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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 160 231 it is the complementary color RGB 126 95 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 160 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 160 231 shade: RGB 134 160 226, RGB 151 178 245, RGB 168 196 255, RGB 185 214 255 and RGB 202 232 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 160 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 160 231 shade: RGB 129 160 231, RGB 112 142 212, RGB 95 124 193, RGB 78 106 174 and RGB 61 88 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 160 231 shade: RGB 130 161 231, RGB 130 134 231, RGB 154 130 231, RGB 181 130 231 and RGB 208 130 231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 160 231 shade: RGB 130 161 231, RGB 130 134 231 and RGB 130 130 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 160 231 shade matches the following richer shades: RGB 130 161 231 and RGB 118 156 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 160 231 shade: RGB 130 161 231, RGB 142 166 219, RGB 154 170 207, RGB 166 175 195 and RGB 178 180 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 160 231 shade: RGB 130 216 231, RGB 130 189 231, RGB 130 162 231, RGB 130 135 231 and RGB 152 130 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 160 231 shade: RGB 61 109 218, RGB 96 135 224, RGB 130 161 231, RGB 165 187 237 and RGB 200 213 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 160 231 shade: RGB 129 160 231, RGB 219 130 231 and RGB 202 231 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 160 231 shade: RGB 129 160 231, RGB 231 130 162 and RGB 162 231 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 160 231 shade: RGB 129 160 231, RGB 219 130 231, RGB 231 199 130 and RGB 142 231 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 160 231 shade: RGB 129 160 231, RGB 231 130 212, RGB 231 199 130 and RGB 130 231 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 31 / 0 / 9

HEX #81A0E7

RGB 129 160 231

HSL 221.76, 0.68%, 0.71%

LAB 66.2, 7.63, -39.18

 

Complementary color

CMYK 0 / 25 / 81 / 51

HEX #7E5F18

RGB 126 95 24

HSL 41.76, 0.68%, 0.29%

LAB 42.29, 5.46, 42.64

 

CMYK 41 / 29 / 0 / 11

HEX #86A0E2

RGB 134 160 226

HSL 223.04, 0.61%, 0.71%

LAB 66.29, 7.5, -36.26

 

CMYK 38 / 27 / 0 / 4

HEX #97B2F5

RGB 151 178 245

HSL 222.77, 0.82%, 0.78%

LAB 72.9, 6.98, -36.28

 

CMYK 34 / 23 / 0 / 0

HEX #A8C4FF

RGB 168 196 255

HSL 220.69, 1%, 0.83%

LAB 79.06, 4.24, -32.05

 

CMYK 27 / 16 / 0 / 0

HEX #B9D6FF

RGB 185 214 255

HSL 215.14, 1%, 0.86%

LAB 84.81, -0.63, -23.16

 

CMYK 21 / 9 / 0 / 0

HEX #CAE8FF

RGB 202 232 255

HSL 206.04, 1%, 0.9%

LAB 90.55, -5.02, -14.4

 

CMYK 44 / 31 / 0 / 9

HEX #81A0E7

RGB 129 160 231

HSL 221.76, 0.68%, 0.71%

LAB 66.2, 7.63, -39.18

 

CMYK 47 / 33 / 0 / 17

HEX #708ED4

RGB 112 142 212

HSL 222, 0.54%, 0.64%

LAB 59.47, 8.31, -39.23

 

CMYK 51 / 36 / 0 / 24

HEX #5F7CC1

RGB 95 124 193

HSL 222.24, 0.44%, 0.56%

LAB 52.62, 9.13, -39.33

 

CMYK 55 / 39 / 0 / 32

HEX #4E6AAE

RGB 78 106 174

HSL 222.5, 0.38%, 0.49%

LAB 45.61, 10.14, -39.47

 

CMYK 61 / 43 / 0 / 39

HEX #3D589B

RGB 61 88 155

HSL 222.77, 0.44%, 0.42%

LAB 38.44, 11.41, -39.67

 

