 15 / 19

HEX #81CFB0

RGB 129 207 176

HSL 156.15, 0.45%, 0.66%

LAB 77.54, -30.98, 7.87

 

CMYK 15 / 38 / 0 / 19

HEX #B081CF

RGB 176 129 207

HSL 276.15, 0.45%, 0.66%

LAB 61.16, 32.54, -33.41

 

CMYK 0 / 15 / 38 / 19

HEX #CFB081

RGB 207 176 129

HSL 36.15, 0.45%, 0.66%

LAB 73.48, 4.64, 28.25

 

CMYK 38 / 0 / 15 / 19

HEX #81CFB0

RGB 129 207 176

HSL 156.15, 0.45%, 0.66%

LAB 77.54, -30.98, 7.87

 

CMYK 38 / 30 / 0 / 19

HEX #8190CF

RGB 129 144 207

HSL 228.46, 0.45%, 0.66%

LAB 60.89, 10.12, -34.14

 

CMYK 0 / 38 / 23 / 19

HEX #CF81A0

RGB 207 129 160

HSL 336.15, 0.45%, 0.66%

LAB 62.93, 34.25, -3.77

 

CMYK 0 / 8 / 38 / 19

HEX #CFBF81

RGB 207 191 129

HSL 47.69, 0.45%, 0.66%

LAB 77.35, -3.29, 33.34

 

CMYK 38 / 0 / 15 / 19

HEX #81CFB0

RGB 129 207 176

HSL 156.15, 0.45%, 0.66%

LAB 77.54, -30.98, 7.87

 

CMYK 34 / 38 / 0 / 19

HEX #8981CF

RGB 137 129 207

HSL 246.15, 0.45%, 0.66%

LAB 57.58, 21.09, -39.27

 

CMYK 0 / 38 / 23 / 19

HEX #CF81A0

RGB 207 129 160

HSL 336.15, 0.45%, 0.66%

LAB 62.93, 34.25, -3.77

 

CMYK 4 / 0 / 38 / 19

HEX #C7CF81

RGB 199 207 129

HSL 66.15, 0.45%, 0.66%

LAB 80.93, -14.66, 37.85

 

Description

Color code: RGB 129 207 176 | qconv.com Color code: RGB 129 207 176 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 207 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 207 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 15 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 15% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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