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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 154 238 it is the complementary color RGB 126 101 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 154 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 154 238 shade: RGB 134 154 233, RGB 151 172 252, RGB 168 190 255, RGB 185 208 255 and RGB 202 226 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 154 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 154 238 shade: RGB 129 154 238, RGB 112 136 219, RGB 95 118 200, RGB 78 100 181 and RGB 61 82 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 154 238 shade: RGB 129 154 237, RGB 133 129 237, RGB 162 129 237, RGB 192 129 237 and RGB 221 129 237

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 154 238 shade: RGB 129 154 237 and RGB 129 129 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 154 238 shade matches the following richer shades: RGB 129 154 237 and RGB 117 147 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 154 238 shade: RGB 129 154 237, RGB 140 160 226, RGB 152 166 214, RGB 163 172 203 and RGB 175 179 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 154 238 shade: RGB 129 212 237, RGB 129 183 237, RGB 129 154 237, RGB 132 129 237 and RGB 161 129 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 154 238 shade: RGB 56 95 227, RGB 93 125 232, RGB 129 154 237, RGB 165 183 242 and RGB 201 212 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 154 238 shade: RGB 129 154 238, RGB 234 129 237 and RGB 198 237 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 154 238 shade: RGB 129 154 238, RGB 237 129 154 and RGB 154 237 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 154 238 shade: RGB 129 154 238, RGB 234 129 237, RGB 237 212 129 and RGB 132 237 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 154 238 shade: RGB 129 154 238, RGB 237 129 208, RGB 237 212 129 and RGB 129 237 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 35 / 0 / 7

HEX #819AEE

RGB 129 154 238

HSL 226.24, 0.76%, 0.72%

LAB 64.92, 13.09, -45.02

 

Complementary color

CMYK 0 / 20 / 87 / 51

HEX #7E6511

RGB 126 101 17

HSL 46.24, 0.76%, 0.28%

LAB 43.92, 1.69, 46.57

 

CMYK 42 / 34 / 0 / 9

HEX #869AE9

RGB 134 154 233

HSL 227.88, 0.69%, 0.72%

LAB 65.01, 12.89, -42.11

 

CMYK 40 / 32 / 0 / 1

HEX #97ACFC

RGB 151 172 252

HSL 227.52, 0.94%, 0.79%

LAB 71.63, 12.22, -42.04

 

CMYK 34 / 25 / 0 / 0

HEX #A8BEFF

RGB 168 190 255

HSL 224.83, 1%, 0.83%

LAB 77.5, 7.51, -34.45

 

CMYK 27 / 18 / 0 / 0

HEX #B9D0FF

RGB 185 208 255

HSL 220.29, 1%, 0.86%

LAB 83.26, 2.55, -25.52

 

CMYK 21 / 11 / 0 / 0

HEX #CAE2FF

RGB 202 226 255

HSL 212.83, 1%, 0.9%

LAB 89, -1.92, -16.72

 

CMYK 46 / 35 / 0 / 7

HEX #819AEE

RGB 129 154 238

HSL 226.24, 0.76%, 0.72%

LAB 64.92, 13.09, -45.02

 

CMYK 49 / 38 / 0 / 14

HEX #7088DB

RGB 112 136 219

HSL 226.54, 0.6%, 0.65%

LAB 58.2, 13.96, -45.16

 

CMYK 53 / 41 / 0 / 22

HEX #5F76C8

RGB 95 118 200

HSL 226.86, 0.49%, 0.58%

LAB 51.34, 14.99, -45.36

 

CMYK 57 / 45 / 0 / 29

HEX #4E64B5

RGB 78 100 181

HSL 227.18, 0.41%, 0.51%

LAB 44.33, 16.25, -45.6

 

CMYK 62 / 49 / 0 / 36

HEX #3D52A2

RGB 61 82 162

HSL 227.52, 0.45%, 0.44%

LAB 37.18, 17.81, -45.88

 

CMYK 46 / 35 / 0 / 7

HEX #819AED

RGB 129 154 237

HSL 226.11, 0.75%, 0.72%

LAB 64.88, 12.8, -44.55

 

CMYK 44 / 46 / 0 / 7

HEX #8581ED

RGB 133 129 237

HSL 242.22, 0.75%, 0.72%

LAB 58.79, 28.37, -54.16

 

CMYK 32 / 46 / 0 / 7

HEX #A281ED

RGB 162 129 237

HSL 258.33, 0.75%, 0.72%

LAB 61.22, 35.63, -50.16

 

CMYK 19 / 46 / 0 / 7

HEX #C081ED

RGB 192 129 237

HSL 275, 0.75%, 0.72%

LAB 64.18, 43.74, -45.29

 

CMYK 7 / 46 / 0 / 7

HEX #DD81ED

RGB 221 129 237

HSL 291.11, 0.75%, 0.72%

LAB 67.42, 51.87, -39.98

 

CMYK 46 / 35 / 0 / 7

HEX #819AED

RGB 129 154 237

HSL 226.11, 0.75%, 0.72%

LAB 64.88, 12.8, -44.55

 

CMYK 46 / 46 / 0 / 7

HEX #8181ED

RGB 129 129 237

HSL 240, 0.75%, 0.72%

LAB 58.49, 27.44, -54.66

 

CMYK 46 / 35 / 0 / 7

HEX #819AED

RGB 129 154 237

HSL 226.11, 0.75%, 0.72%

LAB 64.88, 12.8, -44.55

 

CMYK 53 / 41 / 0 / 2

HEX #7593F9

RGB 117 147 249

HSL 226.36, 0.92%, 0.72%

LAB 62.92, 17.77, -54.28

 

