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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 146 115 it is the complementary color RGB 126 109 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 146 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 146 115 shade: RGB 134 146 110, RGB 151 164 129, RGB 168 182 148, RGB 185 200 167 and RGB 202 218 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 146 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 146 115 shade: RGB 129 146 115, RGB 112 128 96, RGB 95 110 77, RGB 78 92 58 and RGB 61 74 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 146 115 shade: RGB 128 145 115, RGB 136 145 115, RGB 144 145 115, RGB 145 137 115 and RGB 145 129 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 146 115 shade: RGB 128 145 115, RGB 120 145 115, RGB 115 145 117, RGB 115 145 125 and RGB 115 145 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 146 115 shade matches the following richer shades: RGB 128 145 115, RGB 126 165 94, RGB 124 185 74, RGB 122 205 54 and RGB 120 225 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 146 115 shade: RGB 128 145 115, RGB 130 124 135, RGB 132 104 155, RGB 134 84 175 and RGB 136 64 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 146 115 shade: RGB 145 145 115, RGB 137 145 115, RGB 129 145 115, RGB 121 145 115 and RGB 115 145 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 146 115 shade: RGB 87 99 78, RGB 108 122 96, RGB 128 145 115, RGB 149 163 138 and RGB 170 181 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 146 115 shade: RGB 129 146 115, RGB 115 145 137 and RGB 145 115 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 146 115 shade: RGB 129 146 115, RGB 115 129 145 and RGB 145 115 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 146 115 shade: RGB 129 146 115, RGB 115 145 137, RGB 131 115 145 and RGB 145 115 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 146 115 shade: RGB 129 146 115, RGB 115 144 145, RGB 131 115 145 and RGB 145 116 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 21 / 43

HEX #819273

RGB 129 146 115

HSL 92.9, 0.12%, 0.51%

LAB 58.47, -12.04, 14.44

 

Complementary color

CMYK 10 / 22 / 0 / 45

HEX #7E6D8C

RGB 126 109 140

HSL 272.9, 0.12%, 0.49%

LAB 48.59, 12.94, -14.52

 

CMYK 8 / 0 / 25 / 43

HEX #86926E

RGB 134 146 110

HSL 80, 0.14%, 0.5%

LAB 58.74, -10.93, 17.68

 

CMYK 8 / 0 / 21 / 36

HEX #97A481

RGB 151 164 129

HSL 82.29, 0.16%, 0.57%

LAB 65.53, -10.97, 16.66

 

CMYK 8 / 0 / 19 / 29

HEX #A8B694

RGB 168 182 148

HSL 84.71, 0.19%, 0.65%

LAB 72.17, -11, 15.7

 

CMYK 8 / 0 / 17 / 22

HEX #B9C8A7

RGB 185 200 167

HSL 87.27, 0.23%, 0.72%

LAB 78.7, -11.03, 14.8

 

CMYK 7 / 0 / 15 / 15

HEX #CADABA

RGB 202 218 186

HSL 90, 0.3%, 0.79%

LAB 85.12, -11.06, 13.95

 

CMYK 12 / 0 / 21 / 43

HEX #819273

RGB 129 146 115

HSL 92.9, 0.12%, 0.51%

LAB 58.47, -12.04, 14.44

 

CMYK 13 / 0 / 25 / 50

HEX #708060

RGB 112 128 96

HSL 90, 0.14%, 0.44%

LAB 51.53, -12.07, 15.47

 

CMYK 14 / 0 / 30 / 57

HEX #5F6E4D

RGB 95 110 77

HSL 87.27, 0.18%, 0.37%

LAB 44.41, -12.11, 16.6

 

CMYK 15 / 0 / 37 / 64

HEX #4E5C3A

RGB 78 92 58

HSL 84.71, 0.23%, 0.29%

LAB 37.08, -12.12, 17.83

 

CMYK 18 / 0 / 47 / 71

HEX #3D4A27

RGB 61 74 39

HSL 82.29, 0.31%, 0.22%

LAB 29.5, -12.1, 19.18

 

CMYK 12 / 0 / 21 / 43

HEX #809173

RGB 128 145 115

HSL 94, 0.12%, 0.51%

LAB 58.11, -11.88, 13.92

 

