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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 147 212 it is the complementary color RGB 126 108 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 147 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 147 212 shade: RGB 134 147 207, RGB 151 165 226, RGB 168 183 245, RGB 185 201 255 and RGB 202 219 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 147 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 147 212 shade: RGB 129 147 212, RGB 112 129 193, RGB 95 111 174, RGB 78 93 155 and RGB 61 75 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 147 212 shade: RGB 129 147 212, RGB 133 129 212, RGB 156 129 212, RGB 178 129 212 and RGB 200 129 212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 147 212 shade: RGB 129 147 212 and RGB 129 129 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 147 212 shade matches the following richer shades: RGB 129 147 212, RGB 116 139 225, RGB 102 132 239 and RGB 88 124 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 147 212 shade: RGB 129 147 212, RGB 143 155 198, RGB 156 162 184, RGB 170 170 171 and RGB 184 178 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 147 212 shade: RGB 129 192 212, RGB 129 170 212, RGB 129 148 212, RGB 132 129 212 and RGB 154 129 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 147 212 shade: RGB 68 94 191, RGB 98 121 201, RGB 129 147 212, RGB 160 173 222 and RGB 191 200 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 147 212 shade: RGB 129 147 212, RGB 209 129 212 and RGB 181 212 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 147 212 shade: RGB 129 147 212, RGB 212 129 148 and RGB 148 212 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 147 212 shade: RGB 129 147 212, RGB 209 129 212, RGB 212 192 129 and RGB 132 212 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 147 212 shade: RGB 129 147 212, RGB 212 129 190, RGB 212 192 129 and RGB 129 212 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 31 / 0 / 17

HEX #8193D4

RGB 129 147 212

HSL 226.99, 0.49%, 0.67%

LAB 61.9, 9.76, -35.36

 

Complementary color

CMYK 0 / 14 / 66 / 51

HEX #7E6C2B

RGB 126 108 43

HSL 46.99, 0.49%, 0.33%

LAB 46.09, -1.06, 37.97

 

CMYK 35 / 29 / 0 / 19

HEX #8693CF

RGB 134 147 207

HSL 229.32, 0.43%, 0.67%

LAB 62.03, 9.77, -32.33

 

CMYK 33 / 27 / 0 / 11

HEX #97A5E2

RGB 151 165 226

HSL 228.8, 0.56%, 0.74%

LAB 68.74, 9.28, -32.37

 

CMYK 31 / 25 / 0 / 4

HEX #A8B7F5

RGB 168 183 245

HSL 228.31, 0.79%, 0.81%

LAB 75.32, 8.84, -32.45

 

CMYK 27 / 21 / 0 / 0

HEX #B9C9FF

RGB 185 201 255

HSL 226.29, 1%, 0.86%

LAB 81.46, 6.3, -28.26

 

CMYK 21 / 14 / 0 / 0

HEX #CADBFF

RGB 202 219 255

HSL 220.75, 1%, 0.9%

LAB 87.21, 1.74, -19.41

 

CMYK 39 / 31 / 0 / 17

HEX #8193D4

RGB 129 147 212

HSL 226.99, 0.49%, 0.67%

LAB 61.9, 9.76, -35.36

 

CMYK 42 / 33 / 0 / 24

HEX #7081C1

RGB 112 129 193

HSL 227.41, 0.4%, 0.6%

LAB 55.07, 10.4, -35.4

 

CMYK 45 / 36 / 0 / 32

HEX #5F6FAE

RGB 95 111 174

HSL 227.85, 0.33%, 0.53%

LAB 48.08, 11.16, -35.51

 

CMYK 50 / 40 / 0 / 39

HEX #4E5D9B

RGB 78 93 155

HSL 228.31, 0.33%, 0.46%

LAB 40.92, 12.09, -35.67

 

CMYK 55 / 45 / 0 / 47

HEX #3D4B88

RGB 61 75 136

HSL 228.8, 0.38%, 0.39%

LAB 33.57, 13.27, -35.9

 