CMYK 46 / 35 / 0 / 7

HEX #819AED

RGB 129 154 237

HSL 226.11, 0.75%, 0.72%

LAB 64.88, 12.8, -44.55

 

CMYK 38 / 29 / 0 / 11

HEX #8CA0E2

RGB 140 160 226

HSL 226.05, 0.6%, 0.72%

LAB 66.68, 9.08, -35.62

 

CMYK 29 / 22 / 0 / 16

HEX #98A6D6

RGB 152 166 214

HSL 226.45, 0.43%, 0.72%

LAB 68.61, 5.97, -25.97

 

CMYK 20 / 15 / 0 / 20

HEX #A3ACCB

RGB 163 172 203

HSL 226.5, 0.28%, 0.72%

LAB 70.6, 3.41, -16.81

 

CMYK 8 / 6 / 0 / 25

HEX #AFB3BF

RGB 175 179 191

HSL 225, 0.11%, 0.72%

LAB 72.97, 0.96, -6.58

 

CMYK 46 / 11 / 0 / 7

HEX #81D4ED

RGB 129 212 237

HSL 193.89, 0.75%, 0.72%

LAB 80.67, -18.81, -20.17

 

CMYK 46 / 23 / 0 / 7

HEX #81B7ED

RGB 129 183 237

HSL 210, 0.75%, 0.72%

LAB 72.66, -3.53, -32.42

 

CMYK 46 / 35 / 0 / 7

HEX #819AED

RGB 129 154 237

HSL 226.11, 0.75%, 0.72%

LAB 64.88, 12.8, -44.55

 

CMYK 44 / 46 / 0 / 7

HEX #8481ED

RGB 132 129 237

HSL 241.67, 0.75%, 0.72%

LAB 58.71, 28.14, -54.29

 

CMYK 32 / 46 / 0 / 7

HEX #A181ED

RGB 161 129 237

HSL 257.78, 0.75%, 0.72%

LAB 61.13, 35.37, -50.31

 

CMYK 75 / 58 / 0 / 11

HEX #385FE3

RGB 56 95 227

HSL 226.32, 0.75%, 0.55%

LAB 45.04, 32.23, -70.96

 

CMYK 60 / 46 / 0 / 9

HEX #5D7DE8

RGB 93 125 232

HSL 226.19, 0.75%, 0.64%

LAB 54.89, 20.74, -57.77

 

CMYK 46 / 35 / 0 / 7

HEX #819AED

RGB 129 154 237

HSL 226.11, 0.75%, 0.72%

LAB 64.88, 12.8, -44.55

 

CMYK 32 / 24 / 0 / 5

HEX #A5B7F2

RGB 165 183 242

HSL 225.97, 0.75%, 0.8%

LAB 75, 7.25, -31.33

 

CMYK 19 / 14 / 0 / 3

HEX #C9D4F7

RGB 201 212 247

HSL 225.65, 0.74%, 0.88%

LAB 85.11, 3.39, -18.37

 

CMYK 46 / 35 / 0 / 7

HEX #819AEE

RGB 129 154 238

HSL 226.24, 0.76%, 0.72%

LAB 64.92, 13.09, -45.02

 

CMYK 1 / 46 / 0 / 7

HEX #EA81ED

RGB 234 129 237

HSL 298.33, 0.75%, 0.72%

LAB 68.97, 55.55, -37.43

 

CMYK 16 / 0 / 46 / 7

HEX #C6ED81

RGB 198 237 129

HSL 81.67, 0.75%, 0.72%

LAB 89, -29.61, 47.99

 

CMYK 46 / 35 / 0 / 7

HEX #819AEE

RGB 129 154 238

HSL 226.24, 0.76%, 0.72%

LAB 64.92, 13.09, -45.02

 

CMYK 0 / 46 / 35 / 7

HEX #ED819A

RGB 237 129 154

HSL 346.11, 0.75%, 0.72%

LAB 66.55, 44.03, 5.37

 

CMYK 35 / 0 / 46 / 7

HEX #9AED81

RGB 154 237 129

HSL 106.11, 0.75%, 0.72%

LAB 86.52, -44.89, 44.36

 

CMYK 46 / 35 / 0 / 7

HEX #819AEE

RGB 129 154 238

HSL 226.24, 0.76%, 0.72%

LAB 64.92, 13.09, -45.02

 

CMYK 1 / 46 / 0 / 7

HEX #EA81ED

RGB 234 129 237

HSL 298.33, 0.75%, 0.72%

LAB 68.97, 55.55, -37.43

 

CMYK 0 / 11 / 46 / 7

HEX #EDD481

RGB 237 212 129

HSL 46.11, 0.75%, 0.72%

LAB 85.34, -2.18, 44.08

 

CMYK 44 / 0 / 46 / 7

HEX #84ED81

RGB 132 237 129

HSL 118.33, 0.75%, 0.72%

LAB 85.53, -51.55, 42.91

 

CMYK 46 / 35 / 0 / 7

HEX #819AEE

RGB 129 154 238

HSL 226.24, 0.76%, 0.72%

LAB 64.92, 13.09, -45.02

 

CMYK 0 / 46 / 12 / 7

HEX #ED81D0

RGB 237 129 208

HSL 316.11, 0.75%, 0.72%

LAB 68.21, 51.55, -22.52

 

CMYK 0 / 11 / 46 / 7

HEX #EDD481

RGB 237 212 129

HSL 46.11, 0.75%, 0.72%

LAB 85.34, -2.18, 44.08

 

CMYK 46 / 0 / 33 / 7

HEX #81ED9E

RGB 129 237 158

HSL 136.11, 0.75%, 0.72%

LAB 85.86, -47.88, 28.86

 

Description

Color code: RGB 129 154 238 | qconv.com Color code: RGB 129 154 238 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 154 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 154 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 35 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 35% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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