CMYK 6 / 0 / 21 / 43

HEX #889173

RGB 136 145 115

HSL 78, 0.12%, 0.51%

LAB 58.72, -8.8, 14.86

 

CMYK 1 / 0 / 21 / 43

HEX #909173

RGB 144 145 115

HSL 62, 0.12%, 0.51%

LAB 59.36, -5.66, 15.85

 

CMYK 0 / 6 / 21 / 43

HEX #918973

RGB 145 137 115

HSL 44, 0.12%, 0.51%

LAB 57.22, -0.82, 12.89

 

CMYK 0 / 11 / 21 / 43

HEX #918173

RGB 145 129 115

HSL 28, 0.12%, 0.51%

LAB 55.03, 3.7, 9.81

 

CMYK 12 / 0 / 21 / 43

HEX #809173

RGB 128 145 115

HSL 94, 0.12%, 0.51%

LAB 58.11, -11.88, 13.92

 

CMYK 17 / 0 / 21 / 43

HEX #789173

RGB 120 145 115

HSL 110, 0.12%, 0.51%

LAB 57.54, -14.88, 13.04

 

CMYK 21 / 0 / 19 / 43

HEX #739175

RGB 115 145 117

HSL 124, 0.12%, 0.51%

LAB 57.25, -16.34, 11.45

 

CMYK 21 / 0 / 14 / 43

HEX #73917D

RGB 115 145 125

HSL 140, 0.12%, 0.51%

LAB 57.44, -14.77, 7.17

 

CMYK 21 / 0 / 8 / 43

HEX #739185

RGB 115 145 133

HSL 156, 0.12%, 0.51%

LAB 57.64, -13.12, 2.89

 

CMYK 12 / 0 / 21 / 43

HEX #809173

RGB 128 145 115

HSL 94, 0.12%, 0.51%

LAB 58.11, -11.88, 13.92

 

CMYK 24 / 0 / 43 / 35

HEX #7EA55E

RGB 126 165 94

HSL 92.96, 0.28%, 0.51%

LAB 63.47, -26.16, 32.53

 

CMYK 33 / 0 / 60 / 27

HEX #7CB94A

RGB 124 185 74

HSL 92.97, 0.44%, 0.51%

LAB 69.1, -38.53, 49.05

 

CMYK 40 / 0 / 74 / 20

HEX #7ACD36

RGB 122 205 54

HSL 92.98, 0.6%, 0.51%

LAB 74.87, -49.27, 63.07

 

CMYK 47 / 0 / 85 / 12

HEX #78E122

RGB 120 225 34

HSL 92.98, 0.76%, 0.51%

LAB 80.72, -58.63, 74.01

 

CMYK 12 / 0 / 21 / 43

HEX #809173

RGB 128 145 115

HSL 94, 0.12%, 0.51%

LAB 58.11, -11.88, 13.92

 

CMYK 4 / 8 / 0 / 47

HEX #827C87

RGB 130 124 135

HSL 272.73, 0.04%, 0.51%

LAB 52.85, 4.47, -5.15

 

CMYK 15 / 33 / 0 / 39

HEX #84689B

RGB 132 104 155

HSL 272.94, 0.2%, 0.51%

LAB 48.48, 21.36, -23.52

 

CMYK 23 / 52 / 0 / 31

HEX #8654AF

RGB 134 84 175

HSL 272.97, 0.36%, 0.51%

LAB 44.95, 38.31, -40.81

 

CMYK 30 / 67 / 0 / 24

HEX #8840C3

RGB 136 64 195

HSL 272.98, 0.52%, 0.51%

LAB 42.52, 53.98, -56.38

 

CMYK 0 / 0 / 21 / 43

HEX #919173

RGB 145 145 115

HSL 60, 0.12%, 0.51%

LAB 59.44, -5.26, 15.97

 

CMYK 6 / 0 / 21 / 43

HEX #899173

RGB 137 145 115

HSL 76, 0.12%, 0.51%

LAB 58.8, -8.41, 14.98

 

CMYK 11 / 0 / 21 / 43

HEX #819173

RGB 129 145 115

HSL 92, 0.12%, 0.51%

LAB 58.18, -11.5, 14.04

 