CMYK 44 / 30 / 0 / 9

HEX #82A1E7

RGB 130 161 231

HSL 221.58, 0.68%, 0.71%

LAB 66.52, 7.31, -38.66

 

CMYK 44 / 42 / 0 / 9

HEX #8286E7

RGB 130 134 231

HSL 237.62, 0.68%, 0.71%

LAB 59.49, 22.99, -49.73

 

CMYK 33 / 44 / 0 / 9

HEX #9A82E7

RGB 154 130 231

HSL 254.26, 0.68%, 0.71%

LAB 60.43, 31.42, -48.12

 

CMYK 22 / 44 / 0 / 9

HEX #B582E7

RGB 181 130 231

HSL 270.3, 0.68%, 0.71%

LAB 62.98, 38.79, -43.93

 

CMYK 10 / 44 / 0 / 9

HEX #D082E7

RGB 208 130 231

HSL 286.34, 0.68%, 0.71%

LAB 65.86, 46.48, -39.21

 

CMYK 44 / 30 / 0 / 9

HEX #82A1E7

RGB 130 161 231

HSL 221.58, 0.68%, 0.71%

LAB 66.52, 7.31, -38.66

 

CMYK 44 / 42 / 0 / 9

HEX #8286E7

RGB 130 134 231

HSL 237.62, 0.68%, 0.71%

LAB 59.49, 22.99, -49.73

 

CMYK 44 / 44 / 0 / 9

HEX #8282E7

RGB 130 130 231

HSL 240, 0.68%, 0.71%

LAB 58.49, 25.35, -51.32

 

CMYK 44 / 30 / 0 / 9

HEX #82A1E7

RGB 130 161 231

HSL 221.58, 0.68%, 0.71%

LAB 66.52, 7.31, -38.66

 

CMYK 51 / 36 / 0 / 5

HEX #769CF3

RGB 118 156 243

HSL 221.76, 0.84%, 0.71%

LAB 65.04, 10.89, -47.62

 

CMYK 44 / 30 / 0 / 9

HEX #82A1E7

RGB 130 161 231

HSL 221.58, 0.68%, 0.71%

LAB 66.52, 7.31, -38.66

 

CMYK 35 / 24 / 0 / 14

HEX #8EA6DB

RGB 142 166 219

HSL 221.3, 0.52%, 0.71%

LAB 68.12, 4.38, -29.53

 

CMYK 26 / 18 / 0 / 19

HEX #9AAACF

RGB 154 170 207

HSL 221.89, 0.36%, 0.71%

LAB 69.56, 2.65, -20.65

 

CMYK 15 / 10 / 0 / 24

HEX #A6AFC3

RGB 166 175 195

HSL 221.38, 0.19%, 0.71%

LAB 71.36, 0.97, -11.25

 

CMYK 3 / 2 / 0 / 28

HEX #B2B4B7

RGB 178 180 183

HSL 216, 0.03%, 0.71%

LAB 73.24, -0.13, -1.78

 

CMYK 44 / 6 / 0 / 9

HEX #82D8E7

RGB 130 216 231

HSL 188.91, 0.68%, 0.71%

LAB 81.64, -22.16, -15.51

 

CMYK 44 / 18 / 0 / 9

HEX #82BDE7

RGB 130 189 231

HSL 204.95, 0.68%, 0.71%

LAB 74.13, -8.19, -26.89

 

CMYK 44 / 30 / 0 / 9

HEX #82A2E7

RGB 130 162 231

HSL 220.99, 0.68%, 0.71%

LAB 66.79, 6.74, -38.25

 

CMYK 44 / 42 / 0 / 9

HEX #8287E7

RGB 130 135 231

HSL 237.03, 0.68%, 0.71%

LAB 59.75, 22.4, -49.32

 

CMYK 34 / 44 / 0 / 9

HEX #9882E7

RGB 152 130 231

HSL 253.07, 0.68%, 0.71%

LAB 60.26, 30.89, -48.4

 

