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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 148 232 it is the complementary color RGB 126 107 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 148 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 148 232 shade: RGB 134 148 227, RGB 151 166 246, RGB 168 184 255, RGB 185 202 255 and RGB 202 220 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 148 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 148 232 shade: RGB 129 148 232, RGB 112 130 213, RGB 95 112 194, RGB 78 94 175 and RGB 61 76 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 148 232 shade: RGB 130 148 232, RGB 138 130 232, RGB 166 130 232, RGB 193 130 232 and RGB 221 130 232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 148 232 shade: RGB 130 148 232 and RGB 130 130 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 148 232 shade matches the following richer shades: RGB 130 148 232 and RGB 118 141 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 148 232 shade: RGB 130 148 232, RGB 141 156 220, RGB 153 163 208, RGB 165 171 196 and RGB 177 179 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 148 232 shade: RGB 130 204 232, RGB 130 177 232, RGB 130 150 232, RGB 136 130 232 and RGB 164 130 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 148 232 shade: RGB 60 89 219, RGB 95 119 225, RGB 130 148 232, RGB 164 178 238 and RGB 199 208 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 148 232 shade: RGB 129 148 232, RGB 232 130 232 and RGB 191 232 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 148 232 shade: RGB 129 148 232, RGB 232 130 150 and RGB 150 232 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 148 232 shade: RGB 129 148 232, RGB 232 130 232, RGB 232 211 130 and RGB 130 232 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 148 232 shade: RGB 129 148 232, RGB 232 130 201, RGB 232 211 130 and RGB 130 232 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 36 / 0 / 9

HEX #8194E8

RGB 129 148 232

HSL 228.93, 0.69%, 0.71%

LAB 63.07, 14.83, -44.63

 

Complementary color

CMYK 0 / 15 / 82 / 51

HEX #7E6B17

RGB 126 107 23

HSL 48.93, 0.69%, 0.29%

LAB 45.65, -1.58, 46.09

 

CMYK 41 / 35 / 0 / 11

HEX #8694E3

RGB 134 148 227

HSL 230.97, 0.62%, 0.71%

LAB 63.17, 14.67, -41.68

 

CMYK 39 / 33 / 0 / 4

HEX #97A6F6

RGB 151 166 246

HSL 230.53, 0.84%, 0.78%

LAB 69.83, 13.99, -41.6

 

CMYK 34 / 28 / 0 / 0

HEX #A8B8FF

RGB 168 184 255

HSL 228.97, 1%, 0.83%

LAB 75.96, 10.81, -36.83

 

CMYK 27 / 21 / 0 / 0

HEX #B9CAFF

RGB 185 202 255

HSL 225.43, 1%, 0.86%

LAB 81.72, 5.76, -27.87

 

CMYK 21 / 14 / 0 / 0

HEX #CADCFF

RGB 202 220 255

HSL 219.62, 1%, 0.9%

LAB 87.47, 1.21, -19.03

 

CMYK 44 / 36 / 0 / 9

HEX #8194E8

RGB 129 148 232

HSL 228.93, 0.69%, 0.71%

LAB 63.07, 14.83, -44.63

 

CMYK 47 / 39 / 0 / 16

HEX #7082D5

RGB 112 130 213

HSL 229.31, 0.55%, 0.64%

LAB 56.3, 15.72, -44.79

 

CMYK 51 / 42 / 0 / 24

HEX #5F70C2

RGB 95 112 194

HSL 229.7, 0.45%, 0.57%

LAB 49.39, 16.76, -45

 

CMYK 55 / 46 / 0 / 31

HEX #4E5EAF

RGB 78 94 175

HSL 230.1, 0.38%, 0.5%

LAB 42.34, 18.03, -45.27

 

CMYK 61 / 51 / 0 / 39

HEX #3D4C9C

RGB 61 76 156

HSL 230.53, 0.44%, 0.43%

LAB 35.13, 19.62, -45.58

 

CMYK 44 / 36 / 0 / 9

HEX #8294E8

RGB 130 148 232

HSL 229.41, 0.69%, 0.71%

LAB 63.14, 15.08, -44.52

 

CMYK 41 / 44 / 0 / 9

HEX #8A82E8

RGB 138 130 232

HSL 244.71, 0.69%, 0.71%

LAB 59.15, 27.59, -50.78

 

CMYK 28 / 44 / 0 / 9

HEX #A682E8

RGB 166 130 232

HSL 261.18, 0.69%, 0.71%

LAB 61.57, 34.89, -46.81

 

CMYK 17 / 44 / 0 / 9

HEX #C182E8

RGB 193 130 232

HSL 277.06, 0.69%, 0.71%

LAB 64.27, 42.4, -42.38

 

CMYK 5 / 44 / 0 / 9

HEX #DD82E8

RGB 221 130 232

HSL 293.53, 0.69%, 0.71%

LAB 67.4, 50.42, -37.25

 

CMYK 44 / 36 / 0 / 9

HEX #8294E8

RGB 130 148 232

HSL 229.41, 0.69%, 0.71%

LAB 63.14, 15.08, -44.52

 

CMYK 44 / 44 / 0 / 9

HEX #8282E8

RGB 130 130 232

HSL 240, 0.69%, 0.71%

LAB 58.54, 25.63, -51.79

 

CMYK 44 / 36 / 0 / 9

HEX #8294E8

RGB 130 148 232

HSL 229.41, 0.69%, 0.71%

LAB 63.14, 15.08, -44.52

 

CMYK 52 / 42 / 0 / 4

HEX #768DF4

RGB 118 141 244

HSL 229.05, 0.85%, 0.71%

LAB 61.16, 19.98, -54.32

 