CMYK 17 / 0 / 21 / 43

HEX #799173

RGB 121 145 115

HSL 108, 0.12%, 0.51%

LAB 57.61, -14.51, 13.15

 

CMYK 21 / 0 / 19 / 43

HEX #739175

RGB 115 145 117

HSL 124, 0.12%, 0.51%

LAB 57.25, -16.34, 11.45

 

CMYK 12 / 0 / 21 / 61

HEX #57634E

RGB 87 99 78

HSL 94.29, 0.12%, 0.35%

LAB 40.41, -8.95, 10.42

 

CMYK 11 / 0 / 21 / 52

HEX #6C7A60

RGB 108 122 96

HSL 92.31, 0.12%, 0.43%

LAB 49.44, -10.33, 12.54

 

CMYK 12 / 0 / 21 / 43

HEX #809173

RGB 128 145 115

HSL 94, 0.12%, 0.51%

LAB 58.11, -11.88, 13.92

 

CMYK 9 / 0 / 15 / 36

HEX #95A38A

RGB 149 163 138

HSL 93.6, 0.12%, 0.59%

LAB 65.29, -9.67, 11.33

 

CMYK 6 / 0 / 11 / 29

HEX #AAB5A1

RGB 170 181 161

HSL 93, 0.12%, 0.67%

LAB 72.34, -7.54, 8.88

 

CMYK 12 / 0 / 21 / 43

HEX #819273

RGB 129 146 115

HSL 92.9, 0.12%, 0.51%

LAB 58.47, -12.04, 14.44

 

CMYK 21 / 0 / 6 / 43

HEX #739189

RGB 115 145 137

HSL 164, 0.12%, 0.51%

LAB 57.75, -12.26, 0.76

 

CMYK 0 / 21 / 3 / 43

HEX #91738D

RGB 145 115 141

HSL 308, 0.12%, 0.51%

LAB 52.07, 16.44, -9.68

 

CMYK 12 / 0 / 21 / 43

HEX #819273

RGB 129 146 115

HSL 92.9, 0.12%, 0.51%

LAB 58.47, -12.04, 14.44

 

CMYK 21 / 11 / 0 / 43

HEX #738191

RGB 115 129 145

HSL 212, 0.12%, 0.51%

LAB 53.37, -1.47, -10.33

 

CMYK 0 / 21 / 11 / 43

HEX #917381

RGB 145 115 129

HSL 332, 0.12%, 0.51%

LAB 51.69, 14.17, -3.19

 

CMYK 12 / 0 / 21 / 43

HEX #819273

RGB 129 146 115

HSL 92.9, 0.12%, 0.51%

LAB 58.47, -12.04, 14.44

 

CMYK 21 / 0 / 6 / 43

HEX #739189

RGB 115 145 137

HSL 164, 0.12%, 0.51%

LAB 57.75, -12.26, 0.76

 

CMYK 10 / 21 / 0 / 43

HEX #837391

RGB 131 115 145

HSL 272, 0.12%, 0.51%

LAB 50.84, 12.24, -14.02

 

CMYK 0 / 21 / 15 / 43

HEX #91737B

RGB 145 115 123

HSL 344, 0.12%, 0.51%

LAB 51.51, 13.11, 0.08

 

CMYK 12 / 0 / 21 / 43

HEX #819273

RGB 129 146 115

HSL 92.9, 0.12%, 0.51%

LAB 58.47, -12.04, 14.44

 

CMYK 21 / 1 / 0 / 43

HEX #739091

RGB 115 144 145

HSL 182, 0.12%, 0.51%

LAB 57.69, -9.92, -3.91

 

CMYK 10 / 21 / 0 / 43

HEX #837391

RGB 131 115 145

HSL 272, 0.12%, 0.51%

LAB 50.84, 12.24, -14.02

 

CMYK 0 / 20 / 21 / 43

HEX #917473

RGB 145 116 115

HSL 2, 0.12%, 0.51%

LAB 51.55, 11.18, 4.86

 

Description

Color code: RGB 129 146 115 | qconv.com Color code: RGB 129 146 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 146 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 146 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 21 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 21% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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