CMYK 39 / 31 / 0 / 17

HEX #8193D4

RGB 129 147 212

HSL 226.99, 0.49%, 0.67%

LAB 61.9, 9.76, -35.36

 

CMYK 37 / 39 / 0 / 17

HEX #8581D4

RGB 133 129 212

HSL 242.89, 0.49%, 0.67%

LAB 57.5, 21.35, -42.23

 

CMYK 26 / 39 / 0 / 17

HEX #9C81D4

RGB 156 129 212

HSL 259.52, 0.49%, 0.67%

LAB 59.45, 27.76, -39.03

 

CMYK 16 / 39 / 0 / 17

HEX #B281D4

RGB 178 129 212

HSL 275.42, 0.49%, 0.67%

LAB 61.58, 34.23, -35.54

 

CMYK 6 / 39 / 0 / 17

HEX #C881D4

RGB 200 129 212

HSL 291.33, 0.49%, 0.67%

LAB 63.94, 40.89, -31.69

 

CMYK 39 / 31 / 0 / 17

HEX #8193D4

RGB 129 147 212

HSL 226.99, 0.49%, 0.67%

LAB 61.9, 9.76, -35.36

 

CMYK 39 / 39 / 0 / 17

HEX #8181D4

RGB 129 129 212

HSL 240, 0.49%, 0.67%

LAB 57.19, 20.29, -42.74

 

CMYK 39 / 31 / 0 / 17

HEX #8193D4

RGB 129 147 212

HSL 226.99, 0.49%, 0.67%

LAB 61.9, 9.76, -35.36

 

CMYK 48 / 38 / 0 / 12

HEX #748BE1

RGB 116 139 225

HSL 227.34, 0.64%, 0.67%

LAB 59.54, 14.93, -46.38

 

CMYK 57 / 45 / 0 / 6

HEX #6684EF

RGB 102 132 239

HSL 226.86, 0.81%, 0.67%

LAB 57.62, 20.49, -57.27

 

CMYK 65 / 51 / 0 / 1

HEX #587CFC

RGB 88 124 252

HSL 226.83, 0.96%, 0.67%

LAB 55.6, 27.21, -67.74

 

CMYK 39 / 31 / 0 / 17

HEX #8193D4

RGB 129 147 212

HSL 226.99, 0.49%, 0.67%

LAB 61.9, 9.76, -35.36

 

CMYK 28 / 22 / 0 / 22

HEX #8F9BC6

RGB 143 155 198

HSL 226.91, 0.33%, 0.67%

LAB 64.45, 5.51, -23.52

 

CMYK 15 / 12 / 0 / 28

HEX #9CA2B8

RGB 156 162 184

HSL 227.14, 0.16%, 0.67%

LAB 66.8, 2.44, -12.06

 

CMYK 1 / 1 / 0 / 33

HEX #AAAAAB

RGB 170 170 171

HSL 240, 0.01%, 0.67%

LAB 69.64, 0.19, -0.52

 

CMYK 0 / 3 / 15 / 28

HEX #B8B29D

RGB 184 178 157

HSL 46.67, 0.16%, 0.67%

LAB 72.54, -1.48, 11.5

 

CMYK 39 / 9 / 0 / 17

HEX #81C0D4

RGB 129 192 212

HSL 194.46, 0.49%, 0.67%

LAB 74.27, -15.05, -16.39

 

CMYK 39 / 20 / 0 / 17

HEX #81AAD4

RGB 129 170 212

HSL 210.36, 0.49%, 0.67%

LAB 68.15, -3.25, -25.7

 

CMYK 39 / 30 / 0 / 17

HEX #8194D4

RGB 129 148 212

HSL 226.27, 0.49%, 0.67%

LAB 62.17, 9.18, -34.94

 

CMYK 38 / 39 / 0 / 17

HEX #8481D4

RGB 132 129 212

HSL 242.17, 0.49%, 0.67%

LAB 57.42, 21.09, -42.36

 