CMYK 44 / 36 / 0 / 9

HEX #8294E8

RGB 130 148 232

HSL 229.41, 0.69%, 0.71%

LAB 63.14, 15.08, -44.52

 

CMYK 36 / 29 / 0 / 14

HEX #8D9CDC

RGB 141 156 220

HSL 228.61, 0.53%, 0.71%

LAB 65.44, 10.02, -34.23

 

CMYK 26 / 22 / 0 / 18

HEX #99A3D0

RGB 153 163 208

HSL 229.09, 0.37%, 0.71%

LAB 67.67, 6.48, -24.09

 

CMYK 16 / 13 / 0 / 23

HEX #A5ABC4

RGB 165 171 196

HSL 228.39, 0.21%, 0.71%

LAB 70.25, 3.05, -13.46

 

CMYK 4 / 3 / 0 / 28

HEX #B1B3B8

RGB 177 179 184

HSL 222.86, 0.05%, 0.71%

LAB 72.92, 0.26, -2.79

 

CMYK 44 / 12 / 0 / 9

HEX #82CCE8

RGB 130 204 232

HSL 196.47, 0.69%, 0.71%

LAB 78.32, -15.81, -21.05

 

CMYK 44 / 24 / 0 / 9

HEX #82B1E8

RGB 130 177 232

HSL 212.35, 0.69%, 0.71%

LAB 70.88, -1.39, -32.44

 

CMYK 44 / 35 / 0 / 9

HEX #8296E8

RGB 130 150 232

HSL 228.24, 0.69%, 0.71%

LAB 63.66, 13.92, -43.7

 

CMYK 41 / 44 / 0 / 9

HEX #8882E8

RGB 136 130 232

HSL 243.53, 0.69%, 0.71%

LAB 59, 27.09, -51.04

 

CMYK 29 / 44 / 0 / 9

HEX #A482E8

RGB 164 130 232

HSL 260, 0.69%, 0.71%

LAB 61.38, 34.35, -47.11

 

CMYK 73 / 59 / 0 / 14

HEX #3C59DB

RGB 60 89 219

HSL 229.06, 0.69%, 0.55%

LAB 43.09, 33.6, -69.58

 

CMYK 58 / 47 / 0 / 12

HEX #5F77E1

RGB 95 119 225

HSL 228.92, 0.68%, 0.63%

LAB 53.02, 22.47, -56.83

 

CMYK 44 / 36 / 0 / 9

HEX #8294E8

RGB 130 148 232

HSL 229.41, 0.69%, 0.71%

LAB 63.14, 15.08, -44.52

 

CMYK 31 / 25 / 0 / 7

HEX #A4B2EE

RGB 164 178 238

HSL 228.65, 0.69%, 0.79%

LAB 73.48, 8.73, -31.51

 

CMYK 18 / 15 / 0 / 4

HEX #C7D0F4

RGB 199 208 244

HSL 228, 0.67%, 0.87%

LAB 83.85, 4.25, -18.69

 

CMYK 44 / 36 / 0 / 9

HEX #8194E8

RGB 129 148 232

HSL 228.93, 0.69%, 0.71%

LAB 63.07, 14.83, -44.63

 

CMYK 0 / 44 / 0 / 9

HEX #E882E8

RGB 232 130 232

HSL 300, 0.69%, 0.71%

LAB 68.71, 53.59, -35.1

 

CMYK 18 / 0 / 44 / 9

HEX #BFE882

RGB 191 232 130

HSL 84.12, 0.69%, 0.71%

LAB 87.19, -29.73, 45.17

 

CMYK 44 / 36 / 0 / 9

HEX #8194E8

RGB 129 148 232

HSL 228.93, 0.69%, 0.71%

LAB 63.07, 14.83, -44.63

 

CMYK 0 / 44 / 35 / 9

HEX #E88296

RGB 232 130 150

HSL 348.24, 0.69%, 0.71%

LAB 66, 41.29, 6.75

 

CMYK 35 / 0 / 44 / 9

HEX #96E882

RGB 150 232 130

HSL 108.24, 0.69%, 0.71%

LAB 84.9, -43.88, 41.79

 

CMYK 44 / 36 / 0 / 9

HEX #8194E8

RGB 129 148 232

HSL 228.93, 0.69%, 0.71%

LAB 63.07, 14.83, -44.63

 

CMYK 0 / 44 / 0 / 9

HEX #E882E8

RGB 232 130 232

HSL 300, 0.69%, 0.71%

LAB 68.71, 53.59, -35.1

 

CMYK 0 / 9 / 44 / 9

HEX #E8D382

RGB 232 211 130

HSL 47.65, 0.69%, 0.71%

LAB 84.67, -3.56, 42.65

 

CMYK 44 / 0 / 44 / 9

HEX #82E882

RGB 130 232 130

HSL 120, 0.69%, 0.71%

LAB 84, -49.93, 40.47

 

CMYK 44 / 36 / 0 / 9

HEX #8194E8

RGB 129 148 232

HSL 228.93, 0.69%, 0.71%

LAB 63.07, 14.83, -44.63

 

CMYK 0 / 44 / 13 / 9

HEX #E882C9

RGB 232 130 201

HSL 318.24, 0.69%, 0.71%

LAB 67.53, 48.38, -19.71

 

CMYK 0 / 9 / 44 / 9

HEX #E8D382

RGB 232 211 130

HSL 47.65, 0.69%, 0.71%

LAB 84.67, -3.56, 42.65

 

CMYK 44 / 0 / 31 / 9

HEX #82E8A0

RGB 130 232 160

HSL 137.65, 0.69%, 0.71%

LAB 84.48, -45.13, 25.99

 

Description

Color code: RGB 129 148 232 | qconv.com Color code: RGB 129 148 232 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 148 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 148 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 36 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 36% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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