CMYK 72 / 50 / 0 / 15

HEX #3D6DDA

RGB 61 109 218

HSL 221.66, 0.68%, 0.55%

LAB 48.25, 20.7, -60.64

 

CMYK 57 / 40 / 0 / 12

HEX #6087E0

RGB 96 135 224

HSL 221.72, 0.67%, 0.63%

LAB 57.27, 12.65, -49.49

 

CMYK 44 / 30 / 0 / 9

HEX #82A1E7

RGB 130 161 231

HSL 221.58, 0.68%, 0.71%

LAB 66.52, 7.31, -38.66

 

CMYK 30 / 21 / 0 / 7

HEX #A5BBED

RGB 165 187 237

HSL 221.67, 0.67%, 0.79%

LAB 75.86, 3.82, -27.32

 

CMYK 18 / 13 / 0 / 4

HEX #C8D5F4

RGB 200 213 244

HSL 222.27, 0.67%, 0.87%

LAB 85.2, 1.91, -16.65

 

CMYK 44 / 31 / 0 / 9

HEX #81A0E7

RGB 129 160 231

HSL 221.76, 0.68%, 0.71%

LAB 66.2, 7.63, -39.18

 

CMYK 5 / 44 / 0 / 9

HEX #DB82E7

RGB 219 130 231

HSL 292.87, 0.68%, 0.71%

LAB 67.12, 49.65, -37.14

 

CMYK 13 / 0 / 44 / 9

HEX #CAE782

RGB 202 231 130

HSL 77.23, 0.68%, 0.71%

LAB 87.64, -25.17, 45.88

 

CMYK 44 / 31 / 0 / 9

HEX #81A0E7

RGB 129 160 231

HSL 221.76, 0.68%, 0.71%

LAB 66.2, 7.63, -39.18

 

CMYK 0 / 44 / 30 / 9

HEX #E782A2

RGB 231 130 162

HSL 340.99, 0.68%, 0.71%

LAB 66.18, 42.43, 0.22

 

CMYK 30 / 0 / 44 / 9

HEX #A2E782

RGB 162 231 130

HSL 100.99, 0.68%, 0.71%

LAB 85.22, -39.51, 42.33

 

CMYK 44 / 31 / 0 / 9

HEX #81A0E7

RGB 129 160 231

HSL 221.76, 0.68%, 0.71%

LAB 66.2, 7.63, -39.18

 

CMYK 5 / 44 / 0 / 9

HEX #DB82E7

RGB 219 130 231

HSL 292.87, 0.68%, 0.71%

LAB 67.12, 49.65, -37.14

 

CMYK 0 / 14 / 44 / 9

HEX #E7C782

RGB 231 199 130

HSL 40.99, 0.68%, 0.71%

LAB 81.54, 2.23, 38.65

 

CMYK 39 / 0 / 44 / 9

HEX #8EE782

RGB 142 231 130

HSL 112.87, 0.68%, 0.71%

LAB 84.23, -45.95, 40.87

 

CMYK 44 / 31 / 0 / 9

HEX #81A0E7

RGB 129 160 231

HSL 221.76, 0.68%, 0.71%

LAB 66.2, 7.63, -39.18

 

CMYK 0 / 44 / 8 / 9

HEX #E782D4

RGB 231 130 212

HSL 311.29, 0.68%, 0.71%

LAB 67.8, 49.85, -25.44

 

CMYK 0 / 14 / 44 / 9

HEX #E7C782

RGB 231 199 130

HSL 40.99, 0.68%, 0.71%

LAB 81.54, 2.23, 38.65

 

CMYK 44 / 0 / 35 / 9

HEX #82E795

RGB 130 231 149

HSL 131.29, 0.68%, 0.71%

LAB 84, -46.59, 30.96

 

Description

Color code: RGB 129 160 231 | qconv.com Color code: RGB 129 160 231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 160 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 160 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 31 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 31% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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