CMYK 27 / 39 / 0 / 17

HEX #9A81D4

RGB 154 129 212

HSL 258.07, 0.49%, 0.67%

LAB 59.27, 27.18, -39.33

 

CMYK 64 / 51 / 0 / 25

HEX #445EBF

RGB 68 94 191

HSL 227.32, 0.49%, 0.51%

LAB 42.76, 21.6, -53.98

 

CMYK 51 / 40 / 0 / 21

HEX #6279C9

RGB 98 121 201

HSL 226.6, 0.49%, 0.59%

LAB 52.39, 14.16, -44.25

 

CMYK 39 / 31 / 0 / 17

HEX #8193D4

RGB 129 147 212

HSL 226.99, 0.49%, 0.67%

LAB 61.9, 9.76, -35.36

 

CMYK 28 / 22 / 0 / 13

HEX #A0ADDE

RGB 160 173 222

HSL 227.42, 0.48%, 0.75%

LAB 71.31, 6.4, -26.17

 

CMYK 18 / 14 / 0 / 9

HEX #BFC8E9

RGB 191 200 233

HSL 227.14, 0.49%, 0.83%

LAB 80.89, 3.65, -17.35

 

CMYK 39 / 31 / 0 / 17

HEX #8193D4

RGB 129 147 212

HSL 226.99, 0.49%, 0.67%

LAB 61.9, 9.76, -35.36

 

CMYK 1 / 39 / 0 / 17

HEX #D181D4

RGB 209 129 212

HSL 297.83, 0.49%, 0.67%

LAB 64.97, 43.64, -30.02

 

CMYK 15 / 0 / 39 / 17

HEX #B5D481

RGB 181 212 129

HSL 82.41, 0.49%, 0.67%

LAB 81.01, -24.01, 37.7

 

CMYK 39 / 31 / 0 / 17

HEX #8193D4

RGB 129 147 212

HSL 226.99, 0.49%, 0.67%

LAB 61.9, 9.76, -35.36

 

CMYK 0 / 39 / 30 / 17

HEX #D48194

RGB 212 129 148

HSL 346.27, 0.49%, 0.67%

LAB 63.21, 34.37, 3.54

 

CMYK 30 / 0 / 39 / 17

HEX #94D481

RGB 148 212 129

HSL 106.27, 0.49%, 0.67%

LAB 79.02, -35.77, 34.73

 

CMYK 39 / 31 / 0 / 17

HEX #8193D4

RGB 129 147 212

HSL 226.99, 0.49%, 0.67%

LAB 61.9, 9.76, -35.36

 

CMYK 1 / 39 / 0 / 17

HEX #D181D4

RGB 209 129 212

HSL 297.83, 0.49%, 0.67%

LAB 64.97, 43.64, -30.02

 

CMYK 0 / 9 / 39 / 17

HEX #D4C081

RGB 212 192 129

HSL 45.54, 0.49%, 0.67%

LAB 78.04, -1.82, 34.32

 

CMYK 38 / 0 / 39 / 17

HEX #84D481

RGB 132 212 129

HSL 117.83, 0.49%, 0.67%

LAB 78.21, -40.94, 33.52

 

CMYK 39 / 31 / 0 / 17

HEX #8193D4

RGB 129 147 212

HSL 226.99, 0.49%, 0.67%

LAB 61.9, 9.76, -35.36

 

CMYK 0 / 39 / 10 / 17

HEX #D481BE

RGB 212 129 190

HSL 315.9, 0.49%, 0.67%

LAB 64.5, 40.69, -18.37

 

CMYK 0 / 9 / 39 / 17

HEX #D4C081

RGB 212 192 129

HSL 45.54, 0.49%, 0.67%

LAB 78.04, -1.82, 34.32

 

CMYK 39 / 0 / 29 / 17

HEX #81D497

RGB 129 212 151

HSL 135.9, 0.49%, 0.67%

LAB 78.46, -38.2, 22.43

 

Description

Color code: RGB 129 147 212 | qconv.com Color code: RGB 129 147 212 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 147 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 147 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 31 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 31% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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